Recognized Dealers Landscape Photography

Half Light 12, 2016 - Autumn Leaves in English Forest Woodland Landscape by Ellie Davies Half Light 12 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte paper,...

TV3 is a stunning C-Type Print by contemporary photographer Samuel Hicks It is available in this size of 16" x 20" in a Limited Edition of 25, and is sold unframed. An analogue tel...

"TV 2" is an atmospheric C-Type print by Samuel Hicks. It is available in this size of 16" x 20" in a Limited Edition of 25. The apricot hued glow of the analogue television on thi...

Please bear in mind that all prints are produced to order. Lead times are expected between 5-15 days. This is an 80cm x 80cm Digital print on 100cm x 100cm Cotton Paper. This sized...

Please bear in mind that all prints are produced to order. Lead times are expected between 5-15 days. This is an 80cm x 80xcm Digital print on 100cm x 100cm Cotton Paper. This size...

Please bear in mind that all prints are produced to order. Lead times are expected between 5-15 days. This is an 80cm x 80cm Digital print on 100cm x 100cm Cotton Paper. This sized...

Please bear in mind that all prints are produced to order. Lead times are expected between 5-15 days. This is a 80cm x 80cm Digital print on 100cm x 100cm Cotton Paper. This sized...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. This is an 80cm x 80cm Digital print on 100cm x 100cm Cotton Paper. This sized...

Please be aware that all prints are produced to order and lead times are between 5-15 days. This is an 80cm x 80cm Digital print on 100cm x 100cm Cotton Paper. This sized print is...

Please bear in mind that all prints are produced to order. Lead times are expected between 5-15 days. This is an 80cm x 80cm Digital print on 100cm x 100cm Cotton Paper. This sized...

Ridged Sands is a stunning Archival Inkjet Print by contemporary photographer Morgan Silk. It is available in this size in an Edition of 25, and is sold unframed. This print may b...

Bay of Fires is an Archival Inkjet Print by contemporary photographer Morgan Silk. It is available in this size in an Edition of 25. Bay of Fires was captured during a wild journey Silk made across Tasmania, in search of the Tasmanian Tiger...

Berg Park I is an Archival Inkjet Print by contemporary photographer Morgan Silk. It is available in this size in an Edition of 25. Morgan Silk has been involved in creating photo...

Edition of 45 Signed, titled, dated, and numbered. Michael Kenna's black and white photographs are powerful and alluring. His imagery transports you to iconic and placid landscapes ...

Mountain Tree, Study 1, Danyang, Chungcheongbukdo, South Korea by Michael Kenna presents a sublime scene. A lone tree stands tall, growing out from the side of the mountain. The star...

South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown presents a sublime scene. A calm river cuts through the green grass field, leading to a tree in the distance. White fluffy clouds fill the bright blue sky. The prairie field is painted with a soft glowing light, creating a tranquil scene. South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown is listed as a 16 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25 and is signed and numbered in black ink on print margin. South Texas: Cash Creek is from Peter Brown's series, Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Bird and Hibiscus Cibachrome print, 1980 Signed and dated by the artist in pencil lower right (see photo) Deaccessed from the Reader's Digest Association Collection (#18717) with label (see photo) Purchased from Lieberman & Saul Gallery, between 1986 and 1993 when the name oif the gallery changed to Julie Saul Projects Very small edition Provenance: Lieberman & Saul Gallery, New Yokr, NY (until 1985) (label verso) Reader's Digest Association (label) Condition: Excellent Image size: 9-7/8 x 9-7/8" (25 x 25 cm.) Frame size: 20-1/2 x 16-1/2" Suzanne Camp Crosby Posted by FMoPA Apr 7, 2021 FMoPA In Focus 0 Suzanne Camp Crosby, Gasparilla Ship, 2004 In December of 2020 beloved Tampa photographer and educator Suzanne Camp Crosby died. She had taught generations of students at the Hillsborough Community College where she had been a professor of photography for 38 years. Camp Crosby had the prestigious honor of being the 2004 City of Tampa Photo Laureate and the exhibition resulting from that body of work, Suzanne Camp Crosby: 2004 Photo Laureate City of Tampa Public Art – Big Picture Project, was presented at the Tampa Museum of Art that same year. Other awards include a Southeast Artist Fellowship from the National Endowment for the Arts and Southeastern Center for Contemporary Art in 1978-79. Suzanne Camp Crosby, Paper Flowers, c. 1990 The Florida Museum of Photographic Arts (FMoPA) has gratefully accepted the task of helping to place the photographic archives of this beloved artist. This collection includes more than 725 photographs spanning her career of over 40 years. A broad selection of this work will be brought into the collection of FMoPA, with an exhibition to follow in the summer of 2022. Other institutions in the area are also considering simultaneous showings. University of Tampa student Alyssa R. Miller has signed on to help with the documenting and digitizing of this body of work. This will help make it possible to distribute photographs to other institutions, with limited works to be sold to help finance the efforts. Examples of her photography are already currently held in the collections of FMoPA, the Tampa Museum of Art (TMA), Los Angeles County Museum of Art, and the New Orleans Museum of Art, among many others. Three wonderful examples of her talent are currently on view at the TMA’s exhibition Her World in Focus: Women Photographers from the Permanent Collection, on view until June 27, 2021. Suzanne Camp Crosby, Doris Day at Clothesline, 1980 Camp Crosby’s solo exhibitions include Suzanne Camp Crosby: Kid City, 2009 at FMoPA, and multiple exhibitions at the HCC Galleries, where she eventually became the Program Manager for the Visual Art and Dance departments in addition to her teaching and exhibitions. She also taught and received her MFA at the University of South Florida in Tampa. Additional schools where she was an instructor include the University of Central Florida in Orlando, FL, and the St. Petersburg College, Clearwater campus. Camp Crosby specialized in creating thematically directed photographs, created by adding unexpected objects or people to mostly everyday scenes. Her artwork is often playful and witty. Early work included tender black and white compositions often using her children or friends to create evocative scenes. Later photographs brought in color and experimentation. Examples include the juxtaposition of life-sized 2-D paper doll cut-outs of 1950s movie stars to real-life mundane household settings, as well as a wide selection of other artificial items placed into real-life settings. As a visual storyteller, she continued to explore and experiment with ideas and themes throughout her lengthy career. Courtesy The FLORIDA MUSEUM of PHOTOGRAPHIC ARTS Suzanne’s artwork is in many permanent collections, including the Tampa Museum of Art, the USF Museum of Contemporary Art, the Orlando Museum of Art, the Polk Museum of Art, the Florida Museum of Photographic Arts, the Leepa-Rattner Museum of Art, the New Orleans Museum of Art, the Los Angeles County Museum of Art, Walt Disney World Corporation, Tropicana Corporate Collection, City Bank, Tampa Electric Company, Shriner’s Hospital, Tampa General Hospital, Hillsborough Community College, City of Tampa Public Art, City of Orlando Public Art, and the von Liebig Art Center. From ARTFORUM JULIE SAUL (1954–2022) Julie Saul, who through her long-running eponymous New York gallery did much to elevate contemporary photography within the art world, died February 4 in Tampa after a battle with a rare form of leukemia. Saul was known for her willingness to show an eclectic range of works in media ranging from painting to sculpture to video to ceramics by an equally diverse range of artists, but it was her eye for both traditional and avant-garde contemporary photography that cemented her reputation and that of her gallery, which she first established in 1986 in SoHo, then a frontier for the arts. Saul was born in Tampa on New Year’s Eve in 1954 to a father who was head of a sewn-products company and a housewife mother, a native New Yorker and volunteer docent whom Saul would later credit with introducing her to the arts. “Tampa had no museums, but she would take us to museums in New York,” she told the Tampa Bay Timesin 2003. “We had a house that wasn't filled with great art, but there were great reproductions and great art books.” In 1979, Saul moved to New York, obtaining her master’s degree from New York University’s Institute of Fine Arts in 1982. Four years later, with partner Nancy Lieberman, she opened Lieberman Saul Gallery at 155 Spring Street in SoHo, showing contemporary photography at a time when not many others were. “One thing that drew me to photography from the very beginning—and it still holds—is that photography is an affordable medium. Almost anybody can afford to collect photographs,” she told the Association of International Photography Art Dealers (AIPAD) in 2010. “Fundamentally, photography is a medium and what makes work great is the idea behind it and how well it’s executed.” Among the photographers whose work Saul championed are Nikolay Bakharev, Morton Bartlett, Eugene Bellocq, Andrew Bush, Sally Gall, Luigi Ghirri, Andrea Grützner, Sarah Anne Johnson, Adam Magyar, and Arne Svenson...

Canadian artist Mark Bartkiw brilliantly disrupts the landscape by juxtaposing expected elements with dream-like imagery. This C-print is sealed between dibond and plexiglass. This ...

"The dunes change with the wind, but the desert remains the same." - Paulo Coelho - The Alchemist Print info: Ephemeral #1, Sand Dunes, Morocco, 2006 #landscape, Silver Gelatin Pri...

Every spring, the Great Lakes swell with rain water and threaten to flood the Ontario shoreline. In this photograph taken by Shani Mootoo she has captured the gentle pattern of the r...

Edition of 45 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. His...

Glowing clouds rise above a patchwork landscape in this dream-like image by Mark Bartkiw. This C-print is sealed between dibond and plexiglass. This 36 x 36 inch image is the Artis...

Bartkiw brilliantly disrupts the landscape by juxtaposing expected elements with dream-like imagery. This C-print is sealed between dibond and plexiglass. This 30 x 30 inch image i...

Military planes in formation is reminiscent of a flock of starlings in this eerily brilliant image by Mark Bartkiw. The artist disrupts the landscape by juxtaposing expected elements...

Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

London from Thierry Cohen's "Darkened Cities" series. 26 x 40 inch archival pigment print Edition of 5 Also available: 39 x 60 inch archival pigment p...

Albert WATSON (*1942, Scotland) Sade 'NYC', 1992 Archival pigment print 107 x 142 cm (42 1/8 x 55 7/8 in.) Edition of 10, plus 2 AP Print only Drake purchased a series of Albert's...

Syoin KAJII (*1976, Japan) NAMI_N01-N02, 2024 Lambda Print with Diasec Face, Diptych (two works) Small: Sheet 63 x 168 cm (24 3/4 x 66 1/8 in.) Large: Sheet 112.5 x 300 cm (44 1/4 x ...

Edition of 45 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and a...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson is a lifelong photographer whose first contact with the medium was in his father's darkroom before he could read. Gibson received a B.A. from Centenary College in Shreveport, Louisiana, and an M.A. at Trinity University in San Antonio, Texas. His early work in theater lighting...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson is a lifelong photographer whose first contact with the medium was in his father's darkroom before he could read. Gibson received a B.A. from Centenary College in Shreveport, Louisiana, and an M.A. at Trinity University in San Antonio, Texas. His early work in theater lighting...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson is a lifelong photographer whose first contact with the medium was in his father's darkroom before he could read. Gibson received a B.A. from Centenary College in Shreveport, Louisiana, and an M.A. at Trinity University in San Antonio, Texas. His early work in theater lighting...

Syoin KAJII (*1976, Japan) NAMI_N01-N02, 2024 Lambda Print with Diasec Face, Diptych (two works) Small: Sheet 63 x 168 cm (24 3/4 x 66 1/8 in.) Large: Sheet 112.5 x 300 cm (44 1/4 x ...

Syoin KAJII (*1976, Japan) NAMI_N01-N02, 2024 Lambda Print with Diasec Face, Diptych (two works) Small: Sheet 63 x 168 cm (24 3/4 x 66 1/8 in.) Large: Sheet 112.5 x 300 cm (44 1/4 x ...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

Delicate Arch Photograph on Kodak Professinal Paper, c. 1980's Unsigned Annotated verso in ink "346" Condition: Excellent Minor handlin...

Syoin KAJII (*1976, Japan) NAMI_Z01-Z02, 2025 Lambda Print with Diasec Face, Diptych (two works) Sheet 112.5 x 300 cm (44 1/4 x 118 1/8 in.) Edition of 6 About NAMI II: With his se...

"Burnt Place" - After the fire swept through, the forest was left scorched and barren. The ground is still warm and the unstirring air is thick with the scent of charred wood. Scorched, lifeless pines stand solemn and mournful in the shadows of the Burnt Place. About the Twilight's Path project: "We spend our lives surrounded by the security of possessions, relationships and roles, but our futures hold nothing so substantial; one day we must all enter into true not- knowing - into a dark, unconscious place." Jasper Goodall...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

NICK BRANDT (*1966, England) Elephant Cathedral, Maasai Mara, 2007 Archival Pigment Print Sheet 109,2 x 96,5 cm (43 x 38 in.) Edition of 15 (#12/15) print only Nick Brandt is a cont...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

Edition 27/45 Signed, dated and numbered in pencil on mount margin recto by Michael Kenna Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in...

This grandiose work is a beautiful depiction of an 18th-century Italian grotto, a secret haven adorned with lush foliage and cascading waterfalls. The scene encapsulates the historic...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

"My work is about respecting the beauty that remains and the poetry that is found." David H. Gibson is a lifelong photographer whose first contact with the medium was in his fathe...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

“I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong p...

Edition 32/48 Mat size is 29 x 36 inches. Frame size is 29 7/8 x 36 7/8 inches.

A skeletal oak, starved of light by the surrounding fir trees still holds its twisted limbs up towards the light as if frozen in its death throes. "I want to bring a sense of unfamiliarity into the images; to present commonplace nature in a peculiar way. This is, in part, a reaction against our over sanitised and conditioned lives. The night forest is devoid of people. It is an undomesticated wilderness right on our doorstep." - Jasper Goodall...

Swallow-tailed Bee-eater on a Poison Ivy Branch by Cheryl Medow is a photograph depicting a small green bird perched on a branch, with a marshy landscape in the background. Archiva...

Edition of 25 C-print 32 x 40 in. Signed, titled, dated and numbered by Peter Print Published: West of Last Chance (2008) Available framed in 32 x 40 in for $6250 Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred...

Peter Bialobrzeski continues his long on-going series entitled "City Diaries," this time focusing on Istanbul, Turkey. In this work, the artist seeks to reveal the unique identity of...

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown. 20 x 24 in. Series: West of Last Chance Available in additional sizes, limited to a single edition of ...