276 results for "patti smith"

'The Door': Rare early Basquiat, Keith Haring Street Art Photo by Fernando Natalici: 'The Door,' photographed, New York c.1979/1980, represents one of only two known photographs featuring the early graffiti work of a young Jean-Michel Basquiat & Keith Haring together on one image (see upper right & left). Basquiat's tags appear in at least 3 places ('Salt', teepe & skull). The work combines the two most iconic Haring & Basquiat images of all: Haring's radiant baby & Basquiat’s crown; while also presenting the work of Whitney Biennial artist, David Wojnarowicz (Burning House mid upper left) & five time Brazilian Biennial artist Alex Vallauri (acrobat stencils across lower area). A true testament to the New York downtown art scene of the late 70's/early 80's. Archival Ink Jet Print. Dimensions: 18 x 22 inches including borders. Hand signed and numbered from an edition of 30. Excellent overall condition & print quality. Acquired directly from artist. Lot 180 Gallery is a primary authorized dealer rep of Fernando Natalici. About Fernando Natalici: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s work was recently featured in the Jeffrey Deitch curated show “Area” at The Hole Gallery NYC, with his film stills from "Unmade Beds" & "The Foreigner"- two of the most significant underground films of the 1970’s New York Punk scene, recently exhibited at The Museum of The Moving Image. Related Categories Basquiat crown. Basquiat SAMO graffiti. Keith Haring street art. Early Basquiat. Basquiat Haring Crossing Lines. Keith Haring Baby.

Roxy Burlesk, Times Square, Manhattan, 1978 In 1978, photographer Fernando Natalici, the creative mind behind the graphic design for iconic venues like CBGB and the Mudd Club, spent ...

New York Firearms Store by Fernando Natalici: Vintage original sepia toned photo taken in Manhattan featuring the silhouette of a gun with a sign that reads "firearms & police equipment". A view of the iconic Manhattan architecture stands out just behind the silhouette. A glimpse into, not only the New York of 'then', but the infamous builds that remains in the city today...

Vik Muniz, New York, NY, 1987 by Fernando Natalici Within this exquisite portrait of a young Vik Muniz, Natalici cuts, then reconstructs the original film negative to allow one side...

This photograph is an Edition of 50. All editions are signed by the photographer. Larger sizes may be available upon request.

Duncan Hannah, Unmade Beds 1976 by Fernando Natalici: This rare, vintage original 1970s darkroom photograph was captured on the set of "Unmade Beds" by ...

Fernando Natalici - Blurry Reality, 1992 - Shot in Midtown Manhattan, pre-uber period as people waited for a rainstorm, cars drove by, the usual, no taxis one pedestrian wearing a lo...

Eric Mitchell on the set of The Foreigner: Chelsea Hotel, Manhattan, 1978 by Fernando Natalici: Cooler than cool, "The Foreigner" was photographed on the set of the Amos Poe directed...

'The Door': Rare early Basquiat, Keith Haring Street Art Photo Fernando Natalici’s, The Door, photographed, New York c.1979/1980, represents one of only two known photographs featur...

Photographer Fernando Natalici James White, aka James Chance shot at The Mudd Club, NY 1979, the epicenter of the 70s New York downtown art scene. James Wh...

Al Goldstein by heralded New York underground photographer Fernando Natalici Silver Gelatin Print, c.1979. 11x14 inches. Hand signed & dated on the verso from an edition of 2. Some minor residue or fading to edges and minor signs of handling; otherwise in very good condition for its age. Al Goldstein: If Hugh Hefner strove to put a sleek, air-brushed image on sexual freedom in the 1960s, rival publisher Al Goldstein was the polar opposite. Unabashedly abrasive and foul-mouthed, the cigar-chomping, a larger than life Goldstein called his explicit magazine Screw. When he co-founded Screw in 1968, the American legal system was embroiled in a battle over what constitutes obscenity. Goldstein never envisioned himself as a champion of free speech, but fought for what he said were his own prurient interests. The porn magazine's scathing, scatological editorials railed against religious leaders and the government for justifying war while imprisoning erotic magazine...

Jello Biafra, New York, 1986 by celebrated downtown photographer Fernando Natalici. Jello Biafra – Dead Kennedy’s – Leader of the semianl early...

Rare early Iggy Pop photograph by Leni Sinclair: A stand out, early photograph of punk pioneer Iggy Pop, shot by legendary Detroit photographer Leni Sinclair, Kresge Foundation's Em...

Robert Gordon on the set of Unmade Beds (1976) by Fernando Natalici This vintage original photograph was captured on the set of "Unmade Beds" (director Amos Poe) - a seminal cinemat...

Andy Warhol by Fernando Natalici, New York 1978: This rare Andy Warhol portrait was shot at the Halston Spring Fashion Show, in New York City, 1978 by heralded downtown art scene pho...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Javier, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Editions ...

Williamsburg Brooklyn New York Photograph: The historic Domino Sugar Factory in Williamsburg, Brooklyn photographed by celebrated New York street p...

Fernando Natalici The Foreigner New York 1977: Legendary downtown NY musician Robin Crutchfield (DNA), photographed during the filming of "The Foreigner" by celebrated New York under...

Bruce Springsteen Photograph by Fernando Natalici A rare, striking photo of Bruce Springsteen at the age of 25 captured at The Bottom Line New York, 1975, by celebrated underground photographer, Fernando Natalici. Bruce and The East Street Band's 1975 shows at The Bottom Line were cited by Rolling Stone in 2004 as among the “50 Moments That Changed the History of Rock & Roll." Dimensions: 13 x 19 inches Medium: Archival Inkjet Print Hand signed & titled in ink from a limited edition of 25 Excellent condition Seller is a primary dealer rep of Fernando Natalici As Rolling Stone wrote... In August 1975, Bruce Springsteen and the E Street Band were booked to play ten shows at the tiny New York club the Bottom Line, near Washington Square Park in Greenwich Village. Springsteen was weeks away from releasing his third album, Born to Run, and his label, Columbia, invited more than 1,000 industry insiders to see what fans of the E Street Band's live shows had long known. As guitarist Steven Van...

Fernando Natalici, Anya Phillips New York City, 1977 A rare vintage original photograph of Mudd Club co-founder and seminal Downtown art scene legend, An...

Unknown Girl 01 - Street Portraits (Stranger than Paradise) - 1999 Edition of 10, 40x40cm. Archival Print, based on the Polaroid. Signature label and Certificate. Artist Invento...

Desert Center (Stranger than Paradise) - 2000 Edition of 10, 20x20cm. Archival Print, based on a Polaroid. Mounted on dibond with matte UV-Protection. Signature label and Certificate. Artist Inventory No. 1986. Published in Stranger than Paradise, Hatje Cantz (monograph) Stefanie Schneider: A Discovery on Polaroid. An essay by Eugen Blume How is it that the photographic works of Stefanie Schneider do not allow anything other than one single association, namely that of America? Because they were taken in America itself? That fact alone would not yet be a compelling argument. Many photographs of America possess a reckless ambivalence which allows even the different country of their own particular creator to seem so similar as to be confused with America itself. Does this ambiguity have something to do with the ongoing, accelerating Americanization of the entire world? Or is it simply connected with our personal clichés which we attribute to a country the size of North America as valid expressions of its very essence, thereupon negligently allowing it not only to dwindle down into any size whatever, but also to expand to a great extent, from Germany by way of Luxembourg right through to Japan? Now it is certainly true that the figures of Thelma and Louise in the desert do not represent an American reality, not even after their resurrection as Radha and Max in the series 29 Palms from 1999. Strangely enough, it is nature which allows this utterly artificial scene to grow into an American verity. The harsh sunlight in the barren landscape establishes the fundamental tone out of which the women emerge in excessive hysteria from beneath their colored wigs. It is inherently absurd to celebrate the feminine aspect in the middle of a mercilessly inhospitable environment. The image of the two women is a monument of resistance, the meaningful assertion of a lifestyle which stands in contradiction to each and every convention. The pictorial structure and the captured movement along the edge of the format are a means of blending the glaring luminosity with the plot in a manner which perhaps functions successfully only in the “simple” instant technique of the Polaroid. Stefanie Schneider’s pictorial narratives are striking in their formal elegance. She utilizes the chemical faults of the Polaroids, their tendency towards overexposure and double-images as a sovereignly controlled means of artistic design. The defects become, as it were, metaphorical levels which plumb depths lying far beneath the surface. The overly bright colors and schlieren seek out the uncanny; they provide a counterweight to a narration that is deliberately kept superficial. They tell of an invisible strand. They illuminate, in the truest sense of the word, underground processes. Although we are familiar with a series featuring American flags which could not indicate the site of its narrations any more clearly, nevertheless there remains a fundamental doubt as to whether the initially described association with America is identical with that which we deem to be America in a geographical sense. Although I have in the meantime been in America several times, in both South and North America, deep down I remain uncertain as to whether the New World actually exists. Columbus’ error of continuing to believe, even when having arrived on land, that he was encountering the India which was the actual goal of his journey has burrowed down deep into the European unconscious as a cultural convention. Peter Bichsel’s amusing story “Amerika gibt es nicht” (There is no America) still remains today an undeniable truth: America’s northern half is a film, not a continent. Everything which signifies the U.S.A. – from the Indians, whose most noble savages were invented in Europe, all the way to September 11th and the subsequent war in Iraq, the aliens and the revival of the dinosaurs, the terminators as governors and presidents as actors and vice versa, the electric chairs, the godfather Marlon...

Desert Center (Stranger than Paradise) - 2000 Edition of 10, 48x60cm. Archival Print, based on the Polaroid. Mounted on dibond with matte UV-Protection. Signature label and Cert...

This is a unique, double exposure photographic work created by Andy Warhol of John Cale and Lou Reed, formerly of the Velvet Underground, together at the Oce...

This photograph is an Edition of 50. All editions are signed by the photographer. Larger sizes may be available upon request.

Bruce Springsteen Photograph: Bruce at The Bottom Line NYC, 1975 by Fernando Natalici: A rare, historic photo of Bruce Springsteen at the tender age of 25 captured at The Bottom Line New York, 1975, by celebrated underground photographer, Fernando Natalici. Bruce and The East Street Band's 1975 shows at The Bottom Line were cited by Rolling Stone in 2004 as among the “50 Moments That Changed the History of Rock & Roll". Medium: Digital C print. Sharp black colors; nice overall print quality. Dimensions: 11 x 14 inches (may contain a small white border at the edges). Hand signed on the verso from a limited edition of 45. Excellent condition. Looks fantastic in a white frame. Obtained directly from artist. Lot 180 is a primary dealer rep of Fernando Natalici. Further Background: As Rolling Stone wrote... In August 1975, Bruce Springsteen and the E Street Band were booked to play ten shows at the tiny New York club the Bottom Line, near Washington Square Park in Greenwich Village. Springsteen was weeks away from releasing his third album, Born to Run, and his label, Columbia, invited more than 1,000 industry insiders to see what fans of the E Street Band's live shows had long known. As guitarist Steven Van...

Fernando Natalici: John Waters Baltimore, 1985: John Waters was born in 1946 in Baltimore, where he continues to live and work. Exhibitions include the Wex...

The Foreigner & Unmade Beds behind the scenes photographs by celebrated New York underground photographer Fernando Natalici: Director of both "The Foreigner'" and "Unmade Beds" Amos Poe's iconic films were connected heavily to the birth of American punk, the New York New Wave...

Fernando Natalici: "Mali Dust" location: Gao, Mali, Africa - 2003 Resin Coated photo paper. Hand Toned Sepia; shot with TRIX film 11x14 inches Some minor surface dimples; otherwise ...

Fernando Natalici, Anya Phillips New York City, 1977: Mudd Club co-founder and seminal Downtown art scene legend, Anya Phillips, photographed in between ...

Robert Mapplethorpe William S. Burroughs Photograph insert from Radar No. 1 (1982) Year: 1982 Size: 9.8 × 7.8 inches Stamped verso, unsigned Accompanied by Radar, Basel, Edition C.L...

Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photographs, he is an author and has appeared in films. Gruen was born in New York City. He began photo...

Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photographs, he is an author and has appeared in films. Gruen was born in New York City. He began photo...

Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photographs, he is an author and has appeared in films. Gruen was born in New York City. He began pho...

Pappy + Harriet's Pioneertown, California - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 65" Unframed 52" x 80" Fram...

Pappy + Harriet's Pioneertown, California - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 65" Unframed 52" x 80" Fram...