Recognized Dealers Decorative Objects

Gufram presents new limited editions of its iconic CACTUS® in collaboration with The Andy Warhol Foundation of Visual Arts —— ANDY’S CACTUS® as its debut worldwide. The new version is still made of polyurethane, molded from the original 1972 version, and then hand-carved by professional artisans, each piece is unique. The results are ANDY’S BLUE CACTUS...

'Vug in Turquoise & Purple III' is a unique handblown sculpture by the British artist, Samantha Donaldson. Created by layers of coloured glass, the transparent colours merge and cre...

Fairyland Lustre Torches and Tree Serpent Pillar Vase Wedgwood Circa 1925 This superb Wedgwood pillar vase is an extraordinary example of the company's magnificent Fairyland Lustre ...

A glass bowl designed by Gate Augustsson and produced by Ruda Glasbruk, Sweden, c. 1960s. Overall Dimensions (inches): 2.5" Height x 12.5" Diameter All items ship from High Point, ...

Elegant pewter jar from GAB, in a strict cylinder form with a pattern of stripes. Nice even patina.

This gorgeous large quartz crystal sits on a bed of rough crystalline matrix. A large piece is wonderfully sculptural. This piece was legally and ethically sourced. Place of ori...

The first thing you notice is the magnificent spiral snake handles. This large blue and white Dutch Delft covered jar is fully decorated! The elaborate decoration on the front featu...

Lovely jar by Hans Hedberg, made in faience in thick quality. Plump, egg-shaped form with a lid with oval indentures. Butter-colored glaze with lichen-like flecks giving an organic e...

'Masai 0.3' is a unique wooden sculpture by the British artist, Donald Baugh. Donald Baugh was born in London and from the ages of one to eight lived in Jamaica with his grandparent...

Temis Candle Holder by Federico Stefanovich Dimensions: D 12 x W 40 x H 32 cm Material: Bronze Temis is a re-edited piece sand casted in solid bronze. It is then welded, ground and ...

Italian artist and designer Angelo Bragalini (1913–1994), best recognised for his talents as a sculptor, was also a technically skilled metalsmith. Set pieces for filmmaker Federico ...

A Phoenix in Bloom: The Enduring Charm of the "Tobacco Leaf" Garniture Title: Large Tobacco Leaf Porcelain Garniture of Five Vases Culture/Orig...

This antique porcelain mantel clock demonstrates the 19th century nostalgia for the delicately elegant decorative arts under King Louis XV, also known as the Rococo style. Crafted by celebrated porcelain artist Jacob Petit, this exquisite clock is particularly notable for the way in which the porcelain has been shaped so as to give the clock such a whimsically free-spirited, scrolling shape. The clock is formed as a clock case upon a lower base, which are both decorated as a though a singular piece with green glaze on a white ground, accented with painted floral panels and extensive gilt highlights all over. The clock case, which is particularly exuberant in design, features a central, circular clock dial. The white enamelled dial is bordered with beaded ormolu, and features black Roman numerals and the inscription 'Scherer'- the name of the 19th century Parisian clock...

Antique patinated bronze and ormolu figurative mantel clock by Dasson French, 1888 Measures: Height 30cm, width 30cm, depth 13cm This fine mantel clock is by the celebrated make...

An exceptional, fine and impressive vintage Elizabeth II English sterling silver cigarette box in the Art Deco style; an addition to the ornamental silverware collection. This exceptional vintage Elizabeth II sterling silver cigarette box has a plain rectangular form onto four bracket style feet. The surface of this impressive silver box is embellished with impressive engine turned decoration. The box is fitted with two hallmarked hinged covers each embellished with further panels of engine turned decoration in addition to an applied leaf border which continues across a central plateau. The interior of each solid silver cover features a paralleling band of engine turned decoration in addition to the part hallmarks; decoration to the posterior surface of a cover is an indication of the fine quality of a piece. The central plateau is surmounted with an impressive shaped handle, in the Art Deco style. The body of this exceptional box features the original cedar wood lining. This antique Art Deco cigarette box has a weighted base and retains the original leatherette covering to the underside. The box is supported by four impressive cast silver, Art Deco style stepped bracket feet. By virtue of its size this versatile vintage cigarette box could be used for a multitude of functions. Note: The majority of such boxes have a wood lining to the cover; it is a sign of quality when boxes have an unlined, solid silver covers. Condition This vintage silver cigarette box...

Fazzoletto Opalino medium vase in Horizon Murano glass by Fulvio Bianconi and Paolo Venini. An exclusive new take on the Opalini technique from the 15th century makes its color uniqu...

This exquisite clock set is designed in an elegant 18th-Century Rococo manner, in the style of Sèvres porcelain wares. Rococo is characterised by its use of pastel colours, graceful ...

The Swedish Grace movement of the 1920s represented a moment of refinement in Scandinavian design, bridging the neoclassical tradition with the emerging ideals of modernism. Designer...

Decorated around the exterior with 'Poplar Trees' and on the interior with 'Woodland Bridge', Portland Vase WEDGWOOD ENGLAND printed in green, painted pat...

This exquisite blue and white Dutch Delft vase was crafted in the early 18th century, circa 1720. Its excellent chinoiserie decoration epitomizes 17th and 18th century Europe's fasci...

Large Kyoto region Awaji floor vase in bright yellow crackle glaze with cold painted dark red lacquer decoration, circa 1910s. Measures: 37" high, 15" diameter. Fine hairline at rim,...

A green-glazed ceramic vase designed by Arthur Percy and produced by Gefle, Sweden, 1930s. Dimensions: 5.375” H x 5” diameter

French gilt bronze and enamel three-piece clock set French, late 19th Century Clock: Height 45cm, width 26cm, depth 14.5cm Candelabra: Height 31.5cm, width 21cm, depth 9cm This char...

Tall-bodied, tapered glazed ceramic vase with vertical stripes in blue and white

Porcelain, champlevé enamel, and gilt-bronze Rococo style three-piece clock set French, Late 19th Century Clock: height 38cm, width 23cm, depth 16cm Vases: height 28cm, width 13cm, d...

Antique French gilt bronze and enamel miniature carriage clock French, late 19th Century Clock: Height 11cm, width 5.5cm, depth 5cm Case: ...

Travertine Trieste Big Vase by Andrea Bonini Limited Edition Dimensions: Ø 10 x H 40 cm. Materials: Travertine and natural brass. Made in Italy. Limited series, numbered and signed ...

Antique French cartel clock of Venus with cherubs French, Late 19th Century Height 120cm, width 55cm, depth 20cm This remarkable cartel clock is inspired by an 18th-century desi...

Gilt bronze and Sèvres style porcelain Louis XVI style casket on stand This magnificent Louis XVI style ormolu casket is supported by a mirror-topped table stand, which sits on four tapered, fluted legs connected by a curving X-form stretcher. In the centre of this stretcher is an ormolu urn decorated with rams heads, four hoof feet and birds on the top. The legs of the table are also ornately decorated with draped garlands and scrolled detailing. The apron is inset with Sèvres style porcelain plaques depicting scenes of cherubs and children in landscapes as well as decorative floral detailing, and is surmounted with laurel leaf mounts. The casket itself is of oval architectural form, and is set on fourteen small feet. It features further porcelain plaques depicting cherubs, musical instruments and a central oval portrait of Queen Marie Antoinette within a crowned gilt cartouche. Her portrait is flanked by two cherubs and is sat within a decorative royal blue border, matching the turquoise colored borders of the other plaques. The reverse of the casket is similarly decorated and features a painted plaque of her husband King Louis XVI. The plaques are separated by mounted ormolu columns decorated with crowns and draped laurel leaves, and each column is surmounted by floral crowns. Each curved side of the casket features an ormolu mask of a female figure, and the hinged lid is surmounted by two reclining female figures wearing draped dresses and holding a central crown. The casket opens at the lid to reveal a velvet interior. There is an inscription below the portrait of Marie Antoinette which spuriously reads ‘This casket formerly property of Marie Antoinette, presented to my beloved wife as souvenir of our European tour / Sept 8th 1886 / Louis L...

Staffordshire, England, circa 1745 – 1760 This charming and unusual figure depicts a seated cat, its body marbled in tones of buff, grey, and warm brown, the patterns flowing like fur beneath a translucent salt glaze. From the crown of its head rises a small candleholder—an enchanting, functional variation that transforms the cat into a decorative light for the Georgian home. The salt-glazed surface has a gentle satin sheen, enlivened by a cobalt wash brushed across the ears and shoulders, a subtle touch of colour that draws the eye. The figure is compact and beautifully balanced, exuding both humor and grace: a work of wit and craftsmanship meant to charm and amuse as much as to illuminate. As a pair, this cat with candleholder and its companion cat carrying a mouse form a dialogue of light and life—one playful, one practical—representing the Staffordshire potters’ genius for turning everyday subjects into artful curiosities. Attribution and Significance Within the history of English ceramics, agateware animals represent the marriage of experimentation and domestic charm. They were objects of conversation—proof of a potter’s technical mastery and a household’s refinement. This cat, with its delicate candleholder, captures that artistic playfulness and innovation. The glaze’s clarity, the elegant pose, and the subtle marbling make it not only an artifact of mid-18th-century Staffordshire but also a small masterpiece of whimsy and craft. Scholarly Analysis and Authentication The figure is made from laminated clays of contrasting colors, known as laid agate, a technique perfected in Staffordshire workshops during the 1740s and 1750s. Strata of buff, pale grey, and iron-bearing brown clay were rolled together, pressed into a two-part mold, and luted along the spine before firing. The cat’s body thus shows true through-body marbling: the veining continues through the thickness of the clay, not merely applied on the surface. The candle socket, made from a single buff clay rather than agate, was luted to the head before glazing. This practical choice prevented distortion during firing and was a typical workshop economy seen in other mid-18th-century functional animal forms. The piece was salt-glazed in a wood- or coal-fired kiln into which common salt was introduced near peak temperature. Sodium vapor combined with the silica of the clay to form a thin, glassy coating. Here, the glaze is smooth and even, suggesting the cat was fired within a protective sagger. The underside of the figure is open, revealing the pressed-clay interior. Two or three minute stilt contacts are visible on the bottom ledge, confirming that the figure rested on kiln props during firing rather than being supported from beneath a closed base. The cobalt wash was brushed under the glaze before firing. It fuses permanently into the surface, creating soft haloes of blue wholly consistent with decoration on salt-glazed figures from the Whieldon circle circa 1750-1760. Later 19th-century reproductions employ overpainted enamels that sit atop the glaze. The open underside, authentic stratified body, integrated socket, and original cobalt staining collectively identify this as a genuine product of Staffordshire’s mid-18th-century agateware tradition, most plausibly from the orbit of Thomas Whieldon at Fenton Vivian or a closely related potter. The measured height, modelling, and marbling correspond closely to examples in the Burnap Collection (nos.. 362–363, Nelson-Atkins Museum) and Sotheby’s (2015) — “A Staffordshire agateware cat-form candlestick, circa 1755. Provenance / Condition: Current Condition: Excellent, with one ear repaired at the tip and restoration at the top of the candleholder; the glaze remains bright and continuous across the body and socket. References: Burnap Collection, English Pottery 1675–1825, nos. 362–363. Sotheby’s (2015) — “A Staffordshire agateware cat-form candlestick, circa 1755. Christie’s, London 2010, lot 82. 1stDibs “Staffordshire Agateware Pottery Saltglaze Figure of a Cat,” item ref LU95812370442 Price: $4,482.16 Chipstone Foundation, Marbled Agateware: Techniques and Identification, 2005. Henry Sandon, Staffordshire Pottery, 1970, pp. 52–54. John Howard Antiques, Antique Agateware...

Gilbert Rohde Clock Model #4706 Chrome Plated Aluminum and Glass Manufactured by Herman Miller Clock Co. An Iconic example of Art Deco Design

Elegant pewter vase from Svenskt Tenn, in a clean, tapering form. Decor of stripes around the rim.

A superb Charles II month duration floral marquetry longcase clock by the well-known maker John Wise, c. 1680-85. Measure: 10". The case is of the highest quality and decorated throughout in very attractive floral marquetry depicting spring flowers and birds showing a high level of sophistication with a glazed circular lenticle to the door. Similarly, the rising hood is decorated with blind frets around the top and surmounted by a shallow caddy decorated by five gilt wooden ball finials. It is flanked by prominent gilt brass-capped solid barley twist columns, with blind fretted panels to the sides. The month-going nicely finned and knopped five pillar movement has reversed going and striking trains, the striking train (on the right) being regulated by a small outside countwheel. The going train has anchor escapement and a seconds pendulum. The movement is fronted by a 10-inch brass dial with an unusual narrow silvered chapter ring, seconds ring and date aperture. It has elaborate cherub-head spandrels in the corners and is signed along the bottom John Wise Londini Fecit. The middle is finely matted, whilst the time is indicated by a fine pair of blued-steel hands, the hour hand richly pierced. The maker John Wise was born in Banbury shortly before 17 March 1624, the date of his baptism. He was the son of John and Ann Wise and a cousin of Joseph Knibb...

Large Antique Indian Hand-Carved Brown Wooden Elephant Sculpture Indian, c. 1900 Height 99cm, width 104cm, depth 50cm This finely carved wooden elephant, crafted in India around t...

Set of 6 Kamyki mirrors by Zieta. Mounted sculpture. Color :Cosmic Blue. Dimensions [cm]: Ø 7- 20 cm 6 different forms Zieta Collection KAMYKI is a series of steel geom...

Lotuso Green Ceramic Decorative Bowl by Simone & Marcel Dimensions: D 31 x W 31 x H 8 cm. Materials: Ceramic. Different marble and ceramic options available. Custom options available on request. Please contact us. Our mission is to encourage people to make their home the best place to be, to get inspired and to receive friends and family. Designed and manufactured by ourselves, we offer lightings to help people creating distinctive living spaces. Enhancing the authenticity of natural and organic materials using associations and contrasts. Extreme quality behind a facade of ultra-minimalism. We find our materials to the source to ensure we give the best value...

Unusually large and rare 19th century Swedish folk art bentwood box with a lid. Ca 1800, Sweden.

Stoneware Clay, Ceramic Unbound Sculpture by Aleksandra Krasnopolska Dimensions: W 32 x D 13.8 x H 17.5 cm Materials: Stoneware clay. Unglazed ceramic sulface. Weight: 1,9 kg. Al...

Made in Paris circa 1830 by Odiot, this spectacular 1st quality, French Antique, silver centrepiece jardinière and plateau, has an oval bowl beautifully detailed with fluting, floral...

French Victorian bronze dog on an off-white marble base

The 13 Malide glass vase was originally designed by Ettore Sottsass in 1986. The vase is part of the “Malide Glass” collection. Made in Murano glass, and signed on the base “E.Sottsa...

Hakou A Tray by Mason Editions Dimensions: 39 × 32 × 11 cm Materials: Glass and iron Colours: transparent, fume or light pink glass + black metal base All the poetry, delicacy ...

Tiffany Studios’ Pond Lily Desk Set is a rare model, with only three extant sets known. The set is decorated with a dazzling array of lily pads, lily buds, dragonflies, and moths. The dragonfly and moth was a leitmotif of the Art Nouveau, but Louis Tiffany encountered the creatures and explored their form and significance throughout his childhood and artistic life, beginning as a youngster who sketched au plein air in the woods and wetlands surrounding his father’s summer house. At his Laurelton Hall estate, an artwork of nature coaxed into form over decades, Tiffany observed these insects in the teeming saltwater marshes and wetlands of Oyster Bay. The crown jewel of his Laurelton Hall garden was a water lily pond filled with varieties of colored water lilies, a novelty that debuted at the 1900 Exposition Universelle. Tiffany proceeded to make a series of designs based on the pond lily which he displayed to much acclaim in the 1902 Turin Prima Esposizione Internazionale d'Arte Decorativa Moderna. Product Details: Item #: T-21399 Artist: Tiffany Studios New York Country: United States Circa: 1905 Materials: Patinated Bronze Signed: blotter ends, inkstand, calendar frame, pen tray and rocker blotter each impressed "Tiffany Studios New York"; the inkstand, pen tray, rocker blotter and blotter ends further impressed with firm's respective model numbers Literature: Martin Eidelberg, Nina Gray and Margaret K. Hofer, A New Light on Tiffany...

A rare pair of ormolu-mounted two-color Wedgwood drums with most unusual Wedgwood eggs these supporting Vandyke candle nozzles and drip pans hung with the finest quality pear drops.

Bunny Pumpkin Orange Decorative Object by Aki Kuroda Dimensions: D 22 x W 29 x H 60 cm. Materials: Polyethylene. Weight: 2 kg. Available in ...

PAIR of French Victorian cranberry colored glass vases with gilt and floral trim with scalloped top. (PRICED AS PAIR) Vintage condition

Large and decorative antique silver jewellery box of superb quality and lined with green velvet. The exterior has cast and applied supports ...

A pair of bronze standing figures of Spanish explorer and Conquistador, Hernan Cortes, by CharlesCumberworth, shown wearing different suits of armour, ea...

F.ACE Aluminium Wall Hook by Henry Wilson Dimensions: W 6 x D 5 x H 10 cm Materials: Aluminium The F.ACE Hook is a riff on our popular compass Hook. It is sand cast in solid Alumin...

The Amaltea Vase was designed by Ettore Sottsass in 1986. The vase is part of the “Amaltea Glass” collection. Made in Murano. Signed “E.Sottsass per Memphis”. Signed on the base. Et...

Asian Chinese hand painted large box decorated with of a small village gathering

Very fine 18th century Indian Macassar Ebony traveling writing box with Tutenag metal hardware, the vividly grained case with rare alloy trim, the rectangular form opening to make a ...

This stunning gilt bronze clock and barometer pair was created in circa 1860 in France. The two have been attributed to Raingo Frères, the prestigious, ...

Hand-carved wooden ladder on a black square base originally used to to access multi story residences built in cliffs by the Dogon Tribe, Mali 20th century. This is a stunning accent ...

This elegant 19th-century Grand Tour bronze sculpture represents Narcissus, the character from Greek mythology known for his beauty and self-admiration. Standing 65 cm high, the figu...

Karl Springer rare and exquisite large lacquered painted goatskin jewelry box, divided into compartments inside, and completely lined inside and on the bottom with brown felt ending ...

Functional and versatile Nomon clock. Dimensions: 70 cm in diameter. The Rodon N wall clock of the Spanish clock brand Nomon recalls the subtle elegance...

SMOKY QUARTZ GWINDEL Les Courtes, Chamonix, Chamonix-Mont-Blanc, Bonneville, Haute-Savoie, Auvergne-Rhône-Alpes, France 12 cm tall x 12 cm wide This Alpine region is most well known...

EUGENE AIZELIN French, 1821-1902 Bust of a Young Woman (1864) Patinated bronze raised on an original turned rouge marble base over brass rim signed on shoulder "Eug. Aizelin 1864"...

This silver, gold and niello inlaid topographical snuffbox is a masterpiece of Russian silver. Almost owned by a wealthy 19th-century tradesman, this extraordinary creation shares a ...