276 results for ""patti smith""

Rare vintage original CBGB club poster published in 1983 to commemorate the historic venue's 10 year anniversary. Offset lithograph. 1983. Measures: 23x35 inches. Good overall vint...

Patti Smith Voice Choices (hand signed by Patti Smith) from the Gotham Book Mart collection, 2001 Offset print broadsheet, hand signed in ink on the cover This cover, hand signed by ...

Patti Smith, musician, poet. The bohemian New York poet and punk-rock artist 11X14 B&W, Silver Gelatin - Fiber Based Print Signed and numbered by artist - Keith Green Captured in New...

David Bailey Patti Smith, 1978 Archival Inkjet on paper Edition of 15 Signed by the artist, on verso Image: 36.83 x 47.76 cm Sheet: 42 x 59.4 cm

Edition: Patti Smith Sumo-size: 50.0 x 69.0 cm (19.7 x 27.2 in.), 476 pages, Hardcover (incl. 6 fold-outs) with supplement book (INT-Edition) and bookstand designed by Marc Newson Editor: Annie Leibovitz, Benedikt Taschen, Simone Philippi Contributing authors: Steve Martin, Graydon Carter, Annie Leibovitz, Hans Ulrich Obrist, Paul Roth Limited to a total of 10,000 copies, all signed by Annie Leibovitz: (No. 1,001–10,000 Collector‘s Edition) is available in 4 different dust jackets that collectors can choose from: Whoopi Goldberg; Keith Haring; David Byrne and Patti Smith and (No. 1–1,000 Art Edition) is limited to 1,000 copies, bound in leather, each numbered and signed by Annie Leibovitz, comes with all 4 dust jackets and a Fine art print: Keith Haring, New York City, 1986, size: 50,0 x 69,0 cm (19,7 x 27,2 in.) The ultimate portrait collection of the most famous celebrities, by the most well known photographer in the world, from Annie Leibovitz's 40 years in photography (including a large number of previously unseen images from her archives). 500 of the most celebrated people from the worlds of music, cinema, TV, art, fashion, theater, literature, politics, and sports are featured in a size, scale and printing quality never before seen. 240 photos in total. Comes with specially designed limited edition Marc Newson book Stand...

An intimate visual survey of the unparalleled Patti Smith by Lynn Goldsmith, whose lens has immortalized a golden era of rock ’n’ roll history. With hundreds of unseen photographs an...

Art Edition “Patti Smith” (No. 1–275). Hardcover volume in a slipcase, accompanied by the portrait Patti Smith, New Orleans, 1978. For over 50 years, Annie Leibovitz has been creati...

'Patti Smith, Fuck the Clock,' 1978 by famed American photographer, Allan Tannenbaum. Archival pigment print, 10 x 15 in. (image) on 17 x 22 in. (paper), Ed. of 50. This black and ...

AVAILABLE FOR IMMEDIATE SHIPPING Signed limited edition archival print of Patti Smith wearing her “Fuck The Clock” t-shirt by Allan Tannenbaum, taken at CBGB in New York, New Years ...

Patti Smith New York City, 1976 by Fernando Natalici: This classic rock image was captured at the historic, New York Palladium show headlined by Patti Smith, John Cale, and Television. Digital C print on Kodak lustre. 16 x 20 inches Hand signed, dated and numbered on the reverse from an edition of 20. Excellent overall condition. Acquired directly from Natalici New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). Recent Publications & Exhibits Jim Jarmusch: Music, Words & Noise (2015) Another Magazine (London, 2014) Black Book (2014) Curbed NY (2014) The Museum of The Moving Image (New York, 2015) The Hole Gallery NYC (New York, 2014) The Chelsea Hotel (New York 2013) New York University Tisch School of The Arts (2013) A perfect compliment to your Robert Mapplethorpe, Roberta Bayley...

Signed limited edition archival print of Patti Smith and John Belushi taken backstage before their Saturday Night Live appearance in April 1976 by Allan T...

Signed limited edition archival print of Patti Smith wearing her “Fuck The Clock” t-shirt by Allan Tannenbaum, taken at CBGB in New York, New Years Eve 1977. Available in different ...

Annie Leibovitz - Patti Smith - New Orleans - 1978 (Original), 1978 Cibachrome photograph (this is the original - not the later commemorative reprint) Please note: There was a later ...

Signed limited edition fine art print of musician, poet and writer, Patti Smith, taken in New York by celebrated photographer and filmmaker, Norman Seeff in 1969. This Patty Smith...

Digital gelatin silver print Signed, titled, dated, and numbered in pencil, verso 11 x 14 inches (Edition of 25 + 3 APs) 16 x 20 inches (Edition of 18 + 3 APs) This artwork is off...

Patti Smith taken in NYC during a 1975 Iran War protest by Lynn Goldsmith. Recently framed with non-glare museum glass, signed limited edition 16x20" print, edition #1/20 Lynn Go...

'Patti Smith and John Belushi backstage at Saturday Night Live,' 1976 by famed American photographer, Allan Tannenbaum. Archival pigment print, 10 x 15 in...

Signed limited edition 20x24" print of Patti Smith and John Belushi taken backstage before their Saturday Night Live appearance in April 1976 by Allan Tannenbaum. Limited edition nu...

Signed limited edition archival print of Patti Smith taken in her apartment studio by Allan Tannenbaum, New York City, 1974. Allan Tannenbaum prints are available in the following s...

Signed limited edition fine art print of Patti Smith and Robert Mapplethorpe, taken in her kitchen in New York by celebrated photographer and filmmaker, Norman Seeff in 1969. This P...

Signed in ink on verso Vintage gelatin silver print Image: 8-1/2" x 12-1/2", Paper 11" x 14", Matted: 16" x 20"

Patti Smith photograph New York City, 1977 by Fernando Natalici This classic rock image was captured at the historic, New York Palladium show headlined by Patti Smith, John Cale, and Television. Digital C print on Kodak Luster. 11 x 14 inches (full frame printed to the edges). Hand signed on the verso from an edition of 20. Excellent condition. Acquired directly from artist. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). Recent Publications & Exhibits Jim Jarmusch: Music, Words & Noise (2015) Another Magazine (London, 2014) Black Book (2014) Curbed NY (2014) The Museum of The Moving Image (New York, 2015) The Hole Gallery NYC (New York, 2014) The Chelsea Hotel (New York 2013) New York University Tisch School of The Arts (2013) A perfect compliment to your Robert Mapplethorpe, Roberta Bayley...

Kerry Smith Patti Smith - Horses Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1646 *Black frame with a mirror-gloss finish ...

An intimate visual survey of the unparalleled Patti Smith by Lynn Goldsmith, whose lens has immortalized a golden era of rock ’n’ roll history. With hundreds of unseen photographs an...

Patti Smith Ann Arbor, Michigan 1995: An intimate & charming photo of rock goddess Patti Smith by legendary Detroit photographer Leni Sinclair - Kresge Foundation's Eminent Artist of...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in New York City in 1977. Framed, signed limited edition 16x20" print, edition...

Signed limited edition 16x20"" print of Patti Smith taken in 1978 by Lynn Goldsmith. Limited edition number 3/20 Modern C-type print. Available for immediate shipping. Lynn Goldsm...

An unflinching exploration of aging from one of the twentieth century’s most influential photographers For more than half a century, Richard Avedon sought to represent advancing age in the faces of the people he photographed. From his earliest years at Harper’s Bazaar and Vogue through to the twenty...

Annie Leibovitz, our most celebrated living photographer, explains how her pictures are made, in this updated edition of her classic text In this newly revised edition of her semina...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Back View of Male Nude, from the folio A Season in Hell, originates from the 1986 edition published by The L...

Edition: Whoopi Goldberg. Sumo-size: 50.0 x 69.0 cm (19.7 x 27.2 in.), 476 pages, Hardcover (incl. 6 fold-outs) with supplement book (INT-Edition) and bookstand designed by Marc Newson. Editor: Annie Leibovitz, Benedikt Taschen, Simone Philippi. Contributing authors: Steve Martin, Graydon Carter, Annie Leibovitz, Hans Ulrich Obrist, Paul Roth. Limited to a total of 10,000 copies, all signed by Annie Leibovitz: (No. 1,001–10,000 Collector‘s Edition) is available in 4 different dust jackets that collectors can choose from: Whoopi Goldberg; Keith Haring; David Byrne and Patti Smith and (No. 1–1,000 Art Edition) is limited to 1,000 copies, bound in leather, each numbered and signed by Annie Leibovitz, comes with all 4 dust jackets and a Fine Art print: Keith Haring, New York City, 1986, size: 50.0 x 69.0 cm (19.7 x 27.2 in.) The ultimate portrait collection of the most famous celebrities, by the most well known photographer in the world, from Annie Leibovitz's 40 years in photography (including a large number of previously unseen images from her archives). 500 of the most celebrated people from the worlds of music, cinema, TV, art, fashion, theater, literature, politics, and sports are featured in a size, scale and printing quality never before seen. 240 photos in total. Comes with specially designed limited edition Marc Newson book Stand...

The first comprehensive collection of Nest, the magazine that revolutionized the way we look at interior space and decoration The brainchild of artist and designer Joe Holtzman, Nest magazine...

Robert Mapplethorpe William S. Burroughs Photograph insert from Radar No. 1 (1982) Year: 1982 Size: 9.8 × 7.8 inches Stamped verso, unsigned Accompanied by Radar, Basel, Edition C.L...

Annie’s Big Book Famed photographer Annie Leibovitz weighs in with her own SUMO Art Edition (No. 1–1,000) Archival pigment print Keith Haring (contact sheet), New York City, 1986...

CBGB, The Birthplace of Punk - captured by heralded New York underground photographer Fernando Natalici: Manhattan, c.1982 Archival Inkjet Print. Dimensions: 11 x 14 inches (full fr...

Edition: Keith Haring Sumo-size: 50.0 x 69.0 cm (19.7 x 27.2 in.), 476 pages, hardcover (incl. six fold-outs) with supplement book (INT-Edition) and bookstand designed by Marc Newson Editor: Annie Leibovitz, Benedikt Taschen, Simone Philippi Contributing authors: Steve Martin, Graydon Carter, Annie Leibovitz, Hans Ulrich Obrist, Paul Roth Limited to a total of 10,000 copies, all signed by Annie Leibovitz: (No. 1,001–10,000 Collector‘s Edition) is available in 4 different dust jackets that collectors can choose from: Whoopi Goldberg; Keith Haring; David Byrne and Patti Smith and (No. 1–1,000 Art Edition) is limited to 1,000 copies, bound in leather, each numbered and signed by Annie Leibovitz, comes with all 4 dust jackets and a fine art print: Keith Haring, New York City, 1986, size: 50,0 x 69,0 cm (19,7 x 27,2 in.) The ultimate portrait collection of the most famous celebrities, by the most well known photographer in the world, from Annie Leibovitz's 40 years in photography (including a large number of previously unseen images from her archives). 500 of the most celebrated people from the worlds of music, cinema, TV, art, fashion, theater, literature, politics, and sports are featured in a size, scale and printing quality never before seen. 240 photos in total. Comes with specially designed limited edition Marc Newson book stand...

New York Street Art photograph 2012: Chelsea Manhattan Street Art photographed in 2012 at the famed Comme Des Garcons, New York flagship store, b...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Debbie Harry of Blondie - London 1977 limited edition print by Brian Duffy. Debbie Harry of “Blondie” wearing a Patti Smith Group T-shirt shot...

Like a turtleneck ensemble acquired by TheMet Costume Institute, Ann Demeulemeester designed this bold-silhouette contrasting-texture wool set of chocolate ribbed high-neck cropped tight knit sweater and black bias-cut crepe mini skirt for her Fall/Winter 1996-1997 collection, when the latter low-waisted garment without a waistband was worn on the Paris runway over trousers. The soft thick darted pullover jumper characteristically has the designer's hallmark of oversized exaggerated cuffs, which can be left unfolded for a more feminine look. The Belgian designer meticulously tailored the brushed-wool skirt so that its three seams are in the back, where there are also darts to flatter the bias drape, two belt loops, and invisible zip closure at the center. Aside from featuring knitted turtlenecks in almost every ensemble that debuted on the runway that season, this collection was significant because Demeulemeester--who was known for her black-and-white palette of monochromatic pieces until she retired from her independent label in 2013--added colors and textures including this sweater. However, red was the only color featured on the runway. For an alternative pairing idea, we included a photo of a similar brown ribbed darted high-neck sweater, which was worn in Demeulemeester's runway show for Fall/Winter 2000, but with a shiny billowy slit maxi skirt...

Robert Mapplethorpe Botanical Plate, Calla Lily, 1984 Made By Swid Powell The Robert Mapplethorpe porcelain plate depicts in black and white a Calla Lily made in 1984. It is lithographically printed porcelain based on Robert Mapplethorpe's photographs and made by Swid Powell. Robert Michael Mapplethorpe was an American photographer, best known for his black-and-white photographs. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits, and still-life images. He was concerned with Classical aspects of beauty, whether in his nudes, floral still life pictures, or self-portraits—light, shadow, composition, and form were central to all his work. Dimensions: 12 inches diameter x 1 inch height Reference: Annette Tapert, Swid Powell: Objects by Architects, New York, 1990, pp. 142-43 See: Examples from this series can be found in the MFAH, The Museum of Fine Arts, Houston. Also see Yale University Art Gallery for an examples. Robert Mapplethorpe was born on November 4, 1946, in Floral Park...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. American photographer Victoria Cohen...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Rose with Smoke, from the folio A Season in Hell, originates from the 1986 edition published by The Limited ...

Limited Edition Silver Gelatin Prints Hand Signed by Bob Gruen 20" x 24" Unframed Limited Edition of 250 30" x 33" Unframed Limited Edition of 45 Bob Gruen is one of the most we...

Signed limited edition fine art print of Patti Smith and Robert Mapplethorpe, taken in her kitchen in New York by celebrated photographer and filmmaker, Norman Seeff in 1969. This Patty Smith...

Robert Mapplethorpe (American, 1946-1989) Calla Lilly, plate produced by Swid Powell in 1989, original image captured 1984 Porcelain with overglaze transfer-printed decoration 12 in....

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Hand in Fire, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Edi...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in 1977. This stunning portrait appeared on the cove...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Self-Portrait, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Ed...

Henry Rollins Black Flag photograph NYC 1987: Medium: Archival Ink Jet Print. 11 x 14 inches including borders. Hand signed from a limited edition of 10. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). Recent Publications & Exhibits Jim Jarmusch: Music, Words & Noise (2015) Another Magazine (London, 2014) Black Book (2014) Curbed NY (2014) The Museum of The Moving Image (New York, 2015) The Hole Gallery NYC (New York, 2014) The Chelsea Hotel (New York 2013) New York University Tisch School of The Arts _ Henry Rollins, is an American musician, actor, writer, television and radio host, and comedian. After performing in the short-lived Washington, D.C. band State of Alert in 1980, Rollins fronted the California hardcore punk band Black Flag from August 1981 until mid-1986. Following the band's breakup, Rollins established the record label and publishing company 2.13.61 to release his spoken word albums, and formed the Rollins Band, which toured with a number of lineups from 1987 until 2003, and during 2006. Since Black Flag disbanded, Rollins has hosted numerous radio shows, such as Harmony in My Head on Indie 103, and television shows such as The Henry Rollins Show, MTV's 120 Minutes, and Jackass. He had recurring dramatic roles in the second season of Sons of Anarchy, in the final seasons of the animated series The Legend of Korra as Zaheer, and has also had roles in several films. Rollins has campaigned for various political causes in the United States, including promoting LGBT rights, World Hunger Relief, the West Memphis...

Bob Gruen Debbie Harry (Blondie) Max's Kansas City, 1976, 2018 Limited Edition silkscreen and diamond dust on 320 gram coventry rag paper Signed, numbered 7/10 and dated in graphite ...

Fernando Natalici, "MTA Subway Voyeur" photograph, New York City, 2015: An artful and secretly explorative composition of everyday city life by heralded NY underground photographer, ...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in 1977. "She loved Vogue magazine, especially the ...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

Kate Moss Street Art Photo: A rare Mr. Brainwash Kate Moss mural photographed in New York's famed Soho area in 2014 by celebrated downtown photographer Fernando Natalici. Digital C...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

Signed limited edition silver gelatin print of Bob Marley by Kevin Cummins, photographed whilst performing at Bingley Hall in Stafford, England, June 22, 19...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...