109 results for ""the high line""

The acclaimed exploration of the iconic ‘park in the sky' in New York that reshaped global perceptions of urban space - back in print Since opening to the public in 2009, the High Line...

The most comprehensive and up-to-date book about the vibrant public art program of New York’s global destination, the High Line The High Line, New York City’s famed elevated rail line-turned-greenway, hosts millions of visitors annually, providing a unique space for encountering art and performance. Elevated surveys the rich, multifaceted offerings of its public art program, High Line Art, presenting works and projects from the last decade by key artists from around the world. The book features a world-class array of projects by artists including Simone Leigh, Paola Pivi, Sam Durant, Jordan Casteel...

New York Landscape - The High Line III is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink, silver leaf and black leaf on Japane...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another outstanding painting by Charles Ford that focuses on the High Line in New York City ...

An unexpected detail of a green billboard is shown occupying the full lower left-hand quadrant of a city scene composition. It was shot by street photographer Mitchell Funk from The High Line...

A beautiful early summer day in June along the High Line Park in New York City! The best of both worlds, nature and beauty high above the greatest city i...

Looking Up at the High Line focuses on a medium view of the structure. The viewer sees a large black band of the High Line with sky above, and activity below. :: Painting :: Contemp...

The High Line II is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink, Japanese pigments, gold leaf and black silver leaf on Japanese paper ...

"Wherever You Look You See The Chrysler Building: The High Line" - It may take a moment, but its presence always seems to be in the picture. At least, that was the case in the past. ...

This painting on Masonite measures 17.5 x 25.5 and was painted in 2011. Mr Ford was so impressed by The High Line in New York City that in 2011 he created a series of realistic pai...

Celebrate the beauty and creativity of the world’s greatest contemporary gardens through this stunning survey highlighting the leading designers of today The Contemporary Garden sho...

KERRY JAMES MARSHALL Set of Six (Six) Scout Series Embroidered Patches, 2017 Rayon thread on poly twill backed embroidered patches, set of six. Brand new in original packaging. Large...

Kerry James Marshall May 15, 2001, 2003 Four color silkscreen on Arches 88 paper Pencil signed, dated and numbered 39/60 on the front. Bears printer's blind stamp Vintage frame incl...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed In September, 2025, "Kerry James Marshall: The Histories" opened at the Royal Academy of Arts in London. This major exhibition was the largest presentation of Marshall's work in the United Kingdom and Europe, and featured more than 70 works by the the artist, including a large number of paintings and a selection of prints, drawings and sculptures. Highlights of the show include a new series of paintings that explore the transatlantic slave trade, along with Knowledge and Wonder, a mural commissioned in 1995 by the Chicago Public Library that is the largest painting Marshall has produced. The exhibition at the Royal Academy will then travel to the Kunsthaus Zurich and the Musee d'Art Modern in Paris. Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier, which is featured in the Royal Academy Exhibition. In 2013, an original painting, upon which this work is based, sold at Christie's auction. Below is the Christie's Lot Essay for that painting: ..." Set in a revolutionary apartment in the cosmos, Kerry James Marshall's Keeping the Culture optimistically anticipates a future that pays homage to the past. Ushering in a new stage of the artist's output, Keeping the Culture shifts focus from the failed utopia of urban renewal and the commemoration of civil rights era heroes in favor of a more technically refined meditation on the preservation of the traditional and spiritual values that shaped a culture. Placed in an ultramodern environment, two siblings marvel at a projection of the earth--in which Marshall has aptly positioned the African continent toward the viewer-while their affectionate parents dance in the foreground. Overlooking the milky way, Marshall's space-age flat is decorated with earthly relics-wooden tribal sculptures...

The internationally acclaimed event producer shows his ideas and inspiration for ultimate and intimate celebrations What defines a truly great party? Most of all: generosity of ...

An intimate look at the personal garden of the Dutch landscape designer renowned for his plantings at the High Line in New York City, and Lurie Garden at Chicago’s Millennium Park. ...

Hand-knotted in wool, this 8x10 contemporary rug from the “High” line of Rug Kilim’s Scandinavian rug collection, known for its particula...

One of my favorite buildings in the Chelsea neighborhood of Manhattan, as seen looking down from the High Line on a snowy blustery day! This building from 1817 takes up a full city b...

‘To have such a biography, on this scale and with this ambition, of the physical form of the greatest city on earth is little short of a miracle.’ – Ric Burns, Filmmaker The culmina...

Made with hand-knotted wool, this 8x10 rug is from the “High” line of Rug Kilim’s Scandinavian rug collection, named for its high-and-low texture married to the geometric patte...

Hand-knotted in wool and silk, this 9x12 rug is from the “High” line of Rug & Kilim’s Scandinavian rug collection, named for its high-low texture married to the geometric patterns in...

Chelsea is one of the centers of contemporary art in New York, being home to countless artist studios and art galleries. As striking as the ethnic, social diversity and rich cultural...

Jonas Wood 24 Tennis Court Drawings book (hand signed, inscribed to Kevin and dated by the artist) Hardback monograph (signed, inscribed and dated 2003) 13 1/2 × 9 1/4 × 2/5 inches M...

Chelsea is one of the centers of contemporary art in New York, being home to countless artist studios and art galleries. As striking as the ethnic, social diversity and rich cultural fabric of Chelsea, the promenade known as The High Line, allows for great views of industrial landmarks and sophisticated new structures. In the Chelsea modern suspension lamp...

Jonas Wood Large Shelf Life (Hand Signed), 2018 Limited edition offset lithograph (uniquely hand signed by the artist) 23 × 23 inches Boldly signed and dated in black marker on the f...

Chelsea is one of the centers of contemporary art in New York, being home to countless artist studios and art galleries. As striking as the ethnic, social diversity and rich cultural...

24"x30" edition of 5 photograph available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody Guthrie...

Paula Scher China, 2013 Hand pulled silkscreen on deluxe Lanaquarelle paper 24 3/5 × 28 1/5 inches Edition of 95: Pencil signed and numbered on the front Unframed Paula Scher Biogra...

The internationally acclaimed event producer shows his ideas and inspiration for ultimate and intimate celebrations What defines a truly great party? Most of all: generosity of spi...

Jonas Wood Prints (Hand signed), 2018 Offset lithograph poster. Hand signed and dated with basketball flourish. 30 × 24 inches Edition of approx. 100 signed (un-numbered) Boldly sign...

Jonas Wood, Prints, 2018 Offset lithograph poster Hand signed and dated with basketball flourish 60.96 x 76.2 cm (30 × 24 in) Edition of approxx 100 signed (un-numbered) Boldly s...

JONAS WOOD Interiors and Landscapes Offset lithograph poster (hand signed and inscribed) 24 × 18 inches Hand signed, dated by Jonas Wood with the artist's distinctive basketball leg...

Contemporary sepia toned photograph of New York City's High Line, the iconic raised walkway in Manhattan's west side neighborhood 'High Line: Column' by James Bleecker archival pigme...

High Line at 19th Street (Iconic Architectural Detail on Manhattan's West Side) by James Bleecker Contemporary sepia toned photograph of New York City's High Line, the iconic raised ...

Made with hand-knotted wool, this 9x12 rug is from the “High” line of Rug & Kilim’s Scandinavian rug collection, named for its high-and-low texture married to the geometric patterns ...

Jonas Wood Original flower drawing by the artist held in hardback book, 2018 Hardback Monograph. Hand signed, dated and inscribed with unique drawing by Jonas Wood on the title page....

Lee Heinemann Grandmother Acrylic on Canvas Year: 2007 Size: 16in diameter, 0.5in deep Signed and dated by hand on verso COA provided Ref.: 924802-1704 Tags: Portrait, Vibrant, Drip...

Hand-knotted in wool, this 8x10 rug is from the “High” line of our pile rugs in Scandinavian collection. On the design: The photos represent a recently sold rug...

Kerry James Marshall MOCA LA Street Banner (Museum of Contemporary Art, Los Angeles), 2017 Silkscreen on Vinyl 95 × 34 inches Original Gigantic Flagpole Banner exhibited on the stree...

"Standing at 16 ft tall, "Brick House" is a bronze statue made by artist Simone Leigh as an inaugural commission of the High Line Plinth (NYC) in 2019, wh...

Jonas Wood Paintings (Hand Signed Inscribed), 2019 Gagosian catalogue monograph, hand signed, dated and inscribed to Jane Hand signed, dated and inscribed by Jonas Wood to Jane...

Eileen Murphy’s paintings on panels are a mirage of disparate memories. Lived experience, borrowed art historical footnotes, and imagery drawn from literary references swirl together and coalesce into shimmering sylvan scenes. Allusions to Patinir, Jacob von Ruisdael, Frederick Church, lines pulled from Rilke, and Murphy’s own personal history emerge deftly from the same brushstroke. The result is images that are simultaneously foreign and familiar, deeply intimate yet shared in a common vernacular. Murphy builds these compositions from layers of carefully applied oil paint, her brushstrokes growing increasingly specific and nuanced with each new stratum. Because she works on panel, the pigment is not absorbed into the material, but rather, sits atop the surface, the color remaining fully saturated. Without this anchoring effect, Murphy’s landscapes become lofty and voluminous, further intensifying their surrealist quality. Eileen Murphy has spent her life along the Hudson River and has lived in Brooklyn, NY for the last seventeen years. Her current paintings are based on the landscape of Columbia County...

Hand-knotted in wool and silk, this 9x12 rug is from the “High” line of Rug & Kilim’s Scandinavian rug collection, named for its high-low texture married to the geometric patterns in...

Hand-knotted in wool, this 8x10 rug is from the “High” line of our pile rugs in Scandinavian collection - named for the smart high-low texture married to its geometric patterns. On ...

Hand-knotted in wool, this 8x10 rug is from the “High” line of our pile rugs in Scandinavian collection - named for the smart high-low texture married to its geometric patterns. On ...

Hand-knotted in wool, this 9×12 rug is from the “High” line of Rug Kilim’s Scandinavian rug collection, named for its high-low texture married to the geometric patterns inspire...

Made with hand-knotted wool, this 9x12 rug is from the “High” line of Rug Kilim’s Scandinavian rug collection, named for its high-and-low texture married to the geometric patte...

Hand-knotted in wool, this 9×12 rug is from the “High” line of Rug & Kilim’s Scandinavian rug collection, named for its high-low texture married to the geometric patterns inspired by...

Hand-knotted in wool and silk, this 10x14 rug is from the “High” line of Rug & Kilim’s Scandinavian rug collection, named for its high-low texture married to the geometric patterns i...

Shuli Sadé, Israeli (b. 1952) Pipe Bending (1995) Hand painted silver gelatin photo print Hand signed in pencil lower right, numbered 1/10 Framed: 23.25 X 29.25 sight, 15 x 19 inches Provenance: Estate of Gideon Gartner Shuli Sade (Shuli Sadeh Goshen) is an Israeli Postwar & Contemporary artist born in Israel in 1952. Shuli Sadé studied at the Bezalel Academy of Art, Jerusalem and the School of Visual Arts. Her work, which uses urban movement as a central theme, explores technology and its potential to impact still, moving, and two- and three-dimensional images. Sadé has lectured at the University of Pennsylvania School of Architecture, Parsons The New School for Design, and Barnard College. Her Sadé's cross-disciplinary artwork blends theory and practice with a focus on memory, space, and urbanism. Her work creates maps of urban memory, reflecting the DNA of a city. She mixes mediums including photography, video, augmented reality, site-specific installations, sculpture, and drawing. Her recent exhibitions include Upstream Downstream, a site-specific augmented reality installation, Riverside Park, NYC, part of Re: Growth, public art exhibition (2021), Fluid Formations, Gensler DC, (2019), Wild_Heterotopias, AR installation at the HighLineNine Galleries, and the High Line, (2019), Solid Red, Galeria Ethra, Mexico City, (2018) Day Dreams, AR installation at Montefiore Medical Center, the Bronx, NY (2017) and group shows including Timing is Everything, Mead Art Museum collection (2018), Making Time, AR installation Index Art Center, Newark, NJ (2019), Anniversario, Datasets, Galeria Ethra, Mexico City (2019) Israeli Modernism in the 1970s from the Collection, Haifa Museum of Art (2016). She had collaborated with Neural scientists at the Neurobiology of Cognition Laboratory, Center for Neural Science, New York University, and with architects and designers across the US. Sadé creates large-scale site-specific murals in the Corporate environment. She is an Israeli contemporary woman artist. Her recent artworks are permanently installed in Manhattan, Philadelphia, Boston, North Carolina., Miami, Mexico City, Jersey City, and more. Sadé received the Pollock Krasner Foundation Grant, (2014), the National Endowment for the Arts Fellowship (1991), New York Foundation for the Arts Emergency Grant (2001), Lower Manhattan Cultural Council Fund, NY- Israel Cultural Cooperation Commission Grant, AICF study grant, NY Art Development Committee grants. Her work is in private and public collections. Shuli Sade is a NY artist and architectural photographer. Sade studio photographed Renzo Piano renovations at the Morgan library, Norman Foster Hearst tower, Weiss Manfredi Nexus at Barnard College, Shiseido at Grey Art Gallery by Marble Fairbanks, Sade works on international commissions, Published in Metropolis magazine, Architectural Digest, Eating Architecture, MIT, Avroko Design, Regan books and others. She lives in NYC and works at her studio at Mana Contemporary, NJ. Her work is represented by Galleria Ethra in Mexico City. Select Exhibitions 2012 Reconfiguring Memory, (permanent installation), Center for Neural Science, New York University 2012 Conference of the Birds, CYNTHIA-REEVES Projects at Mana Contemporary, New Jersey 2011 Conceptualizing the Body Gaze, Masquerade, and Spectacle 2011 ENCODE/ DECODE: Work in Progress, The City of Herzliya Art Gallery, Herzliya, Israel 2009 H20 Film on Water, Brattleboro Museum, Bratleboro, NH 2009 Meeting/Place Cabri Gallery of Israeli Art, Kibbutz Cabri: Yigal Ozeri, Alex Kremer, Ofer Lellouche, Lea Nikel, Moshe Kupferman, Ori Reisman, Jan Rauchwerger, David Reeb, Shuli Sadeh, Yehiel Shemi, Marik Lechner, 2006 Illuminated Disjunction, Hungarian Cultural Center, New York, NY 2005 The Silence of the Sea, The National Maritime Museum, Haifa, Israel 2003 Sacred Drawings, Tibetan Healing International Conference, Washington DC 2003 Blueprints Reconfiguring Space, Art in General Gallery, New York, NY 2000 Light and its Opposite, Lemberger Museum of Photography, Tel-Hai, Galilee, Israel 2000 Bassam Abu Shakra Gallery, Um -El-Fahem, Israel 1999 Mythic Arrangements, Ehrenkrantz Eckstut & Kuhn Architects, Los Angeles, CA 1999 Women photographers reflecting women, Talli's Fine Arts Gallery, New York, NY 1999 Neil Folberg Vision Gallery, Jerusalem, Israel 1996 Fragments of Anxiety, Columbia University, Avery Hall, School of Architecture, New York, NY 1995 Agni Vidya- the Fire of Knowledge, City of Venice Biennale, Isola Certosa, Italy 1994 Imprint, A.I.R. Gallery, New York, NY 1993 Sculptors of the Next Century, Socrates Park, Long Island City, NY 1990 Galleria Principal, Altos de Chavon, Dominican Republic 1981 Feminine Objects, Tzavta Jerusalem P.V.V, Israel 1980 Biennale of Contemporary Art, Tel Hai 80, Israel 1980 Borders, Israel Museum of Contemporary Art, Jerusalem, Israel Igael Tumarkin, Shuli Sadeh, Michal Naaman, Yair Garbuz, Gad Ullman...

Hand-knotted in wool, this 7x8 rug is from the “High” line of our pile rugs in Scandinavian collection - named for the smart high-low texture married to its geometric patterns. On t...

Hand-knotted in wool and silk, this 9x12 rug is from the “High” line of Rug & Kilim’s Scandinavian rug collection, named for its high-low texture married to the geometric patterns in...

Hand-knotted in wool and silk, this 9x12 rug is from the “High” line of Rug & Kilim’s Scandinavian rug collection, named for its high-low texture married to the geometric patterns in...

Artist Mark Knoerzer is best known for his abstract paintings, light installations and hand painted wooden sculptures. Using color and extensive layering to create geometric images and emergent symbols, Knoerzer has developed a unique visual language that, while often highly formal and even symmetrical, nevertheless reflects an intense commitment to beauty and the sheer pleasure of seeing. Knoerzer’s 2019 solo show Half-Life was reviewed by Cate McQuaid in The Boston Globe. His work has also appeared in documentaries as diverse as Evocateur: The Morton Downey Jr. Movie, which was selected for the Tribeca Film...

Hand-knotted in wool and silk, this 9x12 rug is from the “High” line of Rug Kilim’s Scandinavian rug collection, named for its high-low texture married to the geometric pattern...

Hand-knotted in wool, this 8x10 rug is from the “High” line of Rug & Kilim’s Scandinavian rug collection, named for its high-low texture married to the geometric patterns inspired by...

Hand-knotted in wool and silk, this 8x10 rug is from the “High” line of Rug & Kilim’s Scandinavian rug collection, named for its high-low texture married to the geometric patterns in...

Artist Mark Knoerzer is best known for his abstract paintings, light installations and hand painted wooden sculptures. Using color and extensive layering to create geometric images and emergent symbols, Knoerzer has developed a unique visual language that, while often highly formal and even symmetrical, nevertheless reflects an intense commitment to beauty and the sheer pleasure of seeing. Knoerzer’s 2019 solo show Half-Life was reviewed by Cate McQuaid in The Boston Globe. His work has also appeared in documentaries as diverse as Evocateur: The Morton Downey Jr. Movie, which was selected for the Tribeca Film...