Recognized Dealers Paintings

This contemporary oil painting of flowers in a Delft Blue vase was created by Jennifer Hornyak. An internationally celebrated Canadian artist whose impressive oeuvre spans more than...

Hudson River School artist Ernest Parton's (1845-1933) "Trout Fishing," is oil on canvas, measures 11.25 x 15.75 inches, and is signed and dated 1871 at the lower left. The work is f...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

The “Plucking Daisies” offers rich ground for philosophical interpretation, particularly through a Heideggerian lens. It invites us to contemplate our own existence, our relationship...

Three bold nature inspired images pop against a velvety black background in this minimalist painting by Pat Service. The Canadian artist’s abstract series is called, ‘The Black Velvet Paintings...

Signed (at lower right): John Ross Key 1882

This contemporary abstract painting was inspired by nature. This striking painting is by Sandra Goldie, a Canadian artist whose abstract compositions re-imagine the dynamic, colourf...

Approximate Date: Apr 23, 1903 Medium: Gouache on Board Signature: Signed Lower Right Dimensions: 22.50" x 15.50"

Jennifer Hornyak is one of Canada’s masterful abstract and figurative artists. Known internationally for her vivid color palettes, expressive form, and luscious textures, Hornyak has...

Signed Lower Left by Artist Cover of The Saturday Evening Post, April 23, 1960

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

Ricardo Mazal Biosa Te (Violet), 2023 Acrylic on natural silk, hand-dyed with cochineal grain and indigo, mounted on aluminum panel 18 x 19 inches RM531 Ricardo Mazal is perhaps bes...

Mauricio Sandoval is an abstract painter, one of the best ever in Mexico; he creates his own pictorial language that expresses a never-ending search and continuous, organic movement. His production is characteristically expansive, sometimes saturating spaces with texture or color, energetic, long, and fluid traces. Sandoval’s work has retained some determining constants throughout his trajectory, during which he has developed a complex relationship between poetic language and image. From an early age, the artist has had an ever-present intense relationship with poetry and literature, as can be observed in “Barroco”, a work based on “Wuthering Heights...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years th...

Initialed and dated lower right

Signed and dated Oil and watercolour on paper, mounted on board 18 x 22 inches

oil on canvas

Sarah Stilwell Weber's original cover illustration for Alice Turner Curtis's A Little Maid of Virginia, from Turner’s popular “Little Maid” series of historical fiction. This freshly...

F. AC (Ficelle AC Bristol) by JEAN-PAUL RIOPELLE (1923-2002) Acrylic on paper laid down on canvas 89.7 x 49.5 cm (35 1⁄4 x 19 1⁄2 inches) Signed with initial lower right, R and titl...

"Reclining Lady" signed painting of a female nude by artist Joy Laville. Framed with a linen-wrapped mat. Image size: 17 1/2 x 21 inches.

Medium: Gouache on Board Signature: Signed Lower Center: Al Moore The Saturday Evening Post cover, October 10, 1942

David Ligare (b. 1945) Contemporary American Painter "Offering: Grapes & Fig," 2023 Oil on canvas, 20 x 24 in. Signed and dated (at lower right): L; (on verso): Ligare / 2023

Thalassa Oil on canvas 33 x 25 inches Born in Thessaloniki, Greece, Kostis Georgiou studied stage scenery in Florence (1981-1982), painting and sculpture in the School of Fine Arts, Athens (1982-1986) with Dimitris Mitaras and Dimosthenis Kokinidis, as well as at the Royal College of Fine Arts, London (1985-1986) with Peter de Francia. His first one-man exhibition was in Thessaloniki (1974). Since then his work has been represented in numerous solo and group exhibitions all over the world and won several international awards. Recently, Georgiou's works were exhibited in a five museum tour in China. Georgiou's paintings and monumental sculptures can be found in public squares...

A monumental work, comprised of 66 small square panels, each painted with a single orthogonal, are installed in a precise grid: six high and ten across. The orthogonal panels are pai...

Signed lower left in arrowhead: R.A. Blakelock (NBI-1611-II)

Signed and dated (at lower right): Randall Exon 2012

Signature: Signed Lower Right "Stevan Dohanos" Framed dimensions are 27.00" x 31.00." Interior scene with a family cooking. Original advertisement for American Optical published in ...

Signature: Signed Lower Left Capper's Farmer Magazine Cover, June 1928

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Medium: Oil on Porcelain Dimensions: 20.00" x 16.00" Signature: Signed Lower Left

A beautiful decorative screen featuring elegant women in a garden setting painted by the renowned American illustrator Howard Chandler Christy. Medium: Oil on Panel in Three Parts D...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

This street art style graphic acrylic painting is by John Scott. The crudely painted imagery of this Canadian artist often included his signature use of rabbit-like figures. Scott c...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

A pressed wood with two matrixes of rectangles in yellow, orange, and black painted on the wood. The background is painted in green. Acrylic on pressed wood Lucio Pozzi (b. 1935) was born in Milan and moved to the United States in 1962 as a guest of the Harvard International Summer Seminar. His first of many exhibitions at Hal Bromm Gallery was in 1976. Though foremost a painter, Pozzi considers writing, drawing, and sculpture to be valuable tools to his art. He has an extensive teaching career as well, having lectured at Cooper Union, Yale Graduate Sculpture...

Hunt Slonem "Hombre" Red and Orange Bunny Heart A rabbit gestured in red and orange on a matching Diamond Dust background in a vintage frame. Unframed: 14 x 14 inches Framed: 20 x 1...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

Oil on canvas Canvas size: 22 x 30 inches Framed size: 31.5 x 39.5 inches Signed and dated '1893' lower right

An abstract acrylic on canvas painting in deep saturated colors of scarlet red, lime green, orange, yellow and midnight blue by Carl Morris. Born in Yorba Linda, Calif., in 1911, ...

Oil on canvas Canvas size: 25 x 16.5 inches Framed size: 32.75 x 24.75 inches Signed lower right

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Discover the warmth and depth of "Strangelove," an oil painting on linen by Alessandro Tomassetti...

Price on Request. The Saturday Evening Post cover, August 10, 1940

Monogrammed and dated lower right: JW. 71; on verso: Indian Summer / By Jw. Williamson / N. Y. 1871 –

The series explores the expansion of color as both a physical and emotional phenomenon. Water, as an indeterminate agent, displaces and transforms pigment on the surface, generating ...

Medium: Oil on Canvas Signature: Signed Lower Left In the 1890s and early 1900s, as J.C. Leyendecker was developing his pictorial work for advertisements, magazine covers, and posters, he also illustrated a number of novels to supplement his income. These titles include One Fair Daughter (1895), Ships that Pass in the Night (1898), The Kiss of Glory (1902), Ridolfo (1906), The Crimson Conquest (1907), Get Rich Quick Wallingford (1908), The Voice in the Rice (1910) and The Lonely Guard (1912). The present work is one of six Leyendecker illustrations from Gouverner Morris' The Voice in the Rice, published in book form in 1911. The novel centers on a dashing young man, Michael Bourne, who, after surviving a shipwreck off the coast of South Carolina, washes ashore near the Santee River and encounters a secret slaveholding community. Lord Nairn, a wheelchair-bound tyrant with hypnotic powers, governs this supposedly utopian society, and he soon feels threatened by Michael when they begin to compete for the affections of Mary Moore. Michael can...

Robert Yasuda Boundary, 2010-2020 Acrylic on fabric on wood 80 x 50 inches RY106 Robert Yasuda is known for luminous multi-panel paintings on carved woo...

"Cattle by the Sea," c. 1867 by historic woman artist Ann Sophia Towne Darrah (American, 1819-1881) was exhibited at the Pennsylvania Academy of the Fine Arts in 1867. Painted in oil...

“Exalt His Name Together” Calendar illustration; publisher: (Shaw-Barton), January 1962; The Household Hints Calendar Original calendar accompanies this piece Sight Size: 24.75" x ...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 31.00" x 24.25;" Framed 37.00" x 30.00" Cover of the December 23rd, 1939 issue of The Saturday Evening Post. Literatu...

Untitled is an oil stick and graphite painting on paper by Italian-born multidisciplinary artist Lucio Pozzi. It is currently housed at Hal Bromm Gallery.

Medium: Oil on Paperboard Signature: Signed and Inscribed, Signed Maxfield Parrish and inscribed A gift to his son / Maxfield Parrish Jr. / June 1939 on the reverse Sight Size 3.50" ...

Aron Hill’s playful, colourful abstract work is often inspired by forms and colours found in nature. A new series of acrylic on paper confirms the artist’s love for bold organic shap...

Birds by Jankel Adler (1895-1949) Oil and ciment on canvas 61.4 x 46.4 cm (24¹/₈ x 18¹/₄ inches) Signed lower right, Adler Executed in 1948 Provenance Galerie Charles Lienhard, Zürich, 1959 Gimpel Fils Gallery, London Denham Gallery, UK Exhibitions John Denham Gallery, Jankel Adler, June 9th - June 23rd 1996 Jankel Adler was born in Lodz, Poland and lived a life of wandering. In 1912 he moved to Belgrade where he began training as an engraver with his uncle and then went to Germany in 1914 where he lived for a time with his sister in Barmen. There he studied at the college of arts and crafts with Professor Gustav Wiethücher. Between 1918 and 1921 he moved between Lodz and Germany until in 1922, he settled in Düsseldorf where he became a teacher at the Academy of Arts, and became acquainted with Paul Klee, who influenced his work. A painting by Adler received a gold medal at the exhibition “German art Düsseldorf” in 1928. In 1933, with the rise of Hitler’s Nazi regime, he left Germany for Paris. With the outbreak of World War II in 1939, he volunteered for the Polish army...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

Signed and dated (at lower right): L; (on verso): D. Ligare / 2024

Signed "Chwast" in Pencil Lower Right "Jekyll Becomes Hyde." Original illustration for a German edition of Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde, (Frankfu...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Medium: Oil on Canvas Signature: Signed Lower Right Literature: W.L. Comfort, "Trouble in the Dust," The Saturday Evening Post, vol. 198, April 3, 1926, p. 13, illustrated. Notes:...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Paysage d'Hiver by Paulémile Pissarro (1884-1972) Oil on canvas 54 x 65 cm (21 ¹/₄ x 25 ⁵/₈ inches) Signed lower ...