5,908 results for "cubism"

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

?78392 Vintage Moroccan Rag rug 02'11 x 09'00. With its nomadic charm, incredible detail and texture, this hand knotted vintage Moroccan rag rug is a captivating vision of woven beauty. The eye-catching diamond pattern and lively colorway woven into this vintage Boucherouite rug...

51866, new colorful contemporary Turkish Tulu shag area rug Inspired by Sonia Delaunay. This hand knotted wool contemporary Turkish Tulu shag area rug with Postmodern style showcases...

Experience the captivating allure of "Human Cubist Portrait 3," a mesmerizing artwork that takes inspiration from the innovative and visionary style of Cubism. This vibrant and thoug...

Tolle, tolle, crucifige eum is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1...

This rare 1947 original engraving, Coffee Mill, by Marcel Duchamp is a profound example of his conceptual approach to mechanical imagery and Dada aesthetics. Signed by the artist and...

This circa 1950 lithograph by Pablo Picasso, titled "L'image envahit le monde moderne...", reflects both the artist’s genius and the societal shifts of the post-war era. Picasso, one...

Pierre Coquet - Abstract Composition in white shades Reference number A202 Framed with a natural oak floated frame 40 x 45 cm (45 x 50 cm frame included) This work is painted with oil on a board. It is signed and dated 83 in the bottom right. Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time. Provenance : Workshop of the artist Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran, Edouard Mouriquand, Pierre Palué, Paul Philibert-Charrin, Antoine Sanner and Françoise Juvin. The latter will become his wife in 1948. In 1949, he participated in an exhibition in Geneva, at the Musée de l'Athénée, entitled "Eleven French painters" with Jacques Truphémus and Jean Fusaro. Françoise and Pierre moved to Paris in 1950. There he met Alexandre Garbell, who encouraged him and whom he attended classes in his academy on Boulevard de Clichy. Working as an art teacher at the Corvisart school in Paris he painted a lot beside this activity. His main subjects are “assemblages of objects” which evoke the memory of Giorgio Morandi, the roofs of Paris, still lifes, characters in situation, and abstraction. This sincere and modest man, turned inward in a climate of deep meditation, likes to express his feeling that “all painters encounter the same difficulties in wanting to express unspeakable emotions with painting. Everything is possible, at the condition it is true ” use to say Pierre. I have known Pierre for a long time and organized several exhibition with their paintings. I am now taking care of the whole workshop providing beautifiul figurative and abstract works, paintings and many drawings with various sizes. Pierre was always working in his workshop, everyday, he needed it, painting was something vital to him. Paintings by Pierre...

"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall Playful etching of a lumberjack by Marc Chagall (Russian, 1887-1985). A stout lumberjack is shown holing his...

Modern Cubist inspired colorful abstract still life painting by the French artist Marcel Mouly. The work features a collection of bottles and vases arranged on a red table that has b...

This exquisite lithograph by Joan Miro (1893–1983), titled Personnages devant le soleil (Figures Before the Sun), from the folio Derriere le miroir, No. 29–30, originates from the 19...

Title: Cubist French Abstract Geometric Composition With Spheres Figures Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 19.75 x 15.75 inches (height x width)...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Artiste et la Ville (The Artist and the City), from the folio Derriere le miroir, No. 246, originates from the 1981 ed...

This exquisite lithograph and pochoir by Joan Miro (1893–1983), titled La Femme et l’Oiseau (The Woman and the Bird), from the album XXe Siecle, Nouvelle serie No. 6, originates from...

"Liba", designed by Borek Sipek and manufactured by Driade, is a rattan covered natural red and black cane seat and back with solid ebonized wooden front ...

This exquisite lithograph after Rene Magritte (1898–1967), titled Pierreries (Gemstones), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, origi...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled La Bete Bleu (The Blue Beast), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Lov...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Harlequin and Boy, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...

This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

Art Deco Marquise Blue Sapphire and Diamond Ring mounted in Platinum. Ca.1925 Art Deco platinum ring starring an elegantly modeled marquise blue sapphire weighing 1.78 carats approx...

'The Mill', watercolour and graphite on paper, adhered on canvas, by Louis Latapie (circa 1930s). A colourful wintery scene, the bare trees are like wireless ...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

This exquisite lithograph by Andre Derain (1880–1954), titled Au Jardin d'Allah (In the Garden of Allah), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from t...

Italian 15-Piece Futurist Tea Service Designed by Nikolay Diulgheroff (1901–1982) and Tullio d'Albisola (1899–1971) for Mazzotti, circa 1935, produced for Torido Mazzotti (1895–1988). This striking tea service features original decoration using oxides and matte glazes. The design incorporates elements from Constructivism, Cubism, and Suprematism, with an alternating two-sided pattern showcasing primary blue and yellow motifs. The vibrant colors and cosmic interpretations make this a vivid example of Italian Futurist...

LARGE and Absolutely incredible Park Bei Lu, by Paul Klee, Large Scale Mosaic tile art piece. Mosaic is framed. Bold lines and colors, this piece combi...

This exquisite lithograph after Marc Chagall (1887–1985), titled La Tribu de Levi (The Tribe of Levi), from the special issue of the XXe Siecle Review, Chagall in Jerusalem, originat...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Nature Morte au Journal (Still Life with Newspaper), from the folio Contrastes, 13 Aquarelles, Gouache, ...

Artwork sold with frame (46 x 40 cm) Frank Chabry (also spelled Franck Chabry) (1916–1979) was a Swiss painter and art educator born in Lausanne on April 25, 1916, and passed away i...

Lithograph on Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: Published by Atelier Mourlot, Paris, 1964. PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism, Picasso continued to develop his art with a pace...

Pablo Picasso's Guernica painting inspired, great colors, acrylic and spray on canvas, great artwork, exhibitions in the best Art Galleries in France...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XVIII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Observations...

Cubist Portrait, Multicoloured, Original Oil Painting By French artist Beatrice Werlie, early 21st Century Oil painting on canvas, unframed Canvas size: 21.5 x 18 inches Sensationa...

James Allen, 'Pipe and Brawn,' 1937, lithograph, edition 40. Signed and annotated 'Ed/40' in pencil. A superb, richly inked impression on cream wove paper, the full sheet with margin...

Armchair model "Leda" Structure in polished cast brass varnish. Salvador Dali Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting. Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture. © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2022 Artworks by Salvador Dalí: © Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Barcelona, 2022 Salvador Dalí is the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, filmmaking and design. Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat. Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s. His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...

An original mid century modern abstract color block painting, signed by artist, mid 20th century. Oil on canvas. Colorblocked cubism in tones of licorice, cerulean, ochre, cream, and...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Judah, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by And...

Julia -28-08-18 Yesterday I had famous dancer and choreographer Julia Gómez Avilés over to pose for me. She dances and teaches in Guangzhou, China and is touring now through Eur...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Hands, Dorothy Norman, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by T...

Pablo Picasso (after) "Le Bouquet" Bouquet of flowers, abstract floral arrangement. limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 244...

A French Cubist gouache on paper landscape by G Ricard. The painting is marked with the atelier stamp of Georges Ricard Cordingley. There is another painting of an autumn landscape t...

Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to ever...

Club Armchair B-6148 from the Radomsko Curved Furniture Factory Designed and produced in 1960s in Poland. Timeless form and comfortable ergonomics. The line of the backrest and ar...

Andre Derain (French, 1880 – 1954) A nude looking right Pencil on paper Signed with atelier stamp (lower right) 16.1/4 x 8.1/4 in. (41.1 x 21 cm.) André Derain (10 June 1880 – 8 Sep...

History Of Modern Art By Arnason, H. H.; Mansfield, Elizabeth C. For undergraduate course in Modern Art, Origins of Modernism, Art since 1945, Contemporary Art and other courses fo...

TEAR OF TIME (Melting Clock) is a limited edition color lithograph by the Modern master Salvador Dali, after an original Salvador Dali gouache pa...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau volant (The Flying Bird), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, origina...

This exquisite lithograph and pochoir by Joan Miro (1893–1983), titled Femme et oiseau dans la nuit (Woman and Bird in the Night), from the album XXe Siecle, Nouvelle serie No. 8, or...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Bacchanale (Bacchanal), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (The Doubl...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 5 (Plate No. 5), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

21066, vintage Berber Rehamna Moroccan rug with color block pattern and Cubist style. Drawing inspiration from Paul Klee, Sonia Delaunay, and Theo van Doesburg, this hand knotted woo...

"Duet #2" is an original painting on canvas measuring 48 x 36 inches by Erik Freyman. The artist is best known for his 80's style which draws heavily on Art Deco and Cubism. Frey...

Amanda Watt (Irish, 1960-) Thatched Chair 1996 7/25 Paint on wood Hand signed, titled and dated verso Dimensions: 48 X 23 X 1 This is a colorful Trompe L'oeil surrealist wall hangin...

Marc Chagall Color Cliché Editions du Chêne 1947 Framed Enter the enchanting world of Marc Chagall with this beautifully crafted color cliché, published by Editions du Chêne in ...

This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Verseau (The Aquarius), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates from t...

Roundism – 04-06-18 I was attracted by the musculature of the model’s back and wanted also to map this even more by emphasizing the oblique position of the torso by means of a...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de André Lhote, 1960. P...