Recognized Dealers Paintings

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

Oil on canvas Canvas size: 16 x 26.5 inches Framed size: 22.5 x 32.5 inches Signed lower left

Realising the consciousness or Self is realising the Universe and its Source. Connecting with this light within is also then a path of connecting with the Source. The Self series of...

Date: 1941 Medium: Oil on Canvas Dimensions: 30.00" x 50.00" Signature: Signed Lower Left

Collections: With Martyn Gregory; Judy Egerton, 1984, acquired from the above; By descent to 2014. Exhibited: London, Martyn Gregory, Exhibition of English & Continental Watercolours, 1984, no. 94. London, Lowell Libson...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

Signed lower right: Albert W. / Hampson

Date: 1954 Medium: Oil on Board Dimensions: 24.75" x 15.5" Signature: Signed Lower Left This illustration was published as the paperback cover of Treachery in Trieste by Charl...

Date: 1949 Medium: Oil on Canvas Dimensions: 30.00" x 30.00" Signature: Signed Lower Right Advertisement for Maxwell House Coffee, "The Quartet, The Dog...

Realising the consciousness or Self is realising the Universe and its Source. Connecting with this light within is also then a path of connecting with the Source. The Self series of...

A cover illustration for the June 1915 issue of Good Housekeeping depicting Coles Phillips’s iconic “Fadeaway Girl” kneeling at the seashore holding a beach umbrella. Phillips’ “Fade...

This contemporary abstract painting was inspired by nature. This rich composition by Sandra Goldie, a Canadian artist is somewhat reminiscent of the expressive, fluid work by the F...

In this panoramic view of the Canadian wilderness by Charles Pachter—a lone moose climbs a mountain framed by a lake and sky. Famous for his iconic national imagery, Pachter’s contem...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

Stanley Boxer devoted nearly five decades to the development of an expressive, abstract practice, encompassing drawing, sculpture, and printmaking. “In the manufacture of my art, I u...

A large & detailed watercolor of a castle & village by André Nejavits-Mery, dated 1959 on Arches paper. Artwork size: 21 3/4" x 29 1/2". Framed size: 30 1/2" x 38". Provenance: ...

Oil on canvas

This cheekily titled scene depicts two woodland creatures encountering a spattering of fungi on the forest floor. This work is rendered in exquisite detail, down to the Sparrows feathers and inquisitive expression and and the soft fuzz on the mouse's small form. "Sparrow and Jumping Mouse Find the Magic Mushrooms" showcases artist Marc Dennis' hyper realistic style and propensity for witty humor. Marc Dennis' paintings merge 19th-century traditional American Western painting...

Original cover illustration for The American Weekly, published November 27, 1949. Depicting a scene from “The Winter's Tale,” this illustration is from Pogany’s “Beauties of Shakespeare” cover series for the magazine. Signed lower right. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists and illuminated books, and much of his career was devoted to book illustration. Among his many successes were The Rubaiyat, The Kasidah, The Children’s Book of Northern Myths, The Witch’s Kitchen, The Frenzied Prince, Sonnets from the Portuguese...

Oil on canvas

Medium: Oil on Board Dimensions: 18.00" x 23.75 Signature: Signed Lower Right

Bazán's series, Absent Music, is a journey into the hidden influence of sound on memory. Rather than painting music directly, Bazán creates visual representations of what remains aft...

Kandahar Acrylic and mixed media on fabric, c. 1970 Signed by the artist lower right (see photo) Kandahar is one of the thirty-four provinces of Afghanistan, located in the southern part of the country next to Pakistan. Inspired by the Dehns visit to Afghanistan in the 1960's. Provenance: Estate of the Artist Dehn Heirs Condition: Excellent Canvas size: 18 x 20 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Original cover for Liberty magazine, published February 9, 1929. Sandy and Lil relax on a Florida beach, marveling at how wonderful it is to be rich, for the couple recently inherit...

Medium: Oil on Board Dimensions: 25.25" x 27.50"

Medium: Oil on Canvas Signature: Signed Lower Right Saturday Evening Post cover June 19, 1937

Story illustration for “Beethoven: A New Life” by Emil Ludwig for Cosmopolitan, published December 1928, page 22. The full caption reads: “At the premiere of Beethoven’s heroic oper...

A skilled painter of Post-Impressionist marine and seaport scenes.

This artwork depicts a perfectly synchronized dance across an ocean of empty space, inspired by the "Astronomical" section of the Jet Chocolate Bar Natural History Album (1986 editio...

Signed and dated lower left by Artist

A Vibrant, Colorful 1950s Mid-Century Modern Still Life Painting by Noted Chicago Artist, Rudolph Pen. Depicting a radiant still life of fresh flowers, plates of fruit and a wine bo...

This realistic oil painting is a portrait of a young Kenyan girl by Daniel Hughes. Internationally recognized as a fine artist, Daniel Hughes has painted a haunting image with this ...

Jason Hackenwerth is a multidisciplinary artist working in the fields of painting, sculpture, and installation. His loose and spontaneous paintings begin in response to social, polit...

Body in the Field #7, 2023 oil on canvas 55 1/8 H x 39 3/8 W in. 140 H x 100 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the frag...

His The panel paintings ""Expanded Metal Paintings"" are the closest to the classic art of painting. Firstly paint is applied by a brush on a primed canvas. Then wire mesh is dunked ...

This masterful canvas demonstrates Ristvedt's elegant aesthetic control and points to the emotional potential of color.  Strong rounds of sun yellow, turquoise, sapphire and sienna hover over a ground of cerulean.   Milly Ristvedt (b. 1942, Kimberley, BC) MA, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe...

Label on stretcher bar: No. 175. / AMERICAN ART-UNION. /Road-Side View / Painted by / Seth Eastman / Distributed December 20, 1850.

Date: 1904 Medium: Mixed Media on Board Sight Size 14.75" x 14.75", Framed 23.00" x 23.00" Signature: Signed Lower Right Cover of Colliers magazine,...

This contemporary abstract painting is by Sasha Rogers. In this painting, Sasha Rogers has captured the natural beauty of light as it spills across the ‘landscape’ In her own master...

Rita Alaoui has always felt a deep connection with the living. Beginning as a painter—her primary medium—She later expanded into installation and performance, exploring the relatio...

Rita Alaoui has always felt a deep connection with the living. Beginning as a painter—her primary medium—She later expanded into installation and performance, exploring the relatio...

Rita Alaoui has always felt a deep connection with the living. Beginning as a painter—her primary medium—She later expanded into installation and performance, exploring the relatio...

10 Maneras de Volar 10 is a gouache and charcoal on Amate paper by Latin American artist Carlos Luna. Executed in black, brown, deep blue, red and white, the work depicts a flying, p...

This contemporary figurative oil painting explores themes of politics and culture. Deborah Root’s dynamic colourful compositions tell an intimate story about her experience during s...

Born in 1933, and reared in Virginia, Otis Huband began his formal art education after 4 years in the Navy. He earned his BFA and MFA at Richmond Professional Institute of the Colleg...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

This contemporary minimalist painting of a swimmer is by Pat Service. Highly regarded as one of Canada’s finest landscape artists, in her decades long career Pat Service has also e...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

A delightful 1940 painting of two women lounging in the Vermont wilderness by artist Harold Haydon. Haydon had a summer compound in Calais, Vermont, where he often painted. Images ...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe...

Date: 1932 Medium: Oil on Canvas Sight Size 30.00" x 22.00", Framed 38.00" x 30.00" Signature: Signed Lower Right Saturday Evening Post Cover, October 1, 1932. Exhibitions: Christi...

Hercules, 2015 Acrylic on canvas, (Signed) 78.74 H x 118.11 W in. 200 H x 300 W cm Contemporary art uses the past by researching and investigating it. Artworks are open questions ra...

Set of Two by Tahuanty Jacanamijoy (Hacerle el Amor a la Vida and El regalo de la persistencia) Watercolor on paper Overall Image size: 35 cm H x 54 cm W Individual size: 35 cm H x...

Oil on canvas 39 x 32 inches 99 x 81 cm Born in Thessaloniki, Greece, Kostis Georgiou studied stage scenery in Florence (1981-1982), painting and sculpture in the School of Fine...

An Intriguing 1991 Surrealist painting of downtown Chicago by artist James Mesplé. Artwork size: 22 1/2" x 18 1/2". Framed size: 25 1/2" x 21 1/2". Mesplé studied painting at th...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

Rita Alaoui has always felt a deep connection with the living. Beginning as a painter—her primary medium—She later expanded into installation and performance, exploring the relatio...

Rita Alaoui has always felt a deep connection with the living. Beginning as a painter—her primary medium—She later expanded into installation and performance, exploring the relatio...

Medium: Pastel, Gouache, and Black Crayon on Paperboard Sight Size 22.88" x 17.50", Framed 31.75" x 26.50" Signature: Signed EVERETT SHINN and Dated Vanity Fair Cover...