Still-life Prints on Sale

A contemporary photograph of Guns N' Roses iconic "Appetite for Destruction" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Dest...

"Marilyn" is a photomosaic artwork by Destro. Destro has created large prints which are made up of many hundreds of smaller images. Archival photographic paper Unsigned Framing op...

"Brando" is a photomosaic artwork by Destro. Exhibition Poster from series "The ICONS" The first release in a series mosaic works called "Icons". Destro has created large prints w...

This image features a colorful arrangement of pink, red and purple flowers by American artist, Gary Bukovnik. Bukovnik is an internationally acclaimed painter and printmaker who prim...

A contemporary photograph of a NOTORIOUS B.I.G. "LIFE AFTER DEATH" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These ...

R2D2 from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" "They encapsulate an era...

Côte d'Azur is a lithograph designed by Pablo Picasso in collaboration with Henri Deschamps, depicting a view from Picasso's balcony overlooking the Côte d'Azur. Created in 1962, thi...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

'Sun tree lithograph' After Salvador Dali (1904 - 1989) signed print on thick paper , unframed print: 16 x 12.5 inches provenance: private collection condition: very good and sound c...

This woodcut black and white is part of my private collection. It is in very good condition. It is artists signed in the lower right and numbered o the left. Atelier Othon-Friesz

This exquisite lithograph after Alberto Magnelli (1888–1971), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la...

This exquisite lithograph and pochoir by Joan Miro (1893–1983), titled La Femme et l’Oiseau (The Woman and the Bird), from the album XXe Siecle, Nouvelle serie No. 6, originates from...

Screen print on paper realized by Franco Bocchi in 1980s. Hand signed and numbered in pencil. Edition of 200 prints. Excellent condition. Franco Bocchi was born in Cologne (BS) o...

This exquisite lithograph after Andre Derain (1880–1954), titled Nature Morte (Still Life), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain between 1935 and 1949, V),...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

SPANISH STILL LIFE WITH GARLIC by the Spanish artist Carlos Pradal, is an original hand drawn, stone lithograph printed by hand in Paris France using traditional hand lithography techniques on buff color archival printmaking paper, 100% acid free. SPANISH STILL LIFE WITH GARLIC presents a modern still life portrait depicting abstract vegetables - three round onions with a head of garlic positioned toward the center. A broad sweeping charcoal black wash dominates the background creating a dramatic staging for the red and orange vegetable shapes; the off white color of the paper forms the garlic bulb creating contrast for this expressive, energetic Spanish still life composition. Print size - 17 x 20.25 inches, unframed, very good condition, pencil signed by Pradal, inscribed E.A.(Epreuve Artiste) with personal dedication to the master printer Image size - 13 x 16.25 inches Year - c. 1974 About the artist: Carlos Pradal(1923-1988) Spanish ceramist, painter and illustrator was the son of Republican deputy Gabriel Pradal from Almeria, Andalusia. In 1939, his family was forced into exile and settled in France, in Toulouse. In 1956 he obtained a Spanish license and became an auxiliary teacher. He practiced drawing and painting at the same time, following the lessons of Raoul Bergougnan. In 1972, he moved to Paris, where he became a friend of the painters Peinado and Orlando Pelayo. When Franco died...

This exquisite silkscreen by Roy Lichtenstein (1923–1997), titled Sandwich and Soda, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum Museum of Art, Hartford, and printed by Sirocco Screenprints, Inc., North Haven, in Sandwich and Soda, Lichtenstein translates his signature Pop Art vocabulary—bold outlines, flat commercial color, and Ben-Day dot structure—into a crisp, iconic composition that reimagines everyday consumer imagery with graphic intensity and conceptual clarity. Executed as a silkscreen on Mylar over Mohawk Superfine Bristol paper, this work measures 20 x 24 inches. Unsigned and unnumbered as issued. Printed by Sirocco Screenprints, Inc., North Haven, one of the most capable American screenprinting ateliers of the mid-20th century. Artwork Details: Artist: Roy Lichtenstein (1923–1997) Title: Sandwich and Soda, from X + X (Ten Works by Ten Painters), 1964 Medium: Silkscreen on Mylar over Mohawk Superfine Bristol paper Dimensions: 20 x 24 inches (50.8 x 60.96 cm) Inscription: Unsigned and unnumbered as issued Date: 1964 Publisher: Wadsworth Atheneum Museum of Art, Hartford Printer: Sirocco Screenprints, Inc., North Haven Edition: D Catalogue raisonne reference: Corlett, Mary Lee, and Roy Lichtenstein. The Prints of Roy Lichtenstein: A Catalogue Raisonne 1948–1997. 2nd rev. ed., Hudson Hills Press in association with the National Gallery of Art, Washington, D.C.; Distributed in the U.S. by National Book Network, 2002, No. 35. Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio X + X (Ten Works by Ten Painters), published by the Wadsworth Atheneum Museum of Art, Hartford Notes: Excerpted from the folio, This portfolio was commissioned and printed in an attempt to extend as much of the visual impact as possible of ten artists to paper and to make these prints available to collectors who might not otherwise have such a vivid slice of the artist. The dry surface of screening seemed to be most apt to translate the effect of their painting, both the flatness which is the unifying bond between the ten, and the insistance of paint on the surface of canvas so like the visible heft of ink on paper here. Samuel J. Wagstaff, Jr., Curator of Printings. About the Publication: X + X (Ten Works by Ten Painters), published in 1964 by the Wadsworth Atheneum Museum of Art in Hartford, stands as one of the most ambitious and influential printmaking endeavors of postwar American art. Conceived under the direction of curator Samuel J. Wagstaff, Jr., the project sought to capture and translate the defining visual languages of ten leading American painters of the era—Stuart Davis, Ellsworth Kelly, Robert Indiana, Adolph Gottlieb, George Ortman, Larry Poons, Richard Anuszkiewicz, Frank Stella, Andy Warhol, and Roy Lichtenstein—into original silkscreens. Each artwork was created as an autonomous work that embodied the formal, chromatic, and conceptual principles of its respective artist. The choice of silkscreen printing, executed by Sirocco Screenprints, Inc., was central to the portfolio’s purpose: its dry, matte surface and capacity for crisp, saturated color allowed for a faithful translation of the painters’ flatness, surface tension, optical effects, and graphic precision. Organized and published by a major American museum at a moment of seismic change in contemporary art, X + X marked a turning point in institutional engagement with editioned works, representing one of the first concerted efforts by a museum to commission an ensemble of original graphics from the leading figures of its time. The portfolio captured the pulse of 1960s American painting—from Hard-Edge abstraction to Pop, Op, and Color Field—offering both a curated snapshot of artistic innovation and an accessible format that expanded the audience for contemporary art. Today, X + X is widely regarded as a landmark in American printmaking, celebrated for its curatorial vision, technical accomplishment, and its role in defining the dialogue between museum patronage and the burgeoning print culture of the 1960s. About the Artist: Roy Lichtenstein (1923–1997) was an American painter, printmaker, and sculptor whose revolutionary elevation of comic-book graphics, Ben-Day dots, commercial illustration, and mass-media visual language into the realm of fine art made him one of the founding giants of Pop Art, drawing on the breakthroughs of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray to synthesize Cubist fragmentation, Surrealist wit, Modernist experimentation, and Duchampian conceptualism into an unmistakable style defined by bold outlines, flat industrial color, graphic reduction, and the now-iconic Ben-Day dot technique; emerging in the 1960s alongside Andy Warhol, Claes Oldenburg, James Rosenquist, Jasper Johns, and Robert Rauschenberg, Lichtenstein shifted American art away from Abstract Expressionism toward a cool, analytical investigation of consumer culture, mass reproduction, advertising, and the manufactured image, creating paintings, prints, sculptures, and monumental public works that reimagined romance comics, war scenes, cartoons, brushstroke parodies, landscapes, and art-historical citations while offering a humorous yet incisive commentary on how images shape contemporary life; his influence is immense, shaping artists such as Jeff Koons, Takashi Murakami, Damien Hirst, Julian Opie, KAWS, Banksy, and numerous contemporary painters, designers, fashion houses, and digital creators, while his works are held in major institutions including the Museum of Modern Art, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Art Institute of Chicago, the National Gallery of Art, Tate, Centre Pompidou, SFMOMA, the Hirshhorn Museum and Sculpture Garden, and LACMA, with his highest auction record achieved when Nurse (1964) sold for 95,365,000 USD at Christie's New York on November 9, 2015. Roy Lichtenstein silkscreen...

"Newman" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds o...

'Bob" is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smaller i...

A contemporary photograph of Guns N' Roses iconic "Appetite for Destruction" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Dest...

"Rocky" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of...

This exquisite lithograph after Henri Matisse (1869–1954), titled Decoupage (Decoupage), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the 1954 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Decoupage reflects Matisses late career mastery of distilled form, harmonious contour, and poetic abstraction. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Decoupage (Decoupage) Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1954 Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, published by Societe Internationale dArt XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs, linocuts, and pochoirs printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, Atelier Lacouriere, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1954 issue, Nouvelle serie N°4 (double), stands among the journals landmark mid century editions. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later cut out compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Decoupage...

This exquisite lithograph after Rene Magritte (1898–1967), titled Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, originates from the edition published by A.C. Mazo et Cie, Paris, and printed by Mourlot Freres, Paris, on November 20, 1968. The work embodies Magrittes sustained inquiry into semiotics and visual epistemology, translating his characteristic strategies of displacement, symbolic inversion, and conceptual ambiguity into an image that operates as both a poetic metaphor and a philosophical proposition concerning the instability of meaning. Executed as a lithograph on grand velin dArches paper, this work measures 17.5 x 23.5 inches (44.5 x 59.7 cm). Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Rene Magritte (1898–1967) Title: Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte) Medium: Lithograph on grand velin dArches paper Dimensions: 17.5 x 23.5 inches (44.5 x 59.7 cm) Inscription: Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur Date: 1968 Publisher: A.C. Mazo et Cie, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Magritte, Rene, et al. Rene Magritte: Catalogue Raisonne, Vol. 3. Menil Foundation; Philip Wilson Publishers; Distributed in the USA and Canada by Rizzoli International, 1992, nos. 791–792 and 1056; vol. 5, p. 218, Bibliography entry 68.28. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Enfants Trouves de Magritte, 1968 Notes: Excerpted from the folio (translated from French), Finished printing in Paris on November 20, 1968, on the presses of Mourlot, for the lithographs. The unpublished text by Louis Scutenaire was composed in Elzevir Casion corps 28 and printed by Fequet et Baudier, typographers. The unpublished compositions numbered from I to IV were specially made by Rene Magritte for this album. The compositions of the Enchanted Domain, are the renderings of the eight paintings of the mural of the Casino de Knokke. They were printed with the benevolent authorization of Mr. Gustave J. Nellens. Justification of the draw, this album was taken from CCCL examples on grand velin dArches numbered from I to CCCL, plus a few examples for collaborators and assistants. About the Publication: Les Enfants Trouves de Magritte (The Found Children of Magritte), published in 1968 by A.C. Mazo et Cie, Paris, represents one of the most significant late life print projects devoted to Rene Magrittes work. Conceived as both a literary and visual tribute, the folio pairs texts by the Belgian writer Louis Scutenaire, Magrittes close friend and fellow Surrealist, with lithographic interpretations produced at the Mourlot atelier, the premier lithographic workshop of twentieth century France. The album includes compositions by Magritte alongside lithographic renderings of the celebrated Enchanted Domain mural from the Casino de Knokke, printed with the authorization of Gustave J. Nellens, who commissioned the original mural. Issued in a single edition of CCCL examples on grand velin dArches, the folio stands as a testament to the collaboration between artist, writer, publisher, and master printer, and remains one of the most culturally important Surrealist print albums of the post war era. About the Artist: Rene Magritte (1898–1967) was a Belgian Surrealist painter whose visionary, intellectual, and poetic imagery redefined twentieth century art and forever changed how the world perceives reality and illusion. Celebrated for his calm precision and thought provoking juxtapositions of ordinary objects in extraordinary contexts, Magritte used painting as a philosophical tool, transforming the everyday into visual paradoxes that challenged the boundaries between what is seen and what is known. Born in Lessines, Belgium, and trained at the Academie Royale des Beaux Arts in Brussels, he absorbed early influences from Cubism, Futurism, and Symbolism before embracing Surrealism, where he found his true voice. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—all artists whose radical ideas helped him forge his distinctive synthesis of logic and mystery. Unlike Dalis dream...

This piece, titled "Groovin' High", is a printer's proof created by the renowned artist and civil rights activist Faith Ringgold. The print is signed an...

This exquisite lithograph by Joan Miro (1893–1983), titled Personnages devant le soleil (Figures Before the Sun), from the folio Derriere le miroir, No. 29–30, originates from the 19...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

A contemporary photograph of a MODONNA "LIKE A VIRGIN" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These iconic tapes ...

Still Life with Goldfish Bowl is a 1980 vintage blank greeting card, originally printed for the Guggenheim Museum. The card is framed in a white wood frame with a front profile of 1 ...

This exquisite lithograph after Juan Gris (1887–1927), titled Guitare (Guitar), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 edition...

Artist: Peter Max (1937) Title: Vase of Flowers Year: 1979 Edition: 138/350, plus proofs Medium: Lithograph on Somerset paper Size: 30 x 22 inches Condition: Excellent Inscription: S...

This exquisite lithograph by Alexander Calder (1898–1976), titled Deux pyramides et spirales (Two Pyramids and Spirals), from the folio Derriere le miroir, No. 69–70, originates from...

This exquisite lithograph by Alexander Calder (1898–1976), titled Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This work captures Calder’s mastery of motion, balance, and vibrant color through the spontaneous energy of his abstract forms, embodying the rhythmic harmony and visual poetry that defined his art. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Soleil orange (Orange Sun), from the folio Derriere le miroir, No. 69–70 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 69–70, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Soleil...

Artist: Alexander Calder (1898-1976) Title: Soleil sur la Vagues (Red Sun Above the Waves) Year: 1976 Medium: Lithograph on Arches paper Size: 22.75 x 30.75 inches Condition: Good No...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

"TRIPLE ELVIS BY ANDY WARHOL" is a photomosaic artwork by Destro. Destro has created large prints which are made up of many hundreds of smaller images. Archival photographic paper ...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

Screen print on paper realized by Franco Bocchi in 1980s. Hand signed and numbered in pencil. Edition of 200 prints. Excellent condition. Franco Bocchi was born in Cologne (BS) o...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 253, 1982. Published by Aim...

PINK HOUSE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arche...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Piscine II (The Swimming Pool II), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. La Piscine II is one of the most expansive and lyrical compositions from Matisse’s late cut-out period, inspired by his deep fascination with the movement of water, light, and the human form. The work’s sweeping arrangement of floating blue shapes and rhythmic negative space evokes swimmers and sea life in motion, transforming a simple visual theme into a poetic meditation on fluidity, serenity, and the joy of life. Through its monumental simplicity and chromatic brilliance, La Piscine II exemplifies Matisse’s mastery of “painting with scissors” and his ability to translate motion into pure visual harmony. Executed as a lithograph on velin du Marais paper, this work measures 14 x 40.5 inches, with trifold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, faithfully capturing the luminosity, rhythm, and tactile beauty of Matisse’s original gouache cut-outs. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: La Piscine II (The Swimming Pool II), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, 1958 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 40.5 inches, with trifold as issued Inscription: Unsigned and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the publication, Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This double issue of Verve was entirely devoted to the final works of Henri Matisse, composed of his celebrated gouache cut-outs, which the artist called “painting with scissors.” Completed shortly before his death, this issue represents the culmination of Matisse’s lifelong exploration of color, rhythm, and spiritual joy through the simplest means of expression. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Vigne, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Piscine...

The pale gray-green of this monotype calls to mind the celadon glaze of Japanese pottery. Each was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along th...

This exquisite lithograph after Rene Magritte (1898–1967), titled Il y a sur le Rivage de la Mer Deux Pommes Visiteuses (On the Shore of the Sea There Are Two Visiting Apples), from ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, ...

a highly detailed still life photograph of the performer's iconic blue and gold sequin and rhinestone crystal glove Blue Glove ( Michael Jackson ) by T...

R2D2 from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" These iconic figures hav...

This exquisite lithograph and pochoir after Andre Lhote (1885–1962), titled Femme allongee (Reclining Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (...

This exquisite lithograph after Juan Gris (1887–1927), titled Bouteille (Bottle), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...

Artist: Charles Bell (1935-1995) Title: The Ultimate Gumball Year: 1981 Medium: Silkscreen with shellac overglaze on Masonite panel Size: 46.75 x 53.25 inches Inscription: Unsigned a...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte aux fruits (Still Life with Fruit), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, E...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte au fond rouge (Still Life with Red Background), from the folio Eaux-de-vie, Esprit de la fleur et du fruit...

Artist: Donald Sultan (1951) Title: Red Poppies Year: 2012 Medium: Silkscreen with Tar & Flocking on Museum Board Edition: 10/75, plus proofs Size: 23 x 39 inches Condition: Excellen...

This long narrow monotype was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wild grass. The species of tall marsh grass is called Gray Rus...

This exquisite lithograph after Henri Matisse (1869–1954), titled Decoupages (Cutouts), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvie...

Paper Size: 17 x 13 inches ( 43.18 x 33.02 cm ) Image Size: 4 x 5.5 inches ( 10.16 x 13.97 cm ) Framed: Yes Condition: A-: Near Mint, very light signs of handling Additional Details...

Artist: Richard Bernstein (1939-2002) Title: Diamond Ring Year: 1977 Medium: Silkscreen on Vellum paper Edition: 177/200, plus proofs Size: 20 x 30 inches Condition: Good Inscription...

Contemporary School, Blurred Fruit, Chromogenic Print in Colors on Acrylic panel, sky blue ground with pale central image of fruit, apparently unsigned, unframed. 40" H x 29.75" W. P...

Unsigned. On Japanese paper.

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of the...