563 results for "de stijl"

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of...

This captivating artwork " The unity of souls" presents an abstract portrayal of four human figures, skillfully rendered in broad, expressive brushstrokes. This painting is all abou...

Gispen Piano lamp. Designed in 1928 by J.J.Pieter Oud and Hendrik Gispen. Netherlands. Model Gispen Giso 404. Classic Bauhaus / de Stijl design. The Gispen Company produced a small e...

Fritz Glarner Tondo 1964 Original Color Reproduction on Velin d'Arches after painting Size: 10x7.375in Signed in the stone Edition: 2,000 Annotated verso Publisher: Mourlot, Paris Pr...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

This striking Red Blue Chair, inspired by the renowned design of Gerrit Rietveld, is a stunning example of mid-century modern furniture that perfectly embodies the principles of the ...

Mart Stam, De Architekt. Offset. Unlined. Geert Paul Hendrikus Schuitema was a Dutch graphic artist. He also designed furniture and expositions and worked as photographer, film d...

Initially designed to make use of surplus wooden shipping crates by Dutch architect and designer Gerrit Rietveld in 1934, the Crate Collection has been relaunched in a Rietveld Originals...

Listed is a rare set of Modernist dining chairs, attributed to J.A. Muntendam — who was the artistic director of L.O.V. Oosterbeek in the late 1920s. L.O.V. is the abbreviation of Labor Onia Vincit which means 'Work conquers all’. In the days Dutch company L.O.V., based in Oosterbeek, was quite a famous factory. Historically they played a significant role with their progressive principles: L.O.V. was for example the first factory to introduce the modern 8-hours working day. L.O.V. designs toggle from being quite traditional to extremely modernist — in every piece of their furniture you feel that the spirit of Modernism...

Edmond Van Dooren 1896 – Antwerp – 1965 Belgian Painter 'Peaceful Landscape' Signature: signed lower left 'E. Van Dooren.' Medium: oil on canvas Dimensions: image size 90 x 105 cm ...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in 193...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Baby version. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht...

Artist: Jonathan Singer, American (1949 - 2019) Title: Homage to Ilya Bolotowsky Year: 1979 Medium: Acrylic on Canvas, signed and dated lower right Size: 78 x 45.5 in. (198.12 x 11...

Chairs designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of a...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design...

The red & blue chair is also known as the “Rietveld Chair” after its designer Gerrit Rietveld, counts as one of the most recognizable pieces designed by De Stijl movement in the 1920...

This collection has been designed to celebrate De Stijl’s 100th anniversary and inspired by Dutch icon Piet Mondrian, one of the best known of all modern artists. In his work Mondria...

Chairs designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example o...

Coffee table model K10 N published by Tecta, Germany. The cubic wooden structure, lacquered in white, supports four rotating tops painted in the primary colors red, blue, yellow an...

Stunning and super rare triptych of jewel like appliques finished in plexiglass and brass attributed to Angelo Lelli for Arredoluce, circa 1956. These appliques feature a stunning suprematist/constructivist style art form showing the influence of artists such as Malevitch, El Lissitsky...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

31216 New Urban Bauhaus Modern Gray Moroccan Rug, 08'03 x 10'06. Embrace the intersection of art and functionality with the Urban Bauhaus Modern Gray Moroccan Rug, a hand-knotted woo...

One of a kind and amazing set of 5 “Peter” chairs, designed by Niels Koefoed for Koefoed’s Hornslet, all signed. The matching table is offered separately. The “Peter” chair...

Traditionalist chair, designed in the 1950s by Dutch architect Jacobus Johannes Pieter Oud (J.J.P. Oud) for the boardroom of Royal Dutch Shell in The Hague. Woodframe in walnut, orig...

Cubist side chair by Czech architect and designer Pavel Janák (1881 – 1956), a pioneer in stripping away ornament. Don’t let the expressive angles fool you. This piece is very comfor...

Kalupso small ceiling light by Moure Studio Dimensions: D 150 x H 80 cm Materials: glass and patinated brass Also available in different dimensi...

Lovely design and colors for this chair by Fischel, a company launched in the late 19th century and following in the same vein as Thonet and Köhn. The style here is reminiscent of Du...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with t...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design...

Ali plays with geometric shapes in the form of parasols on the beach in this aerial view painting of a crowded beach on a summer's day. Acrylic paint on Canvas Sold unframed Image ...

This truly exceptional Art Deco wooden sideboard or bar cabinet was designed by Andre Sornay (attr.) in France circa 1930. Andre Sornay has come to be highly appreciated for his uniq...

Chairs designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example o...

Desk Lamp by Eileen Gray Designer, artist and architect Eileen Gray was one of the most fascinating creative figures of the 20th century. Her work includes glossy lacquered pieces – ...

We are presenting 2 rare pieces on sale one by one on 1stDibs : the earliest and rarely seen version of the iconic Tubor chair created by French Architect Robert Mallet-Stevens, cert...

The relationship between the different shapes ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. Both ten...

Pair of white painted Austrian cube even armchairs in the manner of Josef Hoffmann, original white painted finish, Arts & Crafts style pierced open lattice work, stunning.

Richard Meier Pericolosamente, 2011 Silkscreen Collage (mix media), sheet size: 30" x 30" signed numbered dated in pencil by the artist edition of 50 Richard Meier, (b.1934)...

untitled (Young Woman Washing) Lithograph, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Image size: 11 x 5-1/8" Sheet size: 18 7/8 x 12 5/8 inches Condition: Very good Aging to the tan paper it is printed on Provenance: Estate of the Artist Borghi & Company, NYC Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

Product info This ceramic vase was produced by ESKAF (Eerste Steenwijker Kunst Aardewerk Fabriek) during the early Huizen period, between 1928 and 1934. The model number is 834, a do...

Black crate chairs by Gerrit Rietveld, crafted circa 1960 in the Netherlands, these chairs are a testament to Rietveld's avant-garde approach to furniture ...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of...

Paul Schuitema - 1879-1973 Tentoonstelling/Bki 1931 23 ½ x 18”. Unlined.Good condition with the exception of a small minor tear top middle poster.Good color. Rare. A pioneer in modernistic graphic design, Schuitema also worked as a photographer, filmmaker and furniture designer. After WW1, his first major client was Berkel Scales...

Sculptural qualities define this object. Its form is a combination of solid shapes and negative spaces in an expressive dynamic. The relationship between them ensures a balanced comp...

A pendant-brooch designed by Thomas Gentille (1936-). A sculptural piece of wearable art, created in New York city by the artist and jewelry maker Thomas Gentille, back in the late ...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Materials: Fabric Dimensions: D 85 cm x W 64 cm x H 60 cm (SH 3...

An imagined view of the city from above with towering buildings and multicoloured cars occupying the street below. Ali's love for architectural forms and geometric shapes are dominan...

Aerial view of a busy urban junction ADDITIONAL INFORMATION: Acrylic 80 H x 80 W x 3.5 D cm (31.50 x 31.50 x 1.38 in) Sold unframed Image size: Height: 80cm (31.50 in) Width: 80c...

Richard Meier Kabbalah, 2011 Silkscreen collage with hand-coloring and photography sheet size: 30" x 30" signed numbered dated in pencil by the artist edition of 50 Richard M...

Vintage Chinese Art Deco Rug with Abstract Geometric Motif, 3' x 4.5', 1950s Description A sophisticated vintage Chinese rug dating from the 1950s, bridging the highly collectible A...

A pendant-brooch designed by Thomas Gentille (1936-). A sculptural piece of wearable art, created in New York city by the artist and jewelry maker Thomas Gentille, back in the late ...

Mid-Century Modern light sculpture TC6 created by Aldo van de Nieuwelaar, the Netherlands, in 1968. Aldo van de Nieuwelaar was inspired by Gerri...

This exquisite lithograph and pochoir after Piet Mondrian (1872–1944), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°9 (double), Juin 1957, originates fro...

Bill, Max. Um 1930 in Zurich, 1977 Offset, 50 1/4 x 35 1/4". Max Bill was an important Swiss artist, designer and architect whose work drew inspiration from Bauhaus, De Stijl, an...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Pair of early Cassina Utrecht chairs designed, by Gerrit Thomas Rietveld, originally drawn in 1936 for the Metz & Co warehouse. In 1972, Cassina acqui...

Habitat Lounger is a place to be. The only place you need to be. Have a seat! A comfortable yet supportive place to sit with a smooth, sculpted poplar wood seat, and a wavy sculpted ...