Recognized Dealers Paintings

Untitled Acrylic with gold leaf on canvas collage mounted on canvas, c. 2002 Unsigned Provenance: Estate of the Artist Condition: Excellent Imag...

Hunt Slonem's artistic trajectory has always been characterized by a deep exploration of spiritual themes. His use of repetition in form—particularly with his beloved bunnies—serves ...

Hunt Slonem "Love To" Yellow Bunny A single rabbit gestured in black on a yellow background in a vintage frame Unframed: 6 x 4 inches Framed: 8.5 x 6.5 inches *Painting is framed - ...

Anila Quayyum Agha Flowers (Orange Circle), 2017 Mixed media on paper (encaustic orange circle with pink beads in center) 29.5 x 30 inches 74.9 x 76.2 cm...

Peter was born in New York in 1946. He received a BFA from the Tyler School of Art and an MFA from the University of Pennsylvania. Peter taught at the Ge...

A dynamic 1930s, WPA era industrial scene watercolor of a steel mill and factory workers by notable Chicago Modern artist, Harold Haydon. A wonderful example of early Twentieth Cent...

Harbor View Oil on canvas, 24 x 49 inches (61 x 124.5 cm) Signed lower right: John Whorf Provenance The artist; Collection of Ginger and Richard Beckwith, until 2021; Private collec...

Provenance: Private Collection, Argentina; there acquired by Mr. and Mrs. Ernest T. Harper, New York, by 1960; by descent to: Mr. and Mrs. Alan Harper, New York, until 2024. This s...

Memories of Ecstasy is an oil on canvas painting, 24.75 x 18.5" canvas size, signed on the front ‘KOSTABI 2022’ lower right, and signed, titled and dated verso. Framed in a contempor...

Overall Dimensions, including artist frame: 54 x 80 in. Each Painted Panel: 33 x 24 in. Medium: Oil on Panel Signature: Each panel signed and dated Literature: Coy Ludwig, Maxfiel...

A marvellous, tiny shell, commonly known as a marbled cone, lies on a marble stone, almost at the edge. Reminiscent of Rembrandt's famous engraving, Gianluca Corona enhances the lumi...

Original Holiday Greeting Card Christmas Illustration featuring a snowy scene with dogs chasing a horse-drawn sleigh Medium: Egg Tempera on Illustration Board Signature: Unsigned Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

Dimensions: 24.50" x 36.00" Original book cover for "A Cold Day in Hell" by Terry Johnston for Bantam Books, published 1996. Johnston writes gritty, raw, historically-accurate fron...

Oil on canvas 39 x 32 inches Born in Thessaloniki, Greece, Kostis Georgiou studied stage scenery in Florence (1981-1982), painting and sculpture in the School of Fine Arts, Athens (1982-1986) with Dimitris Mitaras and Dimosthenis Kokinidis, as well as at the Royal College of Fine Arts, London (1985-1986) with Peter de Francia...

Omens is a watercolor painting on Fabriano paper by Italian-born multidisciplinary artist Lucio Pozzi. It is currently housed at Hal Bromm Gallery.

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

A painting by William Wendt. "Laguna Hills" is an impressionist landscape, oil on canvas in an earth-tone palette by American artist William Wendt. The artwork is signed in the lower...

Oil on canvas Canvas size: 18 x 21.75 Framed size: 24.5 x 27.5 Signed lower left

Johann Berthelsen and one of New York city’s best known artists along with Guy Wiggins, depicting the streets, parks and skyline of New York. This is a romantic and atmospheric work ...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

George Smith of Chichester (1714-1776) Landscape with goatherds near a waterfall Oil on canvas Signed 'Geo. Smith' lower left Canvas Size 18 x 25 i...

Untitled, 1994 (SFP94-36) is an acrylic painting on canvas, from Francis' 'Last Works' collection. The canvas is 18 x 22 inches and stamped verso with the Sam Francis estate stamp. F...

In 1968, a review in the New York Times referred to Inukai’s paintings as “Very pure”. This fresh, graphic work features a single color with bands around the edges that are truly int...

A father and son watch a World War II era air show as a man in military uniform looks on. Original promotional calendar illustration for Goodyear, published 1941 Medium: Oil on Can...

As one of the first, and most important, American Impressionists, Theodore Robinson helped to introduce the French style to American artists and audiences.

large abstract oil painting on canvas green orange brown

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Paysage d'Automne à Nesle la Vallée by Gustave Loiseau (1865-1935) Oil on canvas 65 X 81.2 cm (25 ⁵/₈ x 32 inches) Signed lower left, G Loiseau Executed in 1898 This work is accompanied by a certificate of authenticity issued by Didier Imbert. Painted in 1898 this oil landscape, shows Loiseau’s sophisticated approach to capturing rural landscapes. In both 1890 and 1896, Loiseau exhibited in the Impressionist exhibitions, with this piece proving indicative of the level of artistic maturity he had acquired towards the turn of the twentieth century. Provenance: Wally Findlay Galleries, Palm Beach ​Private collection, USA,​ acquired from the above in April 1975 Artist biography: Gustave Loiseau was born 3 October 1865 in Paris. A Post-Impressionist painter, he is remembered above all for his landscapes and scenes of Paris streets. Brought up in Paris and Pontoise by parents who owned a butchers shop, Loiseau served an apprenticeship with a decorator who was a friend of the family. In 1887, when an inheritance from his grandmother allowed him to concentrate on painting, he enrolled at the École des arts décoratifs where he studied life drawing. However, a year later he left the school after an argument with his teacher. While working as a decorator, Loiseau redecorated the apartment of the landscape painter Fernand Quignon (1854-1941). After he left the École des arts décoratifs, Quignon tutored him in painting. In 1890, he went to Pont-Aven in Brittany for the first time, fraternizing with the artists there, especially Paul Gauguin and Émile Bernard. After experimenting with Pointillism, he adopted his own approach to Post-Impressionism, painting landscapes directly from nature. His technique, known as en treillis or cross-hatching, gave his works a special quality. Loiseau first exhibited at the Salon des Indépendants in 1893 and at the Salon de la Société Nationale in 1895. He also exhibited at Impressionist exhibitions in 1890 and 1896. Loiseau's paintings, revealing his passion for the seasons from the beginning of spring to the harvests later in the autumn, often depict the same orchard or garden scene as time goes by. Series of this kind, which also include cliffs, harbours or churches, are reminiscent of Claude Monet. Although Loiseau did not complete many portraits, he often painted people at work: dockers together with their boats, villagers leaving a Sunday service in Brittany or arriving at the market in Pont-Aven, or even carriages in Paris driving across the Place de la Bastille and the Étoile. He is also remembered for his paintings of Paris streets...

Original Christmas holiday cover for The Saturday Evening Post, published December 6, 1958 We’re thrilled to announce the acquisition of an original 1958 Christmas cover for The Sat...

Color Origami Sipiral I Measures: 43 x 29 inches Archival pigment print One of a kind mounted on aluminum, frame This of one of a kind intervened artworks produced in 2009 and 2010 ...

Naohiko Inukai’s Yellow Diamond displays the artist’s refined, classic approach to painting. The beauty of this piece is in the lines of light lavender, red, white, and black that t...

Oil on canvas Canvas size: 25.5 x 32 inches Framed size: 33 x 39.5 inches Signed lower right

Hunt Slonem "Lady Gouldians (Australia)" Multicolor Birds on White Background A group of finches in red, yellow and green with branches on a white background Canvas 50 x 70 inches Un...

This still life of Plums is a top notch example of 19th century still life painting! Beautiful quality and striking but also spare and honest in nature which is what typified Americ...

Date: 1951 Medium: Gouache on Paper Dimensions: 22.50" x 17.50", Framed 28.00" x 24.00" Signature: Signed Middle Right Original cover illustration for The Saturday Evening Post, Sep...

Although he socialized with such famous abstract expressionist artists as Lee Krasner and Robert Motherwell, Doug Ohlson creates paintings that are restrained and geometric in nature...

This work is large and has strong presence and vibe! Great for a contemporary space that wants a bold and graphic and alive feel to it. Provenance: Private collection, NY Circles w...

Provenance: Charles H. and Virginia Baldwin, Claremont, Colorado Springs, Colorado ca. 1907-1934; thence by descent until sold in 1949 to: Charles Blevins Davis, Claremont (renamed Trianon), Colorado Springs 1949 -until gifted in 1952 to: The Poor Sisters of Saint Francis, Trianon, Colorado Springs, 1952 until acquired, 1960, by: John W. Metzger, Trianon, renamed as the Trianon School of Fine Arts, Colorado Springs, 1960-1967; when transferred to: The Metzger Family Foundation, Trianon Art Museum, Denver, 1967 - 2004; thence by descent in the Metzger Family until 2015 Exhibited: Trianon Art Museum, Denver (until 2004) The present work is a spectacular jewel-like canvas by Amigoni, rich in delicate pastel colors, most likely a modello for an altarpiece either lost or never painted. In it the Madonna stands firmly upon a cloud in the heavens, her Child resting on a delicate veil further supported by a cloud, as he gently wraps his arm around his mother’s neck. From above angels prepare to lower flowers and a wreath, while other angels and seraphim surrounding the two joyfully cavort. Dr. Annalisa Scarpa, author of the forthcoming monograph on Jacopo Amigoni...

This painting demonstrates the source of Arnoldus Bloemers’ enduring popularity. A profusion of peonies, honeysuckle, and poppies share the confines of a terracotta urn sitting on a ...

Denied Warhol Flowers, (Red Violet Purple Pink) Silkscreen Painting by Charles Lutz Silkscreen and acrylic on canvas with the artist's Denied stamp of the Andy Warhol Art Authenticat...

Pristine and purely American in its aesthetic due to the fact that the artist concentrates on one type of fruit. Europeans were much more opulent in their approach to still lifes an...

Oil on canvas Canvas size: 30 x 50 inches Framed size: 38 x 57.75 inches Signed and dated 1907 lower right

Marc Dennis is an American artist known for his hyper-realistic paintings that celebrate the subversive potential of art history, beauty and humor. In his "Desserts with Hair" seri...

Sophie is an expressive and highly individualistic Post Impressionist work reminiscent of Chaim Soutine. Cottavoz isn known and celebrated for using incredibly thick paint that is a...

In 1968, a review in the New York Times referred to Inukai’s paintings as “Very pure”. This fresh, graphic work features a single color with bands around the edges that are truly int...

Signed, lower right: Fantin Provenance: Gustave Tempelaere (1840–1904), Paris; possibly by descent to his son: Julien Tempelaere (1876–1961) and with F. & J. Tempelaere, Paris, prob...

Medium: Oil on Canvas Signature: Signed Lower Right Contact for exact dimensions. Cover of Pictorial Review Magazine, December 1932. The woman in the illustration was modeled by th...

Rocky Inlet (France) Oil on canvas, relined, c. 1915 Signed: K A Buehr, lower right (see photo) Created during the artist's time in Giverny and Normandy Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery. Provenance: Gift of the artist to his wife, Mary Hess Buehr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Gallery Condition: Craquelure to the paint surface (normal with aging of 100 years) Relined Canvas size: 11 1/8 x 14 1/4 inches Frame size: 16 x 19 inches “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Nina Tichava's paintings are about relationships; she is interested in the interactions between materials and methods as well as the color and spatial relationships that naturally de...

"Landscape No. 108" is an abstract Post War oil on panel painting by Hans Hofmann in 1941. The artwork is 23 1/4 x 29 1/4 inches and with the frame is 31 1/8 x 37 1/8 x 2 5/8 inches,...

This series is born from a search to leave aside the narrative figurative and reduce the image to shape and color. Starts with both images found as well as her images, previous piece...

"Ritmos Abstratos" invites us to explore the visual universe of the artist Juan Carlos Amador, who, through his unique perspective, translates the pulsations of space and the invisi...

Brookline Village in Snow, 1893 Oil on canvas, 26 x 33 inches (66 x 83.8 cm) Framed dimensions: 36 x 43 1/2 inches Signed and dated lower right: Dwight Blaney '94 Provenance The art...

Edmond Petitjean French, 1844-1925 Etang devant une ville Oil on canvas 18.3 x 31.1 inches Framed: 27 ½ x 40 inches Signed lower left: E Petitjean Provenance: Private Collection,...

Original Brussels Griffon gouache, probably Belgian, done as a design for a series of matchboxes.

Provenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, until 1985; thence by descent to the present owners While old inscriptions on the verso of this panel propose its author to be Hans Holbein and the sitter Sir John More—a lawyer, judge, and the father of Sir Thomas More—this fine portrait has long been recognized to be by a Flemish hand. Max Friedländer gave the painting to Bernard van Orley (1487/1491 – 1541) in 1924, but did not include it in the volume dedicated to the artist in his Early Netherlandish Paintings...

Calendar Illustration: Girl walking to school with puppy Gerlach Barklow Calendar Company Signed lower right Adelaide Hiebel was born in New Hope Wisconsin in 1886. She studied at the Art Institute in Chicago. In 1919 Hiebel was an art instructor when her friend and mentor Zula Kenyon...

Robert Emmett Owen, best known for his New England landscapes featuring old farmhouses, winding roads, and covered bridges, began his career contributing pen-and-ink drawings to Life...

Illustration of a shaggy black and white dog taking a bath Original cover for The Saturday Evening Post, May 11, 1946 The Post editors described: "Artist Albe...