Recognized Dealers Decorative Objects

A green-glazed ceramic vase designed by Christer Heijl, Sweden, c. 1930s. Wear consistent with age and use Overall Dimensions (inches): 6.75" Height x 7.25" Diameter All items shi...

A superb nineteenth century eight day grande sonnerie carriage clock of typical size, c. 1870. The gilt-brass gorge case has glass panel...

Danish Mid-Century Modern bottle-shaped turquoise and white case glass vase with a long cylindrical neck and a wide, flat rim (Gulvvase by OTTO BRAUER for HOLMEGAARD)

Large Antique 19th Century Bronze Moorish Warrior Sculpture Figure Henri Plé French, 19th century Height 111cm, width 54cm, depth 30cm This striking late 19th-century bronze by Henr...

Galle Cameo glass vase, circa 1900.

A large Holy Land mother-of-pearl, abalone shell and olive wood icon Jerusalem, early 20th century Icon: height 55.5cm, width 52cm, depth 18cm Case: height 15.5cm, width 61.5cm, depth 57.5cm In fitted case, presented by the President of the Senate...

“Still Stand” sculptures by Joel Escalona Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament to the power of the material...

Large Orientalist bronze group by Bergman Austrian, c. 1910 Measures: Height 28cm, width 18cm, depth 27cm This exceptional bronze group is by Be...

This set of three antique English porcelain plates was hand-painted by Barr Flight Barr Worcester circa 1820. The plates are decorated in the colorful and highly sought-after “Fence ...

This Art Deco iron Hanukkah menorah from France circa 1925 combines the streamlined, geometric aesthetics, high-quality craftsmanship, and innovative design of the Art Deco period wi...

A striking composition of nature’s elegance, this beautiful specimen features two rich green tourmaline crystals dramatically piercing through a luminous white quartz matrix. The co...

Pair of elegant brass candlesticks by Jens Quistgaard, in a sleek, tapering form.

“Still Stand” sculptures by Joel Escalona Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament to the power of the material...

Italian vintage marble eggs, Circa 1960 Set of 10 Eggs of different colors and marble type. The glass bowls are not included in the price.

Beautifully made large 19th century Siam standing Buddha sculpture in gilt bronze sold through the Karl Springer showroom on custom ebonized wood ...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

The Mizar vase was originally designed by Ettore Sottsass in 1982. The piece features clear and blue glass with multicolored handles. Ettore Sottsass was born in Innsbruck in 1917. In 1939 he graduated in architecture at the Politecnico di Torino One of the most influential and important figures of the last century, Architect and Designer, he has participated in all radical movements whether created from the 1970s and 1980s. In 1981 he founded the Memphis group, a group that has radically changed the scenario of Italian and world design. Honored with numerous international awards, was winner of the Golden...

Minton Majolica Taza, molded as an inverted mushroom, the bowl interior glazed in orange, with three naturalistically modeled and glazed frogs around the stem,...

PAIR of Egyptian style (19/20th Cent) carved ebonized kneeling figures

A fluted grey-glazed stoneware vase designed and produced by  Ejner Johansen, Denmark, c. 1960s.

Tall Blue and Green Stripe Ceramic Studio Vase.

Morganite with Smoky Quartz Mawi pegmatite, Nilaw-Kolum pegmatite field, Nuristan, Afghanistan 9.7cm tall x 11.5cm wide Ex-collection Stephen Smale All the members of the Beryl f...

Blue and Orange Glass Vase with Wrought Iron Frame Daum Nancy and Majorelle Circa 1925 This remarkable vase showcases the combined artistry of Daum Nancy and Louis Majorelle, two of...

Akashi-Awaji Pottery Art Deco vase from circa 1930, notable for its bold geometric form and decadent pink flambe glaze. The vase has a rounded ovoid body with stiff, ribbed shoulder ...

Hallmarked in London in 1898 by Gibson & Langman, this handsome pair of Victorian Antique Sterling Silver Candlesticks, are cast, and feature gadroon borders, and acanthus detailing ...

This pair of busts depicts the former King and Queen of France, Louis XVI and Marie Antoinette. The busts are crafted from unglazed whit...

It draws inspiration from faraway places, halfway between fantasy and reality. Paolo Venini opted for a unique palette of Aquamarine, Horizon and other fine hues to present it to the...

Extra large high clay bathtub by Studio Loho Dimensions: D 90 x W 190 x H 53 cm Materials: clay Other colors and raw or smooth exterior available. Available in 4 sizes: W 160 x H 42(large), W 160 x H 53(large high), W 180 x H 42(x-large), W 190 x H 53(x-large high) The baths are entirely made of clay and are available in a wide range of colours or can be produced bespoke. The exterior of the clay can be raw or smooth according to preference, the interior of the baths is finished with a layer of smooth, silky lime plaster for maximum comfort. Due to the production process every piece is unique in size and form. Studio LoHo is a Belgian design office located in Bruges, Belgium. Founded in the autumn of 2017 by Karel Loontiens and Jo Hoeven, the studio focused from the beginning on high-end bespoke interior projects which forms an ideal matrix for product - and material design that is both innovative and durable. In current times there’s no more room for influx of disposable products, it is our studio’s goal to strive for design that will last and will be cherished for multiple generations. The introduction of the first collection “clay series” fully articulated the DNA of the newborn Studio and led to their international breakthrough. The appreciation of materials reflects their unique view on interior design with a strong and recognizable signature. Soon after, the collection was expanded on request by other architects and designers with new sinks...

Pair of Italian Baroque-style (19th Century) stripped pine, beech & poplar 24 arm floor torchiere with 3 scrolling legs on horses (in the style of PIRANESI)

Silver and silver gilt nef sailing ship Continental, 20th Century Height 44cm, width 38cm, depth 12cm Made from silver and silver gilt, this nef, also known as a model ship, is br...

French Victorian large faux wood painted metal jewel box with bronze dore trim and center frame.

An exceptional, fine and impressive antique Edwardian English sterling silver photograph frame in the Art Nouveau style; an addition to our silverware collection This exceptional,...

A large George IV silver sideboard dish, made by Joseph Angell II, 1828 English, early 19th century Diameter 75cm, depth 10cm This magnifice...

Rising with crystal clarity from its rugged white matrix, this stunning aquamarine specimen from Pakistan captures the essence of elegance and strength. The perfectly formed, transpa...

Of all the glassworks produced in the late 19th century, cameo glass was the most challenging to perfect. Only a handful of artisans succeeded in mastering this intricate craft, with...

This exceptional pair of antique black basalt vases was made by Wedgwood & Bentley in the late 18th century, circa 1775. The vases are sculpted in deep solid relief with bacchanalia...

This plaster sculpture by Michel Chauvet, the notable midcentury French artist, captures the grace of the human form in motion. Unique piece. Monogrammed: M. CHT.

Impressive sculpture from a single piece of ficus wood set on a modern black steel base. Fabulous in a residence, lobby or hotel project. This can also be removed from the base and h...

F.ACE Aluminium Wall Hook by Henry Wilson Dimensions: W 6 x D 5 x H 10 cm Materials: Aluminium The F.ACE Hook is a riff on our popular compass Hook. It is sand cast in solid Alumin...

PIERRE-JULES MÊNE French, 1810-1879 "Chien Limier" (1869) Patinated bronze signed in cast "P.J. MÊNE" almost certainly cast in Mêne's personal atelier circa 1875 Item # 309MWP02...

A Large and Exceptional Napoleon III Period Gilt-Bronze and Sèvres Style Porcelain Three-Piece Clock Garniture. By Denière, Paris. Comprising a mantle clock and pair of eight-light...

Born in 1972, the Cactus Coat Rack has questioned the static and rigid world of interior design since its inception, revolutionizing the traditional furniture...

Impressive, high quality petrified wood log bench. It’s fascinating how Mother Nature produces these exquisite 40 million year old petrified teak logs w...

Stunning Antonio da Ros, Sasso vase by Cenedese Italy, c. 1960's Great Colors A strong early example.

A rare find for collectors and enthusiasts, An extra-large exquisite Georg Jensen sterling silver centerpiece punch/ice ice bowl or wine cooler, design #268a, by Johan Rohde.  This i...

Large Baroque style Austrian ormolu mounted musical clock Austrian, early 19th Century Total height: 211cm Clock: Height 135cm, width 86cm, depth 52 Stand: Height 76cm, width 81c...

Unique bronze bowl by Rick Owens 2007 Dimensions: L 14 x W 14 x H 8 cm Materials: Bronze Weight: 1.5 kg Available in black, gold, and Nitrate finish. Rick Owens is a Califo...

This truly stunning French mantel clock was crafted during the Empire period, and reflects the Neoclassical interests of the Emperor Napoleon I, whose influence over the decorative arts contributed toward a profound revival of beauties of the ancient empires. The mantel clock is crafted entirely in gilt bronze, and features a stepped base on four block feet. The base depicts a Classical relief panel to the front, showing female dancing figures and putti, as well as musical instruments. Surmounting the base is an arch featuring a central mask fountain and basin...

Zuperfici is a collection of furniture pieces and objects that investigates the materiality of an object through its surfaces.The starting point is the plastic laminate, a very thin ...

Extra large stone bathtub by Studio Loho Dimensions: D 85 x W 190 x H 57 cm Materials: stone Other stone types are possible upon request. Available i...

Statuesque stoneware floor vase by Carl-Harry Stålhane, in a clean form with beautiful blue glaze with a somewhat grainy look. Carl-Harry Stålhane was one of the stars among Swedish...

Le Gambe Sculpture by Marcela Cure Dimensions: Leg 1 W 47 x D 12 x H 22 cm / Leg 2 W 29 x D 12 x H 29 cm Materials: Resin and Stone Composite Our Le Gambe sculpture is composed ...

This lacquered bronze “Volcano” humidor by Tiffany Studios New York features a dramatic design of a submarine volcano surrounded by sea urchins, created by Munich artist Ludwig Viert...

This resplendent Zsolnay bird ewer—resting on three feet and crowned with a blooming tulip handle—is a triumph of Art Nouveau design, created by Sándor Apáti-Abt for the Zsolnay manu...

Large stoneware floor vase by Gunnar Nylund in a classic shape. Beautiful glaze that alternates between purple and clear blue in dramatic splashes.

Mantel clock in patinated and gilt bronze, with red and black marble, in the Egyptian Revival style of the 19th century. The composition features a standing female Egyptian figure h...

French Art Deco small crown shaped clear glass perfume bottle (CROWN JEWEL by PRINCE MATCHABELLI) with gilded metal details and a Maltese cross shaped stopper.

Designed by Adolph Amberg, modelled as a Japanese lady in traditional dress, a parrot perched on her left arm, above an oval base. The sculptor Adolph Am...

This exceptional, 18 carat gold Easter egg was crafted by the famous London-based royal jewellers, Asprey & Co. The piece was then retailed by Garrard & Co, who once worked in collaboration with Asprey, producing luxury jewellery and silver for an elite clientele. The egg has been crafted from gold filigree — that is, gold wires interwoven to make a delicate lace-like pattern. The gold is arranged to form the image of a peacock, with a magnificent fanned train, composed of red, dark blue and green coloured plique-à-jour enamel. The light blue body of the peacock, and its long swirling light and dark blue tail feathers, have been crafted from intricate guilloché enamel, which is often found on Fabergé style eggs...

Large geometric clear glass perfume bottle with a matching stopper