Recognized Dealers Paintings

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Signed with initials lower right The painting is one of the 4 illustrations that JWS did for the book “Evangeline: Tale of Acadia”, by Henry Wadsworth Longfellow...

Make it yours! A fabulous painting titled "47th & Woodlawn Ave in Chicago, ILL" by EC Nieman and dated 1950. It depicts a Walgreen's Drug Store, a horse pulling a milk truck, a new...

Narcisse Virgile Diaz de la Pena French, 1807-1876 Clairiere et Mare aux Viperes, Foret de Fontainebleau Oil on panel 7 1⁄4 x 10 1⁄2 inches (18.5 x 26.5 cm) 13 x 16 ½ inches (33 x...

James Stark (1794-1859) Herding cattle through a wooded river landscape Oil on canvas Canvas Size 18 x 24 in Framed Size 23 x 29 in James Stark (1794-1859): A Pioneer in Landscape P...

A Visually Striking, early 1950s Abstract, Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a subdued, tonal int...

Robert Spencer paints a sun-drenched scene of figures moving about outside red clay buildings in his work entitled, “Courtyard at Noon.”

Signed lower left by Artist The Saturday Evening Post cover, April 16, 1949

Story illustration for Louisa May Alcott's classic story Little Women featuring Beth March playing the piano in Mr. Laurence's grand house. The full...

This acrylic landscape painting captures a peaceful river. In this acrylic and charcoal piece by Ciba Karisik, the Canadian artist evokes an almost tangible sense of the stillness o...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

From the DIVINA NATURA series Acrylic on canvas 30 x 34 inches This painting is from the "Divina Natura" series focusing on the mathematics and physics of sound and music. ...

Brilliantly-colored collage with various texts and butterfly prints. Oil on canvas measures 20 x 24, presented in a modern frame with white linen liner; frame measures 26 5/8 x 30 5/...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Sasha Rogers’ gorgeous contemporary paintings are often Inspired by the infinite beauty of the vast prairie landscape she grew up in. In this piece, colour, texture and light are use...

Signed Lower Left by Artist

This colourful abstract painting on paper by Milly Ritsvedt has a green backdrop. In the 1980s, Milly Ristvedt’s artistic journey continued to embrace colour and abstract form as he...

Oil on canvas Canvas size: 28 x 36.25 inches Framed size: 33 x 41.25 inches Signed lower right

This abstract painting on paper by Milly Ritsvedt features a purple background. Milly Ristvedt says she dreams in colour. Her lifelong quest to unlock the potential of colour expres...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

The cosmic spirit—that flicker of light—manifests only through the dark. Darkness, in turn, dissolves into light, becoming one with it. This interplay mirrors our own spiritual essen...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

In his work, “Halloween Madness, 1981,” Alec Montroy paints costumed figures on Halloween night parading past city storefronts.

Oil on canvas Canvas size: 20 x 24 inches Framed size: 26.5 x 30.5 inches Signed lower right

Medium: Oil and Ink on Paper Signature: Unsigned Sight Size 13.75" x 9.50"; Framed: 17.25" x 13.25" Harper's Monthly Magazine Cover, September 1900 Notes on Verso: "Nelson: Art Dept. Harper's Magazine: Pay Maxfield Parrish $50 for design. Also use Christmas Magazine...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, "J...

Ramonn Vieitez is a self-taught Brazilian artist who primarily utilizes painting as a field of creative possibility exploring themes such as identity, memory, and nature, compulsivel...

LIFE Magazine cover, December 15, 1921 "Coles Phillips embodies innovative American periodical and advertising design between 1911 and 1927, a period considered a Golden Age of illu...

Provenance: Robert Hollberton, Antigua, ca. 1841 Private Collection, New York The present painting depicts Old St. John’s Cathedral on the island of Antigua. The church was erected in the 1720s on the designs of the architect Robert Cullen. It measured 130 feet by 50 feet with north and south porches 23 x 20 ½ feet. The tower, 50 feet high with its cupola, was added in 1789. The church was elevated to the status of a cathedral, but disaster struck in the form of an earthquake that destroyed the building on 8 February 1843. A memorandum of that date relates the event: “On Wednesday, 8th February, 1843, this island was visited by a most terrific and destructive earthquake. At twenty minutes before eleven o’clock in the forenoon, while the bell was ringing for prayers, and the venerable Robert Holberton was in the vestry-room, awaiting the arrival of persons to have their marriage solemnized, before the commencement of the morning service, the whole edifice, from one end to the other, was suddenly and violently agitated. Every one within the church, after the first shock, was compelled to escape for his life. The tower was rent from the top to the bottom; the north dial of the clock precipitated to the ground with a dreadful crash; the east parapet wall of the tower thrown upon the roof of the church; almost the whole of the north-west wall by the north gallery fell out in a mass; the north-east wall was protruded beyond the perpendicular; the altar-piece, the public monument erected to the memory of lord Lavington, and the private monuments, hearing the names of Kelsick, Warner, Otley, and Atkinson, fell down piecemeal inside; a large portion of the top of the east wall fell, and the whole of the south-east wall was precipitated into the churchyard, carrying along with it two of the cast-iron windows, while the other six remained projecting from the walls in which they had been originally inserted; a large pile of heavy cut stones and masses of brick fell down at the south and at the north doors; seven of the large frontpipes of the organ were thrown out by the violence of the shock, and many of the metal and wooden pipes within displaced; the massive basin of the font was tossed from the pedestal on which it rested, and pitched upon the pavement beneath uninjured. Thus, within the space of three minutes, this church was reduced to a pile of crumbling ruins; the walls that were left standing being rent in every part, the main roof only remaining sound, being supported by the hard wood pillars.” The entrance from the southern side into the cathedral, which was erected in 1789, included two imposing statues, one of Saint John the Divine and the other of Saint John the Baptist in flowing robes. It is said that these statues were confiscated by the British Navy from the French ship HMS Temple in Martinique waters in 1756 during the Seven Years’ War and moved to the church. The statues are still in situ and can be seen today, much as they appeared in Bisbee’s painting, but with the new cathedral in the background (Fig. 1). Little is known of the career of Ezra Bisbee. He was born in Sag Harbor, New York in 1808 and appears to have had a career as a political cartoonist and a printmaker. His handsome Portrait of President Andrew Jackson is dated 1833, and several political lithographs...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

Original cover for Liberty magazine, published June 16, 1928 Lil has returned home to her parents’ house after having her baby and the whole family tiptoes around trying not to disr...

Painted by Hudson River School artist Mary Josephine Walters (1837-1883), "Autumn River with Punt in the Reeds" is oil on canvas and measures 13.25 x 23.75 inches. It is inscribed in...

Using a glorious tapestry of rich colours…burnished copper, yellow, red, purple and blue, Alice Teichert’s acrylic painting, “Offering” seems to evoke images of ancient offerings mad...

The White Winged Lion, 2019 Oil on canvas 31 1/2 H x 47 1/4 W in. 80 H x 120 W cm The artwork was part of the solo show ONIRIX. ONIRIX is a project about how we remember and interpret our own dreams. Nine years ago the artist had three dreams on three different nights. He painted these dreams in three parts, each part having three sequences. The results are the nine paintings, every painting representing a scene from the three dreams. Each painting has attached a text written by the artist like in a screenplay. Scene VI - The White Winged Lion - FM The lion was slowly reaching the end of the painted wall. I was anticipating with great interest the outcome of this incredible chain of events. And then, finally, the sleepy flying lion...

In Mr. Zox's sigrrature works of the mid- to late 1960s, flatly painted diamonds, triangles and other hard-edged shapes were orchestrated into brilliant symmetrical and asymmetrical ...

In the Name of Love, 2013 Oil on canvas (Signed on reverse) 66.92 H x 53.14 W in 170 H x 135 W cm MASCH's work describes a discursive rebellion of continuous civilization in a state...

Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...

Oil on canvas Canvas size: 16 x 26 inches Framed size: 22.5 x 33 inches Signed lower right

Body in the Field 3, 2022 oil on canvas 55 1/8 H x 39 3/8 W in. 140 H x 100 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the fragm...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Date: 1944 Medium: Gouache on Board Dimensions: 20.00" x 25.00" Signature: Signed and Dated Lower Right Story Illustration: "Katie Cling & the Dutchess", by Dorothy Staley, Goo...

Date: 1969 Medium: Gouache on Board Dimensions: 14.50" x 18.50" Signature: Signed Lower Right True Frontier magazine cover, January 1969

Le Pékinois by Georges Manzana Pissarro (1871 - 1961) Charcoal on paper 41 x 49 cm (16 ¹/₈ x 19 ¹/₄ inches) Signed lower centre, Manzana Pissarro This work is accompanied by a cer...

Original cover for Liberty magazine, published May 23, 1931. Lil and Sandy have their friends Mr. and Mrs. Saunders Shanks over to their house for a game of cards. After settling do...

To great effect, Mel Davis uses colour, shape and patterns to convey emotion in this abstract composition. The palette is dramatic—rich tones of blues, green, orange and burgundy. ...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

Cover of The Saturday Evening Post, August 2, 1958 ------ Editorial text on page 3 of the Post with this featured illustration: "Artist Alajalov, reaching for a dictionary which once helped him through a tour of Italy’s hill towns...

Medium: Mixed Media on Board Sight Size 18.50" x 18.00", Framed 21.50" x 21.00" Signature: Signed Lower Left Original cover for Harper's Bazar, published June 1910 One of America's greatest illustrators, Jessie Willcox Smith attended the Pennsylvania Academy of the Fine Arts, and studied under Thomas Eakins in Philadelphia, graduating in 1888. A year later, she found work in the production department of the Ladies' Home Journal, for five years. After that, she continued her art education with classes under Howard Pyle, first at Drexel and then at the Brandywine School. Smith then established her reputation, illustrating stories and articles for Century, Collier's Weekly, Leslie's Weekly, Harper's, McClure's,Scribner's, and the Ladies' Home Journal. Smith was closely associated with the artists Elizabeth Shippen Green and Violet Oakley, who also studied with Pyle, and the group became known as "the Red Rose Girls...

This contemporary figurative oil painting explores themes of politics and culture. Deborah Root’s dynamic colourful compositions tell an intimate story about her experience during socially relevant and politically important moments in time. “In The Nordstrom Box, popular culture operates both as a set of instructions and as a distorted mirror...

"House in the Countryside," a rare early oil on canvas by Piet Mondrian circa 1898, offers a window into the artist's pre-abstraction period, likely executed "en plein air." This intimate painting, one of approximately 47 works from this phase across various media, showcases Mondrian's early dedication to capturing the essence of place. The composition features a modest house set within the landscape, rendered with soft, earthy tones and a delicate interplay of light and shadow, reflecting his youthful passion for naturalistic depiction. The artwork is signed lower right, "Piet Mondrian” Provenance: Dutch Estate, 1982 Katharine and Nicholas Fox Weber Collection Exhibition: London, David Zwirner, Piet Mondrian: Painting 1900-1905, November 26, 2015-January 23, 2016 Literature: Robert Welsh...

Modernist Burton Kramer says his lyrical compositions are "inspired by the toe-tapping, hand-clapping rhythm of music." This delightful piece—geometric shapes—squares, lines, and rec...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

The ghostly figures of a man and horse are set against the epic backdrop of a forested landscape and atmospheric blue sky. Peter Hoffer's paintings evoke nostalgia for classical, rom...

This contemporary abstract painting was inspired by nature. Sandra Goldie is a Canadian artist whose expressive compositions emulate shapes found in nature--petals, leaves, vines an...

The overall dimensions including the frame are 32 1/2 x 23 5/8 inches. Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...

Untitled Cubist Abstraction Signed and dated lower right Watercolor, charcoal and gouache on paper, 1922 Provenance: Estate of the Artist Schroeder, Romero & Sh...

Claiming, “I’m just trying to make art with some sense of dignity, and honesty, and integrity,” Charles Arnoldi has been blurring the boundaries between painting and sculpture, abstr...