502 results for "marie antoinette"

A superb quality 19th century French Louis XV Style Ormolu Mounted Mahogany and King-wood Parquetry "Re´gulateur de Parquet" Grandfather longcase Clock by Haentges Freres. The drum...

A very fine quality true pair of Louis XVI style candelabras in solid gilded bronze. This pair is highly decorative as well as functional since it has been electrified. The base is ...

From the 1700s through the early 1800s, European aristocrats developed a fascination with ancient Egyptian culture and design that culminated in a full Egyptian Revival. Prominent figures such as Marie Antoinette and Napoleon Bonaparte commissioned rooms decorated with Egyptian motifs. This cultural moment reflects a fascination with a sophisticated civilization of great artists and pharaohs. The Regency era possessed very little knowledge of the Great Pyramids or hieroglyphics, a quality that lent Egyptian art interpretation a compelling air of mystique. This English Regency period gilt carving depicts a popular figure of borrowed Egyptian motif: the Sphinx. Recognized among educated circles as a symbol of brilliance in the ancient past, the Sphinx was well-known as a mythological creature who destroys those who failed to answer her riddle. Such a piece as this, excellent in detail and craftsmanship, may have once graced the mantle of a gentleman’s study or been exchanged as a gift between British scholars. The beautiful gold surface has been achieved by an artful combination of gilt and gesso; the art enthusiast will appreciate the intricate texture realized in the carving’s hair and tail as well as the delicate detailing of the saddle. Borrowing from the Egyptians, the Greeks had their own interpretation of the Sphinx. Greek mythology chronicled the Sphinx as being the daughter of Orthous and Chimera or Laius and attributed the riddles, which she proposed, as having been taught to her by the Muses. Crowned with a Grecian diadem and having a refined expression, she evokes an ancient yet reserved intellect. For the modern-day enthusiast of classical Greek art...

"Chair, Napkins and Sheets" by David Halliday, 2020, archival pigment print, edition of 10 35 3/4" X 22 1/4" Image size 38.25 x 24.75 inch paper size Contemporary Still Life Color...

Marie Antoinette Chapel at Versailles MATTE PHOTO PAPER Photograph About the artist: Karyn Mannix’s paintings have been exhibited in galleries throughout the United States and has...

Important French 18th Century Pair of Louis XVI Armchairs or Fauteuils, Stamped - Signed This exceptional pair of Louis XVI period armchairs, dating to the late 18th century, bears ...

An 18th century Louis XVI period French Mahogany Trictrac table with gilt brass trims throughout. This museum quality piece in the manner of Riesener (M...

This a Sevres Porcelain Portrait Wood Wall Plaque. It depicts a hand carved large gilt wood plaque shaped as a quatrefoile shield. The center...

Each lyre-shaped backplate topped with ribbon-tied cresting and garlands ending with the mask of a satyr. See "Vergoldete Bronzen" (1986), Vol. I, p.242, Ill. 4.5.10 for a similar m...

Louis XVI style lamps two lights in bronze called bouyotte lamps with its lampshade in painted sheet metal ,bordeaux color. The lampshade can be adjusted to the desired height the b...

This 18th-century gilt bronze & Egitto Serpentino urn is modeled after the opulent design of one of the last gilders of the Versailles Court, Pierre Gouthière. An identical urn is he...

Samurai Helmet "Zunari kabuto" with 3 black lacquered iron plates. Japan, early EDO period, circa 1610. Neck protector (shikoro), 5-strip hineno, laced brown, beige and green. Central ornament (maedate) in gold and silver lacquered wood. Triple tomo with 2 maple leaves. 2 rounded horn-shaped side ornaments (wakidate) in black and gold lacquered wood. Black-lacquered iron mask...

If you are looking for an unique tableware in order to make your lunch special and chic every day, this "Mix and Match" bread porcelain set of six is the perfect solution. It is an e...

After Fragonard Painting Signed French Style Porcelain Hand Painted Matched Porcelain Cabinet 2 Cups with Saucer and 4 small plates. Manufactured by...

French Louis XVI style Brèche de Sicile marble mantel surround with white veining, the serpentine shelf above a swept frieze with cental paterae...

Large 19th century terracotta ceramic figurative sculpture, beautifully hand crafted after French neoclassical sculptor Augistin Pajou. Possible to be Marie Antoinette born Maria Ant...

An exquisite pair of restored antique French accent chairs in the Marie Antoinette–Louis XVI style, sourced from Provence. Each chair features a finely hand-carved shield-shaped back...

A Wonderful Pair Of French Gilt Bronze Two-Light Regency Sconces Signed Millet a Paris, Completely Rewired With New Sockets. Established by Théodore Millet in 1853, the Maison Mille...

A large-scale black, white and gold regency era-inspired pointillism figurative painting of Marie Antoinette by artist Mauricio Battifora ABOUT TH...

An exceptional set of six late 19th-century French dining chairs, meticulously restored and presented in the refined Marie Antoinette / Louis XVI style. Sourced directly from Paris, ...

This Sevres vase from the 19th century features a delicate light blue porcelain body adorned with beautifully etched friezes and foliages. The golden painting adds a touch of elega...

An important Louis XVI style gilt bronze-mounted commode, after the model by Jean-Francois Leleu by François Linke. French, circa 1910. Linke index number: 1127. Linke title: 'Commode Louis XVI, Bois d'amarante et de rose.' Signed ‘Linke’ to the right-hand side chute. This distinguished commode is quarter veneered in mahogany with bois de violette banding and boxwood stringing. It is furnished with finely cast gilt-bronze mounts and surmounted by a brèche violette marble top. It appears that Linke bought the rights to make this commode from the Vente Cueunières in 1902, although there is no trace of it being made by him until the summer of 1908 and there is no entry in the Blue Daybooks for this model. The green registres have two pages devoted to the making of the commodes, the first at a cost of 1,540 and 40 centimes, with eight more made in the intervening years, the last, a pair, in 1927 with the cost price escalating to 8,529 francs. The registre is not entirely clear, but it appears that Clément Linke, father and son, made the locks for this model. The cabinetmaking was exclusively by Guntren who took 496 hours per commode, paid 85 centimes in 1908 rising to 5 francs 75 cents for the last pair. Linke priced this commode at 3,000 French francs, noting in his book 'original est de Leleu est à Trianon.' The original commode by Leleu, on loan from the Petit Trianon, is shown in a line engraving in the retrospective part of the Exposition de l' Union Centrale des Arts Décoratifs, Paris, 1882, De Champeau & Others, 'Les arts du bois,' pub. Quantin, 1883, p. 80. The commode entered the Petit Trianon in 1867 on the occasion of an earlier exhibition dedicated to the memory of Marie-Antoinette, organised under the patronage of the Empress Eugénie. Jean-François Leleu A pupil and later collaborator with Jean-François Oeben, Jean-François Leleu became maître on the latter’s death in 1763. His work can be divided into two concurrent but distinct styles: the first owing more to the legacy of Oeben, being of large, solid forms, more noble in style; the second, although retaining the clean, definite lines of the first, being an exercise in elegance and understatement. It is this second style for which Leleu is chiefly remembered and which the present commode, with its lightly bombé form and restrained frieze mounts, is a principal example. Literature: Payne, Christopher. François Linke, 1855-1946, The Belle Epoque of French Furniture, (woodbridge, UK), 2003; p. 502, for the black and white cliché of index number 1127 Meyer, Jonathan. Great Exhibitions, Antique Collectors club, (Woodbridge, UK), 2006; p. 298 - 300. Pradère, Alexandre. French Furniture Makers; p. 340, fig. 398; and P. Arizzoli-Clementel. Versailles Furniture...

The ‘Marie’ (Triangular Beans) Chair by Antoinette Bader for FREIFRAU. Germany, Circa 2012 Designed by Zurich- and Vienna-based Antoinette Bader 2012 award winning design- The chair was awarded the title “Interior Innovation Award – Winner Antoinnete Bader updated the bean bag chair, The 'Marie' is a modern take on the beanbag chair. Its morphing structure allows for numerous sitting positions. The cover is made with interconnected firm padded triangles, and the inside is filled with polystyrene pellets. The triangular structure turns the chair into an aesthetically appealing piece, t It's a very comfortable and versatile chair ‘Marie’ (Triangular Beans) was designed out of an ordinary beanbag by Antoinette Bader. This is a rare opportunity to acquire an award winning designed sleek and modern sculptural occasional chair...

This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...

Grand 19th Century French Napoleon III Period Gilded Mirror is a magnificent example of the craftsmanship and artistry of one of the golden ages in French design! The neoclassical d...

Beautiful lantern in double patina bronze and crystal. The central shaft is engraved with a Greek frieze centered on a star. The whole is suspended from a openwork crown decorated wi...

Vintage Maria Theresa style chandelier with six brass arms on wich faux candles installed. Germany. The framework is in golden bra...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock Crystal, Enamel, Emerald, Lapis Lazuli, Agate, Emerald, and Obsidian Polo Player, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French Carved Horse Sculpture, Jeweled Mounted Object sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1999. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved obdisian hardstone horse and polo player, mounted in 18k gold, brilliant -cut diamonds, emaralds, enamel, lapis lazuli, and agate, .The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / MELLERIO DITS MELLER PARIS / 5003 DIV The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 12" high x 8" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Circa 1970s Maria Theresa style chandelier with eight candle arms. Germany. The framework is in golden brass, surrounded by 100 % transparent crystal that capture and reflect t...

Original vintage poster advertising a gala evening followed by dinner and a ball organised to benefit the restoration of the Queen's Hamlet at Versailles - La Nuit du 12 au 13 Soiree...

An exquisite French 19th century Louis XVI st. Biscuit de Sèvres garniture clock set. The set has a pair of urns of prosperity with two cherubs on eac...

This Sevres vase from the 19th century features a delicate light blue porcelain body adorned with etched friezes and foliages. The golden painting adds a touch of elegance, while th...

Realist still life painting by contemporary Houston artist Scott Woodard. The work features a white bust of the iconic figure Marie Antoinette with a tattoo...

French Louis XVI Style Gilt Ormolu and Blackened Mesh Fire Screen with Classical Trophy Mounts France, Late 19th to Early 20th Century Overall: 31" H x 28" W x 8" D Cartouche screen...

Set of 6 champagne glasses called "trinquettes" or "cul sec". At their base, there is the stamp of "Henri Maire", famous French winemaker (born July 16, 1917 and died November 28, ...

A fine quality late 19th century gilded ormolu inkwell Rococo influenced inkwell, having scrolling foliate decoration to the whole, two lidded inkwells, signed; Millet, Paris Mais...

An exceptional Louis XVI style gilt-bronze and lacquer mounted mahogany commode À Vantaux by Alfred-Emmanuel-Louis Beurdeley. Stamped to the carcass with a 'marque au feu' for ‘A BE...

Illustration celebrating important women throughout history, published in McCall's magazine, May 1959. This large canvas by Stanley Meltzoff presents a compelling tribute to influen...

Vintage French Boussac Versailles fabric with Irish linen cushion pillow blue Custom made luxury cushions created with French vintage ‘Petit Trianon' Boussac fabric...

If you are looking for an unique tableware in order to make your dinner special and chic every day, this "Mix and Match" pasta porcelain set is the perfect solution. It is an explosi...

Elegant pair of Louis XV inspired display pedestals attributed to Maison Millet. They are decorated on three sides with a beautiful marquetry of stylized flowers in “bois de bout”, i...

A French Napoléon III pair of three-lights candelabras Ormolu-mounted Rare Fluorite also called Fluorspar Vases The baluster shape body flanked by two arms and surmounted by a lid en...

Pair of porcelain characters realized by Jacob Petit a famous French manufacturer located in Paris. The pair represents two anthropomorphic monkeys dressed in a fancy way reminding t...

If you are looking for an unique tableware in order to make your dinner special and chic every day, this "Mix and Match" dinner porcelain set is the perfect solution. It is an explos...

Napoleon III pedestal with clock Onyx marble column and champleve enamel with golden bonce The watch has very fine machinery and is stamped Vincenti y Cia 1855 The machinery works Ci...

If you are looking for an unique tableware in order to make your lunch special and chic every day, this "Mix and Match" dessert porcelain set is the perfect solution. It is an explos...

A very good quality large 19th century bronze statue of a semi nude female of Amalthea in Marie Antoinette’s dairy. The original is marble from 1787.. There were different traditions regarding Amaltheia.[3] Amaltheia is sometimes represented as the goat who nurtured the infant-god in a cave in Cretan Mount Aigaion ("Goat Mountain"),[4] sometimes as a goat-tending nymph[5] of uncertain parentage (the daughter of Oceanus,[6] Helios,[7] Haemonius,[8] or—according to Lactantius—Melisseus[9]).[10] The possession of multiple and uncertain mythological parents indicates wide worship of a deity in many cultures having varying local traditions. Other names, like Adrasteia, Ide, the nymph of Mount Ida...

18th century French large Louis XVI neoclassical breakfront marquetry gilt bronze commode or sauteuse, attributed ti Etienne Avril (1748-1791):...

A superb, large and early Ormolu clock, mounted with exquisite Sèvres style porcelain with a Bleu Celeste ground and fine overglaze gilt decoration. The richly chased foliate case is...

This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...

The son of the legendary Napoléon Bonaparte, Napoléon François Charles Joseph, takes a spirited stance in this remarkable oil painting attributed to the Austrian portraitist Johann Peter Krafft. Believed to have been exhibited at the Exposition Universelle of 1900 in Paris, this work stands as a testament to both Austrian artistry and the legacy of one of the most powerful men in history. After Napoléon's exile to the island of Elba in 1814, his son was seen by many of his supporters as the last hope of France. The child was named the ruler of half of Europe, holding the titles of Napoléon II...

An Exceptional Matched Pair of Late 19th Century Gilt Bronze Mounted Louis XVI Style Parquetry Commodes/Night Stands By Maison Millet Theodore Millet after Jean-Francois Leleu The ...

Significant commode in the style of Louis XV. After Joseph Stockel and Guillaume Benneman. Piano black polished veneer on solid oak and pine. Exception...

A black and white pointillism feminist figurative painting of Marie Antoinette by artist Maurizio Battifora on view at the "GO LOCO" exhibition at M...

"Royal Blood" is part of international artist, Natalie Lennard's series Birth Undisturbed. "When the Queen’s parents suggested she move to a quieter room away from the crowds of we...

An important pair of Louis XVI style gilt-bronze mounted vitrines with wedgwood Jasperware plaques, by Joseph-Emmanuel Zwiener. French, circa 1880. Stamped 'NZ', 'NZ.309' and 'ZJ' to the reverse of the bronze mounts. Signed to the reverse of the lockplate 'Mon THEAU THIEFFINE Succ./SERRURIER PARIS'. This rare pair of vitrines, each have a shaped Carrera marble top above a frieze centred by a round classical Jasperware plaque flanked by gilt-bronze putti figures and scrolling acanthus running pattern. Below is a gilt-bronze framed bevelled glass door above a panel centred by a finely modelled Jasperware plaque of a putto representing the seasons. The door is flanked to either side by gilt-bronze monnaie pattern and headed by a pair of exceptionally fine female canephor figures. The shaped sides have corresponding bevelled glass panels and the vitrine is raised on tapering fluted legs. The distinctive canephor figures, finely cast as female caryatids with ringlets in their hair and supporting baskets of fruit upon their heads, is a distinctive and celebrated model unique to Zwiener. Many of Zwieners bronzes are executed in the Louis XV style, with flowers and scrolling acanthus leaves and an emphasis on asymmetry, typical of the work of his bronze sculptor Léon Messagé. The mounts employed on this rare pair of vitrines however sees Zwiener creating his own up-to-date reinterpretation of the Louis XVI style, drawing inspiration from established Louis XVI models such as those designed by Weisweiler for Marie-Antoinette's Dressing table. [See Mestdagh, p.305]. A second distinctive feature of the vitrines is the finely modelled Wedgwood Jasperware plaques incorporated in the frieze of each vitrine and beneath the doors. Wedgwood exhibited at nearly all of the Universal Exhibitions held in 19th century France, displaying amongst other pieces, plaques specifically intended to be mounted on to furniture. The first vitrine displays to the frieze a finely modelled plaque in the classical style, depicting a group of putti at play, one being pushed on a swing, while another plays a trumpet and a small attentive dog watches from below. Beneath the glass panelled door a larger Jasperware plaque is incorporated depicting a putto figure with a garland of flowers, emblematic of spring. The second vitrine has a classical plaque...

An elegant French Grand Tour bronze figure of the Greek Goddess Diana by Marius-Jean-Antonin Mercié, French 1845 - 1916, dating from Circa 1880. The seated and robed Goddess Diana is holding a bow and arrows with her head downcast and raised on a circular plinth. Diana was originally considered to be a goddess of the wilderness and of the hunt, a central sport in both Roman and Greek culture. Early Roman inscriptions to Diana celebrated her primarily as a huntress and patron of hunters. Add a beautiful classical element to your home with this delightful bronze. Condition: In excellent condition with no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 41 x Width 29 x Depth 19 Dimensions in inches: Height 1 foot, 4 inches x Width 11 inches x Depth 7 inches Mercié entered the École des Beaux-Arts, Paris, and studied under Alexandre Falguière and François Jouffroy, and in 1868 gained the Grand Prix de Rome at the age of 23. His first great popular successes were the David and Gloria Victis, which was shown and received the Medal of Honour of the Paris Salon. The bronze was subsequently placed in the Square Montholon. The bronze David...

Artist: (after) Pierre-Joseph Redouté (French, 1759-1840) Title: "Jasminum officinale (Common jasmine)" (No. 27 page 93) Portfolio: Traité des Arbres et Arbustes que l'on Cultive en ...

Large Limoges porcelain ashtray in a rectangular shape featuring a beautiful gold trellis and roses design with gold trim, made in France. The hand painted decor is stunning and the ...

A superbly crafted circular gilt bronze box of exceptional quality, featuring a rich turquoise-blue guilloché enamel top centered with an oval medallion bearing a finely hand-painted...