578 results for "sol lewitt"

Artist/Designer; Manufacturer: Sol Lewitt (American, 1928-2007) Marking(s); notes: signed; ed. 23/39; 1989 Materials: etching and aquatint on Arches 88 Dimensions (H, W, D): 21.25"h,...

Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...

Coffee table designed 1981, black walnut with 3/8" glass top Measures: 18½" x 48" x 48" (46.4 x 121.9 x 121.9 cm) Stamped “Certificate of Authenticity” included. Object descr...

SOL LEWITT (1928 – 2007) Lincoln Center Color screenprint on Somerset Satin White,1998. Sheet size: 35 1/2x28 inches, full margins. Signed and numbered 73/108 in pencil, lower ri...

Wavy Irregular Bands is an artwork realized by Sol Lewitt in 1996.  Etching and Aquatint on Arches 88 Paper. Edition of 35 + 8 AP + 8 T + 1 BAT + 1 NB. 35 x 89,2 cm. Edition 19/35....

Sol Lewitt Benefit Concert (Hand signed by Sol Lewitt, Philip Glass and Meredith Monk), 1978 Offset lithograph 19 1/2 × 21 1/2 inches Limited Edition of 75 (unnumbered) Hand signed b...

Wavy Irregular Bands is an artwork realized by Sol Lewitt in 1996.  Etching and Aquatint on Arches 88 Paper. Edition of 35 + 8 AP + 8 T + 1 BAT + 1 NB. Edition 19/35. Signed and n...

Sol LeWitt (American, 1928-2007) Isometric Figures (Plate I), 2002 Medium: Linocut in colors on Somerset Satin Dimensions: 50 × 75 cm (19½ × 29½ in) Edition of 55: Hand-signed and nu...

Set of four screenprints by Mel Bochner, Barry LeVa, Sol LeWitt, and Robert Mangold. Sol Lewitt's tight crosshatching over teal, Mel Bochner's tessellated blue houses, Barry Le Va's...

Cobalt Ceramic Bowl by Sol LeWitt. Made by Deruta. Please feel free to reach out for efficient shipping quote to your location.

Wavy Irregular Bands is an artwork realized by Sol Lewitt in 1996.  Etching and Aquatint on Arches 88 Paper. Edition of 35 + 8 AP + 8 T + 1 BAT + 1 NB. Edition 19/35. Signed and n...

Sol LeWitt (1928-2007) Untitled Gouache on Paper 28.5 x 37.5 cm (11 1/4 x 14 3/4 in) Executed in 1995 Signed and dated 95 lower right Provenance Marco Noire Contemporary Art Turin...

Sol LeWitt (American, 1928-2007) Lines, Not Long, Not Heavy, Not Touching, Drawn at Random (Circle), 1970 Medium: Lithograph on wove paper Dimensions: 44.5 × 32.1 cm (17.5 × 12.6 in)...

SOL LEWITT (1928 – 2007) Grids and Color Plate #41 Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 wit...

SOL LEWITT (1928 – 2007) Grids and Color Plate #43 Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 wit...

SOL LEWITT (1928 – 2007) Grids and Color Plate #40 Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 wit...

SOL LEWITT (1928 – 2007) "Broken Gray Bands in Four Directions" Linocuts in colors on Somerset Velvet White paper, 2005 18 x 43-1/4 inches (45.7 x 109.9 cm) (sheet) T.P. 2/2 (aside from an edition of 50) Signed and numbered in pencil lower right Published by Pace Editions, New York Sol LeWitt was born on September 9th, 1928 in Hartford, Connecticut to Eastern European immigrants. LeWitt received a BFA from Syracuse University in 1949 (where he made his first prints) and then was drafted in the Korean War in 1951. During his service, he made posters for the Special Services and spent time in Japan, where he bought the first works that became the basis of a large personal art collection. In 1953, he moved to New York City, where he studied at the Cartoonists and Illustrators School (now the School of Visual Arts) and worked for Seventeen Magazine...

"Irregular Arcs from Four Sides" colorful, geometric abstract etching with aquatint in colors on Somerset paper with full margins. Signed and numbered PP 2/3 in pencil on front lower...

Sol LeWitt Wavy lines, original signed Minimalist ink drawing on card with Warhol stamp, 2004 Drawing in black felt tip pen on postmarked (franked) postcard with Warhol postage stamp...

Sol LeWitt Lines in Four Different Directions, 1997 Original drawing in black felt tip pen on postmarked (franked) postcard Signed, dated and inscribed "For Andrew Thanks for the Dra...

Sol LeWitt Unique Geometric Abstraction on Postcard, 1982 Original drawing done on postcard from the Van Gogh Museum (Amsterdam), mailed, stamped and postmarked (franked) from Spolet...

Sol Lewitt "A form driven from a rectangular solid" Year: 1.992 Woodcut on Japanese paper copy 19/75 Signed and justified by hand Print run of 75 copies. 57,5 x 77 cm.

This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

This artwork by Sol Lewitt is offered by CLAMP in New York City. A sphere lit from the top, four sides and all their combinations 2004 Signed and numbered in pencil, verso Archiva...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

A fine black and white silkscreen geometric print from the Kinderstern Portfolio by American artist Sol LeWitt (1928-2007). LeWitt was was born in Hartford, Connecticut, and attended...

This artwork titled "Color and Black #3" 1991 is a colors etching with spit bit aquatint on Somerset textured white paper by renown artist Sol (Solomon) Le Witt, 1928-2007. It is and signed and numbered 11/15 in pencil by the artist. Whit the blind stamp of the publisher/printer at the lower right corner. The image size is 22.75 x 22.75 inches, paper sheet is 40.75 x 39.75 inches, Framed size is 43.25 x 42,5 inches. Published by Crown Point Press, San Francisco. Printed by Lawrence Hamin, Lothar Osterburg, Paul Mullowney and Pamela Paulson at Crown Point Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne #1991.07, plate #03. Custom Framed in a wooden black frame, floated on a white backing, with white spacer. It is in excellent condition. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

Original gouache on paper. Hand signed and dated lower front. Artwork sheet size 22 x 10 inches. Custom framed as pictured. Artwork is in excellent condition. Certificate of aut...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

TECHNICAL INFORMATION: Sol LeWitt Flat Top Pyramid With Colors Superimposed 1988 Silkscreen in Twenty Colors Superimposed 30 x 95 in. Edition of 30 Pencil signed and numbered Accom...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Signed and numbered

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Printed by Gerald Sisco at the Crown Point Press, Oakland, California. Published by Parasol Press, Ltd. New York, 1975.

Signed and numbered

Woodcut Each 38 x 86 cms (15 x 33 7/8 ins.) Edition of 75, Set of 4 Each work in set numbered 32/75 Published by Parasol Press Ltd., New York Catalogue r...

Signed and numbered 6 colours each Paper: Somerset Satin, White, 300 grams Printers: Eisaku Sakane, assisted by Keigo Takahashhi & Chie Shimizu, Watanbe Studio, New York Completed 8th November 2002 Published by Bernard Jacobson Ltd., London, and Parasol Press...

Unique gouache on handmade paper. Hand signed and dated lower front. Artwork sheet size 8.5 x 10.5 inches. Custom framed as pictured. Artwork is in excellent condition. All rea...

Etching with Aquatint, white on black

Created in 1999, this etching and aquatint on white Somerset Textured paper is hand-signed by Sol LeWitt (Hartford, 1928 - New York, 2007) in pencil in the lower right margin and is ...

Created by Sol LeWitt as an original color lithograph, Untitled, 1992 is hand-signed and numbered in pencil measuring 16 × 42 ½ in (40.6 × 108 cm), unframed, from the edition of 125 ...

The set of six linocuts printed in colours. Each signed in pencil, numbered from the edition of 50. Printed on Somerset Velvet Radiant White paper by Hidemi Nomura and Tsutomu Kjimo...