333 results for "chintz"

Period Edwardian treen bowl turned from oak. This bowl is lined with a lovely chintz pattern bowl and is embellished with silver plated rim, handles, central plaque and foot. This ...

Sharing with you this lovely dish on footring, the sides modelled as pomegranate-shaped panels in low relief, lightly scalloped rim. Decorated in iron-red and gold on the glaze. In...

Riviera chair in plastic laminate with cushions covered for Memphis Milano collection Additional Information: Chair in plastic laminate with cushions...

Sharing with you this lovely dish on footring, the sides modelled as pomegranate-shaped panels in low relief, lightly scalloped rim. Decorated in iron-red and gold on the glaze. Po...

Handsome antique French carved walnut twin bed upholstered in a contemporary Asian figural fabric. It is in fabulous recently restored condition. Steel braces have been applied to the back of the headboard to aid in strengthening the bed. Please see photos. Originally circa mid-late 19th century. Holy...

76890 Rustic Antique Persian Kerman Rug, 08'08 x 12'06. Rustic elegance meets warm southern charm in this hand knotted wool distressed antique Persian Kerman rug. The timeless floral design and muted earth-tone colors woven into this piece work together creating a serene and soft appeal. The lovingly time-worn field is covered in an all-over floral pattern composed of blooming palmettes, curved hyacinth, rosettes, stylized florals, leafy tendrils, and floral sprigs sprouting from each corner. It is enclosed with a botanical border flanked with an inner and outer floral guard band. With its rustic sensibility and subtle sophistication, this muted Persian area rug would bring a sense of nostalgic charm to nearly any interior. Perfect for a great room, wine cellar, executive suite, conservatory, state room, royal suite, hotel lobby, music room, living room, dining room, drawing room, private library, golf locker room, billiards room, clubhouse, large home office, master retreat, private Chambers, studio, study, loft, lounge, entertainment parlor, trophy room, large bedroom, or formal sitting room. Well-suited for a variety of interior styles: English Manor...

77189 Antique Chinese Art Deco Rug, 08'02 x 09'05. Maximalist style meets sensual decadence in this hand knotted wool antique Chinese Art Deco rug. The elaborate floral details and s...

Circa 1790-1800 France or Europe Elegant pair of burgundy leather Stiletto heel shoes dating from the late 18th century. Pointed toe vamp and small coil heel, typical of the fashion ...

This elegant Swedish Modern table lamp, designed by Erik Tidstrand for Nordiska Kompaniet (NK) in the 1940s, exemplifies refined craftsmanship and timeless design. The lamp features a fluted walnut stem, gracefully complemented by a solid brass base and detailing, giving it a warm yet sophisticated aesthetic. The lamp is topped with a newly custom-made shade, crafted from vintage chintz fabric...

This set of two table lamps are designed and crafted by the Swedish company Bergboms during the 1960s. The combination of materials used in their construction, rosewood and brushed metal, creates a simple yet elegant design that will add a touch of sophistication to any room. The design of these lamps is characterized by its slim waist and the beautiful contrast between the warm wood and the sleek metal. The rosewood used...

72695 Antique Persian Tabriz Rug, 09'04 x 13'00. A masterpiece of regal refinement, this hand-knotted wool antique Persian Tabriz rug is a triumph of Persian artistry at its most opu...

72144 Antique Persian Tabriz rug with Modern Rustic Style 07'08 x 10'09. Cleverly composed and distinctively well-balanced, this hand knotted wool distressed antique Persian Tabriz r...

Floor lamp designed by Eje Ahlgren produced in Sweden by Luco during the 1950s. Made from black lacquered metal with original lamp shade reupholstered in white chintz fabric. Origina...

Pair of floor lamp produced in Sweden by ASEA belysning. Made during the 1950s. Polished brass and new lamp shades with hand sewn single pleating in cotton chintz. Light switches on ...

76698, New Persian Style Rug with Traditional Kirman Design. This opulent hand-knotted wool Persian Kirman style rug features an intricate centre medallion with a stylized floral mot...

77078 Vintage European Garden Rug With Earth-Tone Colors - 10'08 X 10'10. Warm and inviting with earth-tone colors, this hand-knotted wool vintage European rug is classic example of...

This Wild Goose Chase Quilt has a wonderful variety of fabrics, including glazed chintz from the mid 19th century. The generous size of 91" x 98 " would make it an excellent bedcover...

Pair of two whimsical ceramic swan sculptural table lamps. Each ceramic lamp is identical and showcases a swan, in repose, looking downward with its wings outstretched and displayed. At the bottom of each swan, are curled waves resembling a pond or water feature as though the bird is floating on top of the water. The color of these beautiful Animalia birds is in a pure white, with a pearlized pearlescent hue glazed on top. The lamp reaches out from the top of each swan and includes a button switch. Each cord with plug is strung through the bottom and features a molded divot at the base for the cord to come out making the lamps sturdy and not resting on each cord. Each lamp is affixed to a ceramic base in the same hue and glaze. How We Would Style Them: A dramatic pair such as these will add whimsy in any room. Our favorites, of course, would be the following: Nursery: In a nod to Spring, and rebirth, this would be a symbolic and appropriate form of lighting for a nursery. Boy or girl, the white pair will be a subtle tribute to a new little one. Placed on either side of a dresser, or, as some new mothers do, on either side of a twin bed or daybed. Because sometimes it’s just easier, and for a better piece of mind, to sleep next to a new baby! Child’s Room: Imagine a brightly lacquered French blue pair of nightstands on either side of a twin bed. chinoiserie wallpaper (Hello to all my Grand Millenials!) gracing the walls. And crisp white bedding and sheets in a matching pattern to the chintz wallpaper. Caprani flush mount lighting at the ceiling, and a fringe ottoman and matching chair at the side. A room fit for a little prince or princess. Finally, a Palm Springs or Hollywood Regency Style home. In a foyer or dining room, we see this pair placed aptly on a brightly colored...

Large and unusual tripod table lamp. Made during the 1950s from solid polished brass with very high level of craftsmanship and finish. Original shade has been reupholstered with crem...

Swedish wall lamps, manufactured in the 1950s by Eskilstuna Armatur Elektriska. Each lamp features an extendable brass arm, adjustable between 60 and 100 cm (23"-39"), offering versa...

Largest collection of Portuguese tiles in the world 17th Century Portuguese Tile Panel. Restored 56cm x 56cm 14cm x 14cm tiles With certificate of authenticity and export issued by ...

Largest collection of Portuguese tiles in the world 17th Century Portuguese Tile Panel Restored 56cm x 56cm 14cm x 14cm tiles With certificate of authenticity and export issued by ...

52839 Distressed Antique Turkish Overdyed Rug with Heriz Design and Industrial Style. With a lovingly timeworn appearance and blissful b...

72824 Distressed Antique Persian Lilihan Rug, 09'10 X 12'07. This hand-knotted wool antique Persian Lilihan rug exudes the romantic patina of time, blending refined artistry with the...

52843 Distressed Antique Persian Kashan Rug with Cotswold English Manor Style 08'07 x 12'08. With a timeless floral pattern and lovingly timeworn appearance, this hand knotted wool d...

Table lamp model 2575 designed by Josef Frank. Produced by Firma Svenskt Tenn during the 1950-60s. Made from carrara marble with brass lamp socket and new lamp shade in deep green ch...

This Swedish Art Deco table lamp is crafted in brass and features an elegant sculptural form. The base is adorned with a gracefully posed female figure, surrounded by three organical...

Large Scandinavian floor lamp manufactured by Boréns, Sweden, 1960s. This lamp is made of brass and rosewood, with four light sources; one uplight and three downlights. Conditio...

Circa 1880 France A brown silk faille day dress, skirt and bodice dating from the early French Troisième République. Whalebone bodice, staple front choker and large pagoda sleeves...

Pair of floor lamps manufactured by ASEA Belysning in Sweden during the 1950s. The lamps are made from polished brass stem with hand pleated lamp shades in off-white chintz fabric. R...

Art Deco table lamp designed and produced in Denmark during the 1920s. Made from green patinated bronze with fluted stem and nicely decorated base. Lamp holder with turn switch in ba...

Bright and interesting GV Versatile Couture silk blouse. Allover mixed florals. Back, sides and arms are a pink and yellow floral chintz on black ...

Large table lamp manufactured by Böhlmarks, Sweden, 1930s. This elegant lamp was manufactured during the Swedish Modern era and is of very high quality. It consists of a heavy oxidi...

Largest collection of Portuguese tiles in the world 17th Century Portuguese Tile Panel Restored 56cm x 56cm 14cm x 14cm tiles With certificate of authenticity and export issued by ...

Table lamp manufactured by Liberty, Sweden, 1946. This lamp is most likely an in-house production, made in low numbers or even unique. The stem is decorated with different lamp mod...

Pair of floor lamps model "G-50" designed by Hans Agne Jakobsson and produced by his own company in Markaryd, Sweden during the 1960s. Made from solid polished brass with new hand se...

Circa 1885 France Large lobster tail skirt forming the train of an elegant bourgeois woman from the beginning of the Third Republic around 1885. Lime or water green moiré silk faille...

Swivel arm table lamp in brass manufactured in Sweden, 1940s. This elegant lamp was manufactured during the Swedish Modern era and is of very high qual...

Largest collection of Portuguese tiles in the world 17th Century Portuguese tile panel. Restored 56cm x 56cm 14cm x 14cm tiles 17th Century Shortly afterwards, these plain white ti...

Floor lamp attributed to Hans Bergström. Produced by Ateljé Lyktan in Sweden during the 1950s. Made from black lacquered brass with brass details. Uplight shade has been reupholstere...

Circa 1910-1930 China for export to Europe An interesting example of a silk embroidered couture coat based on a Dragon robe from the Qing period in China, with a cut dating from the ...

Vintage floor lamp, model G45, designed and manufactured by Hans-Agne Jakobsson in Sweden during the 1950s. The lamp features a stained beech stem and a brass tripod base, it comes w...

Circa 1860 Europe Beautiful dress with crinoline walk or indoor printed bunting bayadère dating from the French Second Empire. Fine print on roll or Alsatian from English wool (?) . ...

Table lamp model 29987 by Nordiska Kompaniet, Sweden. This lamp features a sturdy brass base that provides a solid foundation, supporting a sleek rod covered in an early plastic mat...

Pair of Covered Hexagonal Urns in a Chintz Pattern The pair of covered urns all over decorated in a "Chinese Rose" chintz pattern by Albion Pottery.

A French 19th Century Pair of Large Rectangular Curule Stools Partially gilt, blackened and red lacquered wood, carved decoration with acanthus leaves and rosaces. The 4 feet linked by a stretcher. Louis XVI Style Napoléon III Period Circa 1900 Used tartan chintz upholstery Attributed to Maison Jansen Jansen, the French Luxury Opulence, refinement, audacity of style marriages… so many words agree with Maison Jansen. Through this name, a whole era sounds like a reminder of a certain French chic… Some names evoke immutable images, atmospheres... Like Jansen, for example. Let’s close our eyes… The 1960s and 1970s are at their peak. France is doing well. It is a country of full employment where everything seems possible. Within the international Jet Set, a carefree crowd of movie stars, public figures, literary idols and crowned heads, we love the Maison Jansen, its taste for styles struck with a good quality exuberance, and its brilliant side. It all began in 1880, when the Dutchman Jean Henri Jansen founded the eponymous house in Paris. Jansen is part of the continuity of these world-famous furniture manufacturers and companies that operated under the Second Empire and at the time of the Universal Exhibitions, as the ‘Escalier de Cristal’ teaches. At that time, the Union Centrale des Beaux-Arts appliqués à l'Industrie and the Société du musée des Arts Décoratifs merged to form the Union Centrale des Arts Décoratifs. Supported by both gallery owners, collectors and manufacturers, this organization gives the «la» to the whole profession, and in the prevailing politico-ideological slump (France was defeated by Prussia in 1871 and Napoleon III is in exile), the ‘Union Centrale des Art Décoratifs’ focuses production on the celebration of past styles. While this nostalgia evokes memories of an era that we imagine more stable, an innovative exoticism will be all the rage: the reign of Turkish style and Japonisme. The Jansen house masterfully rushed into the «exotic» trend, but quickly developed a style derived from the ornamental splendor of the eighteenth, then a little later, so-called «imperial» styles mainly intended for royal families. After the First World War, J.H Jansen was joined by the cartoonist Albert Cazes, by Stéphane Boudin and by Pierre Delbée, who successively directed the house when it disappeared in 1929. At the end of the Kennedy era, Boudin completely redecorated the White House, at the request of the First Lady, Jackie, who had fallen in love with his work after discovering it at Malmaison. In 1971, Jansen joined forces with Leleu-Deshays and continued its quest for excellence. From 1969 to 1979, the dandy decorator Serge Robin took the reins of the house, granting it an eclectic and luxurious style: he revisited the great eras of French art, from the Renaissance to Louis XVI, by modernizing them with more contemporary pieces in Plexiglas or wrought iron. His recom-posed and sophisticated style met with resounding success. When Jackie Kennedy, who became the wife of the great Greek shipowner Aristotle Onassis, moved to France, the young architect married Louis XVI-style furniture to modernist designs from the 1950s. When the Shah of Iran decided to celebrate the 250th anniversary of the Persian Empire in 1971, Serge Robin and his teams turned to the grandiose and ephemeral setting of Persepolis. A hundred semi-trailers then left the workshops on Rue Saint-Sabin to reach Teheran. At the same time, Princess Soraya of Iran commissioned her a sumptuous palace for Avenue Montaigne, the princes Faisal bin Fahd of Arabia and Mubarak Al-Sabah, and the Agnelli snatched it. On the French side, he puts his talent at the service of Brigitte Bardot, for whom he completely revamped the Madrague and the Lannes boulevard. Serge Robin embodies all the audacity of the name Jansen with the most im-probable weddings. With him, Plexiglas tables, Japanese chairs from the 50s, gold thread curtains, zebra sofas and leather Louis XVI style chests of drawers decorated the most fashionable apartments of the «seventies». All the best stories have an end. At the dawn of the 1990s, weakened by the changes of a society plagued by concern, the disappearance or the remoteness of noble families, and the increasing scarcity of bourgeois residences, the Jansen house lost its aging clientele. The brand is missing the turn of modernity, and cannot adapt to changes in society, changing tastes, and the importance of design. In 1989, it was closed. Jansen has not disappeared from the landscape: the house’s creations are still present on the market and in the French auction houses, but also in the United States, where they are very appreciated. Transparent Plexiglas tables, leather and metal armchairs, zebra sofas, exotic cabinets...

Standing lamp in blackened steel and brass, mahogany shelf in the middle with shellac finishing. Black chintz lampshade, golden inside. Original switch and new electricity. France...

19th Century Elm Box on Wheels This is a good elm box it has been set on small legs with wooden casters, the box is lined with a bright chintz fabric on the inside a The Old Elm has...

Second half of the 19th century India Punjab Male coat of an Indian dignitary called Choga from the Punjab region (Amristar) end of the 19th century. Very fine Curry yellow pashmina densely embroidered with red silk threads and silver thread. Kimono cut with wide three quarter sleeves. Fully lined with straw yellow cotton chintz...

Rare Swedish modern floor lamp model A4955 produced in Sweden by ASEA belysning. White lacquered base with a beautifully curved lamp stem. New lamp shade in hand sewn cotton chintz f...

Circa 1870 France A child's dress, for a boy (?) around 10 years old (?), reused from older silks dating from the 19th century. The base is a yellow-green edged taffeta with a small ...

Superb Art Deco iron armchair, newly re-upholstered in vintage, exotic chintz fabric. The structure has its original off-white paint with silver primer visible beneath. Curule base, ...

Glorious is the best way to describe this lone star quilt with chintz border and applique (broderie perse). The colors are as vibrant as the day it was ...

Richard Woods’ strikingly colourful woodgrain block prints are applied to Sebastian Wrong’s utilitarian furniture – reminiscent of mid-century designs – in this seminal collaboration between artist and designer. RICHARD WOODS BRITISH ARTIST BORN 1966 A painter, designer and sculptor, Richard Woods is a graduate of The Slade School of Fine Art. His well-documented work crosses boundaries between art, architecture and design and is most often made up of exaggerated, garish representations of traditional British architectural and interior motifs, such as wooden flooring...

We are delighted to offer this very rare and important suite of five fully restored C Hindley & Son’s dining chairs circa 1844-1845 These are a very important and substantial set of chairs, they have been fully restored to include being stripped back to the bare frames, all the timber has been washed back and French polished , they have then been resprung using the original period coil sprung bases, new webbing fitted, then upholstered with premium Italian cattle grade fully aniline plain natural leather which has been individually hand nail tacked in place using antiqued studs, lastly hand dyed six times and antiqued to give it this one off cigar brown colour. These chairs have been on a journey as mentioned and they are true investment pieces, ready to serve the new owner for decades to come. Usually, I wouldn’t take dining chairs through such an expensive process however the carving to the legs is so sublime they warranted the treatment, I have never seen such beautiful Lion’s mains and terminating with hairy paws with recessed castors, these are simply put the finest dining chairs on the market anywhere in the world today you can buy. Dimensions Height:- 94.5cm Width:- 57cm Depth:- 74cm Seat height:- 50cm ABOUT THE CABINET MAKERS Hindley, Charles & Sons Berners Street & Oxford Street, London; cabinet makers, upholsterers and retailers (fl.c.1820-1892) Charles Hugh Hindley (b.1792- d.1871) was the son of Christopher, a merchant in Mere, Wiltshire. He moved to London with an elder brother to live with his uncle, who was possibly running the London branch of the Wiltshire business. In 1817 Charles joined the upholstery firm of Benjamin Merriman Nias at 32 Berners Street. Within a few years he bought the Nias business with a £1,000 investment from his family. Despite his business being described as a 'carpet warehouse' in London directories from 1820-1841, by the mid-1830s upholstery and cabinet work had joined his repertoire and he had taken on more showroom space next door at 31 Berners Street. Family records of the 1840s showed that individual custom-order business expanded to also ‘supplying established furnishing houses with goods on wholesale terms’. Jobs ranged from supplying Pentonville Prison with 100 hair mattresses and pillows, to altering spring roller blinds, to fulfilling private commissions with suites of parlour furniture. Hindley was the father of eleven children with three involved in the business: Charles Hugh (b. 1818), Frederick (b. 1820), and Albert Daniel (b.1822). Charles Hugh and Frederick joined the family firm about 1832, thus establishing the family partnership, Charles Hindley & Sons. Albert Daniel learned the carpet manufactory and trade in Kidderminster and eventually established a carpet manufactory in Liversedge, Yorkshire, supplying the family’s London store and others. In 1845 he patented an early tufted carpeting technique. Charles Hindley & Sons acquired the firm, Miles & Edwards in September 1844, including their premises at 134 Oxford Street. Both companies operated from this address until 1845 when Miles & Edwards was closed. The purchase of Miles & Edwards enabled Hindley & Co. to compete with other West End firms by offering everything from cabinet making and upholstery to painted decoration and interior design for the middle and upper class market. In a sample of 737 orders from October 1842-June 1845, six per cent of the clientele were upper and lower aristocracy with approximately seventy per cent gentry or middle class. The aristocratic clientele included the surnames of Hoare, Kirland, Drummond, Montefiore, Ashburton and Rothschild, and the Oriental Club at 18 Hanover Square (1824). Commissions were also executed for: Lady Fetherstonaugh at Uppark: bills dating 1852 and 1862 for furniture and curtains C B E Wright of Bolton Hall, Yorkshire: decorative wood panels The Earl of Dudley at Himley Hall, Staffordshire: a carved gilt wood centre table with mosaic top, dated 1845 and a bedroom suite (sold by Hampton & Sons, July 1924) Sir Clifford Constable at Burton Constable (1849) George Hammond Lucy at Charlecote Park: carpeting (19 December 1844) The Duke of Cleveland at Raby Castle The Duke of Argyll, the Duke of Newcastle Lord and Lady Burton of Burton-on-Trent Sir William Eden of Windlestone Hall, Durham. Buckingham Palace: a small supply of Chintz wall covering for some rooms (1855) Surviving marked furniture by Hindley & Co. includes a stamped Regency kidney-shaped desk, veneered in yew and panelled with boxwood and ebony inlay, ornamented with finely-chased mounts and beadings, c.1830 [Connoiseur, November 1978], which is possibly the one illustrated in Gilbert (1996), fig. 498, and a walnut writing table with a raised set of drawers, 1840s, stamped C. Hindley & Sons, illus. (Gilbert (1996), fig. 497 and sold by Sotheby’s, 5 August 1981, lot 209. The staff at 134 Oxford Street comprised management, sales staff, designers, foreman, clerks, cabinet makers, chair makers, upholsterers, carvers, carpenters and French polishers. They also contracted tradesmen specialising in particular decorative and finishing techniques; such as Joseph Spong, a japanner, and William Stannard, a carver and gilder, who supplied significant orders, 1845-46. Stannard was also recorded in the stock book for ‘Repairing, Cleaning and Varnishing 18 Paintings [frames] £9.0.0’. Family records describe several employees: ‘a large and very ancient carpenter named Tomlinson… a cabinetmaker named Westbrook... [and] a foreman named Sorrel’. Charles Hindley & Sons showed a large Gothic sideboard at the Great Exhibition in 1851, inspired by Pugin (illustrated Microulis, Studies in the Decorative Arts (Spring/Summer 1998) p. 86) and they exhibited a Gothic bookcase and large sideboard at the 1862 International Exhibition, London (illustrated Microulis, Studies in the Decorative Arts (Spring/Summer 1998) p. 88). Both were elaborately carved pieces, described in the Art Journal Illustrated Catalogue as ‘evidence of sound judgment and advanced taste in the designer, and of able and skilful workmanship’. They also participated in the Building Trades Exhibition at the Agricultural Hall, Islington, 1883 [The Furniture Gazette, 7 April 1883]. They exhibited Japanese leather papers at the Manchester Fine Art & Industrial Exhibition, 1882, and were awarded a silver medal for embossed leather wall hangings at the Calcutta International Exhibition, 1883 [The Furniture Gazette, 18 November 1882 & 10 May 10 May 1884]. They also participated in the Workman’s Exhibition at Central Hall in Holborn, 1890 [The Furniture Gazette, 15 April 1890]. The designers did not sign their work but about fifteen different people were probably involved during the fifty-year period. One designer who worked in the late 1880s was J. Armstrong Stenhouse. He and the cabinet makers, G. R. Mackenzie, D. MacLennan and D. F. Lavach, as well as the carver, F. Lucas, worked on two Hindley exhibition pieces for the 2nd exhibition of the Arts and Crafts Society, London An archive of 114 drawings (now at the Metropolitan Museum of Art) was collated by Charles Albert Hindley (1863-1947), a grandson of the founder. These designs c.1844-1883 (some illustrated in ?Microulis, Furniture History?(2001), figs 1-16.), reflected the current trends of reinterpreted styles such as Gothic and Louis, and several seated furniture designs were labelled with specific commercial names such as the ‘Victoria Chair...

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. Framed and glazed, overall size: 63.3 by 47.2 cm. [Paris 1805]. Prevost came from a lo...

WRONGWOODS TRAY Sebastian Wrong & Richard Woods Richard Woods’ strikingly colourful wood-grain block prints are applied to Sebastian Wrong’s utilitarian furniture – reminiscent of mi...

Yves Saint Laurent, Rive Gauche, liberty print, cotton chintz, smock top and single tiered skirt ensemble in a pale nude tone, with small pastel colored...

78159 antique Turkish Oushak rug, 10'02 x 14'07. With its effortless beauty and timeless design, this hand knotted wool antique Turkish Oushak rug is poised to impress. Featuring a b...

This lovely Regency period side chair features a shield back and serpentine front and legs. The seat and back are nicely upholstered in needlepoint with a whimsical chrysanthemum pat...