Recognized Dealers Figurative Paintings

Signature: Signed & Dated Lower Right 'Big Flat' by Henry Oyen: Appeared in Country Genteman, January 25th, 1919.

Signature: Signed Lower Left Medium: Oil on Canvas Outdoor Life Magazine Cover, August 1933

Date: 1915 Medium: Oil on Canvas Dimensions: 40.00" x 28.00" Signature: Signed Lower Right Rip Van Winkle, Cream of Wheat advertisement, 1915 This p...

Medium: Oil on Canvas Signature: signed 'J.F/-Kernan-' (lower right)--signed again and inscribed 'Painted by

Signature: Signed Lower Left

Medium: Oil on Canvas Date: 1936 Dimensions: 25.00" x 20.00" Signature: Signed Lower Right The Unhappy Model, Needlecraft Home Arts magazine cover, October 1936

Oil on canvas Canvas size: 18 x 23 inches Signed lower left

Signed Lower Center

Medium: Acrylic and Ink on Board Dimensions: 17.25" x 42.50"

Signature: Signed Lower Left

Signature: Signed Lower Right Original Cream Of Wheat illustration. Mixed media. Ex: Kraft Food Collection / Morton Grove Ill.. Saturday Evening Post...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 33.00" x 25.00;" Framed 38.50" x 30.50"

Made for the movie poster for "Oliver" Signed Lower Right

Signed Lower Left This illustration was published as the paperback cover for Tragic Ground by Erskine Caldwell, Signet, 1958.

Date: 1949 Medium: Oil on Canvas Dimensions: 27.00" x 27.00" Signature: Signed Lower Right Saturday Evening Post illustration, 1949 Twelve of von Schmidt's paintings hang in the Go...

Date: 1937 Dimensions: 29.50" x 44.00" Signature: Signed Lower Left 1937 McCalls Magazine A commercial artist with a longtime association with General Electric, Frank C. Bensing di...

A painting by Ryoko Kato. "Flooded Small Room" is an acrylic on canvas executed in a bright palette primarily of blues, whites and pinks and depicts a young girl, dressed in a white ...

The Elks Magazine Cover, Feb 1926 Signed Lower Right

Date: 1991 Medium: Acrylic on Canvas Dimensions: 22.00" x 28.00" Signature: Signed Lower Right Zebra Books Robert Berran has been a prolific romance and historical book cover illust...

Date: 1976 Medium: Oil on Canvas Dimensions: 29.00" x 22.00" Signature: Faintly Signed "Marchetti" Lower Right Cover art for the companion book to the 1976 film starring Bruce Dern and Madeline Kahn.

Medium: Acrylic on Board Dimensions: 14.25" x 19.00" Signature: Signed Lower Right The Girls of Canby Hall Book Cover, written by Emily Chase

Medium: Oil on Canvas Dimensions: 22.00" x 16.00" Signature: Signed Lower Right Contact for exact dimensions.

Painting of a woman seated in a dark room in cultural dress Frank Benton Ashley Linton was an American portrait-painter and teacher from Philadelphia. He was a student of Thomas Eak...

Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Mixed Media on Board Signature: Signed Lower Right Dimensions: 26.00" x 37.00" A hand-written caption at the lower right reads, "Why don't you call him Lauralee and tell...

Medium: Mixed Media on Board Signature: Unsigned Date: 1900 Dimensions: 30.00" x 14.00"

Signature: Signed Lower Right Framed Dimensions: 32.00" x 28.00" Cover of The Saturday Evening Post Magazine, March 16, 1940

Date: 1940s Medium: Mixed Media on Board Dimensions: 22.50" x 17.00" Signature: Signed Lower Right

“Crashing the Gate: Sandy Paves the Way to His Big Business Scoop,” original cover for Liberty magazine, published March 10, 1928 Sandy confidently struts down the street, dapperly ...

Date: 1914 Medium: Oil on Canvas Dimensions: 27.00" x 18.00" Signature: Signed Lower Left lllustration depicting a church scene. Signed lower left. Illustrative notes on back. Canva...

Date: 1932 Medium: Oil on Canvas Dimensions: 28.00" x 22.00" Signature: Signed "J.F. Kernan" Lower Right Cover illustration for Capper's Farmer magazine, July 1932

Medium: Oil on Board Dimensions: 15.00" x 15.00" Signature: Signed Lower Left

Medium: Oil on Canvas Dimensions: 30.00" x 20.00" Signature: Signed Lower Right

Original cover illustration for book published by Avon Books Dimensions: 27.62" x 21.90" Signature: Signed Lower Right

Date: 1951 Medium: Acrylic on Board Dimensions: 24.00" x 36.00" Signature: Signed Lower Left

“Honeymooning at Greenville: Lil and Sandy Continue Their Scenic Trip,” original cover for Liberty magazine, published July 23, 1927 Sandy and Lil are on their honeymoon, which after an expensive stay at a mosquito-inhabited resort in Greenville, has not been going particularly well. Their disappointing fishing trip left them with more fly bites than fish bites. The newlyweds were eager to board the train, settle in to their sleeping car, and journey to their next destination. When Sandy attempts to bring Lil the glass of water she requested, the train suddenly jerks and ice water spills on a sleeping gentleman in the next berth. “‘Oh! Oh!’ Lil gasped, a witness to her husband’s social blunder. And she wished she were deaf!” (Liberty magazine, July 23, 1927, p. 45) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Original cover for Liberty magazine, published December 11, 1926 Sandy called on Lil one evening, only to find that his suspicions were true – Mr. Hammerschlosser, the aging and wea...

Date: 1964 Medium: Oil on Board Dimensions: 20.00" x 22.00" Signature: Signed Lower Right Hello Dolly & Others

Medium: Acrylic on Board Dimensions: 19.50" x 18.00" Signature: Signed Lower Right

Date: 1955 Medium: Acrylic on Board Dimensions: 24.00" x 36.00" Signature: Signed Lower Left

Original cover for Liberty magazine, published April 13, 1929. The opera is in town for one night only, making it the social event of the season. Sandy and Lil sit in their box seats, gazing at the less elite audience members in the orchestra and haughtily critiquing the wardrobe choices of other wealthy socialites. The couple excitedly watches as the Opera begins, and eagerly await the gathering in their home after the performance, to which they have invited the star, Paltrianni. Upon his arrival at the Jenkins’ home, Paltrianni comments on how extravagantly the couple lives. However, much to Lil’s horror, there was no lavish banquet awaiting them, for the butler Meadows was found drunkenly passed out on a chair next to the empty dining room. (Liberty magazine, April 13, 1929, p. 68) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine covers have been disconnected pictures.” To help readers follow the plot from week to week, a short story summary was printed in each issue. (Liberty magazine, June 19, 1926, pp. 69-70). “For the Love o’ Lil” centers around the lives of Lil Morse and Sandy Jenkins and includes recurring characters from their extended family and social circles. The serial follows the couples’ adventures through courtship, the ups and downs of married life, the antics of their offspring with the neighborhood children, and the complex dynamics of relationships with in-laws. The goal was to show a typical modern American family whose eccentricities and foibles would attract readers each week. Thrasher used himself as the model for Lil’s father, Robert E. Lee Morse. Liberty further engaged readers by running contests for best titles, and later, for suggested storylines. The model proved successful and “For the Love o’ Lil” became a popular hallmark of the publication for many years, resulting in a 1930 film adaptation starring the flapper Sally Starr. Leslie Thrasher Leslie Thrasher first began contributing covers to Liberty in 1924, and in 1926 he was offered a contract to create a cover per week at the rate of $1,000 per week. Going against the advice of his friend Norman Rockwell, Thrasher accepted the contract, agreeing to complete a weekly cover for six years - an immensely challenging endeavor requiring that both new ideas and new artwork be produced at an extremely rapid pace. The continuing storyline of the cover serial “For the Love o’ Lil” helped Thrasher keep up with the constant demand for new images. Due to declining circulation, Liberty terminated Thrasher’s contract in 1932. A few years later in 1936, Thrasher died from pneumonia caused by smoke inhalation from a fire in his home, which also destroyed much of his original artwork. An incredibly prolific artist, Thrasher had created more than 360 covers in his lifetime for various publications, including 23 covers for The Saturday Evening Post. Leslie Thrasher was born in Piedmont, West Virginia. He studied art at the Philadelphia Academy and at the age of 16, won a scholarship that allowed him to study in Paris. Upon his return to the United States, Thrasher studied with Howard Pyle in Wilmington, Delaware and briefly worked as a portrait painter before moving to New York City to begin his commercial career producing illustration for magazines and advertising agencies. Thrasher also served in World War I, where he was assigned work as a camouflage painter. Date: 1929 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, 4/13/29 "Opera Night"

Date: 2000 Medium: Acrylic on Plywood Dimensions: 26.50" x 17.50" Signature: Signed and Dated Lower Right

Original paperback cover artwork for the book Day of Judgment by Jack Higgins, published by Pocket Books, 1990. The publisher describes the story: "May, 1963…As President John F. Ke...

Image of a ballerina in a leotard and leg warmers at rest between performances Medium: Oil on Canvas Dimensions: 24.00" x 60.00" Signature: Signed Lower Left Artist Francois Clouti...

Medium: Acrylic on Board Dimensions: 29.00" x 36.00" Signature: Signed Lower Right "Only the Galant" Book Cover,The Metal: Book Three, by Kerry Newcomb

Medium: Oil on Board Signature: Signed Lower Left Story illustration for "In The Cathedral" by Achmed Abdullah published in Cosmopolitan, May 1938, pages 24-25. The magazine descri...

Medium: Oil on Canvas Dimensions: 24.00" x 36.00" Signature: Signed Lower Left

Medium: Oil on Canvas Mounted to Plywood Signature: Unsigned

Date: 1931 Medium: Oil on Canvas Dimensions: 16.00" x 22.00" Signature: Signed Lower Right Interior setting with people seated around a table.

Original cover for Liberty magazine, published July 12, 1930. Lil and Sandy’s neighbors, Mr. and Mrs. Smithers, take their daughter Gwen and little Ulysses to the beach. The childre...

Medium: Oil on Canvas Dimensions: 24.00" x 36.00" Signature: Signed Lower Left Women sitting on park bench with dog and puppies

Medium: Oil on Canvas Dimensions: 24.00" x 36.00" Signature: Signed Lower Right

Original cover for Liberty magazine, published January 9, 1932. Sandy and Lil are excited to welcome the new year in 1932 and leave the past year of job losses, stock market crashes...

Medium: Oil on Canvas Dimensions: 22.00" x 9.75" Signature: Signed Lower Right

Date: 1978 Medium: Acrylic on Board Dimensions: 12.00" x 9.75" Signature: Acrylic on Board Possible paperback cover, circa 1978.

Dimensions: 22.00" x 17.00" Signature: Signed Lower Right Used for a Christian Herald Magazine publication

Medium: Oil on Canvas Signature: Signed Lower Left Size: 26.20" x 24.00" As noted in Vintage Illustration by Rick and Charlotte Martin, Hy Hintermeister was actually the pen name of the father-son team of John Henry Hintermeister and Henry Hintermeister. The two created calendar art and prints for nearly fifty years. The Martins write, "Like Norman Rockwell, the Hintermeisters excelled in situational or storytelling illustration." Calendar Illustration

Date: 1921 Medium: Gouache on Board Dimensions: 20.75" x 17.00" Signature: Signed Lower Right (Monogram)

Medium: Oil on Board Dimensions: 15.50" x 12.00" Signature: Signed Lower Right Cover of "Black Market" written by James Patterson, Pocket Books

Medium: Oil on Canvas Sight Size 13.00" x 10.00", Framed 21.00" x 18.00" Signature: Signed Lower Right