527 results for "donald judd"

This exquisite lithograph by Alexander Calder (1898–1976), titled Les Trois Visages (The Three Faces), from the folio Derriere le miroir, No. 221, originates from the 1976 edition pu...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with ha...

John Baker’s “The Post-Truth Era V “ is an acrylic painting on canvas with collage 20 x 16 inches in blues, whites, tans and browns. In our post-truth era it is next to impossible to...

With its rigorous shapes and minimalistic contours, Jud wall lamp honors the aesthetic of Donald Judd. A geometric brass frame holds a translucent shaded glass pane concealing two co...

Ronnie Landfield (1947- American) "Untitled" 1982 Acrylic on Paper Dimensions: Sheet 30" X 42" Frame 32 X 44 Hand signed and dated lower right Provenance: Denman Associates, Seattle gallery Ronnie Landfield (American, 1947-) is an abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction (related to Postminimalism, Color Field painting, and Abstract expressionism), and he was represented by the David Whitney Gallery and the André Emmerich Gallery. Landfield is best known for his abstract landscape paintings, and has held more than seventy solo exhibitions and more than two hundred group exhibitions. Born and raised in Pelham Parkway in the Bronx, Landfield first exhibited his paintings in Manhattan in 1962. He continued his study of painting by visiting major museum and gallery exhibitions in New York during the early sixties and by taking painting and drawing classes at the Art Students League of New York and in Woodstock, New York. He graduated from the High School of Art and Design in June 1963. He briefly attending the Kansas City Art Institute before returning to New York in November 1963. At sixteen Landfield rented his first loft at 6 Bleecker Street near The Bowery (sublet with a friend from the figurative painter Leland Bell), during a period when his abstract expressionist oil paintings took on hard-edged and large painterly shapes. In February 1964, Landfield traveled to Los Angeles; and in March he began living in Berkeley where he began painting Hard-edge abstractions primarily painted with acrylic. He briefly attended the University of California, Berkeley and the San Francisco Art Institute before returning to New York in July 1965. From 1964 to 1966 he experimented with minimal art, sculpture, hard-edge geometric painting, found objects, and finally began a series of 15 - 9' x 6' mystical "border paintings". After a serious setback in February 1966 when his loft at 496 Broadway burned down, he returned to painting in April 1966 by sharing a loft with his friend Dan Christensen at 4 Great Jones Street. The Border Painting series was completed in July 1966, and soon after architect Philip Johnson acquired Tan Painting for the permanent collection of The Sheldon Memorial Art Gallery in Lincoln, Nebraska. In late 1966 through 1968 he began exhibiting his paintings and works on paper in leading galleries and museums. Landfield moved into his loft at 94 Bowery in July 1967; there, he continued to experiment with rollers, staining, hard-edge borders, and painted unstretched canvases on the floor for the first time. Briefly in 1967-1968 he worked part-time for Dick Higgins and the Something Else Press. Landfield was part of a large circle of young artists who had come to Manhattan during the 1960s. Peter Young, Dan Christensen, Peter Reginato, Eva Hesse, Carlos Villa, William Pettet, David R. Prentice, Kenneth Showell, David Novros, Joan Jonas, Michael Steiner, Frosty Myers, Tex Wray, Larry Zox, Larry Poons, Robert Povlich, Neil Williams, Carl Gliko, Billy Hoffman, Lee Lozano, Pat Lipsky, John Griefen, Brice Marden, James Monte, John Chamberlain, Donald Judd, Frank Stella, Carl Andre, Dan Graham, Robert Smithson, Robert Rauschenberg, Andy Warhol, Kenneth Noland, Clement Greenberg, Bob Neuwirth, Joseph Kosuth, Mark di Suvero, Brigid Berlin, Lawrence Weiner, Rosemarie Castoro, Marjorie Strider, Dorothea Rockburne, Leo Valledor, Peter Forakis...

This listing is a special edition with a mirror polished aluminium extrusion structure, where the legs have been moved to the outside, and a seating woven from 20mm wide green leathe...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre et Les Trois Visages (Untitled and The Three Faces), from the folio Derriere le miroir, No. 221, originat...

Dennis Oppenheim (1938 - 2011) Pencil and colored pencil drawing on paper, 'Memory Generator Receiver; Transmitter project for ACE Gallery Los Angeles' (possibly with watercolor pai...

Originally realised for the Hepworth Gallery in Wakefield and inspired by Donald Judd and Børge Mogensen, Anodised Wicker marries industrially extruded and anodised aluminium with hand-woven cane wicker, rush envelope and flax webbing seats. The clinical and precise aluminium contrasts the warm and organic material. To this day we assemble the pieces in my studio in London and apply the cane, rush or webbing seating ourselves. The collection consists of this bench sized 1282mm x 408mm x 430mm (W x L x H) available with a Scandinavian flax webbing (this listing), woven glossy lapping cane seating or a reel rush envelope seating, a shorter stool...

Made from folded metal, this light creates a precisely focused effect, shielded from the eye. Designed initially for the bedroom, it is today offered in a wide range to create many d...

Street Art by the Rich. Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Large blue boxwood balls stand next to a long teal blue boxwood hedge Beautiful landscaping greets visitors as they approach sophisticated residences along Miami's fabled Collins Avenue. Hedge Fun...

John Baker’s “AI Takes Over” is a 20 x 16 x 1.5 inch acrylic painting on canvas with collage in greys, blacks, browns and pinks. The impending excessive reliance on AI (for informati...

This listing is a special edition realised in collaboration with French women's shoe brand Free Lance with a black anodised aluminium structure and a yellow...

Made from folded metal, this light creates a precisely focused effect, shielded from the eye. Designed initially for the bedroom, it is today offered in a wide range to create many d...

A minimalist design icon by New York-based Property Furniture, the Saddle Side Table is a study in precision and quiet impact. Measuring 15 x 15 x 15 inches, its clean-lined cube for...

The ’Pumpkin' Set of Two sculptures are polka-dotted painted lacquer resin collectible art objects by the legendary contemporary Artist, Yayoi Kusama. Published by Benesse Holdings, ...

John Baker’s “Southern Belle: An Imaginary Portrait”, a 43 x 32 x 1.5 inch acrylic painting with collage on canvas is from the artist’s Socialite series...

This exquisite silkscreen by Jasper Johns (born 1930), titled Untitled, from the album Jasper Johns, Screenprints, 1977, originates from the 1977 edition published by Brooke Alexande...

John Baker’s “A Good Read” is an acrylic painting on canvas with collage 46 x 40 inches in yellows and lavenders with dusty red accents. Anecdotal to the extreme, the painting depict...

John Baker’s “Music Makers” is an acrylic painting on canvas with collage 30 inches x 40 inches in blues, oranges, pinks, yellows and browns. The image is accomplished in contrasting...

John Baker’s “Studio Sketch of Dmitri” is an acrylic painting on canvas with collage 20 x 16 inches in tans, greys, blues and whites. When he arrived at the studio Dmitri was immedia...

Not a Cube is a geometric composition that follows the reductionist tendencies of Minimal Art, emerged in the United States in the mid-1960s. Particularly i...

John Baker’s “He Stayed Behind in Katmandu II” is an acrylic portrait painting on canvas with collage 20.25 x 17.75 x 1.5 inches in blues, tans, pinks and flesh tones. The western “s...

John Baker’s “Being and Time: an Imaginary Portrait of Martin Heidegger” is an acrylic painting on canvas with collage 28 x 22 inches in green, greys and silver, with maroon highligh...

With its rigorous shapes and minimalistic contours, Jud wall lamp honors the aesthetic of Donald Judd. A geometric brass frame holds a translucent shaded glass pane concealing two co...

Landscape view from rural county road outside of town, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd Marfa ( Texas ) by ...

This set of eight early year 'Zig Zag' chairs by Gerrit Rietveld for Cassina are the holy grail of collectors pieces. Extremely rare and coveted, original 'Zig Zag' chairs are a part...

Made from folded metal, this light creates a precisely focussed effect, shielded from the eye. Designed initially for the bedroom, it is today offered in a wide range to create many...

John Baker’s “Poetry and Painting” is an acrylic painting on canvas with collage 21 x 18.75 inches in reds, blues, greys and pinks. In this image the sister arts of poetry and painti...

John Baker’s “In the Sea” is a 47.75 x 29.5 x 1.5 inch acrylic painting with collage on canvas that is an expressive depiction of men and women in the ocean. The freely brushed blue ...

Richard Lin 1933-2011 May 2, 1971 screenprint on wove and acetate sheet 50.8 x 50.8 cm 20 x 20 in signed and numbered in pencil edition of 70 Born in Taichung, Taiwan, and brought u...

John Baker’s portrait “Smoker” is a pencil drawing on paper with collage 22 inches by 14 ½ inches. Concentration and disorientation are both well captured in the smoker’s face, which...

John Baker’s “The Death of Nelson Rockefeller”, a double portrait, is an acrylic painting on canvas with collage 36 x 48 x 1.5 inches in pinks, grey...

John Baker’s “At the Easel” is a 36 x 30 inch acrylic on canvas with collage in midnight blue, lobster red and flesh tones. Calculated ambiguities and imp...

John Baker’s “A Treat for Sasha” is an acrylic painting on canvas with collage 36 x 24 x 1.5 inches in oranges, greens, browns and reds. The twirling hands of the pet owner manipulat...

John Baker’s “Old Man Winter” is a 16 x 12 inch acrylic painting on canvas with collage in tans and blue greys. The weather-beaten face of the wizened o...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...

With its rigorous shapes and minimalistic contours, Jud wall lamp honors the aesthetic of Donald Judd. A geometric brass frame holds a translucent shaded glass pane concealing two co...

Alan Johnston (Scottish, born 1945), Untitled, 1988, cast bronze, edition of 2, cast #2 Incised A.J. 2/2 88 on underside Provenance: Jack Tilton Galler...

John Baker’s “They Now call it Grooming” is an acrylic on canvas with collage 20 x 16 inches in blacks, purples and greens. His tie being adjusted and his hair being patted down, a young innocent...

John Baker’s “Studio Sketch of Valerie” is an acrylic painting on canvas with collage 18 x 14 inches in pinks, greys and browns. When Valerie visited my studio she at first stayed ve...

The Road by Frank Schott country road outside of town, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd 27 x 40 inches / ...

John Baker’s “The Red Hat” is an acrylic painting on canvas with collage 30 x 24 inches in reds, greys, silvers and blacks. The painting shows a lady musician in downward gaze, at on...

Summer, from The Four Seasons by Richard Lin, 1966 Additional information: Medium: screenprint on TH Saunders paper 68.5 x 91 cm 27 x 35 7/8 in signed, dated twice, titled and inscr...

John Baker’s “Dressing the Sewing Dummy” is an acrylic painting on canvas with collage 38 x 20 inches by .75 inch in reds, yellows, blues and purples. A young seamstress is elated by...

Not a Cube Stool by InsidherLand Dimensions: D 48 x W 48 x H 65 cm. Materials: Wood, InsidherLand InsidherLand North Ref.1 fabric, Grid Ref.1 fabric. ...

John Baker’s “The Ego and the Mechanism’s of Defense” is an acrylic painting on canvas with collage 20 x 16 inches in beige, blues, greens and ochres. The painting borrows its title from Anna Freud...

John Baker’s “The Greatest Possible Success” is an acrylic painting on canvas with collage 24 x 20 inches in greys, silvers and whites. The dramatic verticality of Gotham’s architect...

John Baker’s “Forest Embrace” is an acrylic painting on canvas with collage 38.5 x 26 inches in a rich variety of greens, silver greys and whites, with blue and yellow accents, is fr...

John Baker’s “Music in the Garden” is an acrylic painting on canvas with collage 48 x 46 inches in orange, green, lavender, pink and yellow. A sense of ebullience is everywhere throu...

John Baker’s “The Ego and the Id” is an imaginary portrait, acrylic on canvas with collage 15 x 10 x 1.5 inches in flesh tones, greys and tans with red highlights. The painting’s tit...

John Baker’s “Young Man with a Device” is a 19 x 14.25 x 1.5 inch acrylic painting with collage on canvas depicting a youth possessively clutching a technological device. The large, ...

John Baker’s portrait “Three Lovers” is an acrylic painting on canvas with collage 20 x 16 inches in pinks and blues standing forward from a broad array of rich greys. The third love...

John Baker’s “Self Portrait Painting” is an acrylic on canvas with collage 32 x 27.5 inches in russets and greys with bursts and dispersions of prismatic highlights, chiefly blues, yellows and reds. The artist, with loaded palette and brush, is simultaneously his actual self and the image of himself...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), originates from the 1972 album Calder autobiographie. Published by Maeght Editeur, Paris, and...

John Baker’s “Layers of the Self” is an acrylic painting on canvas with collage 32 x 20 inches in greys, blacks and whites, with flesh tones. Although quite young, the gentleman has ...

John Baker’s “Surprise in the Garden” is an acrylic painting on canvas with collage 31 ½ x 28 ¼ inches brightly colored in greens, blues, oranges, rose and russet, and cream. Little ...

John Baker’s “The Book Mark” is an acrylic painting on canvas with collage 30 x 24 inches in maroon, orange, white and blue. A young woman, dressed in prim fashion, has looked up fro...

Made from folded metal, this light creates a precisely focused effect, shielded from the eye. Designed initially for the bedroom, it is today offered in a wide range to create many ...

John Baker’s “Domestic Dispute”, an acrylic painting on canvas with collage, 48 x 36 x 1.5 inches in blues and flesh tones with red and white accents, depicts a violent moment in a b...