527 results for "donald judd"

Abstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in 1973. Hand-signed in pencil on the lower right marg...

Abstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in 1973. Hand-signed in pencil on the lower right marg...

John Baker’s “New Year’s Eve”, a 60 x 30 inch acrylic painting with collage on canvas, is painted in ruby reds, aquamarine blue-greens, and deep Prussian blues. Two women (or perhaps three) have allowed a small boy to stay up with them until midnight; he joins the raucous celebration by blowing on a yellow noise maker...

Pierre Paulin wall lamp 6135GM for Disderot. Originally designed by Pierre Paulin in 1959, this light creates a precisely focused effect, shielded from the eye. Made from folded meta...

Stephen Frailey Untitled, 1988 Polaroid print Sight: 19 3/4 x 19 3/4 in. Framed: 24 1/4 x 24 x 1 3/4 in. Edition 2/3 Provenance: Lieberman & Saul, New York Stephen studied at the...

John Baker’s “Time Passes #1” is an acrylic painting on canvas with collage 20 x 16 inches in greys and blacks with red and flesh. From the “Life is Short” series, the painting is a ...

Abstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in the second half of the XX century, in 1973. Hand-si...

Abstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in the second half of the XX century, in 1973. Hand-si...

Abstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in the second half of the XX century, in 1973. Hand-si...

Abstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in the second half of the XX century, in 1973. Hand-si...

Abstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in the second half of the XX century, in 1973. Hand-si...

Abstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in the second half of the XX century, in 1973. Hand-si...

Abstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in the second half of the XX century, in 1973. Hand-si...

Stephen Frailey Explanation, 1989 Ektacolor print on board 28 1/4 x 28 1/4 x 1 7/8 in. Edition 1/3 Provenance: Lieberman & Saul Stephen studied at the San Francisco Art Institute...

C Print - Unframed For this color photograph, Caldicott focused on simple geometric shapes, clean lines, using splendid color to define space and structure, and achieving a superb r...

Untitled, 2014 (Id. 383) (Abstract Drawing) Ballpoint pen and inkjet on paper. Unframed. Caldicott has always had a habit of working serially; his works on paper are rapidly produc...

Jene Highstein Untitled, 1982 Pastel and Chalk on Paper Hand signed and dated by artist on the front 32 × 40 inches Frame included Original hand signed pastel and chalk drawing, with...

Suite $10,000. Individual Quartets $3,500. First Quartet 35 in. x 35 in. Second Quartet 35 in. x 45 in. Third Quartet 45 in. x 35 in. Fourth Quartet 45 in. x 45 in Signed and d...

Jan Hoog’s *Flat* (1984) is a 121 x 48 x 54 cm sculpture crafted from red cedar wood, showcasing the artist’s expertise in geometric abstraction. The intersecting rectangular forms highlight Hoog’s dedication to precision, while the natural grain and warm tones of the red cedar bring a tactile, organic quality to the minimalist design. Influenced by Constructivist principles and the traditions of Donald Judd and André Volten...

The Isometric bench is a an optical illusion. It stands on three legs slightly angled; when you experience it, your sense of perspective is questioned. Paying homage to Aldo Rossi’s ...

Untitled 6 (2013) (Abstract photography) C Print - Unframed For this color photograph, Caldicott focused on simple geometric shapes, clean lines, using splendid color to define spa...

John Baker’s “Siblings: An Imaginary Portrait” is an acrylic painting on canvas with collage 11 x 9 x 1.5 inches in pinks, blues and whites. A quintessential image of gender, the pai...

John Baker’s “Old Madman #4”, an imaginary portrait 14 x 18 x .75 inches in flesh tones, greys, browns and whites, is from the artist’s important “Madman Series”. As Yeats wrote: “An...

John Baker’s “Eclipse Chaser”, an acrylic painting on canvas with collage, 44 x 24 inches, depicts the inner human experience of a total solar eclipse. Deep solar orange counterpoint...

Mel Bochner (American, 1940-2025) Color lithograph (color line photo-engraving on off-white wove paper) Hand signed and numbered in graphite pencil This is a PP (Printers Proof) outs...

Suite $10,000. Individual Quartets $3,000. First Quartet 35 in. x 35 in. Second Quartet 35 in. x 45 in. Third Quartet 45 in. x 35 in. Fourth Quartet 45 in. x 45 in. Signed and ...

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

Suite $10,000. Individual Quartets $3,500. Signed and dated on verso. First Quartet 35 in. x 35 in. Second Quartet 35 in. x 45 in. Third Quartet 45 in. x 35 in. Fourth Quartet ...

A modern acrylic painting on canvas by Robert Morris. Signed and dated 1963 on the bottom right as well as verso. A figurative abstracted composition in minimalist neutral tones. Kno...

Exceptional design by Bryan Hunt (American, b. 1947) featuring a substantial 7'10" hardwood top in a honey tone medium brown finish with thick 2" gently rounded edges. The top is rai...

Señales Numero Tres (Signals Number Three) 2017 is the third painting in the Signals Series. These acrylic paint on canvas works investigate signals, signage, traffic, movement, tra...

John Baker’s “He Stayed behind in Katmandu I” is an acrylic painting on canvas with collage 23 x 16 x 1.5 inches in light Prussian blues, russets and flesh tones. The western “suit” ...

John Baker’s “Urban Melancholy: An Imaginary Portrait” is an acrylic painting on canvas with collage 20 x 16 x 1.5 inches that compounds the reflective sadness of two sisters, one a ...

John Baker’s “Young Son with his Parents” is an acrylic painting on canvas with collage 39 x 30 inches in rich, mid-range blues with maroon and yellow accents. The son has triumphed: two of his four hands are clasped above his head in celebration like those of a victorious boxer, while his upended parents express their inverted and subordinate positions in the nuclear family...

John Baker’s “Old Man Riding a Tricycle”, an acrylic painting on canvas with collage 44 x 36 x .75 inches in intense red, yellows and greens, is a tongue-incheek depiction of the equ...

John Baker’s “Shooting the Rapids” is an acrylic painting on canvas with collage 48.5 x 36 inches in rich blues with auburn and red counterpoints and highlights. The young woman’s mood of contemplative reverie contrasts with the pleased and excited feelings of the helmeted crew. Obviously relieved, they float in their white water raft...

John Baker’s “Old Man Listening to a Bird” is an 18 x 14 x 1 inch acrylic painting on canvas with collage. An imaginary portrait with dark tones and off whites and a saturated blue highlight, details the facial expression and inner spiritual response of an old man as he listens to a little blue bird. Trustingly close, and made still closer by the extremely low position of the man’s ear...

David Novros (American, b. 1941) Untitled (Home Savings Study), 1986 Watercolor on paper Framed: 35 1/4 x 86 3/4 x 1 3/4 in. Each panel: 30 x 42 in. From Los Angeles and working fro...

This body of work by Miguel Angel Ríos from the early 1990’s mark an important period in his career, and he has made a name for himself with his ‘Mapas’ which are in various importan...

Mel Bochner (American, 1940-2025) Color lithograph (color line photo-engraving on off-white wove paper) Hand signed and numbered in graphite pencil This is a PP (Printers Proof) outs...

Artist: Chuck Krause (1949) Title: Thumbprint (Gray) Year: 2020 Medium: Acrylic paint on sculpted composite board Size: 23 x 18 inches Condition: Excellent Inscription: Signed by the...

Rhomboid, 2001 Laminated acrylic Signed and dated: Vasa / 2001 9.5" H x 4.5" W x 2.5" D (size is approximate) Vasa Velizar Mihich (born 1933), known as Vasa, is an American artist b...

Untitled 5 (Woman Resting Against a Chair) Signed and dated in the lower right corner (see photo) Edition: 100 (43/100 in the lower left corner) Published by Poligrafa, Spain Proven...

This exquisite lithograph by Max Bill (1908–1994), titled Prisma (Prism), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Fri...

Lacquered bronze sculpture by Yayoi Kusama. Original mould executed in 1974; casted in 1994. This work is number 20 from a limited edition of 30 plus 1 artist's proof. Incised with ...

Strawberry 1 Lacquered bronze sculpture by Yayoi Kusama. Original mould executed in 1974; casted in 1993. This work is number 6 from a limited edition of 30 plus 1 artist's proof. I...

Charles Hinman On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove p...

Exhibited at SUPERFINE! A Hyper-Curated, Contemporary Art Fair Frieze Week, NYC, May 2-6, 2018 Se├▒ales Numero Quatro (Signals Number Four) 2018 is the fourth painting in the Signals Series. These acrylic paint on canvas works investigate signals, signage, traffic, movement, tracks, flags, color juxtaposition, rhythm, patterns and the grid. It is painted in the hard edge, geometric, minimalist tradition. Influences include Elllsworth Kelly, Donald Judd, John McLaughlin, Karl Benjamin, Ad Reinhardt and Carmen Herrera to name a few. This painting measures 24" Height x 30" Width x 1.5" Depth and was painted on archival gallery wrapped canvas. The paint wraps around the edges, so there is no need for framing. Ready to hang with just a couple of nails. Titled, signed and dated on the reverse. Signals Number One and Signals Number Two were completed in August, 2015. Signals Number One was purchased by a collector from Englewood, Colorado in November, 2016 after being exhibited in a group exhibition called Inspire/Chapter Two...

John Baker’s “Light of my Life” is a 58 x 45 inch acrylic painting on canvas with collage in harmonized sky blues, yellow greens and radiant whites with pa...

This steel sculpture by Dutch artist Cor van Dijk (b. 1952, Pernis) reflects his minimalist design language and geometric abstraction. Measuring 15 x 30 x 18 cm, the piece showcases ...

This exquisite lithograph by Max Bill (1908–1994), titled Variation 13, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommaire du n...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

This exquisite offset lithograph after Jasper Johns (born 1930), titled Untitled, originates from the publication Art in America, May 2014. Published by Art in America, LLC, New York, and Sharon Coplan Hurowitz, New York; sponsored by Christies Inc., New York; and printed by Universal Limited Art Editions (ULAE), Bay Shore, at Official Offset Corporation, Amityville, 2013, this work reflects Johns ongoing investigation into symbol, perception, and repetition. In Untitled, Johns extends his celebrated exploration of marks, motifs, and coded visual language through a composition that merges conceptual clarity with painterly nuance, embodying the subtle rigor that defines his mature graphic work. Executed as an offset lithograph on velin Giama Natural paper, this work measures 15.125 x 10.875 inches (38.42 x 27.62 cm), with centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Universal Limited Art Editions (ULAE), Bay Shore, at Official Offset Corporation, Amityville, one of the most respected collaborative printmaking ateliers in the United States. Artwork Details: Artist: After Jasper Johns (born 1930) Title: Untitled, from Art in America, May 2014 Medium: Offset lithograph on velin Giama Natural paper Dimensions: 15.125 x 10.875 inches (38.42 x 27.62 cm), with centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 2013 Publisher: Art in America, LLC, New York; Sharon Coplan Hurowitz, New York Sponsor: Christies Inc., New York Printer: Universal Limited Art Editions (ULAE), Bay Shore, at Official Offset Corporation, Amityville Catalogue raisonne reference: Carlos Basualdo, Scott Rothkopf, Jasper Johns Mind/Mirror, Whitney Museum of American Art, 2021, No. 27; The Prints of Jasper Johns: A Catalogue Raisonne, ULAE, New York (forthcoming), No. 324. Condition: Well preserved, consistent with age and medium Provenance: From the May 2014 publication Art in America, published by Art in America, LLC, New York About the Publication: This special Art in America project was conceived as a contemporary homage to Jasper Johns’ long and distinguished history of printmaking innovation. Commissioned in collaboration with Sharon Coplan Hurowitz and sponsored by Christies Inc., the project brought together Art in America and Universal Limited Art Editions (ULAE) to create an original print that would bridge the worlds of fine art publishing, contemporary criticism, and Johns experimental graphic language. Printed at the renowned ULAE in Bay Shore and completed at Official Offset Corporation, the work reaffirms ULAEs foundational role in the evolution of Johns printmaking practice, which began at the atelier in 1960. For this publication, Johns developed a composition that synthesizes decades of explorations into mark-making, coded systems, repetition, and perceptual inquiry, extending the intellectual rigor and visual subtlety that have defined his contribution to American art since the 1950s. Distributed within the May 2014 issue, the project functioned as both a democratic expansion of Johns audience and a continuation of his long-standing interest in the intersection between mass media, printmaking processes, and the shifting boundaries between high art and printed dissemination. Today, this project is recognized as one of the most significant print-related collaborations between a major art periodical and an American master, embodying Johns lifelong dialogue between image, idea, and the materiality of print. About the Artist: Jasper Johns (born 1930) is widely regarded as one of the most influential and transformative American artists of the postwar era, a painter and printmaker whose groundbreaking fusion of abstraction, symbolism, and conceptual inquiry placed him in direct dialogue with towering modernists such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray while establishing a new visual and intellectual foundation for contemporary art; emerging in the mid 1950s with his revolutionary paintings of flags, targets, numbers, alphabets, and other everyday symbols, Johns rejected the emotional volatility of Abstract Expressionism and instead introduced a cool, analytical approach grounded in the semiotic play between object and image, employing encaustic, collage, graphite, and sculptural relief to create layered works that examine how meaning is constructed and perceived; his dialogues with Duchamps conceptualism, Picassos structural inventiveness, Miro and Kandinskys color logic, Giacomettis existential figuration, and Man Rays experimental attitude helped shape a singular aesthetic that directly influenced and helped catalyze Pop Art, Minimalism, and Conceptual Art, inspiring contemporaries and successors including Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Bruce Nauman, Glenn Ligon, Christopher Wool, Mark Bradford, Mark Grotjahn, and Wade Guyton; celebrated for more than seven decades, Johns work is held in the worlds most prestigious museums—including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Gallery of Art, the Art Institute of Chicago, the Tate Modern, the Centre Pompidou, and the Moderna Museet—and he is recognized as one of the most intellectually rigorous and technically inventive artists of the 20th and 21st centuries; his market remains exceptionally strong, with his highest auction record achieved on November 11, 2014, when Flag (1983) sold for 36000000 USD at Sothebys New York. Jasper Johns lithograph...

Unconscious Female Force 1999 Born in 1950 Vina Del Mar Chile. Already when a child his drawings and paintings were noticed by the public. From 1966 to 1969 he attended the Academy of Fine Arts in Valparaiso where he received awards every year. Very soon he exhibited his works that document his specific interest in the portrayal of man in Chile. In the age of 24 he went abroad having exhibition in several Latin American countries. In 1983 he joined the League Art Student of New York. Duran developed his style which distinguishes him from present day currents. His work was exhibited in Europe, South America and USA recently his work was exhibited in Chile. Ivan Duran Garlick...

The documentary image fortified door is a portrait of urban defence that denies entry not only to visitors but also to the viewer. Tightly cropped and shot nearly head-on, it offers little information about its location or context (although small clues can be found at the edges of the photo). The door and the picture of it share a particularly ambivalent position in time, quoting idioms from the past but bearing traces of the present. Jeff Wall adopts the 19th century poet Baudelaire's famous description of one of his contemporaries as "a painter of modern life" to describe his own very different work: huge transparencies mounted onto light boxes which diffuse a brilliant glow of white light evenly through his photographs of contemporary urban scenes and 'constructed' social situations. Jeff Wall is foremost among the pioneering artists who since the late 1960s have brought photography to the forefront of contemporary art. His constructed images employ the latest sophisticated technology in the creation of compelling tableaux, which are evocative of subjects ranging from Hollywood cinema to nineteenth-century history painting. When exhibited in their glowing light boxes they evoke both the seduction of the cinema screen and the physical presence of minimalist sculptures such as Dan Flavin's fluorescent light installations or Donald Judd's metal and Perspex wall reliefs. All of these elements - traditional figurative painting, cinema, minimalism, conceptual art, documentary photography - are consciously evoked and explored in Wall's work. Associated closely since the late 1960s with conceptual artists such as Dan Graham...

Bael, Disorder, 2024 Acrylic on wood panel 30 x 30 cm (11.81 x 11.81 in) Hand-signed on the reverse Michael James Bell is a contemporary artist who goes under the alias ‘Bael’. H...

Bael, Chrysanthemum, 2024 Acrylic on wood panel 40 x 40 cm (15.75 x 15.75 in) Hand-signed on the reverse Michael James Bell is a contemporary artist who goes under the alias ‘Bae...

Bael, Malaise, 2024 Acrylic on wood panel 44 x 44 cm (17.32 x 17.32 in) Hand-signed on the reverse Michael James Bell is a contemporary artist who goes under the alias ‘Bael’. He...

Bael, Solar, 2024 Acrylic on canvas 100 x 100 cm (39.7 x 39.7 in) Hand-signed on the reverse Michael James Bell is a contemporary artist who goes under the alias ‘Bael’. He lives...

Bael, Aequor, 2024 Acrylic on wood panel 100 x 100 cm (39.7 x 39.7 in) Hand-signed on the reverse Michael James Bell is a contemporary artist who goes under the alias ‘Bael’. He ...