358 results for "hokusai"

The industrial and the craft coexist and merge in this image evoking Hokusai’s View Of The Amida Waterfall. Luna Rossa takes the the blood moon as its inspiration – a celestial event...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the workers looking out over the river from the scaffolding of Yoshida Temple, circa 1850. Signed in Kanji...

Houses by Lake- Eight Scenic Spots in Suburban Edo is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese arti...

Eight Scenic Spots along Sumida River is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th century. Very Good conditions. Collect an oriental artwork...

James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm. A fine impression, printed with subtle tone. The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter. The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Gorgeous and rare Pejac Drain III show poster. The unique design of this special item is meant to look as an artist palette so it has an actual hole as part of the image giving the p...

Navy Blue These are limited edition archival prints They come in a variety of colors. Please Inquire Unframed. World-renowned guru of Jap Pop Art - Zane Fix, is an American artist,...

Beautiful pair of blue-tinted crystal “rouleau” vases decorated with Japanese-style enameled decoration representing a gilded full moon reflecting a tree with flowering branches, sur...

'Wading and Wondering,' Linoleum Block Print, Edition 10, 35 1/4 x 23 1/4 Inches, is one of a series of 8 related prints in this size in varying shades of blue. Sold individually...

'O'Tannenbaum' (Artist's #30129) is an original color silkscreen print by Ruth Grotenrath, signed by the artist on verso. Influenced by the works of Expressionists like Henri Matisse and the woodblock prints of early modern Japanese artists like Katsushika Hokusai, Ruth Grotenrath's 'O'Tannenbaum' combines the expressive use of color of the former with the precision of the latter to create a Christmas card that is as vibrant as it is subtle. Depicting a pine tree decked with ornaments and stockings, Grotenrath has rendered the tree-topping star as a ball of flames to analogize the warmth and spirit of the holiday season. Original color silkscreen 6.625 x 4 inches, silkscreen 14.375 x 11.375 inches, frame Signed in screen on verso inside-letter Framed to conservation standards using archival materials including 100 percent rag matting and mounting materials, Museum Glass to inhibit UV damage and reduce glare, and housed in a gold finish wood frame. "The paintings of Ruth...

"Yanagibashi in Snow" is an original color woodcut by Utagawa Kunisada. This woodblock print depicts a woman walking in the snow near the Motoyanagi canal, which was located in Tokyo...

Black and gold lacquer sageju-bako (picnic box) decorated with floral motifs in hiramaki-e. It includes a sake bottle, a four-compartment box with nashi-ji lacquer inside, a simple tray and a hollow tray. At the top, there is a bronze handle for transport. The sageju-bako is divided into four superimposed boxes for food on the left; a simple tray, a sake bottle and a hollow tray on the right. They are in the shape of a plum blossom. On the top, on both sides a phoenix. The phoenix (hôo) has an imperial and solar symbolism. This auspicious bird also embodies virtues taken from the teachings of Confucius (such as goodness, righteousness and wisdom). The left boxes are patterned with turtles, plum tree, bamboo, cherry blossoms, water plantains near rivers. The two trays on the right have a shell and seaweed pattern. The sake bottle is decorated with a plum tree and bamboo. On the sides, calabash decoration. Borders in saya (or sayagata) pattern, composed of Chinese swastikas...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is f...

Thought provoking artwork by Pejac explores the element of perspective. Limited timed mini print. Numbered on reverse. Lottery edition also gave entry to purchase the larger print ve...

This is one of a series of 6 related bird prints, identical in size and each the same shade of bright blue and white, which are as commanding individually as they are in groupings. Lisa Houck is a very established New England area artist as recognized for her public installations, paintings, watercolors, textiles and mosaics as her work with linocuts and woodblock prints. At times reminiscent of Folk and Aborigine art, inspired as well by James Audubon and Hokusai, Houck is widely known for a gorgeous and elegant sensibility which is both playful and quite serious that is uniquely her own. Lisa Houck 'Chittering and Chattering IV' Linoleum Block Print, Edition 10 11 1/2 x 11 1/2 Inches (Image Size) Sold individually or as sets of 2, 3, 4, 5 or 6. These prints are unframed. Also available is a separate series of 8 larger linoleum block prints (editions of 10 each, 35 1/4 x 23 1/4 inches image size) of very related bird themes each in a different shade of blue. These series are also sold individually or as sets of 2, 3, 4, 5, 6, 7 or 8. Among the many large public art commissions the artist has completed for interior and exterior sites in Boston and nationwide in mosaic and mural format are permanent installations for The Dana Farber Cancer Institute, Children's Hospitals in Boston and Waltham, The Frieda Garcia Park, Fort Point Channel, The Cambridge Senior Center, and 4 libraries in Broward County, Florida. LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers SELECTED SOLO EXHIBITIONS: Beth Urdang Gallery, Boston, MA 2017 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Beth Urdang Gallery, Wellesley, MA 2015 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. SELECTED GROUP EXHIBITIONS: Arsenal Center for the Arts, “Big Print”, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 National Mosaic Exhibit on Cape Cod, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. St. Botolph Club: Boston, MA 1988. Danforth Museum: “Symmetry and Pattern in Art and Nature,” Framingham, MA 1986. Brunnier Museum: “Images of the Universe,” Ames, IA 1986. New England School of Art and Design: “A Celebration of the Return of Halley’s Comet,” Boston, MA 1985. Rose Art Museum: “Boston Printmakers,” Waltham, MA 1985. Fuller Museum of Art: “Triennial Exhibition,” Brockton, MA 1983. Cambridge Arts Council: “Lofty Views and Heightened Perspectives,” Cambridge, MA 1983. The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan SELECTED PUBLIC COLLECTIONS, NUMEROUS PRIVATE COLLECTIONS: Museum of Fine Arts, Boston Fogg Art Museum Boston Athenaeum The Boston Company The Boston Public Library Brigham and Women’s Hospital Fidelity Investments Goodwin Procter Harvard Business School Harvard Community Health Plan Brunnier Museum, Ames, IA Coopers & Lybrand Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ GRANTS/PROJECTS: Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River...

CHAUNCEY FOSTER RYDER (American, 1868-1949), Pasture Lands oil/canvas signed LR 31.5 x 39.5 image, 40.5 x 48.5 framed A wonderfully subtle Tonalist painting by Ryder incorporating ...

"Wave Series/Tattooed Woman at Sunset Beach" is a unique watercolor utilizing Edo-period imagery by contemporary, Japanese artist, Masami Teraoka. The framed artwork measures 22 1/2 x 17 1/2 x 1 in. This work is an example of Teraoka's icon of cross-cultural exchange as a submersible yet insuppressible individual, striking out on her own with rented snorkel equipment. Her traditional wave-pattern tattoos and resemblance to a Hokusai pearl diver are time-honored devices recognizable from Edo-era ukiyo-e, but here they are the mark of a very up-to-date woman of the world-and a sign of things to come. "In my mind tattoos were taboo, because we associated tattoos with yakuza gangsters in Japan then," the artist explains. "Those were the only people in Japan who had tattoos, to show off their machismo. So when I saw tattoos in this country, it seemed to me to be a really significant attitude that Americans are not really uptight about having tattoos. Thirty years later, tattoos are invading Japan. Young people have them on their arms, so they can cover them with long­sleeved shirts. Perhaps they try to hide them from their parents, but the younger generation is much more open to tattoos and piercings." Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints...

Unusual rhombus shaped Japanese Meiji period bronze sea-life motif bonsai, bamboo planter, ikebana. The body in the form of a densely woven basket of fine detail, with a large lobster, clam shell, cockle, conch, crab, pearl oyster and whelk sculptural motifs on the sides, set upon bamboo form bronze feet. The base signed in Japanese within an ornate seal. Perfectly sized for an artistic bonzai tree...

The ring from the "Weaver of Dreams" Set from the Stone Garden Collection features a handcrafted ring and pendant in 925 silver, each centered with a hand 51.3ct. landscape jasper. A...

The pendant from the "Weaver of Dreams" Set from the Stone Garden Collection features a handcrafted ring and pendant in 925 silver, each centered with a hand 51.3ct. landscape jasper...

Original Japanese Woodblock print, chuban Size "Eggplants" by Totoya Hokkei  (1780-1850) About the artist Totoya Hokkei (1780–1850) was a Japanese artist best known for his prints ...

Original Japanese Woodblock print, chuban Size "Bird" by Totoya Hokkei  (1780-1850) About the artist Totoya Hokkei (1780–1850) was a Japanese artist best known for his prints in th...

Our gallery is proud to represent Gary Janis a noted local artist. This work is unframed on canvas. It is signed and dated on the back. It is vibrant and beautifully represents Mr. ...

Bob Dylan Hand worked, Unframed Editioned series Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock ...

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

Our gallery is proud to represent Gary Janis a noted local artist. This work is unframed on canvas. It is signed and dated on the back. It is vibrant and beautifully represents Mr. ...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing the summer horse fair, which Chiryu was well known for. Every summer, horse traders would bring near 500 horses to m...

Syoin KAJII (*1976, Japan) NAMI_N01-N02, 2024 Lambda Print with Diasec Face, Diptych (two works) Small: Sheet 63 x 168 cm (24 3/4 x 66 1/8 in.) Large: Sheet 112.5 x 300 cm (44 1/4 x ...

Syoin KAJII (*1976, Japan) NAMI_A01-A02 Lambda Print with Diasec Face, Diptych (two works) Small: Sheet 63 x 168 cm (24 3/4 x 66 1/8 in.) Large: Sheet 112.5 x 300 cm (44 1/4 x 118 1/...

Sea and Land Abstraction, 1936, oil on canvas board, 16 x 20 inches, signed and dated lower left, exhibited at the 18th Annual Paintings and Sculpture Exhibit at the Los Angeles Muse...

Original woodblock work by " The Geisha" by Kikukawa Eizan 1787-1867, publisher Ezakiya Kichibe. Dimension: Image 8.75" x 13.5": with frame 15.5" x 20....

This exquisite lithograph after Jean-Edouard Vuillard (1868–1940), titled Sans titre (Untitled), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeght E...

Eugène ROUSSEAU (1827-1890) Pair of Chimeras vases A very fine pair of vases made in hand-blown and crackled glass. Decorated with polychrom stains in the glass. Adorned in relief ...

"Toy Horse Dance" Japanese Woodblock Triptych with Beauties and Mt Fuji Vibrant three-panel woodblock print by Utagawa Toyohiro (Japanese,...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers at Fujisawa in Kanagawa Prefecture with a view beyond to Yugyō-ji Temple, circa 1850. Signed in Kanji uppe...

Akasaka is a polychrome woodblock print, the plate n. 36 from the series - Fifty-three Stations of the Tôkaidô (Ryosha Shofu npo Zu), designed by Utagawa Hiroshige (歌川 広重, 1797-1858)...

ARTHUR WESLEY DOW (American 1857-1922) IPSWICH SHANTIES ca. 1892 ink wash on paper, 13 7/8 x 11 inches (sheet). Signed lower left “Arthur W Dow”. Ex. co...

Bob Dylan Hand worked, Unframed Editioned series Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock ...

Detailed pair of vases in bronze of baluster form, textured to represent straws of hay, bound together by three knots that divide each vase in three, just under le second ring, a well detailed grasshopper is detached from the rest of the composition. Insects (mushi) occupy an important place in Japanese culture. Hunting for insects is a popular pastime, especially among children. Using plastic nets and cages, they catch cicadas and beetles to observe them. Between 1830 and 1832, Hokusai composed an untitled series of ten large horizontal prints...

Original Japanese woodblock print by Totoya Hokkei ????(1780-1850) About the artist Totoya Hokkei (?? ??, 1780–1850) was a Japanese artist best kno...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers kneeling along a coastal path as the Daimyo's procession passes. Signed in Kanji lower left, "Hiroshige Ga...

From the Evolution Series by Thomas Benton, this bold red screenprint resembles an eye with the iris descending down into it. Benton drew upon his career as an architect, the strong ...

Kyoka-Tokaido is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Woodcut print Chuban Yokoe Format. Signed...

Syria paintings of flowers, in all their shapes and shades. I love to paint flowers, they please the soul with their colors and shapes. Flowers create...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

A very decorative pair of brass table lamps in Japanese style by Tyndale for Frederick Cooper Lamp Co.  Frederick Cooper Lamp Co. of Chicago, Mid 20th century. Cast in brass...

"Sun Saburo Matsugaya" - Mid 19th Century Figurative Japanese Woodblock Print Beautiful mid 19th century figural Japanese woodblock print of a seated man with lilies in the background by Utagawa Toyokuni III (Kunisada) (Japanese, 1786-1864/5). Artist's chop is in the lower right corner of the piece. The actor is Magosaburo Matsugaya from the play "Katakiuchi Rumors" Presented in a new grey-blue mat with foamcore backing. Mat size: 21"H x 16"W Paper size: 14"H x 9.75"W During his lifetime Kunisada Utagawa...

Original Japanese Woodblock print, chuban Size "An unbecoming thing" by Totoya Hokkei  (1780-1850) About the artist Totoya Hokkei (1780–1850) was a Japanese artist best known for h...

Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...

The Sunrise by River is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19...

A beautiful, hand stitched Japanese silk embroidery/tapestry featuring a glowing red Mount Fuji (in the early morning dawn light or later dusk) rising above the undulating ocean like...

- Collection of the Boston Art Museum - Publisher: Maruya Seijirō 1850s Dimension: Image 8 1/4" x 13 1/2" : with frame 15 in x 19 in Artist: Utagaw...

TAMATORI'S TENDERNESS. 2021 Acrylic on canvas, 140x100 сm. This Art - work is part of the project "Another Skin". The paint is made in the author's technique of painting by Vasili ...

Japanese Woodblock Print by Yanagawa Shigenobu 1787-1832, unframed. ABOUT THE ARTIST Born in Yanagawa in 1787, Shigenobu worked as a puppet ma...

Japanese woodblock print (1823) by Yanagawa Shigenobu 1880 version 2, unframed. About the artist Born in Yanagawa in 1787, Shigenobu worked as a puppet maker before a successful ca...

Antique Rooster Portrait Prosper Alphonse Isaac (France, 1858-1924) Woodblock Print circa 1910 9 x 7 1/8 (15 1/4 x 17 frame) inches The excellent book "The Great Wave: The Influence of Japanese Woodcuts on French Prints" which was an exhibition at The Metropolitan Museum of Art in 1974, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. This print directly relates to the discovery of Japanese art most notably through the woodblock prints which found their way to the West oftentimes as stuffing or packing materials from consumer goods that were being imported to the West at the end of the 19th century. Prosper-Alphonse Isaac was born in a well-to-do family. This gave him the means not only of leaving his native Calais to pursue a career as an artist in Paris, but also the means to acquire art. Isaac was particularly drawn to Japanese arts, which he collected avidly. Many of the objects he bought were eventually given to museums. As a printmaker Isaac started drawing seascapes in dry point, but eventually moved on to become one of only a handful of artists versed in color woodcut techniques in France. His compositions, generally small in scale, are heavily influenced by the arts of Japan. He printed small editions of these works. Aside from this artistic activity, Isaac was also an active textile decorator. "This mark, which he borrows from Hokusaï and Totoya Hokkeï...

Original woodblock work by " Three Geishas" Kikukawa Eizan (????) 1787-1867, depicting the traditional Japanese ladies with the traditional beautiful cu...