180 results for "andré kertész"

A vintage gelatin silver print photograph by celebrated Hungarian-born photographer André Kertész (1894-1985). Entitled "Martinique", printed in 1972, this is an iconic image by the ...

Andre Kertesz (Hungarian/American 1894-1985) Title: 'Montmarte', Paris, 1963 Gelatin silver print Signed in ink titled, dated '10-31-63' in artists hand in ink au verso 'Cork...

Elena Greggio (Italian, b. 1973) Danza Per André Kertész (After Kertész), 2003 Etching 9 x 12 in. Mat: 14 x 20 in. Edition 1 of 15 Signed, dated and inscribed bottom: Danza Per André Kertész, After André Kertész, Elena Greggio, 2003 Signed and inscribed verso on mat: Elena Greggio 2003, Titolo: Danza Per André Kertész (After Kertész), Con [illegible], Naomi & Walter Rosenblum Elena Greggio was born in Padua, Italy. After studying Architecture at Liceo Artistico, she graduated with Hons in Painting at the Accademia di Belle Arti in Venice in 1995. Her final thesis was on G. Klimt and the Wiener Secession, under supervisor Luca Massimo Barbero. Today, she lives and works in Padua, where she dedicates herself to painting and priniting techniques, such as linocut and woodcut. She exhibits and has exhibited in: Italy, United Kingdom, California, Germany, Austria, Bosnia, Herzegovina, Chile, Portugal and Netherlands. Main Exhibitions 2023 - Illustrating the World: Woodcuts in the Age of Dürer. The Holburne Museum, Bath. UK 2023 - Group show: Pagine a colori. Vimercate 2022 - Finalist: International Prize Visioni Altre. Venice 2022 - Group show: Mirror Face to Face. Amstelkerk. Amsterdam, Netherlands 2022 - Group show: Mirror Face to Face. Kunstliefde. Utrecht, Netherlands 2022 - Group show: Mirror Face to Face. Villa Caldogno. Vicenza 2022 - Finalist: We Art...

Original exhibition poster for 50 NYC Photographers, held at 26 Federal Plaza in New York City from March through April 1979. The event brought together an exceptional group of conte...

Fork, Paris, 1928 - Andre Kertesz (Black and White Photography) Signed, titled and dated in pencil on reverse with Metropolitan Museum of Art deaccession stamp Silver gelatin print, printed 1978 Image size - 7 3/4 x 9 7/8 inches Sheet size 8 x 10 inches André Kertész (1894-1985) is widely regarded as one of Europe’s leading photographic artists, particularly for his contribution to photographic composition and the photo-essay. Although he failed to gain popular recognition in the early stages of his career, his later photographs, including works such as The Fork (1928), Melancholic Tulip (1939) and Washington Square, New York (1954) are now amongst the most famous photographs...

Montparnasse, Square Jolivet, 1926 - Andre Kertesz (Black and White Photography) Signed on reverse Silver gelatin print, printed 1970s 9 3/4 x 7 1/2 inches André Kertész (1894-1985)...

Boulevard Malesherbes at Midday, Paris - Andre Kertesz (Black and White) Stamped with photographer's estate ink stamp on reverse Silver gelatin print, printed c. 1980 9 1/2 x 8 inche...

The Daisy Bar, Montmatre, Paris - Andre Kertesz (Black and White Photography) Stamped with photographer's estate ink stamp on reverse Silver gelatin print, printed c. 1980 10 x 8 inc...

Monograph on celebrated modernist architect and designer Pierre Chareau, published by Editions du Salon des Arts Managers in Paris, 1954. With text by Rene Herbst, preface by Francis...

9" x 7" Unframed Silver Gelatin Print Hand Signed by Andre Kertesz

6 1/2" x 9 5/8" Unframed Silver Gelatin Print Hand Signed by Andre Kertesz

Andre Kerstesz Photography André Kertész (1894-1985) Kertesz as a Hungarian-born photographer distinguished by haunting composition in his photographs and by his early efforts in de...

This image measures 9 3/4 x 2 inches, on a 10 x 8 inch sheet. It is signed and date by the artist on verso, and notated "Paris." The print was made no later than 1971. This elegant ...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Marilyn Monroe, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition...

Signed by Andre Kertesz Vintage gelatin silver carte postale 3 1/2 x 5 3/8 in. Signed in graphite in artist's hand on recto

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Audrey Hepburn, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition...

Gelatin silver print mounted to museum board (Edition of 35) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City. Ove...

"The Divers", by famed photographer George Hoyningen-Huene, c. 1930, printed later. Unsigned. Seemingly shot on the French Riviera, the grand make-believe and glamour of this famous ...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Hands, Dorothy Norman, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by T...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Back View of Male Nude, from the folio A Season in Hell, originates from the 1986 edition published by The L...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Buster Keaton, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition ...

Astract Composition is an Original Oil on Paper realized by André Rogi (1905-1970). Good condition of the two works included a cream colored cardboard passpartout (50x35 cm). Signe...

"Satiric Dancer" is a photograph by Andre Kertesz. The photograph is signed verso, "Paris 1926, A. Kertesz". The framed piece measures 18 1/4 x 15 1/4 x 3/4 in. Kertész's work was i...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Rudolf Nureyev, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition...

Printed later. Signed on the back of the print with date in pencil. Camera Obscura label on back of mat. Overmatted to 20 x 16 inches so frame-ready. Provenance: Camera Obscura Galle...

Jill Freedman Kissing FDNY 1976, black white photo on Kodak Endura, Signed. Image also known as ‘Brotherly Love.” This is a black and white photogr...

Printed later. Signed on the back of the print with date in pencil. Camera Obscura label on back of mat. Overmatted to 18 x 22". Provenance Camera Obscura Gallery (Denver) 1980s to p...

The Well-lived Life: One Hundred Years of House & Garden by Dominique Browning. Assouline Publishing, Inc. 2008. Large hardcover coffee table book. Size: 12 1/8" x 9 1/2" x 1" 1/4. House & Home - 238 pages. Few magazines can lay claim to a century of history or to having published work by some extraordinary and distinguished photographers and writers as House & Garden. Now, straight from the pages of this well-loved periodical, The Well-Lived Life presents a lavish chronicle of a country and a culture coming into its own, documenting America's continuing education in matters of house, home and garden over the course of the 20th century. Selecting high points from the magazine, this book surveys the growing confidence and imagination reflected in American interiors and entertaining over the last century -the dinners, picnics and parties of a country dedicated to welcoming others- and the changing definition of home. It also illuminates the joys -sedentary or sporting- Americans have always found in the out-of-doors. The Well-Lived Life surveys the landscape of our lawns and gardens...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Solarized Hands, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Grup...

The Well-Lived Life: One Hundred Years Of House & Garden by Dominique Browning. Published by Assouline Publishing, 2003. 1st Ed hardcover with dust jacket signed and inscribed by the author to Herbert Kasper. Herbert Kasper was an American fashion designer known as "Kasper." He studied English and advertising at New York University and fashion at The Parsons School of Design in New York from 1951–53 and l'Ecole de la Chambre Syndicale de la Couture Parisienne in 1953. He left NYU to serve in the US Army in Europe. After World War II he enrolled at Parsons, where he became a protégé of milliner Fred Frederics. After graduating, he returned to Paris for two years developing his skills in design while working for Jacques Fath, Christian Dior, and Marcel Rochas. When he returned to the US, he worked for Frederics at Mr. John. He was an avid art collector with a famous collection, and in 2011, the Morgan Library and Museum devoted an exhibition, called “Mannerism and Modernism: The Kasper Collection of Drawings and Photographs,” to the designer. Few magazines can lay claim to a century of history or to having published work by some extraordinary and distinguished photographers and writers as House & Garden. Now, straight from the pages of this well-loved periodical, The Well-Lived Life presents a lavish chronicle of a country and a culture coming into its own, documenting America's continuing education in matters of house, home and garden over the course of the 20th century. Selecting high points from the magazine, this book surveys the growing confidence and imagination reflected in American interiors and entertaining over the last century -the dinners, picnics and parties of a country dedicated to welcoming others- and the changing definition of home. It also illuminates the joys -sedentary or sporting- Americans have always found in the out-of-doors. The Well-Lived Life surveys the landscape of our lawns and gardens...

Signed in pencil on recto Gelatin silver print Image/Paper: 3" x 3-3/4", Mount: 12" x 9", Mat 20" x 16"

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Nude Behind a Wet Veil, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published ...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Rose with Smoke, from the folio A Season in Hell, originates from the 1986 edition published by The Limited ...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Greta Garbo, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition pu...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled The Devil's Cross, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Gr...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Self-Portrait, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Ed...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Hand in Fire, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Edi...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Equivalent, Series 107, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by ...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Profile of Bust, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Grup...

Lyon has been called "San Francisco's Brassaï," and has also been compared to Cartier-Bresson, Atget, and Andre Kertesz, but with a San Francisco twist. The lifelong San Francisco Native happily admits his debt to those icons.

 Now at eighty-eight years old, his nonstop career reaches back to the early 1940s and embracing news, fashion, architecture, advertising, and food. In the golden years of magazines, his picture credits were everywhere from LIFE to VOGUE. He is now combining his extensive picture files for galleries, publishers, and print collectors. c) The Estate of Fred Lyon Courtesy. Peter Fetterman Gallery

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Solarized Nude, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Grupp...

Dancing Jesters or Clowns (colorful Chassidim dancing) Gouache on paper Sheet is 19.25 X 25.25 Image is 13.5 X 19.25 Moshé Raviv-Vorobeichic, known as Moi Ver, born Moses Vorobeichik (1904–1995) was an Israeli photographer and painter. Moi Ver (Moshe Raviv) was born in 1904 in Vilnius, Lithuania as Moshe Vorobeichic. Moshe Vorobeichic received his initial artistic training in the early 1920s in Vilnius, Lithuania, where he studied painting, architecture, and photography. Having become an important figure in the Yiddish avant-garde culture, he exhibited his first works. From October 1927, he studied at the Bauhaus school in Dessau (Germany), with photographer-visual artist Laszlo Moholy Nagy and painters Josef Albers, Paul Klee, Wassily Kandinsky, and Hinnerk Scheper. In his book Moi Ver: Paris, he produced avant-garde photomontages. Originally published in 1931 by Editions Jeanne Walter with an introduction by futurist Fernand Leger. In 1932 Raviv was sent by the weekly La Vie Parisienne to British Mandate Palestine as photo reporter. Raviv illustrated many books. Raviv was a founder of the Artists' Colony in Safed. At the height of 20th Century modernism and one of the followers of Laszlo Moholy Nagy and his concept of New Vision, Moin Ver was one of the rising stars in European photography. Born in Lebedeva, in Belarus, he wandered through Europe until he immigrated to Palestine in 1934. His well known yet partly forgotten three photographic projects in 1931, The Ghetto Lane in Wilna, Paris: 80 Photographies de Moi Ver and Ci-Contre – 110 Photos de Moi Ver (that was not published at the time), have remained milestones in the art of the 1930s as he created and imposed a new visionary style in photography. As a contemporary of artists such as Man Ray, Ilse Bing...

Gelatin silver print Signed, titled and dated, verso of mount This photograph is offered by ClampArt, located in New York City. Over the course of more than two decades, Bruce Crats...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Pablo Picasso, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition ...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Sky, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a Year Press,...

Modern Times - The Age of Photography by Mattie Boom. Published by Rijksmuseum Amsterdam, 2014. 1st Ed hardcover. The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some 20,000 twentieth-century works, including masterpieces by photographers such as Andre Kertesz, Brassai, Robert Capa, Laszlo Moholy-Nagy, Henri Cartier-Bresson, Weegee, William Klein, Eva Besnyo, Man Ray and Joel Meyerowitz. A wide-ranging overview published to accompany the exhibition, this catalog, designed by the renowned Irma Boom, traces key developments in photography over the course of the last century through more than 350 photographs, from Eadweard Muybridge's motion studies...

Abstract, Figure of Woman, Safed Oil on Masonite. Signed. Moshé Raviv-Vorobeichic, known as Moi Ver, born Moses Vorobeichik (1904–1995) was an Israeli photographer and painter. Moi Ver (Moshe Raviv) was born in 1904 in Vilnius, Lithuania as Moshe Vorobeichic. Moshe Vorobeichic received his initial artistic training in the early 1920s in Vilnius, Lithuania, where he studied painting, architecture, and photography. Having become an important figure in the Yiddish avant-garde culture, he exhibited his first works. From October 1927, he studied at the Bauhaus school in Dessau (Germany), with photographer-visual artist Laszlo Moholy Nagy and painters Josef Albers, Paul Klee, Wassily Kandinsky, and Hinnerk Scheper. In his book Moi Ver: Paris, he produced avant-garde photomontages. Originally published in 1931 by Editions Jeanne Walter with an introduction by futurist Fernand Leger. In 1932 Raviv was sent by the weekly La Vie Parisienne to British Mandate Palestine as photo reporter. Raviv illustrated many books. Raviv was a founder of the Artists' Colony in Safed. At the height of 20th Century modernism and one of the followers of Laszlo Moholy Nagy and his concept of New Vision, Moin Ver was one of the rising stars in European photography. Born in Lebedeva, in Belarus, he wandered through Europe until he immigrated to Palestine in 1934. His well known yet partly forgotten three photographic projects in 1931, The Ghetto Lane in Wilna, Paris: 80 Photographies de Moi Ver and Ci-Contre – 110 Photos de Moi Ver (that was not published at the time), have remained milestones in the art of the 1930s as he created and imposed a new visionary style in photography. As a contemporary of artists such as Man Ray, Ilse Bing...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Cross IV, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Edition...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Vibert's Back, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Ed...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Georgia O'Keeffe Hands with Thimble, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. ...

The Concerned Photographer 2, Cornell Capa, Editor. Published by Grossman Publishers, New York, 1972. 1st Ed softcover. A collection of the work of six photographers (Werner Bischof,...

ABOUT A study in charcoal on paper tiles positioned to create a mosaic image. The work is a study of Hyères, France, a black and white photograph taken by Henri Cartier-Bresson in 1...

Genre: Photographic Subject: Cityscape Medium: Silkscreen of Photograph Surface: Paper Country: United States Dimensions: 20.5" x 28" Street Art, Urban Jon Naar is a British-American author and photographer celebrated for his pioneering images of New York City graffiti in the 1970s. Still active in his nineties, Naar has had a multifaceted career as an intelligence officer in World War II; a globe-trotting executive during the postwar years; and an environmentalist, with nine published books to date. Born in London in 1920, Naar graduated at 15 from the private Mill Hill School. Too young to attend an English university, he crossed the Channel to study French and German at the Sorbonne. At this point, Naar had yet to develop a special interest in photography, but his artistic and design sensibilities were being shaped by his Parisian influences, particularly the street photographs of Brassaï. Four years later, his matriculation at the University of London cut short by the outbreak of World War II, Naar was conscripted. Thanks to prior experience in the Officers' Training Corps at Mill Hill, he would spend the next six years on intelligence work, including service with the British Special Operations Executive, on clandestine assignments that took him through the Middle East and Italy. At war's end, by-then Major Naar emigrated to New York City and secured American citizenship. Through the 1950s, armed with a Super Ikonta rangefinder camera and later a Praktica single-lens reflex, Naar was developing his eye as a "weekend" photographer, roving his Greenwich Village neighborhood and seeking out subject matter while on foreign corporate assignments. It was not until Naar's early forties, after influential photographers Nickolas Muray and André Kertész—both impressed by his hobbyist portfolio—offered encouragement, that he resolved to seek wider exposure as a photographer. A series of street scenes Naar shot in Mexico City in 1962 was featured in a 1963 solo exhibition in Coyoacan titled "El Ojo de un Estranjero." His 23-page photo essay on Germany, 20 years after the death of Adolph Hitler, appeared in the Italian design magazine Domus. New York Times critic Joseph Deschin, reviewing Naar's 1965 one-man show at New York University's Loeb Student Center, extolled his "flair for design and an eye for the unexpected, his pictures generate the kind of excitement that one associates with discovery of newness in the familiar." The striking image "Shadows of Children on Swings" was selected by Ivan Dmitri for the Metropolitan Museum's "Photography in the Fine Arts" exhibition, and for its permanent collection. Within the span of a few years, Naar had not only transformed himself into a professional photographer, but was in demand as a contributor to major publications like The New York Times, The Saturday Evening Post, Vogue, Fortune, Elle, and Schöner Wohnen. If Naar had a specialty at that time, it was photographing artists and architects amidst their creative (and created) surroundings. One of his earliest and most enduring images featured a young Andy Warhol sprawled on a red plush...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Torso, Solarized, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Gru...

Hardcover volume Chanel High Jewelry, English-language edition, published by Thames & Hudson. The book documents CHANEL Fine Jewellery from the inaugural “Bijoux de Diamants” collect...

This image of empty broken chairs in a deserted alley is reminiscent of the work of Eugene Atget, who was capturing the streets of Paris over a 30 year pe...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Venetian Boy, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a Ye...

Artist: Wolf von dem Bussche American (born Germany) 1934-2014 Title: Washington Square with Trade Center Towers II Year: 1976 Medium: Gelatin Sil...

Title: Japanese Lanterns Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 8 x 10 in. Signed, dated and inscribed on lab...