1,374 results for "architectural drawing"

Beautifully detailed early 20th century French pencil drawing on calque of detailed architectural doorway, circa 1910. Folds in paper, very delic...

An original Maison Jansen pencil drawing depicting an architectural detail "Rosace de Plafond Louis XIV" page 133 Stamped: Jansen, 39 Rue Royale Paris 8e

Architectures in Vendôme is a original pencil drawing on paper, realized around 1960s by the French artist André Roland Brudieux (1921-1999). Monogrammed in pencil "ARB“ on the lowe...

To see our other architectural drawings and watercolours, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Purana Qila Fort, Delhi, India...

Title: French Monochrome Harbour Scene with Boats and Medieval Tower by Fanche Lel Signed: Yes Size: 8.25 inches (height) x 11 inches (width) Watercolor painting on paper, unframed C...

The Modernist painter Oscar Bluemner was born in Hanover, Germany, in 1867. As a young man, he followed in the architectural careers of his father and grandfather. In the early 1880s...

"San Stae" is a graphite and watercolor painting of an architectural detail of Saint Eustachius church in Venice, Italy featuring hues of grey and blue. This piece is 18 by 14.5 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

Original Ink Drawing & Watercolor Architectural Painting by American Architect Louis De Moll of Philadelphia, Pennsylvania. Matted to approximately 37.5” wide x 14” tall Wear to fram...

An original Maison Jansen pencil drawing depicting an architectural detail "Petit Panneau Empire" page 72 Stamped: Jansen, 9 Rue Royale Paris 8e

GREEK TEMPLE, ARCHITECTURAL DESIGN Victor Forabosco (end of the 19th/beginning of the 20th century) 1895/6 Watercolour on paper, 50 x 97 cm Victor Forabosco was a master builder, ...

An original Maison Jansen pencil drawing depicting an architectural detail "Rosace de Plafond Louis XIV" page 136 Stamped: Jansen, 9 Rue Royale Paris 8e.

The first complete overview of the most important contemporary architecture practice ever to have emerged from China The skylines of modern China are punctuated by architecture that amazes, inspires, and awes. Many of these structures are the work of new, experimental practices like China-based MAD Architects...

To see our other Designs including Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller." Anonymous Foire de Paris...

To see our other architectural drawings and watercolours, scroll down to "More from this Seller" and below it click on "See all...

John Opper (American, 1908-1994) Ninth Avenue El (New York City), c. 1935 Oil on canvas Signed lower left and verso 30.125 x 24 inches The Ninth Avenue El was the first elevated rai...

Antique print, titled: 'Transisalania Provincia vulgo Over-yssel.' Attractive original handcoloured map of the province of Overijssel, The Netherlands. With beautiful title cartouc...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 162 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...

Title: Saint Marthe de Castillon Village Street with Bell Tower French Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): 8...

Title: French Impressionist Watercolor of a Sunlit Square with Architectural Buildings By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 4.75 x 7 inc...

architectural etching ink drawing. Made in Italy. Signed Laurenzi. Black ink on paper. Framed. Secret message (a mirror is required for reverse handwri...

Title: Gorbio Provence Village Steps Colourful Houses Hilltop Street Scene Landscape Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): ...

A rare and exceptionally inlaid antique slant-front drafting desk. circa 1900 Hand-crafted in the early 20th century, likely French, one piece desk on frame form, having a sloped fr...

To see our other architectural drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Prof Sir Albert Richardson...

Vintage Oil Painting of Windsor Castle with Swans in the Lake by British Artist, William Burns (1923-2010). Art measures 24 x 16 inches Oil on board, signed and dated '82 Born i...

A rare signed example of the 'Mole' sofa by Sergio Rodrigues, produced by OCA Brazil in the 1960s (see image gallery for a photo of the OCA stamp). This Mole sofa has an expansive am...

Carborundum etching on hand made paper. Hand signed lower front by Roberto Matta. Edition 111/125. Published by Nordstamp. Artwork is in overall excellent condition. Certificate...

Graphite, ink wash and watercolor on handmade laid paper with a large, indistinguishable ovoid watermark with a bunch of grapes, 8 7/16 x 12 5/8 inches (225 x 320 mm), signed in brown ink in the lower left. With the Henry Scipio Reitlinger oval stamp in brown ink on the verso (Lugt 2274a). The condition of the image and paper is consistent with age, there is minor toning on the recto and some attenuation of the green pigment. The drawing is laid down to an 18th century laid paper support and has a small pencil notation in the lower right corner (modern), and scattered notations in pencil on the verso of the support (also modern, perhaps auction/accession notes). On the paper support is an ink drawing in red and black of what appears to be the floor plan for the wing of a large building. The drawing is top-up, adhered facing the verso of the drawing. The architectural drawing on the support is visible through to the recto of the composition when the sheets are viewed through raking light. There is a small area of stipple point spotting in brown ink on the verso of the support. Examination under black light shows no indication of repairs or additions, expert or otherwise. Provenance: Henry Scipio Reitlinger was born in either 1882 or 1885, attended Kings College...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

BASILICA DI SAN PIETRO ROMA - Vintage Italian architectural charcoal/mixed media drawing on paper - indistinctly signed lower left - titled & da...

To see our other Architectural Drawings, Stained Glass designs and 20th Century British Art, scroll down to "More from this Seller" and below ...

This sideboard unfolds as a wooden reliquary of Iberian heritage, its façade a dialogue of geometry and ornament. Deeply framed panels converge in architectural precision, drawing th...

Original color drawing on paper. Hand signed lower front by Roberto Matta. Image size 12 x 16 inches. Frame size approx 23.25 x 27.5 inches. Artwork is in overall excellent co...

Architectural rendering of a Southern California ranch-style home by the artist Perrin. A watercolor rendering featuring greens and browns, with lush ...

Title: French Watercolor of "Château de Blois" with Architectural and Garden Details by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, ...

This Rocky Landscape with Trees and the Ruins of a Temple is a drawing by Giulio Parigi, an eclectic and prolific artist of the Medici court. An engraver, architect, furniture and je...

Unique arch square stool by Mesut Öztürk. Dimensions:  W 20 x D 20 x  H 40 cm. Materials: stoneware. "Arch stools are sculptural furnitures derived ...

Mid-century modern French pencil drawing of two nudes and architectural elements, circa 1950. Original artwork on paper displayed on a white mat with a gold border. Archival plasti...

To see our other architectural drawings and Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you ...

A richly carved late 19th century Irish giltwood console table in the William Kent style, the frieze centered with a dramatic scallop shell, flanked by scrolling acanthus and lion ma...

"Street Scene, Sperlonga Italy" is a watercolor by award-winning L.A. artist and architect Thomas W. Schaller. The painting depicts layers of steps, walkways, arches, and windows. Peaceful and alive with light, the streets of Sperlonga Italy lend themselves freely to a heart of adventure and exploration. Thomas's attention to immediate detail reminds the viewer to be present and to soak in every moment as something extraordinary. This architectural watercolor is primarily painted in brown, tan, and blue colors. For more works by Thomas Schaller...

Drawing from Brutalist architecture and the symbolism of the North Star, Polaris is a collection that embodies both origins, by fusing geometric form and celestial illumination to cr...

Clara Porset (1895-1981) - Xavier Guerrero (1896-1974) Pair of armchairs Rope and lacquered metal Model created circa 1950 Measures: H: 79 x W 70 x D 69 cm This chair model is part of the selection of the 1950 international low-cost furniture...

One of a series of designs we have listed for Geo. M Hammer. To see them - and our other architectural and design-related drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Donald L Hadden (British, 20th century) Design for a Pair of Marquetrie Panels for Geo. M Hammer with two dancing figures 23x31.5cm Watercolour signed and dated 1927 Hadden was a senior designer for Geo M Hammer, designers and retailers of school and ecclesiastical...

Carlo Scarpa for Simon Gavina, 'Toledo' single bed, padouk, maple, leather, metal, Italy, 1975 Created by the Italian master Carlo Scarpa, this bed clearly demonstrates his studies ...

This piece titled "Hollow" is an original artwork made from ink on paper mounted on board by Eva Redamonti. This piece measures 12.75"h x 18.5"w. This work relates to my childhood ...

Our new collection of Granite + Smoke hand tufted rugs are made in collaboration with British Rug makers Roger Oates Design. Made in the UK using a 100% British blended wool, a speci...

This piece, titled "Wanderer 14" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and graphi...

Contemporary ink drawing by Polish artist Elżbieta Siegoczyńska. ELŻBIETA SIEGOCZYŃSKA is a Polish painter who studied painting at the Academy of Fine Arts in Warsaw (from 1964 to 1...

One of a series of designs we have listed for Geo. M Hammer. To see them - and our other architectural and design-related drawings, scroll down to "More from this Seller" and below i...

Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

This piece titled "Allentown" is original artwork made from pencil, marker, watercolor, linocut collage on paper by Miriam Singer. This piece is shipped with the pictured white frame...

Rossella Ugolini's Castle of Italy design collection, meticulously handcrafted in Platinum featuring a striking lapis lazuli and rock crystal sugarloaf cabochon accented by two caboc...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 176 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Title: Abstract Architectural Still Life French Modernist Gouache by Guy Nicod Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 15.75 x 19.25 inches (height x ...