383 results for "gobelins"

"Of all the ”flower series” the most complex work is the one called Reflection (1998). It seems to depict the fight or the conversation of flower cathedrals which are floating above ...

‘Self Actualisation’, a handmade painting by Lawrence Kwakye consisting of oil on jute, cotton, linen. Everyone knows the old French Gobelins from the 17th century; large tapestries ...

A Fine Louis XV Ormolu mounted Tulipwood, Kingwood & Parquetry Collectors Cabinet Mid 18th Century Attributed to Jean-François Oeben The shaped marble top over a shaped cabinet with tulipwood, kingwood & parquetry throughout, with tambour shutters revealing a re-fitted interior with 6 graduating drawers, all over four cariole legs ending in gilt bronze sabots. Height 41 in. Width 38 in. Depth 20 in. Jean-François Oeben, ébéniste du roi in 1754 and maître in circa 1761. Jean-François Oeben was a sub-tenant of charles-joseph boulle (1688–1751) in the galleries of the louvre from 1751, and in 1754 was granted lodgings at the gobelins and then at the arsenal in 1756. he was appointed ebéniste du roi in 1754 and was therefore able to work outside guild restrictions. he was a protégé of the marquise de pompadour, the marquis de marigny and the duc de choiseul. his identifiable works span less than ten years. his earliest pieces are in the louis xv style (e.g. small table, 1756–8; munich, residenzmus.), and he seems even to have completed some pieces started by jean-pierre latz (e.g. pair of corner cupboards...

Edition of 50 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture...

Table lamp Materia: bronze and glass Country: France To take care of your property and the lives of our customers, the new wiring has been done. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of high society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th century to the mid-20th century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest community of Italians outside of Italy, as it is estimated that 70 percent of the inhabitants have at least one Italian descendant, followed by Spanish immigrants. The most Important furniture stores in Argentina: Comte is founded in 1934 (under the direct management of Jean Michel Frank in 1940). Nordiska (Swedish company established in 1934). Churba in 1960, a company that brought foreign designers to present their furniture in the country: Denmark: (Arne Jacobsen, Finn Juhl, Bender Madsen, Ejner Larsen, Poul Kjaerholm, Hans Wegner) Sweden: (Hans Agne Jakobsson, Gustavsberg) United States: (Herman Miller) Finland: (Lisa Johansson, Folke Arstrom, Tapio Wirkkala, Alvar Aalto, Timo Sarpaneva) Swedish Factory: (Orrefors) Italy: (Littala, Vico Magistretti, Emma Gismondi, Gae Aulenti, Angelo Mangiarotti, Elio Martinelli, Gianna Celada, Angelo Mangiarotti, Mario Bellini, Carlo Scarpa) Finland: (Olivia Toikka) Plata Lappas (Lappas Silver): a goldsmith shop founded in 1887 in Argentina by Alcibiades Lappas of Greek origin. In 2019, in Argentina took place “the Art Deco world congress”, in which we participated as hosts invited by Geo Darder, founder of the Copperbridge – Foundation, in which prominent people from all over the world attended to learn about Art Deco in Argentina. Argentina currently has more than 100 Art Deco buildings and another 90 Art Nouveau buildings throughout the city of Buenos Aires. Argentina is a country that has not been involved in many wars, which is why it has been a refuge for works of art and antiques from different periods of time, unlike European countries. That is way many collectors, museums and antique dealers from all over the world visit it, you should not miss the opportunity to visit this great country. Laura Guevara Kjuder, architect. JEAN-CHARLES MOREUX (1889-1956) French architect and designer Jean-Charles Moreux was born in 1889 at the Chateau de Joncy in Saone-et-Loire. He studied at l’Ecole de Beaux-Arts in Paris (1914-22) where he spent the period during World War I working on the preservation of works of art. While attending l’Ecole he became friends with the architect Jean Lurcat and his brothers, Andre and Paul Vera. In 1924 he exhibited his first pieces of furniture at the Salon d’Automne. He had a preference for poetic living spaces and felt that people deserved better than Corbusier’s “machines for living in”. He was anxious to introduce aspects of the marvelous into architecture and living spaces. His creations drew upon the classical, baroque, and rococo styles. Moreux’s well-known clients included the Baron Robert de Rothschild and Bolette Natanson...

This is a gorgeous vintage French Louis Revival walnut, ormolu mounted, marquetry bureau plat, dating from the second half of the 20th Century. The shaped rectangular top has a deco...

Set of six Scandinavian dining chairs from the 1960s featuring solid teak frames and floral upholstery. Each chair has a tapered frame with slightly angled back legs and a distinctiv...

Edition of 17 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her ...

Edition of 17 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris...

Green Borghese sofa Noé Duchaufour-Lawrance Dimensions: D 244 x W80 x H86 cm Material: Metal, Textile, Wool Borghese is a light sofa inspired by the stone pines of the Villa Borghese gardens in Roma. The metal structure reproduces the network of branches and supports the back cushions; the whole draws a comfortable landscape. Color scale: Borghese is available in a selection of colors chosen by the designer, used either in a single color version, or as a combination of four colors Weight 143 lbs. Biography Not wishing to simply produce or be rational about a product… Noé Duchaufour-Lawrance prefers that each of his projects has its own unique scenario, nourished without distinction between uses, forms, materials or aesthetics. For him, curves and straight lines, sensuality and strictness interact in confrontations that are conducive to create meaning and awaken our senses. Through his desire to breath life into both the objects and spaces he designs, Noé Duchaufour-Lawrance views each project as an organic form that will grow over time with its user, almost like a natural element that can Challenge human order or disorder. Originally, Noé Duchaufour-Lawrance was a sculptor, preoccupied with each work he created by a story and intimate link with nature that he felt the need to retranscribe by using his hands. But soon the IDEA of stirring emotions in others by creating useful forms became an evident path for someone who loves the beautiful as much as the functional and harmony as much as social responsibility. So he turned to design… Noé Duchaufour-Lawrance often compares his approach to tsubo niwa, the tiny garden at the center of a traditional Japanese house. Like an organic pulse in a profession dedicated to meeting the demands of an industry, a market or a specific client, he is as ready to design objects with inspired lines for manufacturers (Bernhardt Design, Ceccotti Collezioni, Cinna, Ligne Roset, La Chance, Petite Friture, Tacchini, Zanotta…) as he is to imagine harmonious living areas (Senderens, Air France Lounges, Ciel de Paris, Meurice Oenotheque, Transumance Chalet, #Cloud.paris Lounge…) or even to define a product image or showcase for a famous brand (Paco Rabanne, YSL Beauty, Perrier-Jouët,). Thus in 2015 Montblanc associated its name with Noé Duchaufour-Lawrance, entrusting him with the architectural plans of the company’s 500 boutiques worldwide. His unique approach has led him to conceive exceptional objects that have been presented in the Pierre bergere gallery in Brussels and the BSL gallery in Paris. He has participated in prestigious events like the AD Interiors exhibition at Paris’ Musée des Arts Decoratifs in 2013 and, more recently, the AD collections exhibition, also in Paris. His creative meanderings have led him to initiate a collaboration with the Neal Feay workshop in the United States and also to work with two royal factories in France: Mobilier National (National Furniture) and the Manufacture de Sevres (ceramics). The latter two endeavors combine his contemporary vision of design with the finely-honed skills of master craftsmen that were used in the 18th century. His approach has been acclaimed by the French and international press and he has received many prizes including NeoCon Silver 2016 for his Modern Family collection for Bernhardt Design, the 2015 Via Label, the 2014 Janus business prize for the Air France Salons, the GQ Best Designer prize in 2012, the prestigious Red Dot prize for Best Product in 2011 and both the Elle Decoration International Design Prize and Wallpaper Design Award in 2009. With his innate fondness for Art Nouveau, he relies not only on the universal character of nature to impose shapes that make sense but believes that the idea of a total, multidisciplinary art is vital for contemporary creation. Education 1992-97 École nationale supérieure des arts décoratifs, Furniture Department - Paris École nationale supérieure des arts appliqués, Metal Sculpture DMA - Paris Interior Design Currently Lobby and amenity spaces areas for two 50 story apartment buildings in Jersey City / New York for Ironstate development, delivery 2018 Private appartment in Soho NYC, in collaboration with Selldorf Architects, delivery may 2017 Study for a site layout of a 13 ha private space in the Hamptons. Project's direction, land art, landscape design in collaboration with Bas Smets Architecture of 4 residential units, delivery 2018/2019 2016 An e-lounge space located in a building of high standing offices (Paris) New retail concept for Montblanc stores including Hamburg's flagship 2014 "Le Cabinet Onirique", AD INTÉRIEURS exhibition - Musée des Arts Décoratifs, Galerie Nef (Paris) 2012 A private dining room for Château d’Yquem in the Parisian hotel “Le Meurice“ The “Megu” Japanese restaurant in the Alpina Grand Hotel (Gstaad -Switzerland) “Le Ciel de Paris” restaurant on the 56th floor of the Montparnasse Tower (Paris) Air France Lounge business class, Paris-Charles de Gaulle Airport, Terminal S4 (in partnership with Brandimage) 2011 Interior design of a chalet, St Martin de Belleville (French Alps) 2010 BSL Gallery, Paris 3rd district 2009 - 2010 Conception of the visual identity of the Yves Saint Laurent Beauté store Stand 2008 Hotel W, Marrakech –project cancelled – up to the Design Development Phase 2007 Air France Lounge business class, Tokyo Airport Maya Bar, Monaco Brasserie Sénequier, Saint-Tropez 2006 Déli-cieux, the terrace restaurant of the ‘Printemps maison’ department store, Paris 2005 TAD concept Store – Via statuto Milan - Italy Senderens, Restaurant, ex- Lucas Carton for Alain Senderens – 9, place de la madeleine, Paris 2004 Layout design for a 11,000 sq. ft. private home 3rd Culture, fashion and accessory store, Imperial Hotel Guinza –Tokyo 2003 Libresens, Cognac Bar for the Bertrand Group and Remy Martin, Paris 2002 Sketch, Restaurant, Design and Interior Layout for the ‘West Bar -Gallery – East Bar - Eggs Toilets,’ London 2000 Maoh, restaurant- ‘noodles’ Bar for the Bertrand Group, Neuilly-sur-Seine Scenography Currently Scenography for Café Scène and Scènes d'Intérieur Gallery, Maison & Objet, Halls 7 and 8, Paris-Nord Villepinte, january 2017 2016 Scenography l'Eden for Perrier-Jouët during London Design Festival, Londres Scenography for Café Elle Déco and Scènes d'Intérieur Gallery, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2015 Scenography for Scènes d'Intérieur et éditeurs, Maison & Objet, Hall 7, Paris-Nord Villepinte, january and september 2014 Scenography Les Miroirs d'Eau, Scènes d'Intérieur, Maison & Objet, Hall 7, Paris-Nord Villepinte 2012 Scenography for the DESIGNERS DAYS, theme ‘Identité(s)’ Showroom Poltrona Frau, Paris 2008 Scenography for the CRYSTALLIZED™ Stand – Swarovski Elements during the Maison et Objet fair, Paris-Nord Villepinte Layout and scenography of Hall 5B, Scènes d’Intérieur, Paris-Nord Villepinte 2007 Scenography for the DESIGNERS DAYS, theme ‘desire,’ Showroom Cassina, Paris 2006 Stand for L’Oréal International Professional Hairdressing Products, Paris 2003 Scenography for Designers Days, Galerie Moderno for Zanotta, 2003, Paris Scenography of the exhibition "Evanescence", Showroom Zanotta, Milan Design Currently Creation of a table lamp for Kundalini (launch Euroluce Milan, april 2017) Creation of a rechargeable lamp for DIOR MAISON Creation of furnitures and lights for ZAOZUO editor 2017 Collection transversale "Folia" for the crystal manufacture Saint-Louis 2016 "My Mia" Chair for Habitat "Modern Family" collection for Bernhardt Design "Cupidon" Side Table for Cinna "Sellier" Sofa for HERMES Maison, presented at Milan Salon "Mediterranea" Lamps for PETITE FRITURE "Transmissions" collection made with l'ARC of Mobilier National 2015 "Colors" collection for Bernhardt Design "Market" collection for PETITE FRITURE 2014 "Market" Chair for PETITE FRITURE "Estampe" collection for Cinna "Harper" rocking Chair for Bernhardt Design "Cinema" Sofa for Bernhardt Design "Shelter" parlour Side Chair for TACCHINI "Arom" Armchair for Zanotta "Le Noé" Knife for PERCEVAL "Ciel" Armchair for TABISSO " Kiji" Side Table for Cinna "Calanques" Low Tables for Cinna "Inside World" Desk for Cinna 2013 “Torii” armchair for Cinna “Hybride” table for Cinna “Aoyama” table for Cinna “Market” chair for PETITE FRITURE “Fluid” lamp for FORESTIER 2012 'Catherine’ armchair for Bernhardt Design 'Ammonite' shelf for Meta 'Naturoscopie' collection for GALERIE BSL: a shelf, four wall lamps, three ceiling fixtures, two coffee tables, a mirror, a table light “Borghese” sofa for La Chance, new French editor “Hybride” sofa for Cinna “Bamby” chair for MARCEL BY “Monk” coffee table for PLEYEL “Nuvola” armchair for Zanotta “Baladeuse,” “East,” “Gloriette” lighting for FORESTIER 2011 “Duales” tables for ST LUC “Plis” rug for CHEVALIER Editions “Omaggio” desk, “Niwa” coffee table and “Deriva” table for Ceccotti Collezioni “Air Lux” chairs, “Mut” chair, “Benz” chairs, “Sign” table for Fasem Participation in the Guzzini Food Design France event 2010 ‘Otto’ chair and ‘Quadro’ table for Ceccotti Collezioni Armchair “Calla” for Zanotta “Corvo” chair for Bernhardt Design “Ottoman” sofa and armchair collection for Cinna “Salam”, “Meida” and “Interstice” tables for Cinna “Suite 207” rug for CHEVALIER Editions Creation of the new women’s fragrance...

Maximilien Luce (French, 1858-1941) Pencil and charcoal drawing of a shop with goods along the coast line of northern France. A cat can be seen looking at a man far off at the entran...

Edition of 31 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris, and in returning to Colorado, spent five years as master craftsman to the notable bronze sculptor George Lundeen. DeDecker is a Fellow of the National Sculpture Society and has gone on to receive copious awards, such as the Critics Choice Award from the Kimball Art Museum, Fort Worth, TX. Major installations of DeDecker’s sculptures are located at the Presidential Library in Washington, DC; the Mayo Clinic...

Edition of 31 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in...

Edition of 31 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris, and in returning to Colorado, spent five years as master craftsman to the notable bronze sculptor George Lundeen. DeDecker is a member of the National Sculpture Society and has gone on to receive copious awards, such as the Critics Choice Award from the Kimball Art Museum, Fort Worth, TX. Major installations of DeDecker’s sculptures are located at the Presidential Library in Washington, DC; the Mayo Clinic...

Edition of 31 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her t...

Edition of 21 Jane DeDecker, American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture...

Edition of 21 Jane DeDecker, American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris...

Émile Marie Beaume French, 1888-1967 Corsican Shore Oil on Canvas 18 ⅛ by 21 ⅝ in, w/ frame 25 ½ by 29 ¼ in Signed lower right French painter, lithographer, engraver and fresco art...

Poster project for the "XVe Salon des Artistes Décorateurs" by Jean DUPAS (1882-1964) Original drawing Pencil, with highlights of gouache Signed "Jean Dupas" Dated "1924" Dedicated ...

The work Hibiscus (1999) was inspired by an unforgettable visit to a national park’s garden in Balcik, Bulgaria. One of a kind. Eszter Kneisz is a textile artist, a follower of the...

The piece ”Jasmine” (1999) is a flower positioned in the foreground and is a softer statement of the flower when we compare it to the "Primrose". One of a kind. Eszter Kneisz is a ...

The work entitled Hit (1983) is logo- and poster-like, created for the 1983 Peace competition, evoking the sexual revolution of the 1960s and the slogan "make love not war" of young ...

Spectacular artwork by Lawrence Kwakye. Photo of an original artwork by Kwakye, printed on Perspex, framed in oak and enlightened with led lights. This photo captures a moment of int...