633 results for "mick jagger"

20 x 24 in (50.8 x 60.9 cm) Silver Gelatin Print Edition of 50 Price does not include tax.

Reed Bowie Jagger Hug - signed limited edition print Lou Reed, Mick Jagger and David Bowie share a hug, Café Royal, London, 1973. (photo Mick Rock) paper size : 24x20 inches / 51 ...

The Rolling Stones, 1965, TIME Silver Gelatin Print Edition size: 15 16 x 20 inches Artist Bio: After starting his career at the age of 14 as a copy boy in the Washington bureau...

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 ...

Hand-signed by both Andy Warhol and also by Mick Jagger, Jagger #142, from the original portfolio of ten screenprints, was created by Andy Warhol in 1975 as a screenprint in colors o...

Fun Loving Criminals II By BATIK- Signed Limited Edition Archival pigment pop art print of infamous criminal arrest mugshots of Fifty Cent, Elvis Presley, David Bowie, Snoop Dog, ...

Original artwork by Spanish artist PAJARES PAJARES, Juan Manuel (Lleida 1957 ) Pajares was introduced to the impact of large-scale canvas painting using acrylics, collages and paints...

"First Class Travel" by Victor Blackman 25th August 1967: Paul McCartney of the Beatles and Mick Jagger of the Rolling Stones sit opposite each other on a train at Euston Station, w...

Jagger And Warhol - Limited Edition Mick Rock Estate Print Mick Jagger and Andy Warhol being photographed at a restaurant. (photo Mick Rock). All prints are numbered by the Estate...

The Rolling Stones "Mick Feeding Goat" - Outtake from the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, Hampstead, London, 1968, si...

Reed Bowie Jagger Hug - Limited Edition Mick Rock Estate Print Lou Reed, Mick Jagger and David Bowie share a hug, Café Royal, London, 1973 (photo Mick Rock). All prints are number...

The Rolling Stones, taken in London by Gered Mankowitz. An outtake from the shoot for the front cover of the 1967 Rolling Stones album, Between The Buttons . The photograph was take...

The Rolling Stones during a rehearsal for ABC’s ‘Thank Your Lucky Stars’ TV pop music show, 1964. From left to right Brian Jones, Bill Wyman, Mick Jagger and Keith Richards. Paper s...

Rock legend Mick Jagger. Original painting. Acrylic and oil on canvas. 30"x 40" (76cm x 101cm). Ready to hang. Not framed. :: Painting :: Pop-Art :: This piece comes with a...

Klaus Nomi, 1979 Silver print image size: 14 x 14 inches Signed William Coupon is an American photographer, born in New York City, known principally f...

Fun Loving Criminals by BATIK signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbere...

Fun Loving Criminals II by BATIK signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print ...

"Park Stones" by Roger Jackson 11th January 1967: Top British pop group the Rolling Stones taking a stroll through London's Green Park, they are, from left to right, Mick Jagger, Bi...

The Rolling Stones "Mick Feeding Goat" - Outtake from the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, ...

After Andy Warhol. These lithographic prints feature an image of Mick Jagger - an iconic rock legend and the lead singer of the Rolling Stones. These unsigned postcard sized prints ...

Andy Warhol Record Art 1982-1986: Set of 4 Andy Warhol illustrated record covers (accompanied by their original records): Warhol's classic rendition of Miguel Bose, Aretha Franklin, ...

The Rolling Stones, taken in London back in 1965 by Gered Mankowitz. This image was used for the cover of Out Of Our Heads. Featuring Mick Jagger, Keith Richards, Charlie Watts, Bill...

Ruth Ford - American actress and model - Original Photography by Cecil Beaton Photo taken in 1940s Sir Cecil Beaton (1904-1980) is considered one of the mo...

Donald Trump, Dove of Peace 1985 Archival pigment print image size: 48 x 48 inches Signed and numbered edition of 10 William Coupon is an American photog...

Jean-Michel Basquiat, 1987 Silver Gelatin print image size: 36 x 36 inches Signed William Coupon is an American photographer, born in New York City, known principally for his forma...

Limited Edition Platinum Palladium Box set by the late photographer Baron Wolman. This Box set contains 6 Platinum Palladium Prints and a Title page. The p...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Signed limited edition silver gelatin print of Bob Marley by Kevin Cummins, photographed whilst performing at Bingley Hall in Stafford, England, June 22, 19...

Andy Warhol To Earl and Camilla, Love Andy Warhol, 1979 Original Heart Drawing held in book with unique dedication to Earl and Camilla McGrath (Signed Twice by Andy Warhol) This uniq...

President Richard Nixon, 1990 Archival pigment print 48 x 48 inches Signed and numbered edition of 10 William Coupon is an American photographer, born in New York City, known pr...

President Ronald Reagan Archival pigment print image size: 48 x 48 inches Signed and numbered edition of 10 William Coupon is an American pho...

January 11, 1967: Top British pop group the Rolling Stones taking a stroll through London's Green Park, they are, from left to right, Mick Jagger, Bill Wyman, Charlie Watts, Brian Jo...

MOUNT ROCKMORE David Bowie, Prince, john Lennon & Mick Jagger. Inspired by Mount Rushmore in South Dakota. Acrylic and spray paint on canvas. 36in x 48in (91cm x 121cm). Ready t...

Signed limited edition silver gelatin print of Courtney Love by Kevin Cummins, taken in Zurich Switzerland, 1996. Edition 50 This print by Kevin Cummins...

Fun Loving Criminals II By BATIK- Signed Limited Edition Archival pigment pop art print of infamous criminal arrest mugshots of Fifty Cent, Elvis Presley, David Bowie, Snoop Dog, ...

Signed limited edition 16x20" silver gelatin print of David Bowie, wearing sunglasses and smoking a cigarette, by Kevin Cummins, taken in November 1995 Edition number 5/50, signed and numbered by Kevin Cummins. This David Bowie print...

Signed limited edition silver gelatin print of Morrissey by Kevin Cummins, taken standing in front of a sign reading ‘Penis Mightier Than The Sword’ during the Japanese leg of his ‘K...

Jagger 1980 - Dave Hogan Signed Limited Edition Pop star Mick Jagger gives the photographer the finger from inside a car, circa 1980. (Photo by Dave Hogan) Limited Edition Dave Hog...

Slim Aarons Pop and Society (Marianne Faithfull, the Honorable Desmond Guinness and Mick Jagger) Chromogenic lambda print 4 sizes available Slim Aarons Estate Edition 1968: From lef...

Art Edition (No. 76–150), with the print Jean Shrimpton, 1965. The book and print are both numbered and signed by David Bailey, accompanied by a bookstand designed...

Andy Warhol Baroness de Waldner, ca. 1975 Unique Acetate positive This piece comes with a signed letter of provenance from the representative of Chromacomp, Warhol's printer. Frame i...

'Mick Jagger' SIGNED, LIMITED EDITION Portrait of Mick Jagger. Photograph by Gered Mankowitz of Mick Jagger & Aston Martin DB6, London 1966. All Prints are Signed and Limited Edition Printed later 2020 EXTRA LARGE 40 x 40" inches/ 101 X 101 cm Edition size 50 only GERED MANKOWITZ BIOGRAPHY: Gered Mankowitz was born in London, England, on 3rd August 1946. The first of four sons of the late author, playwright and film writer Wolf Mankowitz and his wife, the Jungian psychotherapist Ann Mankowitz. After an education of sorts at several London co-educational “progressive” schools, he left at 15, avoiding all exams and completed his education devoid of any formal qualifications. Having displayed a natural ‘eye’ for photography whilst on a school trip to Holland and having been inspired to take up photography by the actor Peter Sellers, his photographs were seen by the legendary photographer Tom Blau, who offered Gered an apprenticeship at his famous photo agency, Camera Press Ltd., in London. Over a period of several months Gered worked in all the various departments that made up Camera Press, finally moving to the studio and going on various assignments in and around London. In 1962, Gered went to Barbados with his family and began taking photographs professionally, producing a range of work from architectural studies for the island’s top architect to the first Boeing 707 landing at Bridgetown airport for British West Indian Airways. On returning to London, Gered was offered a chance to go to Paris for the collections, working for the fashion photographer Alec Murray. In spite of the glamour and exciting atmosphere, it was clear that this particular area of work was not for him, and on returning to London he went to work for the ‘show-biz’ portraitist, Jeff Vickers. Gered had already photographed the Bristol Old Vic production of the American musical play “Fiorello” and his photos had been used for the front of theatre display when the show transferred to London’s Piccadilly Theatre. This made him the youngest photographer to have his pictures used in this way; so working for Jeff Vickers gave him an opportunity to develop his ‘show-biz’ contacts and to broaden his experience in the studio, taking portraits of many actors and other personalities. During 1963, Gered met and photographed the singing duo Chad and Jeremy, who had just signed with Ember records. One of these photos was used as the cover of the duo’s first album, “Yesterday’s Gone”, and Gered found himself working in the music industry at a time when it desperately needed new, mould breaking images. He began to work with a new generation of producers like John Barry, Shel Talmy and Chris Blackwell photographing artists who were of his own age group and who felt at ease with him in a way that had not been possible with other photographers. At the end of 1963 Gered opened his first studio, at 9 Masons Yard in the heart of London’s West End. On one side was the infamous disco “The Scotch of St.James”, hangout of the pop glitterati of the time, and on the other the art gallery “Indica”, partly financed by The Beatles and where John Lennon met Yoko Ono. Within a few months Gered had already begun to make a name for himself, and he was approached to photograph Marianne Faithful, who had just had a big hit with “As Tears Go By”. Working closely with Marianne he got to know her manager and producer Andrew Loog Oldham. In early 1965, Oldham asked him to photograph the Rolling Stones, who he also managed and produced. This was a major turning point in Gered’s career, because from this first session came the cover for “Out of Our Heads” (U.S. title “December’s Children”), and as a result he was asked by the Stones to go to America with them on their record breaking 1965 autumn tour. During this 9 week (48 city) tour of the U.S. Gered photographed the Stones on stage and off, and got particularly close to Keith and Charlie. There were many adventures as Gered found himself on the road with the greatest Rock band in the world at the peak of their original success. Gered continued working with the Stones as their ‘official’ photographer, producing photos for albums (“Between the Buttons”; “Got Live If You Want It”; “Big Hits”; and several others), press and publicity, taken at home, in the recording studio, on stage and behind the scenes until 1967, when the band broke off with their manager, Oldham. Through the 60’s, Gered continued in the music world working with Oldham at his famous Immediate label, and with many other major artists including Jimi Hendrix, Free, Traffic, The Yardbirds, The Small Faces...

Rolling Stones singer Mick Jagger dressed in a pinstripe suit, 1976. The lead singer of The Rolling Stones would become both a music and style icon, injecting sexual potency into his...

Donald Trump, Businessman 1985 Archival pigment print 48 x 48 inches, edition of 10, $12,000 36 x 36 inches, edition of 15, $7,000 24 x 24 inches, edition of 25, $5,000 14 x 14 inch...

Andy Warhol The Souper Dress c. 1965-1967: Inspired by Andy Warhol’s Campbell’s Soup Cans, this dress was sold by the Campbell’s Soup Company in the late 19...

Andy Warhol Jean-Michel Basquiat Bearbrick Figure: (1000%): A unique, timeless & well-sized Warhol Basquiat statue figure (27 in heigh), trademarked & licensed by the Estates of Jea...

"Mick Giving Keith The Boot", signed limited edition print by Rolling Stones bassist, Bill Wyman. Mick Jagger helping Keith Richards with his snake-skin boots on the second day of ...

Bob, Mick and Pete, by Michael Putland, 1978 Limited Estate Edition Bob Marley, Mick Jagger and Peter Tosh backstage after the Rolling Stones concert at the Palladium Theatre, New Y...

Bob, Mick and Pete, by Michael Putland, 1978 Limited Estate Edition Bob Marley, Mick Jagger and Peter Tosh backstage after the Rolling Stones concert...

George W Bush Archival pigment print 48 x 48 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, known principally for h...

Full title: Pop and Society 1968: Marianne Faithful, Desmond Guinness, and Mick Jagger at Leixlip Castle Ireland, 1968

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Printed date with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket...

© Michael Putland Bob, Mick and Pete Bob Marley, Mick Jagger and Peter Tosh backstage after Rolling Stones concert at the Palladium Theatre, New York 1978 Bob Marley, Mick Jagger,...

Andy Warhol Leo Castelli Gallery 1972: Leo Castelli gallery released this colorful, highly collectible 1970s Andy Warhol Mao announcement card in ...

Amy And Mick 2007 - Dave Hogan Signed Limited Edition Mick Jagger of the Rolling Stones and Amy Winehouse perform on stage on the final day of the Isle of Wight Festival 2007 in New...

Abstract art. Strong colors. Red. Black. White. Circle motif. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media artist, currently living and working in New York City. 
Joester, a leading Rock & Roll photographer in the 70's and 80's, had his iconic images of the greatest rock performers appear on album sleeves, posters, exhibitions and magazines worldwide. Joester made his mark shooting icons such as Mick Jagger, Bob Marley, Neil Young, Sting, and also documented Andy Warhol on film with Rob Halford of Judas Priest...

Bob, Mick and Pete, by Michael Putland, 1978 Limited Estate Edition Bob Marley, Mick Jagger and Peter Tosh backstage after the Rolling Stones concert at th...

Bob, Mick and Pete, by Michael Putland, 1978 Limited Estate Edition Bob Marley, Mick Jagger and Peter Tosh backstage after the Rolling Stones concert at the Palladium Theatre, New Y...

Andy Warhol Record Art 1964: 1964 1st pressing, 'This Is John Wallowitch' featuring cover design by Andy Warhol. Featured prominently in 'Andy Warhol: The Record Covers, 1949-1987-...