Recognized Dealers Paintings

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Les Iles à Cantepie by Paulémile Pissarro (1884-1972) Oil on canvas 54 x 65 cm (21 ¹/₄ x 25 ⁵/₈ inches) Signed l...

Irving Ramsay Wiles paints a view up a sidewalk with green trees and houses in the distance in his artwork entitled, “The Village Street.”

Ralph Albert Blakelock depicts a disoriented elderly man with a long white beard and hair on a forest path in his oil painting “Rip Van Winkle (The Hermit).”

This Gil Elvgren gouache painting on board was probably intended to be used as an ad for beer. The husband is returning from work with a bouquet of flowers behind his back, while his wife is waiting at the door with a bottle of beer for her husband. This painting was probably done in the late 1940's. The model in this image has the typical Elvgren look, which is very similar to Elvgren's models that he used for his pin up calendar...

A Unique, Mid-Century Modern 1960s Chicago Harbor Scene Watercolor by Noted Artist, Rudolph T. Pen. Artwork is formatted in a trapezoid shape, an innovative compositional device for...

A painting by Tadasky (Tadasuke) Kuwayama. "B-139" is an abstract painting executed in circles of red, blue and yellow by Op Artist Tadasky (Tadasuke) Kuwayama. Signed, verso, "Tadas...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, le...

Cornelia Foss is renowned for her expressive landscapes, intimate portraits, and still lifes. Born in Berlin in 1931, she spent her early years in Rome before emigrating to the Unite...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Bord de l'Orne by Paulémile Pissarro (1884-1972) Oil on canvas 46 x 61 cm (18 ¹/₈ x 24 inches) Signed lower left...

Medium: Oil on Masonite Signature: Signed Upper Left Original Use: Interior Illustration for The American Magazine Excellent Condition This luminous, expressive oil on masonite wa...

A painting by Paul Grimm. "Stately Eucalypti" is a landscape painting, oil on board in an earth-tone palette by artist Paul Grimm. The artwork is signed in the lower left, "Paul Grimm". Paul Grimm (1891-1974) was an artist born to German parents in South Africa in 1891. As a small child, he moved with his parents to the United States. He reportedly was seen as having artistic talent as a child and, as an adult, attended a university-level art school in New York. Between 1910 and 1920, he reportedly went to South America for a few years before returning stateside and settling in southern California. Grimm gained much of his present-day fame by painting landscapes of southern California in the 1920s. Many works depict alluvial fans and desert vegetation in the eastern half of Riverside County. The San Jacinto Mountains appear frequently in his work. Most of the works are oil on canvas. A residence on Calle Palo Fierro in the Palm Springs Warm Sands Neighborhood was built for him in 1935. He had a studio on Palm Canyon Drive in Palm Springs from the 1950s until his death in 1974. Provenance: with George Stern Fine Arts...

Charles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His father, John Galen Howard, was an architect who had trained at M.I.T. and the École des Beaux Arts in Paris, and apprenticed in Boston with H. H. Richardson. In New York, the elder Howard worked for McKim, Mead and White before establishing a successful private practice. Mary Robertson Bradbury, Charles’s mother, had studied art before her marriage. John Galen Howard moved his household to California in 1902 to assume the position of supervising architect of the new University of California campus at Berkeley and to serve as Professor of Architecture and the first Dean of the School of Architecture (established in 1903). The four Howard boys grew up to be artists and all married artists, leaving a combined family legacy of art making in the San Francisco Bay area that endures to this day, most notably in design, murals and reliefs at the Coit Tower and in buildings on the Berkeley campus. Charles Howard graduated from the University of California at Berkeley in 1921 as a journalism major, and pursued graduate studies in English at Harvard and Columbia Universities before embarking on a two-year trip to Europe. Howard went to Europe as a would-be writer. But a near-religious experience, seeing a picture by Giorgione in a remote town outside of Venice, proved a life-altering epiphany. In his own words, “I cut the tour at once and hurried immediately back to Paris, to begin painting. I have been painting whenever I could ever since” (Charles Howard, “What Concerns Me,” Magazine of Art 39, no. 2 [February 1946], p. 63). Giorgione’s achievement, in utilizing a structured and rational visual language of art to convey high emotion on canvas, instantly convinced Howard that painting, and not literature, offered the best vehicle to express what he wanted to say. Howard returned to the United States in 1925, confirmed in his intent to become an artist. Howard settled in New York and supported himself as a painter in the decorating workshop of Louis Bouché and Rudolph Guertler, where he specialized in mural painting. Devoting spare time to his own work, he lived in Greenwich Village and immersed himself in the downtown avant-garde cultural milieu. The late 1920s and early 1930s were the years of Howard’s art apprenticeship. He never pursued formal art instruction, but his keen eye, depth of feeling, and intense commitment to the process of art making, allowed him to assimilate elements of painting intuitively from the wide variety of art that interested him. He found inspiration in the modernist movements of the day, both for their adherence to abstract formal qualities and for the cosmopolitan, international nature of the movements themselves. Influenced deeply by Surrealism, Howard was part of a group of American and European Surrealists clustered around Julien Levy. Levy opened his eponymously-named gallery in 1931, and rose to fame in January 1932, when he organized and hosted Surrealisme, the first ever exhibition of Surrealism in America, which included one work by Howard. Levy remained the preeminent force in advocating for Surrealism in America until he closed his gallery in 1949. Howard’s association with Levy in the early 1930s confirms the artist’s place among the avant-garde community in New York at that time. In 1933, Howard left New York for London. It is likely that among the factors that led to the move were Howard’s desire to be a part of an international art community, as well as his marriage to English artist, Madge Knight...

"The Scream", A compelling, enigmatic 1950s Mid-Century Modern Surrealist Abstract Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Executed in Haydon's unique, a...

Oil on canvas Canvas size: 18.25 x 14.25 inches Framed size: 23.75 x 19.75 inches Signed lower right

I'll try anything with you by Lélia Pissarro (b. 1963) Acrylic, pigment and gold powder on canvas 81 x 65 cm (31 ⁷/₈ x 25 ⁵/₈ inches) Signed and titled on the reverse This work is a...

Medium: Oil on Canvas Signature: Signed Lower Right Cover of The Saturday Evening Post, November 4, 1916 Literature: The Saturday Evening Post, November 4, 1916, illustrated on the ...

Signed and dated lower left: WARREN B. DAVIS 06

Painted by Hudson River School artist Julie Hart Beers (1835-1913), "Summer along the Boquet River" is oil on canvas and measures 9 x 11 inches. It is signed and dated 1875 at the lo...

"Untitled" is a painting by American artist David Smith. David Smith’s paintings from the 1930s rarely come to market, and when Untitled (Billiard Players) surfaced at a Christie’s auction in 2018, it created quite a stir, realizing an impressive price of $1.15 million. Painted around the same time, Untitled shares many similarities with Untitled (Billiard Players). Both paintings affirm Smith’s place among the American artists when ideas and style began to intermingle and coalesce around Picasso’s innovations. Uniquely positioned in temperament and ability, Smith was a man of considerable ambition whose direct-metal configurations would have much to do with achieving new ideas about abstraction. Yet all along, he insisted he was a painter, not a sculptor who painted. Paintings by Smith...

JAMES MCDOUGAL HART (1828–1901) View of Lake Champlain, c. 1857 Oil on canvas 26 3/16 x 36 1⁄4 inches Signed lower center Exhibition History: National ...

Signature: Signed Lower Center

Medium: Oil and Pencil on Canvas Laid Down on Board Study for the December 23rd, 1939 issue The Saturday Evening Post.

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

In lushly-colored paintings, Mark Messersmith creates dense narratives packed with animals, birds, plants, and insects that express his concern for the shrinking world they inhabit. ...

Medium: Oil on Canvas Signature: Signed Lower Right Saturday Evening Post Cover, October 11, 1913

Hacerle el Amor a la Vida, El regalo de la persistencia and Trinidad, 2021 by Tahuanty Jacanamijoy Watercolor on paper Overall size: 35 cm H x 81 cm W Individual size: 35 cm H x 2...

Red Dirt & Sea, 2022 acrylic on cardboard 119 H x 79 W cm 46 27/32 H x 31 7/64 W cm The series of painted cardboards by Alexandru Rădvan is about our moments of 'respiro' about the...

Ivan Turetskyy (b.1956) Euphoria 2018 oil on canvas 120 x 85 cm signed, titled, dated and marked with the artisi's thumbprint (on the verso) Price: £13...

Mario (Grin) 2018 16”x16.5”x1.25” inches Sumi ink and pencil on Japanese Washi Paper Mario, the main character from the Super Mario Bros. video game is one of the most recognizable images and a true archetype of our contemporary society. This traditional hand-drawn portrait of Mario in ink on paper, renders his likeness akin to a snapshot, or cell, removing him from the digital realm and freezing him in our tangible world of reality. Shelter Serra’s paintings, sculptures, and drawings explore mass consumption and cultural identity. He juxtaposes subject matters that are both common and recognizable: a Campbell's Soup Can, a copper plated baseball hat, and a Hermes Birkin bag...

abstract NINETEEN Acrylic and collage on canvas 2018 36x48 Abstract NINETEEN NINETEEN is one of the largest paintings of this ever growing body of work by Aaron A. Young. Referencing the work of Sam Francis, Frankenthaller and deKooning, the abstract color fields and interrupted lines are meant to draw the viewer into the piece to find an ever evolving composition. Using a continuously changing palate of colors and a multitude of layers of paint and collage, the work conveys texture and weight derived from obliterating some details of the past while accentuating others. With this, the process of the piece is preserved, creating almost an archeological experience for the viewer; discovering details the deeper you look. Hard edges meet soft, spontaneous and organic drips of paint overlap with meticulously created linework. The typography of old newspaper is hidden, yet also framed, by brushstrokes making windows into the inner layers of the work. There is always something to discover. Aaron A. Young is a Queens, NY based abstract artist. Starting his ambition for painting with a Bob Ross Painting...

Rita Alaoui has always felt a deep connection with the living. Beginning as a painter—her primary medium—She later expanded into installation and performance, exploring the relatio...

Arthur Ernest Becher, 'Early Spring', oil, 1950. Signed and dated, lower right. A fine impressionist landscape, with fresh colors, on heavy illustration board, in very good, original condition, without inpainting. Framed in a period, 3 inch wide wood frame. Image size: 17 5/8 x 20 1/2 inches; outside frame dimensions: 23 3/4 x 26 5/8 inches. ABOUT THE ARTIST Arthur Ernst Becher was a painter and an illustrator of books and magazines. Born in Freiberg, Germany, he emigrated with his parents at the age of six to Milwaukee, Wisconsin. As a fine artist, he was known for his rural New York landscapes and historical scenes including Lincoln's Gettysburg Address. He received early training from F.W. Heine and Robert Schade...

The series explores the expansion of color as both a physical and emotional phenomenon. Water, as an indeterminate agent, displaces and transforms pigment on the surface, generating ...

Medium: Oil on Canvas Signature: Signed Lower Left The Saturday Evening Post Magazine Cover, May 21, 1949. The irritated tire-changer? Why, that's artist George Hughes himself. The...

Provenance The artist; By bequest to his nephew, Sergio Stella, 1946; By descent in the family, until the present Exhibitions Richard York Gallery, New York, 1994, Joseph Stella's N...

Joan Vennum Other Atmospheres 3, 2015 Oil on canvas 29 x 24 inches 73.66 x 60.96 cm JV140c Joan Vennum (1930–2021) was a New York-based artist who created luminous, color-flooded pa...

Date: 1952 Medium: Oil on Canvas Dimensions: 34.00" x 27.00" Signature: Signed Lower Left Cover for The Saturday Evening Post Magazine, May 31, 1952. Clymer's coverscape takes you to Massachusetts' tidelands where the frost is on the pumpkin and the red and gold areon the trees. Gloucester harbor and the inlets roundabout-- for three centuries this haven has been the homeport of renowned and valiant fisherman. They were the Captains Courageous of Rudyard Kipling, the hero’s of Longfellow's The Wreck of the Hesperus and of James B. Connolly's tales of the sea. John Ford Clymer's success as an artist can be traced to his boyhood in the Kittitas Valley located in the central regions of Washington state. It was there that he developed an enthusiasm for the world around him and an abiding respect for historical accuracy. Over the years John Clymer received numerous awards and honors including the revered Prix de West in 1976, from the national Academy of Western Art. Other great achievements included both gold and silver metals for his oils and charcoal drawings from the Cowboy Artists of America, "Western Artist of the Year" from the National Wildlife Art Collectors Society, and both John and Doris were honored at the Ellensburg National Art Show and Auction for their contributions to western heritage. John's highest honor came in 1988 when he was awarded the prestigious Rungius Medal from the Wildlife of American West Art...

This Stan Laurel and Oliver Hardy illustration was used as a traveling show sign for the comedy duo. Medium: Oil on Wood Panel Signature: Unsigned

Julius Thiengen Bloch (American, born Germany, 1888-1966) Portrait of a Woman Oil on canvas, 32 x 25 1/4 inches Framed: 38 x 31 inches (approx.) Signed at lower right: "Julius Bloch"...

Stanley Boxer devoted nearly five decades to the development of an expressive, abstract practice, encompassing drawing, sculpture, and printmaking. “In the manufacture of my art, I u...

Signed Lower Right

Original holiday greeting card illustration of a Christmas Tree in a Weathered Niche against a backdrop of a starry night sky Medium: Egg Tempera on Illustration Board Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

This artwork depicts a perfectly synchronized dance across an ocean of empty space, inspired by the "Astronomical" section of the Jet Chocolate Bar Natural History Album (1986 editio...

Oil on canvas.

Shad Fisherman Oil on canvas 16 x 20 inches (40.6 x 50.8 cm) Framed dimensions: 22 3/8 x 26 1/4 inches Signed lower left: John F. Folinsbee. Inscribed on verso on stretcher: Shad Fis...

"Hudson Highlands," by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 14 inches. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

Rita Alaoui has always felt a deep connection with the living. Beginning as a painter—her primary medium—She later expanded into installation and performance, exploring the relatio...

Medium: Oil on Board Signature: Signed Lower Right Book cover for "Company K" by William March. Subject matter features three army soldiers in monochrome ...

Signed and dated lower left: PAUL CORNOYER / 1912

Inscribed on back #174 House of Kuppeneheimer 1927 fashion advertisement, catalog cover.

Date: 1950 Medium: Oil on Canvas Dimensions: 36.00" x 28.00" Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post...

"Untitled" is a painting by artist David Smith. The work is signed and dated in the upper left "David Smith (symbol) 1936". When David Smith set up a workshop on the Brooklyn Navy Pier in 1933 to learn direct-metal techniques, he shared the space not with artists, but with professional welders. Yet as he stated in 1964, ‘…all my early friends were painters…I never conceived of myself as anything other than a painter because my work came straight through the raised surface.’ Picasso and Cubism would be dominant influences in Smith’s work. He understood that Picasso imagined the world as a sculptor might, and not necessarily limited to the unavoidable impact of Cubism. In addition to pursuing a kind of rethinking of the world in three-dimensionality on his own terms, by the late 1920s, Picasso had shown interest in surrealism. That meant drawing not as a depiction of reality, but rather as a reconfiguration of the body in an assemblage of often precariously balanced, interconnected forms — some expressed in a three-dimensional form, others as drawings or paintings. Those processes are reflected in this work by David Smith; three fanciful totemic assemblages set within a landscape perspective of ground, mountains, and sky and whose presence is surreal enough to cast shadows under a presumed solar presence. Untitled, 1936 embraces surrealism, yet also serves to demonstrate the extent to which his thought processes are inextricably linked to sculpture and related to scale, spatial orientation, and three-dimensionality. With that in mind, it is not surprising to know that Smith saw no demarcation between sculpture and painting, or that a painting such as Untitled (1936) can exist outside of planning or design for future three-dimensional work. Provenance: Estate of David Smith, New York Hauser & Wirth Private Collection Exhibition: Kunstsammlung Nordrhein-Westfalen, ‘David Smith: Skulptureen, Zeichnungen [David Smith: Sculpture and Drawings]’ Dusseldorf/DE, March 14 – April 27, 1986 (travelled to: Städtische Galerie im Stäelschen Kunstinstitut, Frankfurt/DE, June 19 – September 28, 1986: Whitechapel Art Gallery...

Rita Alaoui has always felt a deep connection with the living. Beginning as a painter—her primary medium—She later expanded into installation and performance, exploring the relatio...

Hyde Park Corner by LÉLIA PISSARRO (b. 1963) Acrylic and silver powder on canvas 100 x 70 cm (39 ⅜ x 27 ½ inches) Signed lower right Lélia Pissarro Titled Hyde Park Corner, signed ...

Oil on canvas Canvas size: 24 x 36 inches Framed size: 32.5 x 44.75 inches Signed and inscribed

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

This contemporary mixed-media landscape featuring a tree is by Peter Hoffer. In this charming landscape, a single tree resplendent in pink blossoms takes center stage on the canvas....

Painted by Hudson River School artist Hermann Simon (1846-1895) , "Sunset on the Hudson River" is oil on canvas, measures 15 x 25 inches, and is signed and dated 1875 at the lower ri...

Born in Columbus, Ohio, in 1965, Ron Hicks was an avid artist from an early age. Hicks began his formal studies in art at the Columbus College of Art and Design in Ohio. Hicks contin...

Hudson River School artist Ernest Parton's (1845-1933) "Trout Fishing," is oil on canvas, measures 11.25 x 15.75 inches, and is signed and dated 1871 at the lower left. The work is f...