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Mickey Mouse
By Alexander Calder
Located in Palm Desert, CA
A painting by Alexander Calder. "Mickey Mouse" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellows, and oran...
Category

Mid-20th Century Post-War Abstract Paintings

Materials

Ink, Gouache

Hunt Slonem "Veil" Red Diamond Dust Glitter Bunny
By Hunt Slonem
Located in Houston, TX
Hunt Slonem "Veil" Red Diamond Dust Glitter Bunny A rabbit gestured in red on a matching background in a vintage frame Unframed: 10 x 8 inches Framed: 15 x 13 inches *Painting is fr...
Category

21st Century and Contemporary Neo-Expressionist Abstract Paintings

Materials

Glass, Resin, Glitter, Oil, Panel

Some Sort of Sweet Moment
By René Lalonde
Located in Greenwich, CT
Some Sort of Sweet Moment is an acrylic painting on 24 x 24" canvas, signed 'RENÉ LALONDE' lower left and framed in a contemporary black wood frame. It is difficult to categorize th...
Category

21st Century and Contemporary Contemporary Paintings

Materials

Acrylic, Canvas

An Innovative Mid-Century Modern Landscape by Noted Chicago Artist, Rudolph Pen
Located in Chicago, IL
A Unique, 1960s Mid-Century Modern, European City View Watercolor by Noted Chicago Artist, Rudolph T. Pen. Artwork is formatted in a trapezoid shape, an innovative compositional dev...
Category

Mid-20th Century American Modern Landscape Paintings

Materials

Paper, Watercolor

SEA MYTH IV
By Valerie B Hird
Located in New York, NY
Valerie B Hird SEA MYTH IV, 2010 oil on gessoed BFK paper 16 x 33 in. 40.6 x 83.8 cm.
Category

2010s Contemporary Landscape Paintings

Materials

Gesso, Paper, Oil

SEA MYTH IV
$16,000 Sale Price
20% Off
Original 1913 Motor Age Magazine Cover Art Illustration
By Clinton Pettee
Located in Fort Washington, PA
Date: 1913 Medium: Gouache on Paper Dimensions: 19.75" x 14.50" Signature: Signed Lower Right Original 1913 Motor Age Magazine Cover Art Illustrati...
Category

1910s Figurative Paintings

Materials

Paper, Gouache

6 Panel Japanese Byobu
Located in Palm Desert, CA
A Japanese screen. A six panel, Japanese Byobu screen depicting white birds perched in a pine tree and flying over a flowing river. Provenance: ...
Category

19th Century Other Art Style Landscape Paintings

Materials

Paper, Pigment

Crumpled Klein No.1
Located in Rye, NY
This artwork captivates with its striking color, seamlessly blending elements of sculpture and painting. The artist achieves a remarkable tension between flatness and depth, inviting...
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Acrylic

Still Life with Bird
By Morston Constantine Ream
Located in New York, NY
Morton Constantine Ream paints a tabletop still life with a fruit bowl, a jade figurine, silver vessels, a jewel box, and two small yellow birds in his...
Category

Late 19th Century Still-life Paintings

Materials

Oil, Board

Resume Safe Speed, Saturday Evening Post Cover, 1959
By Thornton Utz
Located in Fort Washington, PA
Medium: Oil on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, May 30, 1959. The Post described, “It is so refreshing to get away from...
Category

1950s Figurative Paintings

Materials

Oil, Board

Hunt Slonem "Violet Spring" Purple and Green Flower
By Hunt Slonem
Located in Houston, TX
Hunt Slonem "Violet Spring" Purple and Green Flower A single violet gestured in purple, yellow and green on a matching background in a vintage frame Unframed: 10 x 8 inches Framed: ...
Category

21st Century and Contemporary Neo-Expressionist Abstract Paintings

Materials

Oil, Panel

Baton Twirlers Leave the Field, Saturday Evening Post Cover
By Thorton Utz
Located in Fort Washington, PA
Baton Twirlers leaving the field after a football game at the University of Florida. Cover of The Saturday Evening Post, November 17, 1962 The editors' description of the cover rea...
Category

1960s Paintings

Materials

Gouache

Hummingbirds Lupin
By Hunt Slonem
Located in Denver, CO
This painting is phenomenal example of Hunt Slonem's floral arrangements placed in a antique frame chosen by Hunt himself. Hunt Slonem's artistic trajectory has always been charact...
Category

2010s Contemporary Figurative Paintings

Materials

Oil, Canvas

Strawberries Strewn on a Forest Floor
By William Mason Brown
Located in New York, NY
William Mason Brown was born in Troy, New York, where he studied for several years with local artists, including the leading portraitist there, Abel Buel Moore. In 1850, he moved to ...
Category

19th Century American Realist Landscape Paintings

Materials

Canvas, Oil

Under the Hemlocks
Located in New York, NY
In his oil painting, “Under the Hemlocks,” Walter Launt Palmer paints a small brook in a snowy wood.
Category

20th Century Landscape Paintings

Materials

Mixed Media

Table by the Window
By Edmund Quincy
Located in New York, NY
Estate stamp (on back, on original stretcher): Estate of/ Edmund Quincy/ 1903-1997 ///
Category

20th Century American Realist Portrait Paintings

Materials

Canvas, Oil

Hermit Creek Canyon, Grand Canyon
Located in Palm Desert, CA
A painting by Dewitt Parshall. ""Hermit Creek Canyon, Grand Canyon"" is a modern landscape painting, oil on canvas in an earth-tone palette by Dewitt P...
Category

20th Century Modern Landscape Paintings

Materials

Oil

#15-1984
By Stanley Twardowicz
Located in New York, NY
Signed (on stretcher): Stanley/ Twardowicz Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hard...
Category

Late 20th Century American Modern Abstract Paintings

Materials

Canvas, Acrylic

Under A False Flag
By Taher Jaoui
Located in Boca Raton, FL
Neo Expressionist Abstracted Figurative painting in black and white
Category

2010s Neo-Expressionist Abstract Paintings

Materials

Canvas, Mixed Media, Acrylic

Théière et Citron by Georges Braque - Still life painting
By Georges Braque
Located in London, GB
Théière et Citron by Georges Braque (1882-1963) Oil on panel 22.5 x 25 cm (8 ⅞ x 9 ⅞ inches) Signed lower left, G. Braque Executed in 1947 Provenance: Perls Galleries, New York Fuji...
Category

1940s Cubist Still-life Paintings

Materials

Canvas, Oil

The Little Charmer
Located in Belgravia, London, London
Oil on canvas Canvas size: 18.75 x 25 inches Framed size: 29.5 x 35.5 inches Signed and dated 1890 lower left
Category

19th Century Figurative Paintings

Materials

Canvas, Oil

Committee Examining Re-Cast Liberty Bell, Pass Stow s Foundry
By Frank J. Reilly
Located in Fort Washington, PA
Frank J. Reilly (1906-1967) was noted as "the number 1 art teacher in America." Reilly is noted for developing a means of organizing the palette. His value studies and chroma organiz...
Category

20th Century Other Art Style Paintings

Materials

Canvas, Oil

Systems #2 - modern, contemporary, abstract, acrylic on canvas
By Milly Ristvedt
Located in Bloomfield, ON
This contemporary abstract painting by Milly Ristvedt is expressed in geometric form. The power of pure colour and minimal form is masterfully displayed in this abstract painting by...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Acrylic

Nineteenth Century Winter Landscape in Pennsylvania by Thomas Birch
By Thomas Birch
Located in Philadelphia, PA
Thomas Birch (American, born England, 1779-1851) Winter Landscape, Pennsylvania Oil on canvas, 18 x 24 inches FRAMED: 27 x 33 inches (approx.) Thomas Birch was born in Warwickshire, England, son of the enamel and miniature painter William Russell Birch (1755-1834). He and his father settled in Philadelphia in 1794 and produced popular sets of engravings that documented the city's growth such as The City of Philadelphia (1800) and Country Seats (1808). Thomas Birch began to paint portraits around 1806, and soon gravitated to the subjects that made him famous, landscapes, winter scenes, and marine scenes. Birch also painted numerous winter scenes throughout his career, perhaps influenced by the popularity of sleighing and skating in Philadelphia. His landscapes represented the more rustic tradition of English painting and although the subject matter was either the Pennsylvania of New Jersey countryside, Birch’s imagination was oriented toward seventeenth century Dutch painting as he was influenced by artists Jan van Goyen and Salomon van Ruysdael. Birch frequently exhibited his work at the Pennsylvania Academy of the Fine Arts and the Artists’ Fund Society, formed in 1835. His art was influential in the later development of the Hudson River School of painting and the style of romantic realism...
Category

Early 19th Century Realist Landscape Paintings

Materials

Canvas, Oil

Venice Scene by French Post-Impressionist early 20th Century oil on canvas
By Ferdinand du Puigaudeau
Located in New York, NY
Signature: Bottom right Provenance Galerie Marie Bruyer, France Private collection, NY Literature Antoine Laurentin, Ferdinand du Puigaudeau, Catalogue raisonné de l’œuvre peint, V...
Category

Early 1900s Post-Impressionist Landscape Paintings

Materials

Oil, Canvas

Expressionist Abstract #1, multi colored, Philadelphia artist, signed
By Morris Lewis Blackman
Located in Doylestown, PA
"Expressionist Abstract #1" is a 40 x 60 inches oil on board work by Philadelphia artist Morris Lewis Blackman. The painting is estate stamped on...
Category

1960s Abstract Abstract Paintings

Materials

Oil, Board

Shadowless, Figurative Abstraction, Acrylic on Paper, Modernist Abstract, 1995
By Ray Leight
Located in Doylestown, PA
"Shadowless" is a 26" x 20" acrylic on paper abstract painting by American painter Ray Leight. The painting is in original condition, from the estate of the artist, and it is signed ...
Category

1990s Abstract Abstract Paintings

Materials

Paper, Acrylic

Before the Regatta
Located in Bryn Mawr, PA
Antonio Martino's work is a prominent example of the long tradition of realistic painting and instruction in Philadelphia. Painted towards the end of his long career, Before the Rega...
Category

Late 20th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

A Path in the Mountains
By Sanford Robinson Gifford
Located in New York, NY
In his oil painting, “A Path in the Mountains,” Sanford Robinson Gifford paints a figure walking down a mountain trail lined with tall evergreens towards a forested bluff.
Category

1860s Landscape Paintings

Materials

Canvas, Oil, Board

Young and Fair, Romantic Magazine Story Illustration, Good Housekeeping, 1932
By E.M. Jackson
Located in Fort Washington, PA
"Jessica laid her face against Richie's shoulder; she felt his arm tighten about her. Perhaps it was a long time they stood so. She didn't know, but she heard him say, 'Do you mean y...
Category

1930s Paintings

Materials

Oil, Canvas

Coming Storm, 1864
By George Inness
Located in New York, NY
George Inness, considered among the foremost American landscape painters of the 19th century, developed a distinctive style blending elements of the Hudson River and Barbizon schools...
Category

19th Century Landscape Paintings

Materials

Canvas, Oil

Trout Fisherman in a Mountain Stream
By Worthington Whittredge
Located in New York, NY
Signed and dated lower left: W. Whittredge 1861
Category

19th Century Hudson River School Landscape Paintings

Materials

Oil

Untitled
Located in Beverly Hills, CA
Provenance: Galerie Krinzinger in Vienna Martha Jungwirth has always worked on the border between abstract and representational painting with waterco...
Category

1960s Abstract Abstract Paintings

Materials

Paper, Watercolor

Untitled
By Joan Nelson
Located in New York, NY
JOAN NELSON UNTITLED, 1984 egg tempera on masonite 24 x 18 in. 61 x 45.7 cm. signed and dated on verso landscape castle
Category

1980s Contemporary Landscape Paintings

Materials

Masonite, Egg Tempera

Trees in Brittany
By Abel Warshawsky
Located in Palm Desert, CA
A painting by Abel George Warshawsky. "Trees in Brittany" is an impressionist landscape, oil on canvas in a palette of greens by Abel George Warshawsky. The a...
Category

20th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

In Organum #2 - soft, contemplative abstraction, plaster and pigment on panel
By Jutta Naim
Located in Bloomfield, ON
Washes of charcoal and ochre merge with a tactile surface in this atmospheric plaster and pigment painting by Jutta Naim. Marks pulled by hand through the plaster, thick and cracking...
Category

2010s Contemporary Abstract Paintings

Materials

Plaster, Wood Panel, Pigment

Denied Andy Warhol Oxidation Painting by Charles Lutz Gold Green Abstract
By Charles Lutz
Located in Brooklyn, NY
Denied Warhol Oxidation (Piss) Painting by Charles Lutz Metal pigments and artist's urine on canvas with Denied Stamp of the Andy Warhol Art Authentication Board. 20 x 16" inches 200...
Category

Early 2000s Pop Art Portrait Paintings

Materials

Canvas, Acrylic

A small oil painting of Deer in a Forest, late 19th century
Located in Philadelphia, PA
Alice G. Gropper (late nineteenth century) Deer in the Forest Oil on canvas, 12 1/4 x 10 1/2 inches FRAMED: 14 1/2 x 16 1/2 inches (approx.) Inscribed on stretcher: (in ink) "Alice ...
Category

Late 19th Century Realist Landscape Paintings

Materials

Canvas, Oil

Ambivalent. From The Rectangular Composition Series
Located in Miami Beach, FL
Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Acrylic

The Great Things of Life-Travel, General Electric Advertisement, 1921
By Dean Cornwell
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 36.00" x 34.00; Framed 43.75" x 41.75" "The Great Things of Life—Travel, Edison Mazda Lamps/General Electric advertisement" Signed and dated lower left: Dean / Cornwell / 21 Dean Cornwell's advertisements for companies like Coca-Cola, Palmolive Soap, and Philadelphia Blended Whiskey are as chock full of atmosphere and narrative drama as his magazine story illustrations. The present work graced one of eleven advertisements in ""The Great Things of Life"" series, commissioned by General Electric, which ran in monthly 1921 editions of The Saturday Evening Post. Each of these ads, designed by a different artist - among them, Arthur I. Keller, Elizabeth Shippen Green, Clarence F. Underwood, and Sarah Stillwell Weber -- suggested that the warmth of the Edison Mazda Lamp, or incandescent light bulb, went hand in hand with middle-class virtues and opportunities, including ""Reverence,"" ""Contentment,"" ""Gratitude,"" and ""Chums."" For ""Travel,"" Cornwell imaged a honeymooning couple disembarking from a car, about to enter a brightly illuminated inn: ""The Honeymoon Trail is a trail of Light -- Soft lights, orange blossoms, and solemn vows - A handful of confetti, laughing goodbyes and a porch--light smiling its happy farewell -- Bright headlights throwing their radiance over the road; and the lights of welcome in an old-fashioned inn -- So another couple sets forth on the honeymoon trail -- a trail that lingers in memory as long as life lasts, indelibly etched by the magic of light. We speak of life as a journey; have you ever stopped to think how much Edison Mazda Lamps contribute to the pleasure of the journey?"" (General Electric advertisement, The Saturday Evening Post, 1921). The present work is accompanied by three copies of the advertisement as featured in The Saturday Evening Post. " Dean Cornwell, born in 1862, was an American artist who was best known as a muralist and for his famous illustrations in national magazines including Harper's Bazaar, Redbook, and Cosmopolitan. He was born in Louisville, Kentucky and as a child observed his civil engineer father do industrial drawings, which led to his interest in art. Cornwell studied at the Art Institute of Chicago and built his career as a cartoonist for the Lousiville Herald and the Chicago Tribune. Cornwell illustrated the works of some of the most famous names in the literary world, including Edna Ferber, Ernest Hemingway, Pearl S. Buck, and Somerset Maugham. He also created murals for the 1939 World's Fair, Bethlehem Steel, and the General Motors Building in New York City. Cornwell's spectacular murals grace buildings...
Category

1920s Figurative Paintings

Materials

Canvas, Oil

Phenomena High Born by Paul Jenkins - Abstract painting
By Paul Jenkins
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Phenomena High Born by Paul Jenkins (1923-2012) Acrylic on canvas 91.44 x 50.8 cm (36 x 20 inches) Signed lower left Jenkins Signed, dated and titled on the reverse Executed in 1964 which makes this a very early work and so more valuable Biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...
Category

1960s Abstract Expressionist Abstract Paintings

Materials

Canvas, Acrylic

In Venice
By Charles Webster Hawthorne
Located in Bryn Mawr, PA
Like his mentor the great American Impressionist William Merritt Chase, Charles Webster Hawthorne was equally admired in his own day as both a talented painter and a highly influential instructor. Hawthorne first studied with Chase at his Shinnecock Summer School of Art, which was specifically dedicated to open-air landscape painting. Not only did Hawthorne quickly absorb all the principles of Chase’s instruction, but he also became determined to found his own school based on the same model. In 1899 Hawthorne discovered the small fishing village of Provincetown on the furthermost tip of Cape Cod, and after purchasing a large house on Miller Hill, he opened the Cape Cod School of Art, which proved to be an immediate success. While Hawthorne’s own approach as a teacher owed much to Chase, he developed a distinctly unique painting style and teaching method that defies easy categorization. He was greatly impressed with the work of Franz Hals, which he was exposed to during his trip to Holland in the summer of 1898. Hawthorne was particularly struck by Hals’ Regentesses of the Old Men’s Almhouse, and from this work he absorbed a deep appreciation for the power of human expression and an economy of technique. Hawthorne applied these lessons to his own realistic portraits of Provincetown fishermen and their families; these works have a somber, almost melancholy quality to them, and they reveal a sense of the vulnerability of the human condition. Stylistically, Hawthorne maintained a life-long commitment to the importance of color. “Beauty in art,” he said, “is the delicious notes of color one against the other.” Of equal importance to him was capturing the effects of light. He told his students: “Everything in painting is a matter of silhouettes. Hold light against shadow, not light against light.” He developed a particular technique of layering glazes and texturing the surface of his paintings, which heightens the relationship between the colors and creates a light effect that seems to emanate from within the painting. These stylistic techniques in combination with his straightforward compositions of one or more figures shown at close range create the hallmarks of Hawthorne’s best paintings. Hawthorne and his wife Ethel’s 1905-1907 trip to Italy did not result in a drastic impact on his artistic style. Nonetheless, it proved to be a transformative and enlightening voyage. The extensive trip was financed by collectors who paid in advance for a painting to be produced abroad. On the trip, Hawthorne explored the work of old masters and was struck particularly by the paintings of Titian, which to Hawthorne, demonstrated the master’s true adoration for the act of painting itself through his handling of paint and color. Where Titian’s paintings...
Category

Early 1900s Abstract Impressionist Figurative Paintings

Materials

Oil, Panel

Resting, Expressionist Portrait of Young Man by Philadelphia Artist
By Bernard Harmon
Located in Doylestown, PA
"Resting" is an interior portrait of a young man resting on a sofa. This work was painted by Philadelphia born Expressionist painter Bernard Harmon. The 24" x 32" oil on board painti...
Category

1960s Expressionist Portrait Paintings

Materials

Oil, Board

Three s Company, Triptych. From the origin series
By Casey Waterman
Located in Miami Beach, FL
They were created as an investigation into the beginnings of the current human social conditions with a focus on materiality and evolutionary information gathered from Paul Shepards ...
Category

2010s Minimalist Animal Prints

Materials

Gold Leaf

Le Chef d oeuvre inconnu - 21st Century, Male, Nude, Contemporary, Yellow
By Alexandru Rădvan
Located in Baden-Baden, DE
Le Chef d'oeuvre inconnu, 2022 acrylic on canvas 73 1/32 H x 53 5/32 W in. 185.5 H x 135 W cm The work "The Unknown Masterpiece" (a paraphrase of Balzac's novella – Le Chef d'oeuvre...
Category

2010s Contemporary Nude Paintings

Materials

Canvas, Acrylic

Woman with Earrings, Portrait of a Woman by Philadelphia Artist
By Bernard Harmon
Located in Doylestown, PA
"Woman with Earrings" is an oil on board portrait painting by Philadelphia born Expressionist painter Bernard Harmon of an elegantly dressed woman sitting on a chair. This work features a second environmental portrait on verso. The painting is 40" x 34" in size and is signed "Harmon" on verso. Figurative expressionism in the style of Alice Neel. Provenance: Estate of the Artist; Gratz Gallery & Conservation Studio, Doylestown, Pennsylvania. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke...
Category

1970s Expressionist Portrait Paintings

Materials

Oil, Board

Original Chow Chow Illustration
By Libuse Knotek
Located in New York, NY
Original watercolor and colored pencil illustration of a Chow Chow dog by Libuse Knotek. Likely an illustration for the "Atlas Illustrado de Animales..."...
Category

1990s Animal Paintings

Materials

Color Pencil, Paper, Watercolor

THREE BIRDS Israeli artist oil on canvas black and blue colors trompe l oeil
By Yosl Bergner
Located in New York, NY
Yosl Bergner is an Israeli painter who was born in Vienna in 1920 and grew up in Warsaw. With rampant anti-Semitism in Europe, the Freeland League for Jewish Territorial Colonization...
Category

1940s Post-Impressionist Paintings

Materials

Canvas, Oil

NATURE MORTE AU BOUQUET D ANÉMONES French oil on canvas 1960s Post-Impressionist
By Jacques Martin-Ferrières
Located in New York, NY
Nature morte au bouquet d’animones Circa 1960 Oil on canvas 26 x 20 inches (66 x 51 cm) Framed dimensions: 35 x 28 ½ inches (89 x 72.4 cm) Signed lower left: Martin Ferrieres Prove...
Category

1960s Post-Impressionist Paintings

Materials

Oil, Canvas

Palisades on the Hudson
By George Inness
Located in New York, NY
Signed lower right: G. Inness
Category

19th Century Tonalist Landscape Paintings

Materials

Oil

Le Roi Yvetot, 1919 (no. 227)
By Erté
Located in Greenwich, CT
Le Roi Yvetot (no. 227) from 1919 is a gouache painting on tissue paper mounted on board. The image size is 9.25 x 6 inches, framed in a gold-tone frame, 22.5 x 19 inches. Signed recto 'Erté' lower right, in the image and annotated verso, 'Les Rois des Lègendes, No 8, Le Roi Yvetot 227'. Erte name and 'Composition originale' stamps verso. Le Roi Yvetot is a design by Erte for the 1919 theater production of Les Rois des Lègendes. The King of Yvetot William Makepeace Thackeray: 1811 –1863 There was a king of Yvetot, Of whom renown hath little said, Who let all thoughts of glory go, And dawdled half his days a-bed; And every night, as night came round, By Jenny, with a nightcap crowned, Slept very sound: Sing ho, ho, ho! and he, he, he! That's the kind of king for me. And every day it came to pass, That four lusty meals made he; And, step by step, upon an ass, Rode abroad, his realms to see; And wherever he did stir, What think you was his escort, sir? Why, an old cur. Sing ho, ho, ho! and he, he, he! If e'er he went into excess, 'Twas from a somewhat lively thirst; But he who would his subjects bless, Odd's fish!—must wet his whistle first; And sofrom every cask they got, Our king did to himself allot, At least a pot. Sing ho, ho, ho! and he, he, he! To all the ladies of the land, A courteous king, and kind, was he; The reason why you'll understand, They named him Pater Patriae. Each year he called his fighting men, And marched a...
Category

20th Century Art Deco Paintings

Materials

Paper, Gouache

The Vale of Cashmere, Prospect Park
By Ralph Albert Blakelock
Located in New York, NY
Ralph Albert Blakelock played a pivotal role in the evolution of twentieth-century American art, breaking from the conventions of the Hudson River School and moving beyond Impression...
Category

19th Century Landscape Paintings

Materials

Ink, Archival Paper

"Verger de l’Ariste" French 20th century oil on canvas
By Achille Laugé
Located in New York, NY
Provenance Kaplan Gallery, London Commander Jeoffroy Littleton Lowis, London (acquired from the above, 1966) Acquired from the above by the present owner, 2006 Exhibited London, Kap...
Category

1920s Pointillist Landscape Paintings

Materials

Canvas, Oil

Star strangled banner. From The Rectangular Composition Series
Located in Miami Beach, FL
Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Acrylic

“Clothes Make the Man” Original cover for Liberty Magazine - For the Love o Lil
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published October 3, 1931 Sandy is excited to receive an unexpected $35 income tax refund check. After going to the bank, he goes to lunch with ...
Category

1930s Figurative Paintings

Materials

Canvas, Oil

Repetition in Succession to infinity. Abstract mixed media painting
By On Hansen
Located in Miami Beach, FL
Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...
Category

2010s Minimalist Abstract Drawings and Watercolors

Materials

Crayon, Ink, Wax, Acrylic, Graphite

The End of the Road
By Norman Rockwell
Located in Fort Washington, PA
Medium: Oil on Canvas Dimensions: 28.00" x 20.00" Signature: Signed and Dated Upper Right The End of the Road "Don't tell me you're my sister, you plu...
Category

1910s Figurative Paintings

Materials

Canvas, Oil

The Golden Hour, American Impressionist Landscape, Pastel on Paper, Framed
By Albert Van Nesse Greene
Located in Doylestown, PA
"The Golden Hour" is a colorful and vibrant fall foliage landscape in a warm autumn color palette by American Impressionist painter Albert Van N...
Category

Early 20th Century American Impressionist Landscape Paintings

Materials

Pastel, Archival Paper

Snowy Winter Landscape on the Delaware
By Kenneth R. Nunamaker
Located in New York, NY
Nunamaker, influenced by Edward Redfield, was known for his winter landscapes and skillful use of impasto and blended colors. He exhibited at major institutions including the Pennsyl...
Category

1920s Landscape Paintings

Materials

Canvas, Oil

Shoo the Moos, Saturday Evening Post Cover
By Stevan Dohanos
Located in Fort Washington, PA
Date: 1950 Medium: Oil on Masonite Dimensions: 25.75" x 20.00" Signature: Signed Lower Right Original cover illustration for The Saturday Evening Post, July 1st, 1950. The Post des...
Category

1950s Figurative Paintings

Materials

Masonite, Oil

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