502 results for "marie antoinette"

A Very Fine french 19th century Louis XVI style gilt bronze-mounted tulipwood, kingwood and fruitwood marquetry round side or center table, in the manner of Théodore Millet. The circ...

A magnificent Neo-classical 19th century Louis XVI taste giltwood royal jewelry cabinet, in the manner Parisian ébéniste Martin Carlin (b.1730–1785). ...

A very fine and elegant Regency Satinwood and parcel-gilt double action Harp from the workshop of the famous harp and piano maker Sebastian Erard (1752-1831), decorated in the Grecia...

Reminiscent of twinkling stars in the night sky, this Victorian-era brooch features rose-diamonds set atop cobalt blue glass. Rings of similar style that featured precious diamonds w...

A large 19th century patinated bronze group titled: "Amalthea and Jupiter's Goat" after Pierre Julien (French 1731-1804) The goddess portrayed as nude but for drapery held across her breasts and falling to her lap, seated on the back of the goat with her right foot raised to rest on a rock outcrop. Signed: Julien Circa 1880. Height: 34" (86.3 cm) Width: 21" (53.3 cm) Depth: 15" (38.1 cm) Pierre Julien's model of Amalthée et la chèvre...

A Stunning Late 19th Century Gilt Bronze, Enamel and Porcelain Frame with Glass Portraits of Royal French Women The two oval glass painted portraits, one of Marie Antoinette and the...

Original gouache & ink masterwork on paper. The artist captures the magnificence of the era with precise architectural perspective. Cerulean, ochre, & shell white celebrate the nosta...

Louis Lesueur (1746-1803) A Fantasy Landscape with ancient ruins, 1789, signed and dated "L Lesueur 1789" in the bottom centre Pen and ink and ink wash on paper 14.8 x 22 cm In goo...

European School Late 18th Century Portrait of a Lady Pastel on paper, mounted on canvas Image size: 28 x 23 inches Contemporary style frame Provenance: Ernst Museum Auction This pastel portrait of a lady dates from the late eighteenth century. She is pictured in a white muslin dress...

Magnificent "à la reine" armchair with flat back in Louis XVI style beech with rows of pearls. This beautiful armchair is made of molded and carved beech. The square-shaped backrest ...

An important French mid-19th century gilt-bronze mounted kingwood, satiné and parquetry bombé commode after the model by Charles Cressent attributed to Maison Millet, Paris the serpentine Brocatelle Violette d'Espagne marble top above two long drawers centred by a flaming urn, flanked to each side by a child holding oak branches and headed by courting doves, the front angles with a bust of a boy and a girl each holding a dove, each bombé side with intertwined oak branches, on oak tree trunk supports and foliate-cast feet. The original model for the present commode dates from the 1730s and is the work of Charles Cressent (maître in 1720; d. 1768). Entering the collection of the Dukes of Hamilton after the French revolution, the commode was sold at the celebrated Hamilton Palace sale (lot 1806) in 1882. It was purchased by Ferdinand Rothschild and is now in the collection at Waddesdon Manor, Buckinghamshire. This impressive Régence style commode is reminiscent of the work of François Linke, however none of the mounts appear to be stamped or recorded in his oeuvre. Maison Millet was an active client of François Linke and it is believed that this commode with its distinctive high quality mounts and construction are characteristic of the production of this celebrated Parisian cabinet maker. Maison Millet was established by Théodore Millet in 1853, and continued until 1902 from premises at 11, Rue Jacques-Coeur, Paris before relocating to 23, Boulevard Beaumarchais. Maison Millet was a highly regarded furniture company that was described as producing 'meuble et bronze d'art, genre ancien et moderne'. The firm won several awards in the series of exhibitions in London and Paris, such as the gold Medal in the 1889 Paris Exposition Universelle. In 1902 Maison Millet was authorised by the director of the Palais de Versailles to replicate Marie-Antoinette's celebrated Grand Cabinet à bijoux. Literature: Sir Anthony Blunt...

A well executed miniature of Marie Antionette from the late 19th century after an original portrait by Elisabeth Louise Vigée Le Brun (1755-1842). Thi...

Set of twelve silver-plated bronze Queen hand bells by Gorham American, Late 20th Century Height 13cm, diameter 6cm A set of six pairs, each depicting significant royal figures from...

A Superb 19th century French Louis XVI style gilt- bronze mahogany, kingwood and fruitwood marquetry armorial commode with Sycamore Marquetry and magn...

Magnificent low pedestal table, coffee table, side table, or tea table in the Louis XVI style, made of molded, carved, lacquered, re-edged, and gilded wood. It rests on four tapered ...

Magnificent column forming a saddle in blackened wood with a corinthian-shaped fluted shaft in the Louis XVI style. This fantastic straight shaped pedestal is carved from solid beech...

An Important and Monumental Gilt-Bronze and Tole Twelve-Light Chandelier, Attributed to Maison Beurdeley, After The Celebrated Model By François Remond. The vase shaped body is pain...

Vintage 18 Karat Mellerio Dits Meller Bracelet 7 inches length 1 inch wide 98 grams Made in France Slip into french luxury with our Vintage 18k Yellow Gold Mellerio Dits Meller Bracelet. Crafted by the oldest jewelry house in France, with a legacy spanning over 400 years, Mellerio dits Meller has adorned royalty and historical figures such as Queen Victoria, Marie-Antoinette, and Marie de' Medici with its timeless creations. The Maison's rich history is intertwined with the fabric of French culture...

A pair of Sevres vase from the 19th century features a delicate light blue porcelain body adorned with beautifully etched friezes and foliages. The golden painting adds a touch of e...

These beautiful pedestals are based on a design by the acclaimed French craftsman, Jean-Henri Riesener (1734-1806). Riesener was the official cabinetmaker to King Louis XVI, and was ...

A wonderful turn of the century gilt bronze mounted Louis XVI style six-leg Grand Erard piano Beautiful satinwood veneer, bronze mounts, standing on six legs centered by a stretcher. The movement stamped with Erard serial number 93712 and patent stamps, the interior of the case further stamped F. TURBEC/A LEMOINE, and M. BECKER. Erard is the oldest and most prestigious French piano manufacturer. The firm was founded by Sebastian Erard...

Inspired by Marie Antoinette's daughter, Marie-Thérèse, this chunky 18K oval pendant represents both pain and strength — Marie-Thérèse was imprisoned and mistreated during the French...

A very pretty pair of 18th-century engravings depicting two elegant women with hairstyles in the fashion of the time. These engravings come from the magazine "Le Cabinet des Modes ou...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

19th Century French Louis XVI Marble Top Mahogany Commode will make an elegant addition to any room! Hand-crafted in the neoclassic style favored by King Louis XVI and Queen Marie A...

This magnificent Louis XVI style fireplace, of impressive dimensions, was made in the 19th century from statuary Carrara marble. It is a faithful replica of the model installed in th...

Antique French Louis XVI Walnut Bookcase ~ Display Armoire is a majestic example of the neoclassical revival that captivated the attentions of Louis XVI and his Queen Marie Antoinett...

A Fine and Rare French 19th-Century Louis XVI Style Satinwood and Gilt-Bronze Mounted Vernis Martin Style Three-Way Standing 'Marie Antoinette' Style Dressing Beveled Mirror Set, the...

A fine Empire acajou mouchete mahogany commode in the manner of Bernard Molitor (1755-1833). A rectangular oak corpus veneered with acajou mouchete mah...

An important pair of monumental thirty-one light giltwood torchères after the model by Jacques Gondoin for the Hall of Mirrors At the Palace of Versail...

A very fine French 19th century Louis XVI style burr-walnut and mahogany marquetry and ormolu-mounted Military armorial Meuble D'Appui with a Veined Brèche Violette marble top, attri...

An unusual mirror that you will rarely find again. Elegant and irreverent at the same time, this article reproduces a French Regency style mirror with all the decorative elements ty...

A French Louis XVI style gilt-bronze figural seven-light chandelier with Figures of Putti (Children), after the model by Pierre Gouthière in the Cabinet doré for Marie-Antoinette at ...

This exquisite French Louis XVI style marble top table is a rare example of neoclassical artistry in the manner of Adam Weisweiler, on...

Oil on canvas Image size: 10 x 7 1/2 inches (25.5 x 19 cm) Contemporary gilt frame This painting is a copy of Thomas Lawrence’s 1822 portrait of Armand Emmanuel du Plessis, Duke of ...

Magnificent antique French bronze D' Ore chandelier, Versailles Model, Circa 1820-1830. Model from Marie Antoinette's Quarters at The Palace of Versailles, (The Gilded Room).

71778 Antique French Savonnerie Rug, 09'06 x 12'08. In the resplendent tradition of 17th- and 18th-century France, when Savonnerie carpets adorned the grand salons of Versailles and ...

A French XIXth Century Pair of Louis XVI Style Candelabras Two candelabras in bronze very finely chiseled and gilded with two fluted branches, the twisted barrel from which escapes...

Encased in a geometric Art Deco frame, this small printed portrait depicts a young woman of French royalty, most likely Empress Josephine Bonaparte. Josephine Bonaparte was the Empre...

Pair of large ormolu mounted cobalt-blue ground jewelled porcelain vases French, Late 19th Century Height 68cm, width 30cm, depth 25cm Made in the style of the renowned French Sèv...

A stunning and most impressive pair of French 19th century Louis XVI st. Ormolu and frosted Glass chandeliers, after a model by Pierre Gouthière for Marie Antoinette. Each exquisite ...

A large & important German Renaissance oil painting, an allegory on good sexual health, by Christoph Schwarz (1545-1592), "A Warning Against Venereal Disease", circa 1580. Christoph...

Form and function converge in this exceptional Louis XV-style bureau plat graced with eight elegant Sèvres Porcelain plaques. Framing these delightful, hand painted floral and fowl-themed plaques is a network of exquisite gilt bronze. Supporting the leather-topped table are graceful cabriole legs, a hallmark of fine Louis XV taste, that are crowned by gilt bronze caryatids and terminate in gilt bronze mounts. What makes this desk even more stunning is the inclusion of three concealed drawers that are opened only by the spring-loaded secret release mechanisms located underneath. The first porcelain mounted furnishings appeared sometime in the mid-18th century in the shops of the foremost Parisian art dealers. These furnishings successfully, and quite beautifully, married renowned Sèvres Porcelain with fine furniture to create a new segment of the decorative arts that appealed greatly to the aristocracy, especially women. The Duchesse de Mazarin, Comtesse du Barry, Marie-Antoinette and the Grand Duchess Maria...

Napoleon III card holder (card fray) Gilt bronze and enamel Origin France Circa 1900 Gilt bronze and Cloissone enamel with hand-painted Sevres porcelain plate signed by E. Horche Per...

A Pair of Ormolu and Silvered Bronze Gueridons In the manner of Bernard Molitor Constructed in breccia marble, mahogany, and silvered bronze with ormolu mounts; the top tier of circ...

Pair of late 19th century French Louis XVI / Marie Antoinette style fauteuils, hand-carved and finished in creamy white paint. The surface shows authentic crackle, chipping, and area...

Marie Thérèse, the eldest daughter of Marie Antoinette, and Louis XVI, the last King of France, lived a life far from monarchal. Represented through beautiful lines and special eleme...

After the model by Jean-Henri Riesener (French, 1734-1806). Of the Napoleon III period, in the Louis XVI style, with fruitwood and ebony inlaid in bois de citronnier, mahogany and amaranth, with a three-quarter galleried rectangular top above a roll-top, opening to reveal a leather-lined writing slide with four short drawers and five pigeon holes, the frieze centred by a push button drawer...

French Modernist St. Clement Ceramic Sapho Creation Candelabra's. A pair of French Modernist Ceramic Candelabras Sapho Creation St. Clement France. Organic form having three arms e...

An early Worcester Flight & Barr bright yellow beaker with gilding and a finely painted sepia scene of a landscape. The scene, possibly painted by John Pennington, shows two figures ...

An outstanding late 19th century gilt bronze mantel (fireplace) clock by Dagrin and Philippe By Dagrin and Philippe A large gilt bronze, beautifully dressed sculpture...

A Fine Louis XV Style Gilt-Bronze Mounted Walnut and Bois Satiné Parquetry Writing Desk, ‘Bureau en Rognon’, By Maison Millet, Paris. The curved cartonnier with five drawers around ...

This important regulator clock beautifully demonstrates the heights of precision clockmaking. While regulator clocks are known for their incredible acc...

Early Victorian 18k Gold, Silver and 6.0cts. Old Mine Cut Diamonds and Blue Guilloché Enamel Ring c.1840s Believed to be a descendant of the bagues au firmament...

Two-faced drawing. Studies of characters and harbor scene. With an inscription stating it is from the sketchbook in the collection of Dr. Manuel de Espirito Santo in Lisbon. Ink a...

A fine pair of Louis XVI style gilt-bronze mounted mahogany console tables, in the manner of Adam Weisweiler. Each table has a rectangular with fleur de pecher marble top above th...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

A Georgian diamond, Bristol blue glass, silver and rosy yellow gold ring, comprising forty-four rose cut diamonds, and a panel of Bristol blue glass, set in silver, to an 18 karat ro...

Fine hand-painted depiction of Marie Antoinette, wife of French King Louis XVI, the last Queen of France before the French Revolution. This painting dates ca. 19th century, very lik...

A fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...