527 results for "donald judd"

Marfa ( Texas ) by Frank Schott country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd 48 x 72 i...

Pierre Paulin wall lamp 6135GM in grey for Disderot. Originally designed by Pierre Paulin in 1959, this light creates a precisely focused effect, shielded from the eye. Made from fol...

This exquisite lithograph by Alexander Calder (1898–1976), titled Composition aux Cercles (Composition with Circles), from the folio Derriere le miroir, No. 221, originates from the 1976 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1976. Composition aux Cercles reflects Calder’s mastery of rhythm, motion, and form—translating the dynamic energy of his sculptural works into bold, abstract compositions on paper, rich with color and movement. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Composition aux Cercles (Composition with Circles), from the folio Derriere le miroir, No. 221 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1976 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 221, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1976 Notes: Excerpted from the folio (translated from French), The illustrations on the cover and pages 3, 4-5, 6, 9, 12-13 and 16 of this issue of "Behind the Mirror" are original lithographs by Calder printed at l'imprimerie Arte, Adrien Maeght. It was printed a luxury edition on velin d'Arches in CL numbered examples. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Composition...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

Sam Durant The Other Side/El Otro Lado (Regionalism, Nationalism, Imperialism), 2005 United States and Mexican flags with embroidery Stamp numbered 70 from the edition of 100 24 × 37...

This exquisite silkscreen by Frank Stella (1936–2024), titled Rabat, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum Mu...

A sizable sculptural table lamp, designed and produced in Italy, 1970s. In brass. Features polished brass and sculptural details in contrasting patinated brass. Stated dimensions ...

Ernesto Bertani was born in 1949 and was largely inspired by the 1960s. Art turned into a vehicle for dogmas and other agendas, with Pop and Minimalism...

John Baker’s “The Judge and his Laws” is an acrylic painting on canvas with collage 40 x 30 inches in reds, yellows, greys and browns. The judge is festooned with fragments of appare...

Ceramic sculptures by Yayoi Kusama. 2 sculptures of dimensions: 27 x 7 x 17 cm each. Executed in 2015. This work is number 3 from a limited edition of 30. Incised with the artist's ...

Oil-based alkyd enamel on plywood panel with cuts. this is a cut plywood wall relief sculpture with paint on it. This has an architectural quality to it. Peter Wegner (born 1963) i...

GRAND POOL is a unique painted iron, oxidized patina and wax finish sculpture by contemporary artist Ramon Enrich, dimensions are 23 × 50 × 30 cm (9.1 × 19.7 × 11.8 in). This unique...

This exquisite silkscreen by Ad Reinhardt (1913–1967), titled Untitled, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum...

Jud wall lamp by Draga & Aurel Dimensions: W 23, D 10, H 131 Materials: Resin and brass All our lamps can be wired according to each country. If sold to the ...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

John Baker’s “Down he Goes II,” an acrylic painting on canvas with collage 20 x 16 inches in tans, whites and earth tones with red and green highlights, is from the artist’s new “Fal...

Carl Andre “Untitled”, 1972 — NYCLU Ticket, Signed Conceptual Art Own a rare and historically significant work by Carl Andre, a pioneer of minimalist and conceptual art. “Untitled” ...

Josef Albers (1888-1976) is affiliated with numerous movements that have defined 20th century art. Historians credit Albers with fusing elements of American and European abstraction ...

Artist: Chuck Krause (1949) Title: Thumbprint (Red) Year: 2020 Medium: Acrylic paint on sculpted composite board Size: 23 x 18 inches Condition: Excellent Inscription: Signed by the ...

Marfa ( Judd ) by Frank Schott Donald Judd's art studio, from a series of impressions captured in Marfa, Texas 48 x 72 inches / 122cm x 183m edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

Very unique custom designed and fabricated post modern blonde birch dining set. (1) dining table and (6) dining chairs. Each chair is numbered (1-6) underneath. Dining table is made ...

Large warm toned figurative painting by Lars Carsen depicting abstracted interior still life with a vase, slices of apples, pears, and oranges. Signed "Lar...

Gigi Sabadin “Pala” dining chairs for Emme, wood, Italy, 1973, set of eight Designed in 1973 by Italian architect and designer Gigi Sabadin, the “Pala” chairs embody the radical experimentation of the Italian Seventies. Their structure reduces the archetype of a chair to an essential gesture: two vertical planes intersected by a suspended circular seat in woven straw. The stark black lacquered wood, resting on a double-base support, highlights the tension between geometric rigor and the organic tactility of natural fiber. Sabadin’s design language resonates with the conceptual explorations of Archizoom, Superstudio, and Gianni Pettena, where furniture transcends function to become a spatial and architectural statement. The radical minimalism of the “Pala” also recalls the self-reduction principles of Enzo Mari...

Painted bronze sculpture by Yayoi Kusama. Original mould executed in 1976; casted in 1994. This work is number 12 from a limited edition of 30. Incised with the artist's signature an...

This exquisite lithograph by Jasper Johns (born 1930), titled Cup 2 Picasso, from the album XXe Siecle, Annee No. 40, Juin 1973, originates from the 1973 edition published by Societe...

Drawing inspiration from minimalism, Jud lamps pay tribute to artist Donald Judd. The various shades of translucent glass and resin filters have been melded together to create a cohe...

Irregular triangle, 1993 Laminated acrylic Hand signed and dated: Vasa / 1993 4" H x 12" W x 3" D (size is approximate) Vasa Velizar Mihich (born 1933), known as Vasa, is an America...

John Baker’s “Abstraction” is an acrylic painting on canvas with collage 36 x 48 inches. A full and vibrant color symphony, the image depicts a large abstract painting being created ...

Jud wall lamp by Draga & Aurel Dimensions: W 23, D 10, H 131 Materials: Resin and brass All our lamps can be wired according to each country. If sold to the ...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

John Baker’s “The Post-Truth Era IV” is an acrylic painting on canvas with collage 20 x 16 inches in pinks, yellows, browns and blacks. In the post-truth era trust in the statements ...

LARGE POOL is a unique painted iron, oxidized patina and wax finish sculpture by contemporary artist Ramon Enrich, dimensions are 11 × 49 × 15 cm (4.3 × 19.3 × 5.9 in). This unique ...

Artist/Designer; Manufacturer: Jane Manus (American, b. 1951) Marking(s); notes: no marking(s) apparent Materials: painted welded aluminum Dimensions (H, W, D): 120"h, 84"w, 35"d Add...

Roy McMackin Postmodern Romanesque Sectional Sofa, Domestic Furniture, 1990s, USA. Provenance: Commission directly from the artist by the current consignor Sofa: 32.75" H x 83" W...

This exquisite lithograph by Alexander Calder (1898–1976), titled A San Lazzaro (To San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle ...

Furniture set by Artist Govert Heikoop (1951-2007) What shall we call it Post modern, Abstract, Minimalist, Memphis Style, De Stijl. Heikoop's artwork has been described by Art critics as "Linear...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

John Waters Visit Marfa, the Jonestown of Minimalism (Donald Judd, Carl Andre, John Chamberlain), 2003 Offset lithograph Pencil signed and numbered 9/100 on the back; there is a die-...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

Jiri Kolar, Czech (1914-2002) "Musical Notes" Paper Collage Ink on Paper Hand signed with Initials Lower Right. Dimensions: Sight-7.5" x 11". Frame-17" x 21" Circa: 1960's-1...

John Baker’s “Harvest” is an acrylic painting on canvas with collage 60 x 44 inches in deep greens, and light pinks and yellows. The sun is the dominant motif in this intricate compo...

This exquisite lithograph and pochoir after Piet Mondrian (1872–1944), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°9 (double), Juin 1957, originates fro...

Ottoman made from peach anodised aluminium extrusions and flax webbing. Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Ano...

Carl Andre "Untitled" (Rubber Stamp Portfolio, 1976) — Limited Edition Conceptual Minimalist Art, Framed, Published by Parasol Press MoMA Own a rare and iconic work of concept...

Jud wall lamp by Draga & Aurel. Dimensions: W 23, D 10, H 131. Materials: resin and brass. All our lamps can be wired according to each country. If ...

Jud wall lamp by Draga & Aurel Dimensions: W 23, D 10, H 131 Materials: Resin and brass All our lamps can be wired according to each country. If sold to the ...

Gigi Sabadin “Pala” dining chairs for Emme, wood, Italy, 1973, set of four Designed in 1973 by Italian architect and designer Gigi Sabadin, the “Pala” chairs embody the radical experimentation of the Italian Seventies. Their structure reduces the archetype of a chair to an essential gesture: two vertical planes intersected by a suspended circular seat in woven straw. The stark black lacquered wood, resting on a double-base support, highlights the tension between geometric rigor and the organic tactility of natural fiber. Sabadin’s design language resonates with the conceptual explorations of Archizoom, Superstudio, and Gianni Pettena, where furniture transcends function to become a spatial and architectural statement. The radical minimalism of the “Pala” also recalls the self-reduction principles of Enzo Mari...

Set of 2 Jud Wall Lamps by Draga & Aurel Dimensions: W 23, D 10, H 131. Materials: Resin and brass All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. Inspired by minimalism, the Jud lamps are an homage to the artist Donald Judd. Made in translucent glass, different tones have been fused together to reflect a harmonious colour palette. The item is composed by a brass structure, a melted glass plate, a led lighting and a light filter in colored resin. Available in a wide range of vibrant colour variations. Handcrafted in Draga & Aurel atelier...

Raphael Mahdavi, Untitled, 1990, Oil and wood collage, assemblage painting on paper, Provenance: Kouros Gallery NYC Label. (label and backing torn but present) Dimensions: 17.5 x 23 mat, 25 x 32 frame. Rafael Sinclair Mahdavi (1946-) is a painter and sculptor. He has lived and worked in America, France, Greece, Austria, Spain and England. He has quadruple nationality, France, American, Mexican and Iranian. HIs work combines elements of Contemporary, Symbolist Abstraction and Minimalist art in particularly in his sculpture. Cranbrook BFA & Former Parsons Professor. He taught in Paris, Amiens and Issy-les-Moulineaux, France. Rafael Mahdavi was born in 1946 in Mazatlan, Mexico of an American mother and Iranian father. He was home schooled in Mallorca and later attended board...

John Baker’s “Heavyweight Executives” is an acrylic painting on canvas with collage 24 x 30 inches in dark greens, deep silver greys, and flesh tones. The two executives have put on ...

Jud wall lamp by Draga & Aurel Dimensions: W 23, D 10, H 131 Materials: Resin and brass All our lamps can be wired according to each country. If sold to the ...

Set of 2 Jud wall lamps by Draga & Aurel Dimensions: W 23, D 10, H 131 Materials: Resin and brass All our lamps can be wired according to each country. If sold to the USA it wil...

The ’Pumpkin' sculpture is a polka-dotted painted lacquer resin collectible art object by the legendary contemporary Artist, Yayoi Kusama. Published by Benesse Holdings, Inc., Naosh...

This exquisite lithograph by Alexander Calder (1898–1976), titled L'Homme aux Bras Leves (Man with Raised Arms), from the folio Derriere le miroir, No. 221, originates from the 1976 ...

John Baker’s “Old Madman #1”, an imaginary portrait 20 x 16 x 1.5 inches in maroon, grey, blues and pinks, is the inaugural work in the artist’s important “Madman Series”. As Yeats w...

Beautiful and super 'Isocele' étagère by French sculptor and artist Max Sauze. This 'Isocele' étagère designed in 1970 is certainly one of the rarest forms created by Sauze and is...

Lyman Kipp Untitled Minimalist painting on paper, 1981 Oil paint on paper Signed and dated 1981 on the front Floated and framed in the original vintage frame under UV plexiglass Meas...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

John Baker’s “Sanctuary Kiss”, an acrylic painting on canvas with collage 37 ¾ x 24 ¾ inches in luminous greens accented with light cobalt blues, is from the artist’s Sanctuary serie...

Bench made from mirror polished aluminium extrusions and woven cane seating 400mm x 1450mm x 450mm (W x L x H). Originally realised for the Hepworth Gallery in Wakefield and inspire...