417 results for "diego rivera"

KEISHA M. is an original hand drawn, limited edition lithograph by the renowned African-American woman sculptor, printmaker and painter Elizabeth Catlett (191...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

This stunning 1945 winter landscape gouache painting by acclaimed American artist Edgar Britton (1901–1982) beautifully captures the serene beauty of a snow-covered mountain road lin...

A vintage, 1920s gelatin silver print by Tina Modotti of a mural fresco by Diego Rivera (from the Agricultural School in Chapingo, Mexico). Stamped “Photographs-Tina Modotti Mexico,...

Frida Kahlo - Self-Portrait as a Tehuana Date of creation: 2025 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never d...

Los Carpinteros (Cuban, 1992-present). Silver gelatin print photograph, large format. From the series "Tuneles Populares" (The People's Tunnels) 1999 Edition 1/5 Provenance: Bliss Fi...

Frida Kahlo with Magenta Rebozo, New York is a limited edition color portrait of Mexican painter Frida Kahlo. This iconic image depicts the woman artist leaning against a wall, with ...

Street Scene WPA American Scene Mid-20th Century Modern Coin Tower California SF Victor Arnautofff (1896 – 1979) City Street 12 x 14 inches Oil on board, c. 1930s Signed lower left BIO Born in the Ukraine of Russia, Victor Arnautoff became one of the most influential muralists in San Francisco in the 1930s and worked for the Federal Arts Project, WPA, in the expressive, social protest...

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing...

SECOND GENERATION is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. SECOND GENERATION portrays a double portrait of a boy and girl in profile, bordered by bright yellow, orange and red flames with a row of turquoise blue silhouette figures marching in protest across the lower portion of this striking composition by Elizabeth Catlett. From the FOR MY PEOPLE suite of prints, a set of 6 lithographs illustrating the well known 1942 poem by Margaret Walker. "Let a new earth rise. Let another world be born. Let a bloody peace be written in the sky. Let a second generation full of courage issue forth; let a people loving freedom come to growth. Let a beauty full of healing and a strength of final clenching be the pulsing in our spirits and our blood. Let the martial songs be written, let the dirges disappear. Let a race of men now rise and take control." stanza from the poem FOR MY PEOPLE by Margaret Walker...

Frida on White Bench, New York, by Nickolas Muray is a colorful portrait of Mexican painter Frida Kahlo. This iconic image features the woman artist sitting on a white bench in fron...

CRUSADERS FOR JUSTICE is a hand pulled original limited edition relief print created using linocut printmaking techniques on white archival heavyweight paper, 100% acid free. Hand s...

Edition 30/30 Titled, dated, numbered, copyright, and signed by the Nickolas Muray Estate. Nickolas Muray Photo Archives. Paper size: 20 x 16 in. Image size: 10 1/2 x 9 3/4 in. Plati...

CRUSADERS FOR JUSTICE is a hand pulled original limited edition relief print created using linocut printmaking techniques on white archival heavyweight paper, 100% acid free. Pencil signed by Ms. Catlett on the lower margin, embossed with printers chop mark lower left, print documentation provided. CRUSADERS FOR JUSTICE was created as a tribute to Thurgood Marshall...

"Tobacco Road" Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 19 1/4 x 11 1/2 (sight), Signed David Fredenthal lower right. Framed by ...

THE DOOR OF JUSTICE is a rare poster edition lithograph printed in seven colors using traditional hand lithography techniques (not a photo reproduction or digital print) on heavyweig...

"Drama Teacher" 1938 WPA Mid 20th Century American Theatre Surrealism Modernism. 30 x 24 inches. Oil on Canvas. Signed land dated ’38 lower left. The photograph in the listing depicts the artist's friend who taught drama and about whom the painting is based Painter, printmaker and sculptor, Leon Bibel was born in San Francisco in 1913. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He worked in collaboration with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School. In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art...

Elizabeth Catlett (1915-2012) BRONX COMMUNITY COLLEGE THE CITY UNIVERSITY OF NEW YORK Specially commissioned fine art poster designed in 1992 by Elizabeth Catlett, printed in 4-col...

Timothy Berry (b.1948). Savage Garden, 1996. Oil on canvas, 34 x 32 inches. Sigh on verso. Original gallery label affixed on verso. Canvas stretched over...

CRUSADERS FOR JUSTICE is a rare commemorative fine art poster designed by the renown woman artist, Elizabeth Catlett featuring a portrait of the iconic 20th century civil rights advo...

"Audience" Mid 20th Century American Figurative Theatre Performance Contemporary Leon Bibel (1912 - 1995) "The Audience," 52 ½ x 41 ¼ inches. Oil on canvas, c. 1963. Signed lower right. Framed. BIO Painter, printmaker and sculptor, Leon Bibel was born in San Francisco in 1913. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He worked in collaboration with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School. In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art...

Signed lower right, 'A. Sottosanti' for Angelo Anthony Sottosanti (American, 1917-2004); additionally signed, verso, titled, 'Pedro of Tehuan Tepee, Mexico' and painted circa 1940. ...

David Fredenthal captures the chaotic rush of men leaving their jobs at the factory. The setting is possibly the Rouge Factory, one of Henry Ford's most important and earliest fact...

Frida Kahlo - The Wounded Deer Date of creation: 2025 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never displayed S...

This striking early drawing by Zalce captures a young man at a moment of heightened emotion, his mouth open and brow furrowed in what reads as shock and defiance. Executed in 1936, a...

A fantastic WPA-era painting of a Georgia moonshiner by famed Italian-American artist Athos Menaboni (1895-1990). This work depicts an older man sporting a brown hat, brown jacket, ...

Frida Biting Her Necklace by Lucienne Bloch is a 8 1/4 x 10 1/4 inch silver gelatin print. This photograph is mounted on a 16 x 20 inch mount board with a window mat. It is signed on print recto by artist in pen and has a signature label on mount verso with title, date, artist name and copyright information. Frida Biting Her Necklace features a portrait of Frida Kahlo sitting in a chair while biting her necklace. Her head is slightly turned as she stares at the viewer. Lucienne Bloch was a prolific artist. Born in Switzerland, she soon moved with her family to American in mist of the growing tensions of war and anti-Semitism. At the young age of 15 years old, she attended The Cleveland Institute of Art and later in life enrolled in the Ecole National et Superier des Beaux Arts in Paris. Exceeding in her artistic endeavors, she worked for a number of established artist such as sculptor, Anotine Boudelle, and architecture Frank Lloyd Wright. However, it was her encounter with Mexican Muralist, Diego Rivera, and painter Frida Kahlo that solidified Bloch artistic style. Bloch became a closed friend of the couple, as well as, the chief photographer of the Rockefeller Center mural Diego Rivera was working on in New York before it was destroyed. In addition to her photographs, Bloch was a Fresco muralist for the Federal Arts Project of the Works Progress...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

"Shattered" WPA Mid 20th Century Modernism American Scene Surrealism Figurative Estate stamp on the stretcher, verso. Provenance: Estate of the artist. 20 x 24 inches. Look at the last two photos in the listing. A new book about Leon Bibel was just published and there's a photo of the artist taken in front of the painting. Amazingness. BIO Leon Bibel continued painting through 1941 and resumed work in both painting and especially wood sculpture by 1960. He worked until his very last day in 1995. His last series of large wood sculptures were modeled on spice boxes, which were miniature buildings...

This artwork titled "Blue Bird' c.1990 is a dye sublimation print on aluminium by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and number...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

"Balcony" 1938 WPA Print Mid 20th Century American Broadway Theatre Modernism. Silk screen on paper, 15” x 20". Numbered 15/20 lower left. Pencil si...

Mayan Trio Lithograph, 1950 Signed in pencil lower right (see photo) Edition 250 for Associated American Artists Publsihed 1950 Reference: AAA Cat.: 1950‑05; 1958‑01 AAA Index 1087 Condition: Excellent Image size: 13 x 9 1/2 inches Francisco Dosamantes (b. October 4, 1911 - d. July 18.1986) was a Mexican artist and educator who is best known for is educational illustrations and graphic work against fascism. He was a founding member of the Taller de Gráfica Popular and the Salón de la Plástica Mexicana. Life Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. He was not registered into the civil registry until he was about twenty years old on March 6, 1939. His mother’s name is not listed on the certificate. As a child, he demonstrated a strong interest in drawing and color, influenced by his father and his uncle Juan. The Mexican Revolution occurred while he was a young child and he stated that he remembered events such as soldiers on horses charging as well as the execution of rural farm workers. He attended primary and high school in Mexico City but stated that his education was irregular and deficient. He then entered the Escuela Nacional de Artes Plásticas, where he studied for five years. Initially, however, he was disappointed with the inexperience of the young professors and he left for a short time to study on his own. During this time, some of the dissatisfied professors organized the 30 30 group against the academic system of the school and which whom he sympathized. The effort gained the attention of established artists such as Diego Rivera who intervened. He died on Mexico City on July 18, 1986 Career After he graduated, he worked with the cultural missions of the Secretaría de Educación Pública in Oaxaca, Michoacán, Guerrero, Colima, Coahuila and Chihuahua (state) from 1932 to 1937 then again from 1941 to 1945. He stated that this experience was vital to his conscience as he worked with rural farm workers and others he stated were worthy of dignity and respect, but victims of deceit and exploitation. When he returned to Mexico City, he gave classes in high schools from 1937 to 1941. In 1945 he founded and directed the Taller Escuela de Dibujo y Pintura “Joaquín Claussell” in Campeche, Campeche. Dosamantes was a politically and culturally active artist with most of his work and affiliations related to such. He was a member of the Liga de Escritores y Artistas Revolucionarios from 1934 to 1938. He was a founding member of the Taller de Gráfica Popular, serving as administrator in 1940 and remaining a member until his death except for one short hiatus. He created posters for conferences about fascism and Nazism such as Alemania bajo bayonetas (Germany under bayonets) in 1938. In 1940 he became the secretary general of the Sindicato de Maestros de Artes Plásticas. He was also a member of the Sociedad para el Impulso de las Artes Plásticas en 1948, a founding member of the Salón de la Plástica Mexicana in 1949 and a member of the Frente Nacional de Artes Plásticas from 1952. He painted a number of murals in rural areas of Mexico generally when he was there on cultural missions. His main mural is at the former home of José María Morelos in Carácuaro, Michoacán, but there are a number at various rural schools. These were all painted between 1941 and 1946. As a book illustrator he mostly worked for the Secretaría de Educación Pública working on books for literacy campaigns. He exhibited his works, which included engravings, oils, tempuras and lithographs in Mexico and abroad. His first individual exhibition was in 1930 at the Galeria de Arte Moderno in Mexico City. His major exhibitions include the Excelsior Gallery in Mexico City in 1932, various exhibitions in New York, Washington, Philadelphia and Los Angeles in 1937; the Nelson Gallery of Art in Kansas City, Missouri in late 1947, and the Gallery of Mexican Art in...

Frida Biting Her Necklace by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo. Frida playfully bites her necklace as she poses for her portrait. Gelatin ...

Post Office WPA Mural Study American Scene Social Realism Modern 20th Century Carlos Lopez (1910-1953) "Bounty" WPA Mural Study for Michigan Post Office 19 ½ x 22 ½ inches Oil on B...

Ballet is a black and white etching of a ballet dancer performing a modern dance. Raul Anguiano ( 1915 - 2006 ), born in Guadalajara, Mexico was a painter, a muralist , printmake...

Frank Kleinholz (Brooklyn, 1901 - 1987) Original oil on panel painting titled "Fire Escape", a preliminary study for a mural commissioned for Marquette University. The composition de...

NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century Eugene Savage (1883 – 1978) 1939 World’s Fair Mural Study 45 x 30 inches Oil on Canvas Signed lower right The painting is part of a 1,000 piece collection of art and objects from the 1939 World’s Fair. The collection as a whole is available. Savage created the mural for the facade of the Communications Building. An image of the completed mural, along with a published postcard, is part of the listing. Note the center top female figure, she resembles the figure in the offered painting. BIO Eugene Francis Savage was born in Covington, Indiana 1883. He underwent various forms of art training in the early years. He was a pupil of The Corcoran Gallery and The Art Institute of Chicago, and was later awarded a fellowship to study in Rome at The American Academy. While under the spell of that ancient city the young artist began to render historic figures that were suitable for the classic style needed for mural painting in the traditional manor. During this period he was able to study and observe Roman and Greek sculpture, although much of the academic training was accomplished by using plaster casts along with the incorporation of live models. This method survived and was used efficiently throughout Europe and the United States. After leaving the Academy, Savage was commissioned to paint numerous murals throughout the United States and Europe. This artist received acclaim for the works he produced while under commissions from various sources. This young master was a contemporary of Mexican muralists David Alfaro Siqueiros (1896-1974), Jose Clemente Orozco (1883-1949) and Diego Rivera (1886-1957). In this period he was to show the influence of his contemporaries in formulating a modern style. Savage also played a vital role in the WPA Federal Art program, and he was a member of The Mural Art Guild.. Savage was elected an associate member of The National Academy of Design in 1924 and a full member in 1926. From 1947, he held a professorship at Yale University where he taught mural painting, and some of his students went on to significant positions. By this time the artist had painted large-scale murals at Columbia, Yale University, Buffalo N.Y., Dallas, Texas, Chicago, Indiana, along with other commissioned works. He also achieved recognition for a series of murals commissioned by the Matson Shipping Line and completed around 1940. For this commission, Savage made many exacting studies of customs and folkways of the Hawaiian natives. However, the award-winning murals were not installed as planned but were put in storage during the war years when the ships were used for troop transportation and were in danger of attack. However the mural images were reproduced and distributed by the shipping company including nine of the mural scenes that were made into lithographed menu covers in 1948. The American Institute of Graphic Arts awarded certificates of excellence for their graphic production, and the Smithsonian Institute exhibited the works in 1949. Today Savages' Hawaiian Art production is held in high regard by collectors of Hawaiian nostalgia. In later years the artist focused his attention on a theme that dealt with the customs and tribal traditions of the Seminole Indians of Florida. He produced many variations of this theme throughout his lifetime, and the pictures were usually modest scale easel paintings, precise and carefully delineated. Many of these pictures incorporate Surrealistic elements and show some minor stylistic influences of the painters Kay Sage...

Octave Denis Victor Guillonnet (1872 - 1967) Les Oliviers, A landscape with olive trees signed "EODV Guillonnet" lower right Oil on wood panel 38 x 46 cm...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Initialed lower right, 'K.W.' for Katherine Westphal (American, 1919-2018) and painted circa 1965; additionally bearing label, verso, inscribed with artist's name and titled 'Venice'...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

Pablo O’Higgins (1904-1983). Portrait of Don Nieves, 1960. Watercolor on paper, 18 x 24.5 inches; 19 x 25.5 inches in original frame. Signed lower righ...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1991. Signed verso. Duayne Hatchett was a visual artist whose work included prints, paintings, scul...

Clara Deike (American, 1881-1964) Hillside and Stream, 1916 Gouache on paper Signed and dated lower right 22 x 18 inches 25.5 x 21.5 inches, framed A graduate of the Cleveland Schoo...

"Mexicantown: Bagley Bridge" is a proposal drawing for a mural completed by Hubert Massey in 2016. It is colorfully rendered on paper with color pencil a...

"Couple II" Mid 20th Century Modern Abstract Figurative 1940s European Sculpture Jacques Lipchitz (1891-1973) "Couple II" Bronze signed on the base The sculpture was conceived in 19...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Signed lower right, 'Sottosanti' for Angelo Anthony Sottosanti (American, 1917-2004) and dated 1941. A dramatic Modernist study of a Tehuantepec woman from Oaxaca shown wearing the ...

Louise Nevelson (1899-1988) stands as one of the most important artists of the 20th century. She is renowned for her monochromatic sculptural wooden constructions. However, it is important to emphasize that Nevelson toiled and experimented for nearly 30 years before arriving at her signature style, and overdue success, in the late 1950s. In recent years there has been an increase in scholarship, awareness, and collector interest in Nevelson's early work, as she was an early adopter of modernism in America. This drawing is a fine example from this era. After Nevelson divorced in 1931, she was finally liberated to devote herself to art-making. She studied at the Art Students League in New York and made several influential trips to Europe where she began studying with Hans Hoffmann...

Frida Kahlo - Self-Portrait with Thorn Necklace and Hummingbird Date of creation: 2025 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condi...

Mexican Artists of russian origin, was married to Diego Rivera from 1911 to 1921, the series for sale are illustrations for book, “Peter and the Wolf...

Modernist beach scene; signed lower right; image size is 11.5 x 8.5 inches, framed it measures Ruth Gikow (January 6, 1915 Ukraine - 1982 New York City) was an Important American Jewish woman visual artist known primarily for her work as a genre painter. Her paintings often depict human figures interacting with an urban environment. Ruth Gikow was born in 1915 in the Ukraine. Her father, Boris, was a photographer and her mother was named Lena. In 1920 she emigrated to New York City due to civil war and pogroms against the Jewish community. The pilgrimage took around two years. Once in New York City, the Gikow family found themselves in poverty, rather than the middle-class comfort they enjoyed in Ukraine. Ruth Gikow's skill was prominent even in youth, as she excelled in drawing in elementary school and entered Washington Irving High School at age thirteen in which she furthered her art prowess. Later, she studied at the Cooper Union Art School, where she studied under school director Austin Purvis, Jr. and regional artist John Steuart Curry. In her second year of Art School, she was awarded a scholarship which she used to work with fellow painter Raphael Soyer. She joined the New York City WPA Federal Art Project in 1935, where she was allowed to dedicate herself to her artwork full-time. In 1939, inspired by the muralists Diego Rivera and José Clemente Orozco, she applied and later won a commission to paint murals for Bronx Hospital, Rockefeller Center and the New York World's Fair. After the events of Pearl Harbor and once the Federal Arts Project was abandoned, Gikow's murals were sought after by New York department stores wishing to commission wall paintings. Gikow became disillusioned with mural painting due to the commercial aspect of these commissions. With other associates, she founded the American Serigraph Society (along with Anthony Velonis, Lena Gurr, Robert Gwathmey, Leonard Pytlak, Harry Shoulberg, Russell Twiggs...

Frida with Granizo by Nickolas Muray is a portrait of Frida Kahlo with her pet deer, Granizo. She places her hand lovingly on the deer while looking towards the viewer, with a cigare...

Francisco Vazquez Diaz, known as Compostela (1898-1988). Portrait of a Man, 1949. Carved mahogany, measuring 18.75 inches h, 8.5 inches w, 11 in...

This enchanting mural proposal done with graphite is exemplary of Hubert Massey's style. Within the piece pre-industrial civilization finds itself side-b...

Leon Bibel, 'Untitled (War Machine)', brush and ink, c. 1936. Estate stamped, verso. A fine expressionist rendering, on cream wove drawing board, with marg...

Clara Deike (American, 1881-1964) Villa Giardino Charcoal on paper Signed and titled verso 17.75 x 12.5 inches A graduate of the Cleveland School of Art in 1912, Clara Deike was pa...

Octave Denis Victor Guillonnet (1872 - 1967) A young woman seated signed lower leftt Charcoal, red and white chalks on thin paper transfered on cardboard 49 x 39 cm Framed : 55.5 x ...

Frida Kahlo - Self Portrait, Dedicated to Dr Eloesser Date of creation: 2025 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint condition...