1,546 results for "suzani"

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

Antique 1920's Indian Gujarati handmade ethnic textile wall hanging Banjara tapestry with mirrors, embroidered with silk thread work. Embroidered ethnic Rabari Kutch textile, India c...

Hand-embroidered large Suzani textile made from the middle of the 20th century featuring a wild animal human pictorial motif on a pink ground Me...

Vintage 1900 Suzani Pillow, 14"x8"—a stunning hand-embroidered piece showcasing intricate patterns and rich, vibrant colors. This unique pillow brings a touch of timeless heritage an...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

An antique East Turkestan Khotan rug in runner format with a pomegranate design handmade during the mid-20th century. Measures: 2' 2" x 7' 6" Central Asian Rugs Carpets: Central Asia is a vast area stretching from Northeastern Persia to western China, and from northern Afghanistan to the southern edge of Russia. The carpets can be usefully divided into three groups: the nomadic Turkmen rugs of Turkmenistan, northern Afghanistan, and northeastern Persia; the non-Turkmen tribal pieces from Kazakhstan, Uzbekistan, and Kirghizstan; and the urban creations of Khotan, Yarkand, and Kashgar, oasis cities of Western China (Xinjiang Province). Commercially, the most important group is from Khotan, the easternmost of the Chinese Turkestan cities. The craft of rug weaving is primarily in the hands of Muslim Uighurs. Khotan carpets mix purely Central Asian design themes with Chinese elements. Native Khotan devices include pomegranate trees, upright flowers, round medallions, and yellow or red grounds. Chinese motives include triangular fretwork corners, swastika fretwork, and Yun-Tsao Tou (clouds and rain) diagonally striped polychrome borders. Cotton foundations, asymmetrical (Persian) knots, and medium weaves are standard. Some vintage Khotan are in horizontal, pictorial layouts with multiple various vases and plants. Saphs (multiple prayer niche panel carpets) are also a Khotan specialty. Others employ stepped and layered lozenge medallions, singly or in pairs. Still others, almost all antique, feature a stylized version of the allover Persian Herati design. Many of the oldest pieces employ brown wool wefts. Antique and vintage Khotans are almost always in the k’ang (double square) layout, conforming to the local household plans. Only relatively recently has the 6’ by 12’ or 7’ by 16’ format been replaced by the 9’ by 12’ size. As a result, an antique room size Khotan carpet is very uncommon. Reds are cinnamon, tomato and rust, never wine reds, crimson, or scarlet. Yarkand, farther west on the old Silk Road specializes in multi-medallion long carpets while Kashgar, farthest west and most under Persian influence, has traditionally knotted allover pattern pieces with finer weaves, often with silk piles, and enriched with medal thread, on cotton foundations. Extant Kashgars go back to the 17th century, but the carpet craft in Chinese Turkestan must be much older as fragments have been recovered from local tombs of the early C.E. period. Kashgars are the rarest of all East Turkestan rugs. Most available vintage East Turkestan carpets are interwar Khotans, many with pleasingly soft decorative palettes. The non-Turkmen nomads include the Kazakh, Kirghiz, Uzbek, and Karakalpak groups. Like the Turkmen, they were once all seasonally migratory, dwelling in round felt tents (yurts), but have been settled, at least partially, in the villages, and have taken up crafts and agriculture instead of sheep herding. As a result, carpet production has transitioned from domestic tent use to commercial sale, but the roots of long traditions are still evident. The Uzbeks weave...

Fine "Samarkand" pattern from famed design house Brunschwig Fils , inspired by the Suzani Ikat Art of Central Asia , for this pair of like-new plush down-filled Pillows. fine...

The face of this 20" x 20" pillow features Corfu in navy multi paired with Corfu stripe in navy on the back. Corfu is a rich Suzani print with embroidered...

A rare and exquisitely preserved mid-19th century hand woven Kashmiri shawl from Northwest India, showcasing a richly detailed paisley pattern in shades of red, ivory, black, and gre...

An exceptional and rare example of 19th-century textile artistry, this handcrafted Kashmiri Pieced Shawl showcases intricate hand embroidery and meticulous hand stitching in a striking palette of brick red, black, yellow, and ivory. Unlike mass-produced counterparts, this shawl is composed of antique textile fragments—carefully pieced together to form a harmonious and visually captivating design. Known for their extraordinary craftsmanship, Kashmiri shawls gained widespread popularity during the 1800s, particularly after Queen Victoria embraced them as a symbol of refined style. This tradition later inspired the famous Paisley shawls, produced in Scotland, which borrowed heavily from the motifs and techniques of the original Kashmiri designs. Today, this museum-worthy textile is not only a stunning fashion statement but also serves beautifully as wall art, or as a unique decorative accent for tables or beds. A true collector's item, this shawl is a testament to the rich cultural heritage and artistry of 19th-century Kashmir. Dimensions: 68” x 68” Date of Manufacture: 2nd Quarter of the 1800s Place of Origin: India Material: Wool, cotton, silk with organic dyes Condition: Excellent The Persian Knot Gallery, SKU: 2013 Historic paisley shawl, Collectible Indian textile, Victorian Kashmiri embroidery, Indian hand-stitched shawl, Hand-embroidered pieced textile, 19th century Kashmiri shawl, Kashmiri Pieced Shawl, 19th Century Pieced Shawls, Antique Paisley Shawl, Vintage Handwoven Tapestries, Vintage Paisley Shawls...

An exceptional and museum-worthy textile, this mid-19th century Kashmiri Pieced Shawl is a rare and exquisite example of the artistry and craftsmanship of Kashmir’s textile tradition...

Alternative Titles: Bokhara rug, Bukharo rug Bukhara rug, Bukhara also spelled Bokhara, Uzbek Bukharo, name erroneously given to floorcoverings made by various Turkmen tribes. The ci...

This pillow features Castanet Embroidery with a knife edge finish. This captivating large-scale design has stylish drama and folkloric charm, with an intricately embroidered pattern that recalls Mexican Otomi textiles...

A vintage Persian tribal Turkoman rug in runner format handmade during the mid-20th century. Although this rug is of Persian origin, the roots of Turkoman rugs originated in the Central Asian region. Measures: 1' 6" x 10' 4" Central Asian Rugs Carpets: Central Asia is a vast area stretching from Northeastern Persia to western China, and from northern Afghanistan to the southern edge of Russia. The carpets can be usefully divided into three groups: the nomadic Turkmen rugs of Turkmenistan, northern Afghanistan, and northeastern Persia; the non-Turkmen tribal pieces from Kazakhstan, Uzbekistan, and Kirghizstan; and the urban creations of Khotan, Yarkand, and Kashgar, oasis cities of Western China (Xinjiang Province). Commercially, the most important group is from Khotan, the easternmost of the Chinese Turkestan cities. The craft of rug weaving is primarily in the hands of Muslim Uighurs. Khotan carpets mix purely Central Asian design themes with Chinese elements. Native Khotan devices include pomegranate trees, upright flowers, round medallions, and yellow or red grounds. Chinese motives include triangular fretwork corners, swastika fretwork, and Yun-Tsao Tou (clouds and rain) diagonally striped polychrome borders. Cotton foundations, asymmetrical (Persian) knots, and medium weaves are standard. Some vintage Khotan are in horizontal, pictorial layouts with multiple various vases and plants. Saphs (multiple prayer niche panel carpets) are also a Khotan specialty. Others employ stepped and layered lozenge medallions, singly or in pairs. Still others, almost all antique, feature a stylized version of the allover Persian Herati design. Many of the oldest pieces employ brown wool wefts. Antique and vintage Khotans are almost always in the k’ang (double square) layout, conforming to the local household plans. Only relatively recently has the 6’ by 12’ or 7’ by 16’ format been replaced by the 9’ by 12’ size. As a result, an antique room size Khotan carpet is very uncommon. Reds are cinnamon, tomato and rust, never wine reds, crimson, or scarlet. Yarkand, farther west on the old Silk Road specializes in multi-medallion long carpets while Kashgar, farthest west and most under Persian influence, has traditionally knotted allover pattern pieces with finer weaves, often with silk piles, and enriched with medal thread, on cotton foundations. Extant Kashgars go back to the 17th century, but the carpet craft in Chinese Turkestan must be much older as fragments have been recovered from local tombs of the early C.E. period. Kashgars are the rarest of all East Turkestan rugs. Most available vintage East Turkestan carpets are interwar Khotans, many with pleasingly soft decorative palettes. The non-Turkmen nomads include the Kazakh, Kirghiz, Uzbek, and Karakalpak groups. Like the Turkmen, they were once all seasonally migratory, dwelling in round felt tents (yurts), but have been settled, at least partially, in the villages, and have taken up crafts and agriculture instead of sheep herding. As a result, carpet production has transitioned from domestic tent use to commercial sale, but the roots of long traditions are still evident. The Uzbeks weave...

This is a truly genuine one-of-a-kind Fusion Kazak With Caucasian and Suzani Design, Hand Knotted, Pure Wool, Oriental Rug. It has been Knotted for months and months in the centuries...

This is a truly genuine one-of-a-kind Tan Color, Natural Dyes Extra Soft Wool, Hand Knotted Finer Peshawar with Uzbek Suzani Design, Densely Woven, Oriental Rug. It has been Knotted ...

This striking pillow features Suzani textile dating to the early 1900s, beautifully repurposed into a decorative cushion. The design showcases the classic Suzani motifs of stylized f...

An antique East Turkestan Saph Khotan rug in runner format handmade during the early 20th century. Measures: 2' 2" x 9' 3" Central Asian Rugs Carpets: Central Asia is a vast area stretching from Northeastern Persia to western China, and from northern Afghanistan to the southern edge of Russia. The carpets can be usefully divided into three groups: the nomadic Turkmen rugs of Turkmenistan, northern Afghanistan, and northeastern Persia; the non-Turkmen tribal pieces from Kazakhstan, Uzbekistan, and Kirghizstan; and the urban creations of Khotan, Yarkand, and Kashgar, oasis cities of Western China (Xinjiang Province). Commercially, the most important group is from Khotan, the easternmost of the Chinese Turkestan cities. The craft of rug weaving is primarily in the hands of Muslim Uighurs. Khotan carpets mix purely Central Asian design themes with Chinese elements. Native Khotan devices include pomegranate trees, upright flowers, round medallions, and yellow or red grounds. Chinese motives include triangular fretwork corners, swastika fretwork, and Yun-Tsao Tou (clouds and rain) diagonally striped polychrome borders. Cotton foundations, asymmetrical (Persian) knots, and medium weaves are standard. Some vintage Khotan are in horizontal, pictorial layouts with multiple various vases and plants. Saphs (multiple prayer niche panel carpets) are also a Khotan specialty. Others employ stepped and layered lozenge medallions, singly or in pairs. Still others, almost all antique, feature a stylized version of the allover Persian Herati design. Many of the oldest pieces employ brown wool wefts. Antique and vintage Khotans are almost always in the k’ang (double square) layout, conforming to the local household plans. Only relatively recently has the 6’ by 12’ or 7’ by 16’ format been replaced by the 9’ by 12’ size. As a result, an antique room size Khotan carpet is very uncommon. Reds are cinnamon, tomato and rust, never wine reds, crimson, or scarlet. Yarkand, farther west on the old Silk Road specializes in multi-medallion long carpets while Kashgar, farthest west and most under Persian influence, has traditionally knotted allover pattern pieces with finer weaves, often with silk piles, and enriched with medal thread, on cotton foundations. Extant Kashgars go back to the 17th century, but the carpet craft in Chinese Turkestan must be much older as fragments have been recovered from local tombs of the early C.E. period. Kashgars are the rarest of all East Turkestan rugs. Most available vintage East Turkestan carpets are interwar Khotans, many with pleasingly soft decorative palettes. The non-Turkmen nomads include the Kazakh, Kirghiz, Uzbek, and Karakalpak groups. Like the Turkmen, they were once all seasonally migratory, dwelling in round felt tents (yurts), but have been settled, at least partially, in the villages, and have taken up crafts and agriculture instead of sheep herding. As a result, carpet production has transitioned from domestic tent use to commercial sale, but the roots of long traditions are still evident. The Uzbeks weave...

This pillow features Castanet Embroidery with a knife edge finish. This captivating large-scale design has stylish drama and folkloric charm, with an intricately embroidered pattern that recalls Mexican Otomi textiles...

This pillow features Castanet Embroidery with a knife edge finish. This captivating large-scale design has stylish drama and folkloric charm, with an intricately embroidered pattern that recalls Mexican Otomi textiles...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

Bring bold elegance to your space with pillow covers made from Lee Jofa’s “New Sevilla” in Multi, a luxurious 100% linen fabric featuring a striking suzani-inspired medallion print. ...

This stunning mid-century handwoven tapestry captures the dynamic energy of a galloping horse, rendered in vibrant earth-tone hues that shimmer with movement and life. A true piece of vintage textile art, the composition evokes the dreamlike, expressive style of Marc Chagall’s murals at the Metropolitan Opera House at Lincoln Center in New York. The horse’s powerful form and the bold use of color bring a painterly quality to the weaving, blending fine craftsmanship with artistic imagination. The rich palette of browns, golds, ochre, and deep reds enhances the sense of motion, giving the tapestry an almost three-dimensional depth. Perfect for collectors of mid-century modern décor, equestrian art, or lovers of Chagall-inspired aesthetics, this piece is not only a decorative statement—it’s a conversation starter and a rare example of artisan handwoven textile art from the mid-20th century. Dimensions: 38" x 68" Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Europe Material: Wool Condition: Excellent The Persian Knot Gallery, SKU 1699 Vintage Handwoven Tapestries, French Aubusson Tapestry, Aubusson Tapestry Pillows, French Tapestry Pillows, Antique Rug Pillows, Antique Persian Rug Pillows, Antique Paisley Shawl, South American Textile, Indian Textile, European Embroidery, Persian Kerman Suzani, Antique American Quilt, Antique American Coverlet, Antique Pennsylvania Coverlet, African Textile, African Tapestry, 18th Century Antique French Tapestry, Large Wall Tapestry, Handwoven Tapestry, Handmade Quilt, Modernist Tapestry, Mid Century Wall Tapestry, Antique Tapestry with...

Early 19th-Century Hand-Embroidered Uzbek Textile Pillow This exquisite pillow is fashioned from an early 19th-century Uzbek ceremonial textile pa...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

Chic pair of carved wood benches with paw feet in white plaster finish. Newly reupholstered in colorful suzani fabric. Excellent vintage condition.

This pillow features Anjuna Floral Linen Print. Inspired by antique Suzani textiles, Anjuna Floral Linen Print in mulberry was created by our in-house des...

Extra-Large Modern Tibetan Rug in Silk and Wool – A Textural Statement in Green and Beige by Doris Leslie Blau. Size: 15'0" × 26'0" (457 × 792 cm). Bring understated luxury and visua...

This is an antique Uzbek suzani horse cover woven during the end of the 19th century that Measures 160x150 in size. This piece was made using parts from different wool and silk tex...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

The meticulous art of hand-embroidered textiles from Uzbekistan tribes inspired the Suzani Collection of rugs. Bold motifs, particularly pomegranates, the sun, and the moon, are freq...

Back in history many cultures around the world have been crafting area rugs using flat-weave technique where the rugs are woven rather than knotted. Ori...