16,886 results for "abstract expressionist"

John Hultberg Oil on canvas Panorama of pictures. 1998 Hand signed lower right, J. Hultberg ‘98. Artist, date, and title written on verso. Canvas 25.5”H x 35”W, Frame 26”H x 35.5”...

One of a kind acrylic canvas painting by Linda Coppola.

Abstract Expressionist monoprint by American artist Robert Kuszek (b.1959). This print is on thick paper, and the images are textured and embossed. The piece is signed in the lower r...

1980s abstract expressionist biomorphic coloured pencil drawing on paper by Belgian artist André Pierret, signed bottom right. André Pierret was born ...

This contemporary abstract expressionist woman in a red swimsuit was created by the French artist Natalya Mougenot and makes part of her ongoing series dedicated to Women. Sun Kisse...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed.

Phenomena Entreat the Caves by Paul Jenkins (1923-2012) Acrylic on canvas 61 x 50 cm (24 x 19 ³/₄ inches) Signed lower left, Paul Jenkins Executed in 1998-2001 Provenance: Private collection, Italy Literature: Prato, Galleria Open Art, Paul Jenkins, 12 November 2005 - 31 January 2006, p. 61 (illustrated) Artist biography: Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

Abstract Expressionist Composition in Acrylic on Paper A bold abstract composition by California-based artist, Ricardo de Silva (American/Brazil, 20th C). A bold black character tak...

Richard Andres American, 1927-2013 Mirror, 1984 acrylic and ink on paper mounted on canvas signed lower right, dated and titled verso 12 x 12 inches Richard Andres was born in Buff...

Dorothy Gillespie (1920 – 2012) Ribboned Image X 2001 Metal Ribbon Sculpture, Enamel on Aluminum with colorful striped green ribbons. Dimensions...

Abstract composition French artist, circa 1960's oil on board, unframed board: 31 x 35.5 inches provenance: private collection, France condition: some surface dirt but all good and s...

Abstract Expressionist Radio City New York City by British Urban Landscape Artist, Angela Wakefield. This unique original is a major work to continue her epic New York Series which n...

This is a one of a kind original abstract expressionist painting by local San Diego artist, Kelsey Overstreet. This is an acrylic on canvas and its d...

Antique American modernist abstract oil painting by Ervin B. Nussbaum (1914 - 1996). Oil on canvas. Framed. Signed. Dated 1950. Artist Bio: Ervin B. Nussbaum was born in Co...

Blue and red abstrct expressionist painting on rapped canvas no frame required Signed on verso

Sam Francis Untitled (from Fresh Air School), 1972 Lithograph on wove paper, for the Carnegie Museum of Art 15 × 22 inches Limited Edition of 6,000 (unsigned edition; there is a sepa...

Artist/ School: French School, circa 1970's-1980's Title: Abstract/ Expressionist composition Medium: oil painting on canvas, unframed Size: painting: 39.25 x 39.25 inches Prove...

An original mid-century modern abstract expressionist painting by American artist Toma Yovanovich. This work comes housed in an original artist made frame. The painting is signed,...

It's 1951. Who was doing painting like this? Franz Kline, Arshile Gorky, Jackson Pollock, Mark Rothko, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Lee Kra...

Willem de Kooning Annual Spring Invitational Art Exhibition (limited edition, hand signed numbered by Willem de Kooning), 1979 Offset lithograph (hand signed and numbered) Sign...

"So What How?" - Abstract Expressionist Earth Tone Abstract in Oil on Canvas Expressive abstract work in earth tones by Monterey Bay artist and gallery owner John O. Thomson (Americ...

Artist: Elizabeth McIntosh Title: Attention Please Date: 2016 Medium: Oil on Canvas, signed and dated verso Size: 24 x 20 in. (60.96 x 50.8 cm) Abs...

Vintage American modernist abstract interior scene oil painting. Oil on canvas. Framed. Signed and titled verso, "Bertoia Chair". Handsomely framed in a period molding. Excellent ...

Contemporary Abstract Expressionist acrylic and oil on canvas by Italian artist Albino Palamara. Signed to the reverse. Title: Espoir de la Rencontre. A strikingly colourful and en...

Artist: Gérard Guegueniat (French, 1970s) Medium: Oil on Board Dimensions: Framed: 19 x 25 inches Board: 18 x 24 inches Provenance: Private Collection, France Condition: Very good a...

Katherine Borkowski-Byrne’s “Out of Order” is a colorful abstract expressionist oil painting 38 x 60 x 1.5 inches on canvas with thick and thin spontaneous brushwork, drips and splas...

"Attention" Heavily Textured Abstract Expressionist Composition in Oil on Canvas Bold, textured, impasto composition of a nude female by California artist Harald "Harry" Dry Schmidt...

This contemporary abstract expressionist fauvist landscape depicting Provence, titled "Clouds over cypress", in the south of France, was created by French artist Natalya Mougenot as ...

A Visual Journey: Landscape #6, Original Contemporary Abstract Expressionist Painting, 2022 Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

In this painting, I've interwoven the raw textures of acrylic and the fluidity of ink to explore the mysticism of natural landscapes. The deep contrasts and vibrant splashes symboliz...

Late 20th century abstract Expressionist oil on board by French artist Emmanuelle Bardet. Signed bottom right and dated 95 and titled "La Corrida" to the reverse along with a dedicat...

LATE AUTUMN, Original Signed Contemporary Abstract Expressionist Painting 30" x 40" x 2" (HxWxD) Oil on Canvas Hand-signed and dated by the artist. A large-format, subdued abstract ...

Abstract Expressionist Sky Composition by Gerard Guegueniat (French 1970's) signed oil painting on board, framed framed: 21.5 x 27 inches board: 18 x 12 inches provenance: private co...

Harry Bertschmann (Swiss American, born 1931). Acrylic painting on paper. Artist signature to lower right. Provenance: Joy Moos Gallery (this was exhibited at the Outsider Art Fair) ...

Intense figurative abstract with bold colors and the text "I Don't See Anything Here" by R. Navarro (American, 20th Century). Signed "R. Navarro" and dated "2000" on verso. Image, 30...

An abstract expressionist composition in bright and cheerful colors. Rather than opt for the moody and dark tone of other expressionists, this print uses almost youthful shades. The ...

Ben WIlson Lightness, ca. 1980 Oil on masonite board 21 × 25 × 3/10 inches Stamped by artist's estate, Hand signed by the artist on the front AND stamped by the artist's estate on th...

Red Tent Abstract Expressionist - Acrylic on Paper Abstract in bold colors on a stark black background, by California-based artist Ricardo de Silva (Brazilian, 20th Century). A deep red tent-shape with an equally deep red firework streaming down from above, as the all seeing eye watches over the dark night. Signed and dated at the bottom right corner, "R. de Silva 86" Paper size: 18"H x 22"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg...

Dan Christensen, American (1942 - 2007) - Latuka, Year: 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 131/140, Image Size: 20 x 38 inches, Size: 29....

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed canvas size: 16.5 x 13 inches condition: overall very good, a few minor s...

"Reminiscing" is a beautiful original abstract expressionist oil portrait, created by American artist Danny McCaw. His highly varie...

Vintage American modernist abstract oil painting by Christine Opolus. Oil on canvas, circa 1960. Signed. Framed. Image size, 32L x 12"H.

Leonardo Nierman, Mexican (1932 - 2023) - Moonlight, Medium: Oil on board, Size: 32 x 24 in. (81.28 x 60.96 cm), Frame Size: 40 x 32 inches

Antique American abstract expressionist mixed media painting by Bernyce Alpert Winick 1922-2022. Watercolor and collage paper. Signed. Framed.

Parallel - Abstract Expressionist Composition in Acrylic on Canvas Brightly colored composition by California artist Charles "Dave" Francis (American, 1951-2018). A layer of tissue ...

Bernhard Zimmer's abstract paintings transmit the richness of multiple layers of oil paint applied with precision to create an overall composition that holds opposites - order and ch...

WILD HORSES-3, Original Contemporary Abstract Expressionist Painting, 2021 30" x 40" x 2" (HxWxD) Oil and Newspaper on Canvas Hand-signed by the artist. This large-format oil painti...

Abstract Expressionist Collage in Acrylic on Paper Bright, saturated abstract painting with collage by California-based artist Ricardo de Silva (American/Brazil, 20th C). Bold red,...

Artist: Oskar Maria D'Amico, Italian (1923 - 2003) Title: Untitled Year: 1967 Medium: Oil on Canvas, signed Size: 66 x 48 in. (167.64 x 121.92 cm)

Richard Andres American, 1927-2013 Untitled, c. 1980 acrylic and ink on paper mounted on canvas 12 x 10 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of th...

Antique American modernist abstract still life painting. Oil on canvas. Framed. Signed verso. Measuring: 48 by 56 inches overall, and 46 by 54 painting alone. In excellent origina...

Abstract expressionist nude figure by Louis Nadalini (American, 1927-1995). Signed "Louis Nadalini" in the lower right corner. Signed "Louis Ernie Nadalini" on verso. Unframed. Image...

Lawrence Kupferman (1909-1982) was an important American Abstract Expressionist painter credited with bringing Abstract Expressionism to Boston. Kupferman's work is included in the c...

Modern yellow toned Abstract Expressionist painting by the French painter Joël Dabin. The work features a group of running horses, with their hair flowing in the wind, set against an...

Fredric Karoly (1898-1987). Etude, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

This contemporary abstract expressionist woman's figure was created by the French artist Natalya Mougenot and is part of her ongoing series dedicated to Women, where she explores the...

This original 1960s oil on canvas by American artist Florence V. Mercolino Graziano exemplifies the dynamic energy of the Abstract Expressionist movement. The composition showcases b...

Vintage Abstract Expressionist Standing Pensive Figurative Nude - Heavy Impasto Abstract expressionist figurative composition of a nude woman by California artist Harald "Harry" Dr...

A Visual Journey: Landscape #8, Original Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

"Samba Underground" Abstract Expressionist Acrylic on Paper A vibrant abstract painting in red, black, white, purple and shimmering metallic gold, by California-based artist, Ricard...