Recognized Dealers Paintings

Date: 1993 Medium: Acrylic on Canvas Dimensions: 30.00" x 21.25" Signature: Signed Lower Left This painting was published as the cover for The Awakening Heart by Dorothy Mack, Signe...

Signed and dated lower left: Theo Wendel 84

A Vibrant, Mid-Century Modern 1960s Studio Interior Scene of a Standing Female Nude by Notable Woman Artist, Vivian Kinsley Chapin (Am. 1909-1984). Very "Mod" in style and appearanc...

After a tour of duty in the US Navy, Miles Cleveland Goodwin earned a BFA from Pacific Northwest College of Art in Portland, Oregon, in 2007, and eventually returned to coastal Missi...

Nature's Printing Press Gouache, tempera, pigments and ink on masonite board, 1967 Signed lower left corner (see photo) Thompson was part of the late 1960’s Black Emergency Cultural Coalition along with Benny Andrews The Black Emergency Cultural Coalition Inc. (BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit, which omitted the contributions of African American painters and sculptors to the Harlem community. Part of a series of works the artist created in 1967. The tree motifs vary as does the color of the background. Please see photo of another work from the series. Condition: Excellent/very good Three tiny while flecks in the green border of the painting Image size: 10 1/4 x 9 1/2 inches Painting board size: 20 x 16 inches Frame size: 25 1/2 x 21 1/2 inches Russ Thompson (Born 1922- Jamaica Part of the late 1960’s Black Emergency Cultural Coalition along with Benny Andrews The Black Emergency Cultural Coalition Inc. (BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit, which omitted the contributions of African American painters and sculptors to the Harlem community. Members of this initial group that protested against the exhibit included several prominent African American artists, including Benny Andrews and Clifford R. Joseph, cofounders of the BECC. The primary goal of the group was to agitate for change in the major art museums in New York City for greater representation of African American artists and their work in these museums. Studied: Pratt Inst.; Carlyle College; NY Sch. Mod. Photography Exhibited: MoMA; BM, 1968; Nordness Gals., NYC; Phila. Civic Center; Ruder & Finn FA, 1969; Smithsonian Inst.; Mount Holyoke College, 1969; BMFA, 1970; RISD, 1969; Mem. Art Gal., Rochester, NY, 1969; SFMA, 1969; Contemp. Arts Mus., Houston, TX, 1970; NJ State Mus., 1970; Roberson Center for the Arts & Sciences, Binghampton, NY, 1970; UC Santa Barbara, 1970; Plaza Hotel, NYC; Westchester Art Soc. Gal. (prize); Nassau Community College; Brooklyn Pub. Lib.; Allentown (PA) Art Festival; Quinnipiac College, CT; Parrish Art Mus.; NY State Pavillion; Huntington Township Art Lg. Awards: Mitchell College, CT; BM; Armonk Lib. Show Award; Bedford Hills Lib. Show Award. Sources: Cederholm, Afro-American Artists. Public Collections: Zimmerli Art Museum, Rutgers Museum of Fine Arts, Boston Brooklyn Museum Museum of Modern Art, New York Smithsonian American Art Museum Exhibitions: MOMA Brooklyn Museum, 1968 Nordness Galleries, NYC Smithsonian Institution Museum of Fine Arts, Boston, 1970 Rhode Island School of Design, 1969 San Francisco Museum of Art, 1969 Contemporary Arts Museum, Houston, 1970 Parrish Art Museum Courtesy of Afro-American Artist; a biographical directory THOMPSON, RUSS (Born Jamaica, 1922) Painter. Born in Kingston, Jamaica, 1922. Studied at the Pratt Institute; Carlyle College; New York School of Modern Photography. Works: Cloud Flowers ; My Breath Is One with the Clouds ; The Acrobats; Relatives; Thoreau; Clothes to the Body; America- Amer- ica; Hanging Garden; Poor Room, Rich Room; Epigram a Bromide; Passage, 1969 (wood, epoxy, iron). Exhibited: Museum of Modern Art; Brooklyn Museum Fence Show, 1968; Nordness Gal- leries, NY; Phila. Civic Center; Ruder & Finn Fine Arts, 1969; Smithsonian Institution; Mount Holyoke College, 1969; Boston Museum of Fine Arts, 1970; Rhode Island School of Design, 1969; Memorial Art Gallery, Rochester, NY, 1969; San Francisco Museum of Art, 1969; Contemporary Arts Museum, Houston, 1970; NJ State Museum, 1970; Roberson Center for the Arts & Sciences, Binghamton, NY, 1970; Art Galleries, Univ. of Cal. at Santa Barbara, 1970; Plaza Hotel, NYC; Westchester Art So- ciety Gallery; Nassau Community College; Brooklyn Public Library; Allentown (Pa.) Art Festival; Quinnipiac College; Parrish Art Mu- seum; NY State Pavillion; Huntington Town- ship Art League. Collections: Frederick Douglass Institute, Wash- ington, DC; Spiro & Levinson Corp.; Mr. William Haber; Mr. & Mrs. B. Friedman; Mr. & Mrs. Samuel J. Rosen; Mr. David Scribner; Unigraphic Corp.; Mr. Benny An- drews; Jeanne Paris; Mr. & Mrs. Joseph Strauss. Awards: Westchester Art Society; Mitchell College, Conn.; Brooklyn Museum; Armonk Library Show Award; Bedford Hills Library Show Award. Sources: Boston Museum of Fine Arts. Afro- American Artists: New York/ Boston, 1970; Nordness Galleries. 12 Afro-American Artists, 1969; Mount Holyoke College. Ten Afro- American Artists, 1969; Ghent, Henri. “The Community Art Gallery,” Art Gallery, April 1970; Paris, Jean. “Black Art Experience in Art,” Long Island Press, Jamaica, NY, June 14, 1970; Ruder & Finn Fine Arts. Contemporary Black Artists’, Brooklyn College. Afro-Amer- ican Artists: Since 1950, 1969; Walker, Roslyn. A Resource Guide to the Visual Arts of Afro- Americans, South Bend, Ind., 1971. NEW YORK (NY). Acts of Art, Inc. Rebuttal to Whitney Museum Exhibition: Black Artists in Rebuttal at Acts of Art Gallery. 1971. Unpag. (20 pp.) exhib. cat., 54 b&w illus., brief biogs. of 48 artists. The text consists of an unsigned foreword (probably by Nigel L. Jackson, director of Acts of Art); a reprint of Z. D. Allen's review of the exhibition, "Rebuttal to the Whitney," from Chelsea Clinton News (Apr. 15, 1971). The catalogue was published after the show opened. Artists included: Benny Andrews, James Belfon, Betty Blayton, Lynn (Chuck) Bowers, Vivian Browne, Calvin Burnett, Jo Butler, Robert Carter, Art Coppedge, Adger Cowans...

This contemporary abstract painting by Milly Ristvedt is expressed in a bold palette that includes black and yellow. The power of pure colour and minimal form is masterfully display...

Medium: Tempera Painting Signature: Signed Lower Left Cover of The Saturday Evening Post Magazine, December 5, 1953

Oil on canvas

A vibrant, whimsical Surrealist Modern painting, "Classics Aloft" by Notable New York Avant Garde artist, Hannah Harari (Am. 1912-2000). Oil on canvas, dating 1942. Artwork size: ...

Allison Gildersleeve, born in Connecticut in 1970, earned her B.A. from the College of William and Mary and her M.F.A. from Bard College. Gildersleeve lives and works in Brooklyn, Ne...

John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...

Oil on canvas

Medium: Oil on Canvas Dimensions: 32.00" x 32.00" Signature: Unsigned

Doug Ohlson began his education in a number of small colleges, and a three year period in the U.S. Marines before graduating from the University of Minnesota with a B.A. in fine art....

Provenance: Private collection, Orlando, Florida

Henry Wadsworth Longfellow's narrative poem The Courtship of Miles Standish originally published in 1858 tells the story of the love triangle between Joh...

A child of the American South, Elliott Daingerfield was born in Harper’s Ferry, Virginia, and raised in Fayetteville, North Carolina, where his father, C...

A Colorful, Panoramic Mid-Century Modern View of the famed fishing village (and renowned surfing locale) of Nazaré, Portugal by Rudolph Pen. Painted in the 1960s, this vivid waterco...

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

This illustration is a portrait of a military man in front of the Statue of Liberty. Signed Lower Left. An early 20th-century illustrator working in New York City, Lawrence L Wil...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

English School, 19th century A startled Arabian horse Oil on canvas Painting Size - 12 x 16 in Framed Size - 14 x 18 in Provenance With The Parker Gallery, London; The Collection o...

Signed Lower Left by Artist

G Gray (Early 19th Century) Still Life of Fruit Oil on panel Signed Painting Size 17.5" x 20" (44.4 x 50.8cm) Framed Size 23 x 26 in

Signed Lower Right by Artist

The movement of optics silhouetted and contoured by straight lines and bare flat tints in their formless purity, for me embodies the Divine grace and luminous energy that the soul of...

Oil on panel Panel size: 14 x 11 inches Signed lower right

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

A Lively, Expressionist 1950s Mid-Century Modern Painting, "Still life with Lemon" by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a painterly studio still life...

Medium: Oil on Canvas Signature: Signed Middle Right Cover of The Saturday Evening Post, November 28, 1925 Literature: The Saturday Evening Post, November 28, 1925, cover illustra...

For these paintings, Wolf uses expanded metal as a brush and thus creates abstract paintings. The irretrievable moment is found here in the expressive painting process. Also, he adds...

A Charming, 1950s Mid-Century Modern Portrait of a Young Boy in Blue Hat by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork Size: 9 x 6 1/4 inches (Framed size: 1...

Harold Feist’s Offering is a striking, lush abstract painting rendered in rich colours. The fan-like form radiates from the base of the canvas in golden h...

My visual language intends to evoke a sense of synaesthesia; perception beyond the evident, and leap into a journey of self-discovery, and awakening the soul. Saadhaka means a person...

Leading Hudson River School Painter Famous for New England Views.

Kate Brinkworth (b.1977) The Watcher (Black and White No. 2) 2013 oil on canvas 90 x 135 cm Price: £8,400 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Notes: Kate Brinkworth undertook her artistic training at Nottingham Trent University, and graduated in 2000 with first class honours. She rapidly began exhibiting her work, and her first major solo show took place in 2001 at Britart Gallery, London. Her success led to further exhibitions across the country and abroad, and she began featuring regularly in several international art fairs and won numerous awards. These include the Westgate Prize (2004), and a commission from GUS headquarters in Mayfair. Kate Brinkworth's painting stems from her curiosity in films, particularly those directed by or in the style of Hitchcock. She is particularly inspired by effects created though experimentation with focus, and repeatedly photographs her still lifes with various shutter speeds, camera angles and lighting to find the optimum composition. Brinkworth's style uses the language of film, advertising and photography to create these unique images; her visits to Las Vegas have developed her interest in the representation of objects associated with vice. Painted in varying degrees of focus, her expert technique deceives the viewer into believing the work is a photograph, due to the realism of her subject matter and style, and the thin application of paint which gives a smooth, glossy finish. It is only on closer inspection that the viewer realises the work is entirely painted by hand. Brinkworth's works challenge our perceptions of the image; in our contemporary world inundated with visual stimuli, she painstakingly labours over her compositions to make us look at these familiar objects in a new way. In a parallel challenge to contemporary conventions her technique mirrors the Renaissance mural technique of the 'cartoon', a drawing which would be pricked along the lines and dusted with charcoal to transfer the skeleton of the image to the wall. Brinkworth similarly maps out her photographs onto both sides of sheets of paper and rubs the reverse to move the image onto the canvas. Once the composition is mapped out, she begins working into the picture in oil using her distinctive technique. Categories: The Watcher, Kate Brinkworth, photorealist, dice, gambling, casino...

This contemporary abstract acrylic painting is by Fiona Ackerman. The signature artwork of Vancouver artist Fiona Ackerman has found an international audience. Her unique visionary ...

This colourful contemporary abstract landscape painting is by Milly Ristvedt. In this dynamic new work by Milly Ritsvedt, several bold vertical bands in various widths of pure colou...

F. Alexander Wust paints a stellar sunset over a hillside with light red color in his artwork entitled, “Sunset Landscape.”

Milly Ritsvedt’s lifelong exploration of the world of colour and its potential to express emotion in abstract form continued in the seventies. The celebrated contemporary artist crea...

Franco's work plays between the limit and the no limit, imagining the idea of ​​macro universes and micro cosmos, combining them in the same space, mixing, separating and uniting dim...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Signed and dated (on verso): Angela Fraleigh 2021

His The panel paintings "Expanded Metal Paintings" are the closest to the classic art of painting. Firstly paint is applied by a brush on a primed canvas. Then wire mesh is dunked in...

A Vibrant, Expressionist 1950s Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a bright and cheerful studio still life sce...

Medium: Oil on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, July 28, 1956. The Post described, “The cows don't realize it is rude t...

Signed with initials lower right The painting is one of the 4 illustrations that JWS did for the book “Evangeline: Tale of Acadia”, by Henry Wadsworth Longfellow...

The visual language of the power of the sun is represented through these paintings. Through painting and sculpture, Gregory Robin conveys the feeling of being present in a living, b...

The visual language of the power of the sun is represented through these paintings. Through painting and sculpture, Gregory Robin conveys the feeling of being present in a living, b...

This contemporary painting—an abstract landscape -- is by Canadian artist Sasha Rogers. The infinite view of a prairie landscape has long influenced the contemporary artwork of Sash...

Medium: Oil on Board Laid on Panel Signature: Signed Lower Right Sight Size 29.00" x 23.00," Framed 33.00" x 37.00"

Date: 1919 Medium: Oil on Unstretched Canvas (shipped rolled) Dimensions: 156.00" x 168.00" Signature: Signed Lower Right In Homage to the French People, 1919 Titled lower center: La Croix Rouge Americaine en Hommage au Peuple Français. From the Collection of the American Red Cross

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

An image of a reclining nude smoking a cigarette against a red and gold background. Enric Torres-Prat was born in Spain in 1940. He painted many illustra...

Roy Cleveland Nuse was a Pennsylvania Impressionist artist and a teacher at the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania.

Medium: Gouache Sight Size 17.00" x 16.00", Framed 27.00" x 25.50" Signature: Signed Twice in Lower Portion Original cover illustration for The Saturday Evening Post, April 5 1958. ...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...