215 results for "lalannes"

Francois-Xavier Lalanne (1927-2008) Men and women, 2002 etching on paper hand signed in pencil by François Xavier Lalanne, in perfect condition This etching by François Xavier La...

François Xavier lalanne l'araignée the spider lithograph circa 2003 signed in pencil lower right limited edition of 75 copies from the "ordinar...

Techniques : vernis mou et pointe sèche sur papier, signé au crayon par François Xavier Lalanne, en parfait état. Dimensions du papier : 38 x 28 cm (14,96 x 11 inches) Dimensions...

Francois-Xavier Lalanne (1927-2008) Allegory of love, 2002 etching on paper hand signed in pencil by François Xavier Lalanne, in perfect condition This etching by François Xavier L...

François Xavier Lalanne The rabbit Unique piece Watercolour lithograph Preparatory work ( TP ) Signed in pencil by the artist 1978 Published by la Hune Sheet size : 33 x 25,3 cms...

Francois-Xavier Lalanne (1927-2008) Men and woman, 2002 etching on paper hand signed in pencil by François Xavier Lalanne, in perfect condition This etching by François Xavier Lal...

Francois-Xavier Lalanne (1927-2008) The three Geese (in french : les trois oies), unique trial proof dated 30 jully 2004. This unique trial proof by François Xavier Lalanne depic...

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), etched by Phillip Gilbert Hamerton after a drawing by Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. This etching is an excellent impression printed on thick chain-linked, laid, deckle-edge paper with wide margins, watermarked with a 2 in the lower left corner. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. The sheet measures 8.75" high by 12" wide. The print is in excellent condition. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...

Etching on laid paper Signed and dated in plate lower left: Maxime Lalanne 1864 Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société...

François-Xavier Lalanne (1927-2008) Le Chat (the cat), 2004 Original print (aquatint and soft varnish) hand signed in pencil by François Xavier Lalanne and untitled "Le Chat" ("The C...

François Xavier Lalanne Cerberus - 2005 Signed Pigment printing Dimensions: 28 x 38 Engraving dimensions: 18.5 x 23

Francois-Xavier Lalanne (1927-2008) The bee, 2002 soft varnish and dry point hand signed in pencil by François Xavier Lalanne, in perfect condition This print by François Xavier La...

François-Xavier Lalanne (1927-2008) Actéon, 2005 Techniques : aquatint and soft varnish on paper, hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions ...

Demolition Pour le Percement du Boulevard St.German is a black and White etching realized by Maxime Lalanne in 1862  Titled in the lower Image Size: 32x23 Very good impression. R...

Vue Prise du Pont St Michel is an artwork realized by Maxime Lalanne in the 1870s. Etching. Image size:22x29 Good conditions. Realized for the "Société des Aquafortistes. Born ...

Demolitions pour le Percement de la Rue des Ecoles is a black and White etching realized by Maxime Lalanne in the 1860s.  Titled in the lower. Image size: 24x32. Very good impress...

François-Xavier Lalanne (1927-2008) Ibis, 2005 Techniques : aquatint and soft varnish on paper, hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions o...

This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...

François-Xavier Lalanne (1927-2008), original ink drawing, 2004 This unique work signed by François Xavier Lalanne is an original ink drawing depicting a bee on a beautiful flower. ...

Francois-Xavier Lalanne (1927-2008) Donkey (Âne bâté), 2002 Techniques : etching on paper Hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions of the...

François-Xavier Lalanne Catalogue of drawings and sculpture. 36 pages. Limited edition from 1991.

François-Xavier Lalanne (1927-2008) Le Canard (the duck), 2004, 2004 Original print (aquatint and soft varnish) hand signed in pencil by François Xavier Lalanne and untitled "Le Chat...

François-Xavier Lalanne (1927-2008) Minotaure, 2005 Techniques : aquatint and soft varnish on paper, hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensio...

Francois-Xavier Lalanne (1927-2008) The Geese (in french : les oies), 2004 This extremely rare print by François Xavier Lalanne depicts three geese. It is an edition of only 10 copi...

À Bordeaux is an artwork realized by Maxime Lalanne in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher ...

Francois-Xavier Lalanne (1927-2008) Men (ephebes), 2002 Techniques : etching on paper Hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions of the pape...

François-Xavier Lalanne (1927-2008) La chèvre (the goat), 2004 Original print (etching on paper) hand signed in pencil by François Xavier Lalanne and untitled "La Chèvre" ("The Goat"...

François-Xavier Lalanne (1927-2008) Rhinocéros (also known as Rhinocrétaire) Very rare poster for the gallery Alexandre Iolas, printed on golden paper, 1970’s, very good conditio...

Francois-Xavier Lalanne (1927-2008) Le Canard, 2004 Original print (aquatint and soft varnish) hand signed in pencil by François Xavier Lalanne and untitle...

Francois-Xavier Lalanne (1927-2008) Le Chat, 2004 Original print (aquatint and soft varnish) hand signed in pencil by François Xavier Lalanne and untitled "Le Chat" ("The Cat"), in perfect condition This rare print is a variation over one of the iconic subject of the artist. It is the print version of the sculpture "Chat qui dort" ("Cat Sleeping", in a stylistic way which recalls Pierre Le Tan...

Francois-Xavier Lalanne (1927-2008) The ants, 2002 lithograph hand signed in pencil by François Xavier Lalanne, in perfect condition This lithograph by François Xavier Lalanne depi...

François Xavier Lalanne The Rat 2003 Original print aquatint and varnish signed in pencil Size of the paper : 28 x 38 cm Size of the work : 16,2 x 18,8cm Selling price : 1500 ...

Techniques : woodcut on paper, hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions of the paper : 38 x 28 cm (14,96 x 11 inches) Dimensions of the pri...

Francois-Xavier Lalanne (1927-2008) Woman and Horse, 2002 Techniques : etching on paper Hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions of the pa...

This is the superb and rare catalogue which was produced by Sotheby's for the sale of the collection of husband and wife Claude & Francois-Xavier Lalanne. 568 pages with 274 lots for...

echniques : etching and inkwashed on Arches paper Hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions : 32,5 x 25 cm (12,8 x 9,8 inches) Year : 2003 Un...

Francois-Xavier Lalanne (1927-2008) Women and Man, 2002 Techniques : etching on paper Hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions of the pape...

François-Xavier Lalanne (1927-2008) Horse and Boar, 2005 Techniques : aquatint and soft varnish on paper, hand signed in pencil by François Xavier Lalanne, in perfect condition Dim...

François-Xavier Lalanne (1927-2008) La chèvre (the goat), 2004 Original print (etching on paper) hand signed in pencil by François Xavier Lalanne and untitled "La Chèvre" ("The Goat"...

François-Xavier Lalanne (1927-2008) Sirens (women-headed birds in greek mythology), 2005 Techniques : aquatint and soft varnish on paper, hand signed in pencil by François Xavier L...

This exceptional original exhibition poster from the historic 1998 "Les Lalanne à Bagatelle" retrospective captures a definitive moment in 20th-century design history. The imagery im...

Francois-Xavier Lalanne (1927-2008) The Geese (in french : les oies), 2004 This extremely rare print by François Xavier Lalanne depicts three geese. It is an edition of only 10 copi...

À Neuilly (Seine) is a black and white etching realized by François Antoine Maxime Lalanne (1827 –1886) in 1870s. Titled in the lower. Image size: 24cmx16cm. Very Good condition. ...

Saint Anthony's Gate in Amsterdam, 1882 heliogravure by Maxime Lalanne This original 1882 heliogravure, based on a charcoal drawing (fusain) by renowned French artist Maxime Lalann...

EDITION Monogrammed, stamped and dated on reverse: C.L ; Lalanne ; 87

Edition Signed with the stamp: Lalanne Monogrammed, marked and numbered under the apple: CL ; Artcurial ; 57/250 Literature Robert Rosenblum, Les Lalanne, Genève, Éditions Skira, 1991, an other version reproduced p. 123. Claude et François...

EDITION Each monogrammed, stamped, dated and marked: FxL; Lalanne; 85; Artcurial dated 85 One numbered on a metal label inside a wick: E A 41/80 LITERATURE François-Marie Barnier et Jean-Gabriel Mitterrand, Claude et François...

EDITION Monogrammed : FXL Dated : 2003 Numbered EA 2/4B Stamped with foundry mark : bocquel fd. PROVENANCE Marie Lalanne former collection, daughter of the artist. LITERATURE W....

Edition Signed : Lalanne FXL Numeroted : 8/8A With the Coubertin foundry mark : FC

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching...

EDITION Signed underbase: Lalanne ; Paris Mark of the Paris porcelain on the back EXHIBITIONS Model published for the "Les Lalanne" exhibition in Bagatelle in 1998.

EDITION Monogrammed inside on the nickel silver plaque: FXL Bears the date-stamp (19)75 in blue from the Manufacture de Sèvres and the mentions in hollow JB 919 P AA9 inside the base...

Hardcover monograph published by Skira on the occasion of the retrospective exhibition at the Château de Chenonceau in 1991. Authored by the art historian Robert Rosenblum, this volu...

Medium: original etching. This impression on laid paper printed in 1868 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 4 5/8 x 7 1/4 inches (116 x 182 m...

Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...

This antique print, titled *La Kermesse à Middelbourg*, depicts a bustling fairground in Middelburg, the Netherlands. It was created in 1882 as part of the publication *La Hollande à...

Maxime Lalanne (1827 - 1886) Traditional Village, Church of Essome Original etching Printed signature in the plate On vellum 32 x 48 cm (c. 13 x 19 in) Very good condition, minor d...

Antique print titled 'Kampen - Interieur de l'Hotel de Ville'. This print depicts the interior of the city hall of Kampen, The Netherlands. This attractive original old antique print / plate originates from: 'La Hollande a vol d'Oiseau.', (tranl.: The Netherlands from a birds flight...

Portrait of Léon Lalanne is an original artwork realized in 1848 by French artist Denis Auguste Marie Raffet (1804 – 1860) Lithograph print. Signed on the plate. Very good cond...

EDITION Monogrammed, stamped, numbered and marked on reverse: FxL; FX Lalanne; EA 3/15; Artcurial