235 results for "diane von furstenberg"

Introducing our Vintage Pearlescent Beaded Disc 14k Gold Plated Dangle Earrings, a luxurious accent that captures the essence of timeless elegance. These stunning earrings feature la...

These stunning multicolor jewel-tone beaded chandelier earrings from the circa 1980s are a vibrant testament to the bold fashion statements of the era. Crafted with an array of shimm...

These stunning Pink Black Swarovski Crystal Wood Drop Clip-On Earrings from the circa 1980s are a captivating example of vintage jewelry craftsmanship. The earrings feature a b...

Andy Warhol: Portraits of the 70s First edition, limited edition hardback with slipcase and 120 Bound offset lithographs and text Published by Random House, New York in association with the Whitney Museum of American Art, 1979 Essay by Robert Rosenblum Edited by David Whitney ISBN 0-394-50655-3 Signed and numbered to the title page Edition 7/200 9 1/2 × 8 1/2 × 2 inches Provenance The original (uptown) Whitney Museum An amazing and historic gift! As dazzling as the Warhol show was in 2019 at the new Whitney Museum -- only his show in the late 1970s at the old Whitney Museum, could offer this Deluxe limited edition collectors item - hand signed and numbered by Andy Warhol - because the latter was published during his lifetime. This rare 1979 First (and only) Edition hardback monograph is held in the original slipcase, and is hand signed by Andy Warhol and numbered 108 out of only 200 on the first front end page (see image). This collectors item features text, accompanied by 120 full page color offset lithograph bound, double sided plates on regular pages. (Total pages are: 145) It was published by the Whitney Museum in collaboration with Random House, in conjunction with the exhibition held at the Whitney Museum of American Art, November 20, 1979 to January 27, 1980. Text foreword is by Tom Armstrong, the Whitney's director. Total pages are: 145. The Warhol portraits included are: Giovanni Agnelli, Marella Agnelli, Corice Arman, Marian Block, Irving Blum, Truman Capote, Cristina Caramati, Leo Castelli, Carol Coleman, Norman Fisher, Kay Fortson, Tina Freeman, Diane Von Furstenberg, Henry Geldzahler, Halston, Brooke Hayward...

The 1970s Paola Belle Orange Clear Oversize Round Sunglasses are a staple of vintage eyewear, exuding a nostalgic charm that's perfect for anyone who loves the aesthetic of the era. ...

These stunning multicolor jewel-tone crystal geometric clip-on earrings evoke the bold and glamorous style of the 1980s. Crafted with an eye-catching array of vibrant, faceted crysta...

The Claire Deve Silver-Tone Rhinestone Leaf Statement Brooch circa 1980s is a stunning vintage accessory that exudes timeless elegance and intricate craftsmanship. Crafted from silve...

Fabulous, Barware Set of (10) Randy Strong Goblets, with a storied provenance, owned by Legendary Fashion Icon André Leon Talley! Hand-blown black glass, signed with etching on the ...

A fabulous, etched Crystal Pitcher with a storied provenance, owned by Legendary Fashion Icon André Leon Talley! Perfect for the “hostess with the mostest...

A beautiful, Set of (3) Etched Glass Pitchers with a storied provenance, owned by Legendary Fashion Icon André Leon Talley! Perfect for the “hostess with the mostest,” who loves to e...

Coconuts by Iran Issa-Khan Black and white archival pigment print Image size: 19 in. H x 23 in. W Frame size: 36 in. H x 40 in. W Dated and signed by the artist. 2000 Born in Tehran and raised in Europe and the United States, Iran, Issa-Khan began her photography career in the late 1970s studying with William Minor, Jr. Throughout the 1980s and 1990s, Issa-Khan photographed Paulina Porizkova...

This stunning exudes timeless elegance and bohemian charm. Crafted with meticulously polished green jade beads, the necklace showcases a rich, vibrant hue that captures the essence o...

The internationally acclaimed event producer shows his ideas and inspiration for ultimate and intimate celebrations What defines a truly great party? Most of all: generosity of spi...

Simone Eduard Orange Red Rhinestone Peace Sign Clip-On Earrings from the circa 1980s are a striking example of vintage jewelry that embodies the bold and expressive style of th...

Rapture Measures: 42 in H x 84 in W C-Print B&W Photograph Dated and signed by the artist Unique. 2007 Born in Tehran and raised in Europe and the United States, Iran, Issa-Khan began her photography career in the late 1970s studying with William Minor, Jr. Throughout the 1980s and 1990s, Issa-Khan photographed Paulina Porizkova...

Edited by Martina Mondadori and Stephan Janson, Contributions by Claude Arnaud and Hamish Bowles and Amy Fine Collins The world’s leading authorities on fashion and design celebrate the 60th anniversary of YSL’s first runway presentation with a lexicon that includes many images from the designer’s extraordinary archives. Yves Saint Laurent (1936–2008) is credited with reviving French haute couture in the 1960s, with making ready-to-wear reputable, and with using non-European cultural references. In addition to the kaleidoscope of images in this book, a coterie of tastemakers have supplied listings that encompass YSL’s style inspirations (C is for Costumes, as exem-plified by the Russian theme of the famed autumn-winter 1976–77 collection; T is for Tuxedo, which the designer initially referenced with his 1965 “Le Smoking”) and important facets of his life (J is for Jardin...

The Leaf by Iran Issa-Khan Black and white archival pigment print Image size: 19 in. H x 23 in. W Frame size: 36 in. H x 40 in. W x 1 in D Dated and signed by the artist Unique 2000 Born in Tehran and raised in Europe and the United States, Iran, Issa-Khan began her photography career in the late 1970s studying with William Minor, Jr. Throughout the 1980s and 1990s, Issa-Khan photographed Paulina Porizkova...

Elevate your jewelry collection with the stunning Kendra Scott Pearlescent 14k Gold Plated Elle Drop Earrings. These exquisite drop earrings feature an elongated oval shape that beau...

Coconuts and The Leaf (Diptych)by Iran Issa-Khan Black and white archival pigment print Overall size: Image size: 19 in. H x 46 in. W Frame size: 36 in. H x 80 in. W Individual size:...

Wedgwood Majolica Fan Strawberry Set, with a storied heritage and provenance, owned by Legendary Fashion Icon André Leon Talley! This plate is named "Fan Strawberry Set", it has cher...

Step into a world of vintage elegance with these striking 1980s Triangle 14k Gold Hammered Earrings. Defined by their bold geometric shape, these earri...

" Life inmitates art… Faces are arguably one of the most informative and significant visual stimuli in human perception. A brief glimpse of a person’s face readily reveals their iden...

These stunning 1980s Les Bernard large gold-plated textured nugget clip-on earrings are a perfect accessory that truly embodies the opulence of the era. Their unique design features ...

Wedgwood Majolica Plate "Alexandra Centre", with a storied heritage and provenance, owned by Legendary Fashion Icon André Leon Talley! The reverse is marked with pattern# M2829, and...

Step back into the glamorous 1980s with these YSL-inspired door knocker style earrings, elegantly crafted from high-quality 18k yellow gold plating. These statement earrings exude so...

Lowell Nesbitt Gorgeous silkscreen on wove paper Signed, dated and numbered AP 1/8 on the front This is a gorgeous violet/periwinkle colored print Matted and framed in the original v...

Elevate your accessory collection with these stunning Mid Century Palm Leaf Style Rhinestone Dangle Clip-On Earrings. Crafted with a luxurious sterling silver plating, these earrings...

Step back in time with these exquisite 1970s 18k Gold Plated Filigree Detailed Clip-On Earrings. Featuring a striking large diamond shape, the earrings showcase intricate open filigr...

Since this item will be shipped directly from the publisher, the seller can only provide specific information to buyers at the actual point of sale. Please message the seller to requ...

Of Mice & Men Bar Code Series A definite "conversation" piece of art. Comes with a magnifying glass. *detail images may be from another barcode. All font sizing is similar. Each pi...

Lowell Nesbitt Untitled Rose, 1983 Graphite on Lanaquarelle Watercolor Paper Signed and dated on the front Framed Unique, poignant, exquisitely rendered graphite drawing on watercolor paper with deckled edges. This work is framed and ready to hang; frame bears Alan Brown Gallery (Hartsdale) label verso. It was acquired from the Estate of Noel Frackman, renowned art historian, scholar, writer, and professor with a lifelong passion for 20th Century Art - and a close personal friend of Lowell Nesbitt. She earned a M.A. from Sarah Lawrence College in English Literature and a M.A. and Ph.D. in Art History from the Institute of Fine Arts of New York University. She was an art critic for the Patent Trader Newspaper and the Scarsdale Inquirer, contributing editor for Arts Magazine, author of numerous catalogs including ''John Storrs'', for the Whitney Museum of American Art. For 19 years she was a faculty member at Purchase College, State University of New York. Measurements: Framed: 13 inches by 13 inches x .5 Artwork: approx. 10.5 inches by 10.5 inches Lowell Nesbitt Biography: Lowell Blair Nesbitt, painter, printmaker, draughtsman, and sculptor, was born in Baltimore, Maryland on 4 October 1933. He studied at Tyler School of Art at Temple University in Philadelphia and at the Royal Academy of Arts in London. Nesbitt worked in abstraction until Robert Indiana suggested in the early 1960s that he explore realism in his paintings. As subjects for his work he favored studio interiors, articles of clothing, piles of shoes, his Rottweiler, the Neo-Classical facades of 19th century cast iron buildings, and Manhattan's bridges. He was also famous for his enormous paintings and prints of roses, lilies, irises, and other flowers. In 1980, the United States Post Office issued...

It includes a set of (4) tall goblets (4) + (1 extra) short goblets. A perfect way to entertain with a story also a great gift for someone special with great taste. André Le...

As Seen at Art on Paper Art Fair 2024 at The Mannix Project East Hampton NY Box of BANNED (Books) contains 100 banned books. On the front of each piece is the book cover. On the flip...

A Starfish and Seashell Majolica Tazza with a storied provenance, owned by Legendary Fashion Icon André Leon Talley! Its molded shell motif was commonly produced during the Victoria...

Step into a world of bold elegance with these exquisite Les Bernard 1980s Chanel Inspired Clip-On Earrings. A stunning homage to the iconic fashion aesthetics of the 1980s, these ear...

As Seen at Art on Paper Art Fair 2024 at The Mannix Project East Hampton NY hard to photograph image Sing A Song l (comes framed in white frame) Art size is 24x18 framed 26x20 Also ...

A fabulous Set of Florence Barware with a storied provenance, owned by Legendary Fashion Icon André Leon Talley! Hand-blown black glass by Juliska, signed by artist, made in the Cze...

Elevate your jewelry collection with this exquisite Gold-Tone Geometric Square Link Necklace with Rhinestone Accents, a stunning accessory that perfectly balances modern design with timeless elegance. This chain link necklace features five interconnected squares at its center, each adorned with sparkling rhinestone accents that add a touch of glamour to the minimalist geometric aesthetic. The interplay of gold-tone metal and shimmering rhinestones creates a striking contrast, making this piece a versatile addition to both casual and formal outfits. Style this necklace effortlessly with high-end designer pieces for a chic look; consider pairing it with a sleek Calvin Klein dress or a tailored Gucci blazer. For an evening out, it beautifully complements an elegant Chanel cocktail dress or a classic Diane von Furstenberg wrap dress...

Of Mice & Men Bar Code Series A definite "conversation" piece of art. Comes with a magnifying glass. *detail images may be from another barcode. All font sizing is similar. Each pi...

Diana Vreeland’s letter to Andre Leon Talley. Andre created this postcard stationary out of a letter he received from Diana Vreeland. This was part of his personal belongings. Inside...

A comical work.....A definite conversation piece This comes in a heavy wooden gilded frame The painting is 8x10. Framed 19"x21" x1.75" Karyn Mannix, born in New York, has been in ...

Marble coffee table by Samuele Brianza Dimensions: 100 x 100 x 75 cm Materials: Paonazzo marble 12 blocks Glass round top Primo is a modular system made of load-bearing marbl...

As Seen at Art on Paper Art Fair 2024 at The Mannix Project East Hampton NY hard to photograph image Sing A Song l (comes framed in white frame) Art size is 24x18 framed 26x20 Also ...

Marble console by Samuele Brianza Dimensions: 130 x 30 x 75 cm Materials: - Paonazzo marble 8 blocks - Raw waxed steel rectangular top ...

Marble console by Samuele Brianza Dimensions: 130 x 30 x 75 cm Materials: - Paonazzo marble 8 blocks - Raw waxed steel rectangular top ...

Stacked marble console by Samuele Brianza Dimensions: 130 x 30 x 130 cm Materials: - Paonazzo Marble 16 blocks - Raw waxed steel rectang...

Marble console by by Samuele Brianza Dimensions: 130 x 30 x 75 cm Materials: - Paonazzo Marble 8 blocks - Raw waxed steel rectangular top Primo...

Les Ruines Des Plus Beaux Monuments De La Grece both 22 3/4" x 34" (sight) oil with arabesque artist identified on label verso. #27, Earthquake III, From 1992 show; Night Paintings,...

Les Ruines Des Plus Beaux Monuments De La Grece both 22 3/4" x 34" (sight) oil with arabesque artist identified on label verso. #27, Earthquake II, From 1992 show; Night Paintings, ...

BEYOND DECORUM, CLOSED AND OPEN Series, I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the closed jacket photograph. Vintage C-print on Fuji crystal archive paper. Image size is 40 x 30", sheet measures 50 X 36 Provenance: printed by Muse X, Los Angeles. I believe these were test, proof prints. They are not signed or editioned The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art. Iké Udé (born 1964) is a Nigerian-American photographer, performance artist, Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria. Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media." Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art. Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series. Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags. With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally. Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...

BEYOND DECORUM, CLOSED AND OPEN Series, I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the open jacket photograph. Vintage C-print on Fuji crystal archive paper. Image size is 40 x 30", sheet measures 50 X 35 Provenance: printed by Muse X, Los Angeles. I believe these were test, proof prints. They are not signed or editioned The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art. Iké Udé (born 1964) is a Nigerian-American photographer, performance artist, Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria. Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media." Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art. Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series. Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags. With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally. Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...

BEYOND DECORUM, CLOSED AND OPEN Series, I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the closed jacket photograph. Vintage C-print on Fuji crystal archive paper. Image size is 40 x 30", sheet measures 50 X 32 Provenance: printed by Muse X, Los Angeles. I believe these were test, proof prints. They are not signed or editioned The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art. Iké Udé (born 1964) is a Nigerian-American photographer, performance artist, Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria. Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media." Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art. Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series. Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags. With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally. Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...

Marble side table set by Samuele Brianza. Dimensions: 45 x 45 x 57 cm. 45 x 45 x 75 cm. Materials: - paonazzo marble 16 blocks. - sarnico stone round top. Primo is a modul...

Marble low coffee table by Samuele Brianza Dimensions: 100 x 100 x 38.5 cm Materials: Paonazzo marble 6 blocks Glass round top Primo is a modular system made of load-bearing ...

Iké Udé (1964- Nigerian American) Hand signed and dated 1993 on verso. Large carved and painted abstract wood sculptural construction Dimensions: 58 X 26 X 3 inches The work of Nig...