389 results for ""queen elizabeth ii""

DeKara Design Estate Collection Metal- .999 Fing Gold, 155.517 Grams or 5 Ozs. 65 MM In Diameter ONLY 150 MINTED by The Royal Mint Here is an opportunity to own an ultra rare h...

Large limited edition (44/500) Seated Cheetah bronze sculpture by Loet Vanderveen. Dimensions are 19 1/2" tall by 21 1/2" wide and 9 1/2" deep. Weighs in at a hefty 44.4 lbs. Nice green/blue patina. Nice vintage condition with only minor signs of wear. Born in Rotterdam, Holland Loet Vanderveen's childhood home was close to the zoo. It was during this period in life that he developed his love for animals. At night he would listen to the sound of the animals in the zoo, and fantasize about African safaris... fantasies which were eventually realized. During the WWII bombardment of Rotterdam the animals were destroyed as well as his home. These events led Vanderveen to a new phase in his life. He escaped occupied Holland for England, and was decorated for valor by Queen Wilhelmia. He served in the R.A.F. during the war. After WWII, Vanderveen lived in Zurich, London and New York working as a fashion designer. Creatively unsatisfied with his profession he began private ceramic studies with the head of the Far Eastern department of the Metropolitan Museum of Art in New York (Fong Chao). He mastered Chinese...

Landscape, House in the Woods, Oil on Canvas Painting by Peter Greenham 1909-1992 Additional information: Medium: Oil on canvas-board 20 x 26 cm 7 7/8 x 10 1/4 in Signed with initials lower right; also signed verso Provenance Estate of the Artist Peter Greenham was a distinguished figurative painter of portraits, landscapes and incidents from domestic life. His work was both sensitive and intelligent and like himself, without showiness or pretension. He was keeper of the Royal Academy Schools and a popular figure who taught many well-known artists including Martin Yeoman, Peter Kuhfeld, Edmund Fairfax-Lucy and Jane Corsellis. Greenham was born in Streatham and educated at Dulwich before studying English at Magdalen College, Oxford, followed by Fine Art at the Byam Shaw School of Art in Kensington from 1936-39 under the supervision of Ernest Jackson. After leaving Byam Shaw he became a schoolmaster at Magdalen College School, Oxford and was elected an Associate of the Royal Academy in 1951 and an R.A. in 1960. In 1964 he succeeded Sir Henry Rushbury as Keeper of the Royal Academy Schools, a position he held with distinction until his retirement in 1985. The Keeper has the responsibility of running the RA Schools and Greenham showed himself to have great sympathy and understanding for his students. In retirement he was able to concentrate entirely on his painting and tended to paint places he knew well such as the Norfolk coast, Northumberland, Oxfordshire and Annecy as well as his wife, the painter Jane Dowling...

Made by a Murano artisan on the occasion of the coronation of Queen Elizabeth II. 8 cups in the shape of a crown lend majesty to the brilliance of the glass. 8 lights e14 6 flowers ...

A faceted Morganite, diamond and 18 karat gold brooch, by John Donald, 1972. The brooch is stamped with maker's mark JAD, and dated with London hallmarks. John Donald is a designer...

This is a unique proof, aside from the edition of only 6 on wood panel (there was a separate larger edition of paper - this is the rare wood panel example): Shepard Fairey God Save t...

An Edwardian aquamarine, diamond, pearl and gold bangle, by Birks, of Canada, with three aquamarines, the central one being an octagonal shaped faceted step-cut, with a natural pearl...

A fine and rare pair of English Regency period torchères, or stands (or candle stands) in the manner of Thomas Hope. Circa 1810. Both are raised on tapering simulated-bronze column supports with circular tops and fluted gilt collars, on concave-sided triform bases with winged-panther mask monopodia. The column bases issue from spreading, gilded, carved lotuses. These antique torcheres might also be referred to as columns, ornamental stands, candle sticks, or candelabra. In superb condition throughout. Literature: ‘Thomas Hope – Regency Designer’ ed. David Watkin & Philip Hewat-Jaboor, Yale University Press, New Haven and London (2008). The Aurora Room, Duchess Street, photo from V & A Museum, fig. 68-1, p. 378. The Royal Collection, HM Queen Elizabeth II, RCIN 588- 1-2, 45- 1-2, figs. 78-2, 78-3, p. 396. The Faringdon Collection, Buscot Park, Oxfordshire, illustr. 88, p. 414. The pair of stands we are offering here correspond closely to the pair in the Faringdon Collection (see above). Watkin and Hewat-Jaboor state; ‘’A ‘Roman’ stand of this precise design, perhaps an imaginative variation on one published by Visconti*, is illustrated in ‘Household Furniture’, plate L, number 2… Hope also owned several classical Roman candelabra...

A wonderfully impressive Satinwood painted library bookcase, after a design by Thomas Chippendale called 'The Melbourne Cabinets' made for Lord Melbourne in 1770 and presently residi...

Gilt and Enamel Red Pillow Vase Moser Late 19th Century A masterpiece of artistry and craftsmanship, this exquisite Moser pillow vase dazzles with its rich ruby glass and intricate ...

A set of English country garden plant markers depicting various interesting names and titles. You can just imagine these 46 plant markers in a quaint English country style garden sh...

A rare late 13th / early 14th century limestone column capital reclaimed from Beverley Minster, Yorkshire. Dating to circa 1300, this limestone capital originates from the medieval p...

This bronze is the maquette for a sculpture of Lord Louis Mountbatten wearing a naval duffel coat, peaked cap and sea boots and holding a pair of binoculars. It is set on a highly polished black stone base and inscribed on the back ‘Mountbatten Study, G. Berlin no. 3 of 3’. English, 1989. We are indebted to Ms Berlin for her kind help in supplying the following information. “I made this piece as a working model, maquette, to show, along with another image, to the clients who were offering the commission for the nine-foot bronze of Lord Mountbatten...

Exceptional silver tea set by Edward Barnard and Sons This superbly elegant and well designed three piece tea set was hallmarked in London 1...

This artwork "Chinese Girl" c.1970, is a colors lithograph on Japan nacre paper by American artist Edna Hibel, 1917-2014. It is signed and inscribed Artist Proof in pencil by the art...

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 CONVERSANDO signed "Cortellini" (lower right) oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...

Framed in black measuring 31 x 28 inches total. Whether obscured by the smoky nightclub lighting or enlivened by the strong color of the Mardi Gras dancers, David Remfry’s life-size...

Oscar Nemon 1906 - 1985 Croatian Sigmund Freud Signed “Nemon” Bronze resin This original bronze Sigmund Freud, the father of psychoanalysis, was crafted by renowned Croatian scul...

In this print, Wenceslaus Hollar presents a portrait of D. Henrico van der Borcht, copying a painting or drawing by Hans Holbein. Copying works of famous masters was a common task of...

Oscar Nemon 1906 - 1985 Croatian Married Love Signed “Nemon” (on reverse) Bronze resin with green patina This rousing and sentimental sculpture, commis...

Tracey Emin Love is What You Want, 2015 250 gsm silk finish paper. Hand signed on the front by Tracey Emin in white grease pen/sharpie 27 1/2 × 19 7/10 inches Edition of 500 (unnumbe...

Roy Petley is a contemporary British plein-air painter known for his impressionistic depictions of British coastal scenes. His lush paint handling is often likened to the works of Jo...

This artwork titled "TheLong Trail West" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and n...

**Annual Summer Sale Until August 31st** **This Offer Won't Be Repeated Again This Year - Tale Advantage of it** Celebrating the beloved QUEEN ELIZABETH II in...

Oil on panel by Jenness Cortez signed and dated lower left beautifully framed and matted measuring 16" x 21" including the frame. This painting features two jockeys and their race ho...

Nikita Khrushchev in front of Lincoln Memorial, 1959, Washington DC by Burt Glinn is one of the photographer's historical photographs. The portrait...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Gary Cooper, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition pu...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Marlon Brando, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition ...

THE CORONATION OF HER MAJESTY QUEEN ELIZABETH II, 1953 by Patrick Edward Phillips (British 191907-1976) signed and dated oil painting on canvas, unframed canvas: 26.5 x 27.5 inches p...

This artwork titled "Winners Loosers" is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and inscribed/n...

A fabulous and highly collectable solid silver wine goblet by the renowned modern silversmith, Sarah Jones. The goblet is fully hallmarked for London 1983. Excellent vintage condition measuring 5.28" tall x 2.87" wide and weighing 145 Grams / 4.66 Troy Ounces. SARAH JONES studied history of medieval art at the University of East Anglia before working for the Greater London Arts Association. In the early 1970's they sent her to interview the ecclesiastical silversmith Michael Murray for their magazine, and he insisted that she make something, a ring, which she sold for £12. This inspired her to take part time training with him before renting a workshop next door in Clerkenwell. Camden Lock Market opened in 1974 and she had a stall there for 8 years, and also exhibited at Goldsmiths' Fair in 1975. In 1979 the Queen, who has the world's largest collection of Faberge flowers...

This artwork titled "Yelding the Right of Way" c.1975 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed...

A fine and elegant George III giltwood and gesso wall mirror, in the Chippendale manor and dating from Circa 1780.   This rectangular mirror elaborately carved with rocaille, c-scrol...

This is a large vintage railway print. An English, framed steam train picture titled 'Preparing for Departure' by Terence Cuneo, dating to the late 20th century. Terence Cuneo (190...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled High Society (Frank Sinatra, Sammy Davis Jr., Dean Martin), from the folio Cecil Beaton, Electa Editrice Portfo...

A rare weathered late 13th / early 14th century limestone pinnacle reclaimed from the East End of the south retro choir roof of Beverley Minster, Yorkshire, one of two we have for sa...

This is a beautiful book of portrait photographs which have been taken by musician and pop star Bryan Adams. 302 pages of wonderful images in both colour and black & white, his subjects are a diverse grouping but throughout one has to be impressed by his dedication to this branch of the visual arts, many icons from the world of music, art and fashion are featured but he also has taken pictures of Her Majesty Queen Elizabeth II and also some unknowns. With forewords by Sir Elton John and The Honourable Daphne Guinness...

Title: Vintage Hermes Silk Scarf backed in Irish Linen Pillow Bright Orange Description: Katie Larmour Studio is the original vintage scarf pillow maker. Gaining notability for her ...

World War II trench art paperweight with five copper bullets, one large caliber, four smaller caliber mounted on an Australian Sterling Silver Florin. Showing the portrait of King George...

BRITISH UNION FLAG OF THE EARLY 20TH CENTURY, WITH BRILLIANT AND UNUSUAL, COBALT BLUE COLORATION, AND A SIMPLIFIED, FOLK STYLE, WITH INCORRECT PROPORTIONS IN THE CROSSES OF ST. ANDRE...

Vintage Vista Allegre set of 8 porcelain demitasse cups with 8 saucers was made for Charles Hall, Inc. and decorated in Olivia pattern. Olivia features...

A superbly carved and highly decorative George III Revival giltwood mirror, dating from Circa 1860.   This stunning rectangular shaped mirror consists of a superbly carved giltwood f...

A large and impressive Poole Pottery limited edition twin handled loving mug commemorating the Silver Jubilee of Queen Elizabeth II in 1977 by renowned potter Guy Sydenham (British, 1916-2005). Guy Sydenham joined Poole Pottery in 1931 and completed a seven year apprenticeship. He was a master potter for more than 50 years and was renowned for the original work he created in the Poole Pottery Studio in the 1960’s and 1970’s. He worked as head of the ‘making department’ at Poole Pottery resigning in 1977 possibly making this commemorative one his last important works. This stylish twin handled stoneware mug (as it was called!) stands raised on a wide round base the rim carved with the words THE QUEENS SILVER JUBILEE 1952 – 1977. The piece has a narrow stem and a wide round cup shaped top with finely formed and elegant handles applied to either side. The is mounted with a relief molded medallion with a Lion, Unicorn and Crown and initials E II R. The medallion has a contrasting brown stained finish with a brown wash also applied to the edge of the foot. The body has a slightly textured satin brown glazed finish with a rich dark honey glaze...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled John Weissmuller, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 editi...

Helmut Wolf (*1940 Idar Oberstein) is a German gemstone cutter and artist whose works have been presented on the occasion of state visits, among others: Qu...

The Cavalry Drummer (thought to be the Household Cavalry wearing the uniform of HM Queen Elizabeth II) Frank Duffield (British, 1908-1982) original acrylic painting on board, unframed size: 11 x 16 inches condition: overall very good, minor wear to the edges as is normal for an unframed work provenance: from a large private collection of this artists work in the UK The artist: Born in Warwick in 1901, Duffield came to Bristol at the age of 23 as an artist at the studio of Mardon Son and Hall. He worked as an illustrator producing designs for cigarette cards, remaining with the company for 37 years until his retirement. He was elected an Artist Member of the Bristol Savages in 1946. He was an extremely keen and regular attender not only in the studio but at all other Savage functions. He was noted for his friendly demeanour and seldom seen without a pipe in his mouth. He was a good pianist and would play popular tunes after the Wednesday evenings’ entertainment for members to join in singing and always with his pipe in his mouth. In 1965 he was commissioned by the Gloucester Regiment to paint a portrait of Brigadier Manley Angell James, VC, DSO, MBE, MC, a Bristol man who won his VC during the first World War. The painting is now in the Imperial War Museum. Frank was made a Life Member in 1973 and died in 1982. Frank Duffiled was a member of the artist group, known as "The Bristol Savages": Founded in 1894 by Ernest Ehlers, he invited his fellow Bristol based artists to spend a friendly evening in his studio to work and talk. At first, meetings were held in their private studios, then as their numbers grew, in rented premises. By 1904 this led to the official founding of the Bristol Savages and the holding ever since, of similar weekly meetings between October and May each year. In 1905 the first exhibition of paintings was held at the premises of George Nichols & Co., an auctioneer in Broad Street, Bristol. During the next 14 years exhibitions were held annually in Bristol and their first permanent home was Brandon Cottage which was made available to them through the good offices of fellow member James Fuller Eberle. When the Red Lodge...

Chris Levine Lightness of Being [Freedom Edition], 2021 Diasec-mounted giclée print mounted on aluminium composite panel Artist's digital signature, lower right on recto 90 x 70 cm E...

Sweet Breeze of Evening by Richard Turner, British 1940-2013 signed and dated verso, 2009 oil painting on canvas, 40 x 60 inches A stylised Eastern landscape with four women, one with a sleeping lamb, with a temple beyond. Signed, titled and dated 2009 verso. Painted on this huge size, the work makes a tremendous statement within an interior setting. Richard Turner's work is mainly figurative painting, within Arcadian landscape settings similar to the compositions in renaissance and mannerist art. Turneramon's first stay in Egypt had a significant effect on his painting style and content. His change from hard edge abstraction to synthetic renaissance is evident in his 5ft x 7ft painting; 'The Resurrection of Tutankhamen', leading to his work being labelled post modernist. Turner won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight...

The Garden of Eden by Richard Turner, British 1940-2013 signed and dated verso, 2003 oil painting on canvas, 48 x 36 inches A stylised surrealist landscape with two reclining nudes, and a seated woman and child. Signed, titled and dated 2003 verso. Painted on this huge size, the work makes a tremendous statement within an interior setting. Richard Turner's work is mainly figurative painting, within Arcadian landscape settings similar to the compositions in renaissance and mannerist art. Turneramon's first stay in Egypt had a significant effect on his painting style and content. His change from hard edge abstraction to synthetic renaissance is evident in his 5ft x 7ft painting; 'The Resurrection of Tutankhamen', leading to his work being labelled post modernist. Turner won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight...

A rare photo of the Royal Family of England in 1940s, with George VI, Queen Mary, Lady Elizabeth Bowes-Lyon, Early George Bowes-Lyon, a young Queen Elizab...

**FALL SUPER SALE UNTIL OCTOBER 13TH** Celebrating the beloved QUEEN ELIZABETH II in a pop art that only Oliveira can make and think of. The colorful pinstripes represents all of h...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Edith Sitwell, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition ...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Marlene Dietrich, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 editi...

Portrait Queen Mother Elizabeth is an original black and white photograph realized by an Anonymous photographer. With the typed handwriting in Italian " t...

This striking British Edwardian religious oil painting is by noted artist Francis 'Frank' Owen Salisbury or Frank O'Salisbury as he is largely known. Painted in 1911 it is a figurative landscape of soldiers on the battlefield. The two central characters, the 'Christian Soldiers' from the early crusades have halos and ride through the chaos on white horses. Shafts on light with angels illuminate them and also a crucifix. A very powerful Edwardian religious oil painting and an excellent example of O'Salisbury's work. painted in oil and illuminated in gold leaf. Signed and dated with monogram lower right 1911. Provenance. From Castle of Park, Aberdeenshire. A version of this painting was exhibited at the Royal Academy London in 1911 entitled the Passing of War. Condition. Oil on canvas, 36 inches by 24 inches unframed and in good condition. Frame. Housed a complementary frame, 44 inches by 32 inches framed and in good condition. Francis ("Frank") Owen Salisbury (18 December 1874 – 31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as "Britain’s Painter Laureate". His art was steadfastly conservative and he was a vitriolic critic of Modern Art – particularly of his contemporaries Picasso, Chagall and Mondrian. His father, Henry Salisbury, described himself as a "plumber, decorator and ironmonger" (his mother was Susan Hawes), yet his son Frank would become one of the greatest society artists of his generation. One of 11 children, Salisbury was such a delicate child that he was educated at home, in the main by his student teacher sister, Emilie. He had only a few weeks formal schooling and began work by repairing bicycles at his father’s Cycle Depot in Harpenden. Uncertain as to his ability to find and maintain a job, the family determined that he be apprenticed, at the age of 15, to Henry James Salisbury, his eldest brother, who managed a major stained glass company in Alma Road, St Albans. He rapidly acquired all the practical skills of a stained glass artist and exhibited exceptional skills in the painterly detail that was applied to glass before its final firing. This led to his brother sponsoring him to attend Heatherley’s School of Art three days a week to further a career in painting. He then won a scholarship to the Royal Academy Schools which he attended for five years and where he won two silver medals and two scholarships, including the Landseer scholarship which funded his to travel to Italy in 1896. In due course he would have seventy exhibits accepted for the annual Royal Academy Summer Exhibitions, from 1899 until 1943, though he was never offered membership, which reportedly disappointed him very much. In 1901 he married Alice Maude (d. 1951), daughter of C. Colmer Greenwood, with whom he had several children, including twin daughters Monica and Sylvia. His first Royal Academy exhibit was a portrait of Alice and he often painted pictures of their children. It is for portraiture that he is best known. His speed in producing portraits stemmed from his painting his own twin daughters every morning for an hour and his career began with child portraiture and his painting the Hertfordshire gentry and members of the Harpenden Methodist Church. He had a studio at his home, Sarum Chase. A providential meeting with Lord Wakefield, founder of Castrol Oils and a Methodist philanthropist, saw his introduction to society portraiture. Salisbury’s being selected to paint the Boy Cornwell in the Battle of Jutland then brought him to the notice of Royalty. Lord Wakefield then arranged for him to paint President Woodrow Wilson whilst he was in London, but Wilson departed for Paris and the opportunity was lost. It was to be John W. Davis, American Ambassador to London, who encouraged Salisbury to go to the USA; Davis had met Salisbury at art receptions and had admired his child portraits. Twenty-five members of the Royal House of Windsor sat for Salisbury and he was the first artist to paint HM Queen Elizabeth II. In 1919 he painted a mural for the Royal Exchange, London National Peace Thanksgiving Service on the steps of St Paul’s Cathedral, 6th July 1919. He painted Winston Churchill on more occasions than any other artist; the two iconic images of Churchill – The Siren Suit and Blood, Sweat and Tears are both Salisbury images. Mayoral regalia was a ready made requisite for the Salisbury style with Councillor Sam Ryder (of Ryder Cup fame) as Mayor of St Albans being the most famous of his civic images. Other significant portraits include those of Richard Burton, Andrew Carnegie (posthumous), Sir Alan Cobham, Sir Robert Ludwig Mond, Maria Montessori...

Maternità is an original etching realized by Gabriele Girardi, in 1971. Good conditions, except for some small tears to the borders due to the passing of time. Signed and numbered ...

This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust. This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition. William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782. The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister. Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...

This artwork titled "When the Land was His" 1985, is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and...

Two Ladies in Landscape by Richard Turner, British 1940-2013 signed and dated verso, 2010 oil painting on canvas, 20 x 24 inches Signed, titled and dated 2010 verso. Painted with lovely bright colours. Richard Turner's work is mainly figurative painting, within Arcadian landscape settings similar to the compositions in renaissance and mannerist art. Turneramon's first stay in Egypt had a significant effect on his painting style and content. His change from hard edge abstraction to synthetic renaissance is evident in his 5ft x 7ft painting; 'The Resurrection of Tutankhamen', leading to his work being labelled post modernist. Turner won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight...

The Royal Dinner is a is a black and white vintage press print, realized in December 10th. 1964. The photo depicts a official moment of the English Crown. Queen Elizabeth II and Pri...