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This watercolor on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude m...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude woman sitting in pose. Artis Lane, in her many nudes, chose to depict a diversity of bodies, of all shapes, colors, and sizes. This work was recently exhibited adjunct to the "Steps Towards Justice: Artis Lane's Portraits of Rosa Parks" exhibition at Collected Detroit in 2021. The matte of this work is 31 x 25.75 inches while the image is 25.5 x 19 inches. Most recently in January 2021 Ms. Lanes' dynamic sculpture bust of Rosa Parks was chosen from the National Portrait Gallery in Washington DC to reside in the President's Oval Office as a reminder to all who visit or see it via press photographs of her courageous demand for equal rights. It is a constant source of inspiration. All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane Artis Lane lived and worked in Los Angeles for over twenty years. She knew many celebrities, movie stars and individuals who moved in those circles. She was a sought after portrait painter. This particular painting of the famous movie star, Zsa Zsa Gabor, shows why. Artis has captured the personal essence of her subject, a warm, friendly woman, though famous, is not absorbed in her notoriety. This piece is signed by the artist on the lower right. Born Artis Marie Shreve in 1927, near an all-Black village in North Buxton, Ontario, Canada. After three years of art college in Toronto, Canada, Artis moved to Detroit where she met and married journalist and activist Bill Lane. In Detroit Artis Lane continued her training at Cranbrook Academy of Art in Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock known for blown glass) and Larry Butcher (mixed media abstract artist.) While in the Motor City she painted and sculpted the portraits of many of the business and political leaders of the day; Governor George Romney, Ford family members and Coleman Young, the Mayor of Detroit. After her divorce, she was invited by Diahann Carroll to move from Detroit to come live in New York City where she met and married, Vince Cannon. They spent time in Texas, Ruidoso, New Mexico and traveled to Mexico City, Mexico to paint many of the prominent families in the region. Eventually she settled in Los Angeles and has recently relocated to Detroit. Her portrait and sculpture work has depicted dignitaries like Jaqueline Kennedy, Nelson Mandela, Gordon Getty, President Reagan, President Obama, First Ladies, Hillary Clinton and Michelle Obama, Mrs. Walter Annenberg, Nancy Kissinger, including her most recent portrait commissioned by Academy Award winner, Jaime Fox. It’s an elegant painting of Oprah Winfrey, which was unveiled live on her show. Artis Lane has sculpted Don Cornelius, Quincy Jones, Lupita Nyong’o, Lena Horne, Stevie Wonder, and Magic Johnson, and many more. In the 1970’s, social issues became the next focus of her work, which included “Tear on the Face of America,” her civil rights statement, and “The Beginning,” a now famous painting depicting a young Rosa Parks seated in the fateful bus. Artis was honored by the Smithsonian National Portrait Gallery in Washington DC during the installation of her bronze sculpture of civil rights leader and longtime friend, Rosa Parks. In 1999, she was selected to execute and design the Congressional Medal of Honor awarded to Ms. Parks. “My Civil Rights images led me naturally to ideas about what and who we are outside of race. I went from there to the most important body of work, the metaphysical images of generic man and generic woman emerging out of the ignorance of material concepts and evolving into spiritual awareness.” Artis Lane. The bigger challenge was to create art that could symbolize and communicate certain spiritual truths that have guided Lane’s life and creative endeavors for most of her adult years and led to her Metaphysical work. She leaves the workings of the foundry: the gaiting material, ceramic shell mold, etc., (the “birthing” materials of the foundry), on the bronze to symbolize generic man emerging out of material thinking into spiritual consciousness. She then shows the work in pairs… the traditional black patina bronze, with the ceramic shell pieces as a metaphor for the moralistic/materialistic conversations that mankind has wrestled with throughout eternity. The new millennium brought new challenges and celebrations of her work. At the age of 80, Lane was commissioned to create a 12ft bronze of her “Emerging First Man.” The sculpture was created for an 1100 acre private estate community in Atlanta, GA. In 2007, she was honored by The California African American Museum with a retrospective of her life’s work which included almost 100 works of art. In 2009, First Lady Michelle Obama unveiled Lane’s bust of Abolitionist and Suffragette, Sojourner Truth, which was the first African American woman to be installed in the new Emancipation Hall and is now a part of the collection of the United States Capitol. Ms. Lane’s solo exhibit, “The Art of Artis Lane,” at the Forest Lawn Museum, Glendale, Ca in 2011, brought a thought provoking retrospective of her art to the public including the “Divine Metaphysics” series. Her bust of Arnett Hartsfield, Jr., Pioneering Firefighter & Activist, unveiled at The African American Firefighter Museum in Los Angeles in 2012. The California African American Museum in Los Angeles, mounted a retrospective exhibition entitled “A Woman’s Journey: The Life and Work of Artis Lane” in 2007/2008 and subsequently honored her with its Lifetime Achievement Award. Lane presented an official portrait of Los Angeles Mayor Antonio Villaraigosa, which was unveiled at City Hall by Mayor Eric Garcetti in 2014. All are merely a few recognitions of her achievements over the decades. Lane’s HistoryMakers interview was made a permanent part of the Library of Congress Collection in 2014. Her Artwork is displayed around the world. Artis has been a constant presence at the openings of her artistic colleagues in the region. As one of the honored “elders,” she provides encouragement and support for the younger African American artists who strive to use their own talents to express visions of social, ethical, and spiritual importance. She is, in short a force of nature whose life and work have graced both her native Canada...

This acrylic and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject i...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject ...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude ...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude ...

This charcoal on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude mal...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude ...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude standing in pose with her head turned downward. Artis Lane, in her many nudes, chose to depict a diversity of bodies, of all shapes, colors, and sizes. This work was recently exhibited adjunct to the "Steps Towards Justice: Artis Lane's Portraits of Rosa Parks" exhibition at Collected Detroit in 2021. The matte of this work is 31 x 25.75 inches while the image is 25.5 x 19 inches. Most recently in January 2021 Ms. Lanes' dynamic sculpture bust of Rosa Parks was chosen from the National Portrait Gallery in Washington DC to reside in the President's Oval Office as a reminder to all who visit or see it via press photographs of her courageous demand for equal rights. It is a constant source of inspiration. All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane Artis Lane lived and worked in Los Angeles for over twenty years. She knew many celebrities, movie stars and individuals who moved in those circles. She was a sought after portrait painter. This particular painting of the famous movie star, Zsa Zsa Gabor, shows why. Artis has captured the personal essence of her subject, a warm, friendly woman, though famous, is not absorbed in her notoriety. This piece is signed by the artist on the lower right. Born Artis Marie Shreve in 1927, near an all-Black village in North Buxton, Ontario, Canada. After three years of art college in Toronto, Canada, Artis moved to Detroit where she met and married journalist and activist Bill Lane. In Detroit Artis Lane continued her training at Cranbrook Academy of Art in Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock known for blown glass) and Larry Butcher (mixed media abstract artist.) While in the Motor City she painted and sculpted the portraits of many of the business and political leaders of the day; Governor George Romney, Ford family members and Coleman Young, the Mayor of Detroit. After her divorce, she was invited by Diahann Carroll...

This acrylic on canvas from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a female nude in pose, holding a flo...

This acrylic on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a lar...

This acrylic and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The su...

This watercolor and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is two nude males, one i...

This acrylic and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The su...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject ...

This watercolor and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The...

This watercolor and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude female lying in repose. Ar...

This watercolor on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude male lying in repose. Artis...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject ...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude male sitting with his hand...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude ...

This watercolor and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a large...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a large woman who is showing her ...

This mixed media on paper from the seminal artist Artis Lane is one of the many model pictures from her long and illustrious career. The subject i...

This acrylic and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The su...

This watercolor and charcoal on paper from the seminal artist Artis Lane is one of the many model pictures from her long and illustrious career. The subject is a nude young man who i...

This mixed media on paper from the seminal artist Artis Lane is one of the many model pictures from her long and illustrious career. The subject is an older man, whom is called "Anci...

This portrait from the seminal artist Artis Lane is one of the many unique portraits she has painted of notable people she has known in her long and illustrious career. The subject is Eva Gabor...

Artis Lane’s “Flowers in a Pink Vase” fills the canvas with the breathtaking beauty of colors and with the dynamic energy of their movement. The subject of the flower has captured the interest of both artists and viewers across centuries and in numerous cultures. Mosaics of flowers can be seen on the villa floors in Pompeii and Herculaneum pre 79 A.D., the Dutch painter Jan Davidsz de Heem is famed for his Baroque still lifes of flowers in the 1600s, French artist, Edouard Manet’s Last Flowers are revered as some of his best work, and the 20th c. silkscreens of Andy Warhol’s Poppys...

"First Man" is a contemplative figure of an nude man with his hands clasped together and his head thrown back suggesting an individual deep in spiritual thought. Ms. Lane has stated ...

"Wise Virgin" is part of a series of paintings and sculptures Artis Lane completed in which she explores the metaphysical and spiritual dimensions of humans as they reach toward a mo...

"New Woman" is an iconic portrait of a female woman. Her work has been described as follows: "Lane captures the body in various poses, depicting the movement and fluidity of living i...

"Spiritual Self-Portrait" is a portrait of the artist by the artist. She has presented herself nude gazing boldly and directly at the viewer not so much challenging, but inviting dia...

"Spiritual Man" standing is a subject that continually held the interest of the artist, a depiction of man awakening from a more dormant state to stretch into the glory of his creati...

"Man with Bicycle" is an extraordinarily complex painting by Artis Lane. The figure is in a Classical Greek pose balancing the body's weight on the left leg while the right is slight...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane "Statue of Liberty" is a painting by the Canadian, Ms. Lane, who has adopted the United States as her home country. She has used a cool blue tone to give the statue a more sculptural aspect in paint. The Statue of Liberty is an American Icon...

"Rosa Parks Ascending Steps" is the portrait of an iconic heroine at a moment of historical significance, chance and change as she is ascending the courthouse steps...

"New Man" standing is a subject that continually holds the interest of the artist, a depiction of man awakening from a more dormant state to stretch into the glory of his creation. M...

"Nubian Mask" is a 3/4 life size face of a man with eyes down cast. There is a deep sense of quiet and contemplation surrounding the subject. Ms. Lane has talked about how a number o...

"Nude on Throne" shows a beautiful strong young woman seated upon what appears to be a ancient throne. There are objects held by her and placed on her legs, one of which can clearly ...

This graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a n...

This mixed media on paper painting of Jesse Owens is from the seminal artist Artis Lane and is one of the many exquisite pieces done of historical figures ...

This portrait of Desmond Tutu is from the seminal artist Artis Lane and is one of the many exquisite portraits done of historical figures and celebrities she has met and painted duri...

This portrait from the seminal artist Artis Lane is one of the many unique portraits she has painted of notable people she has known in her long and illustrious career. The subject is "Baby Jane" Holzer, a member of Andy Warhol superstars and an art collector and film producer in her own right. She appeared in several Andry Warhol...

Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Unframed: 26" x 20" Framed: 28.75" x 22.75" Signed and Dated Lower Right Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...

Colossal Flashlight in Place of Hoover Dam, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Signed Lower Right Dated Middle Right Unframed: 23" x 22" Framed: 36.5" x 27.5" Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...