4,427 results for ""marilyn monroe""

'Catherine Wilke' 1980. Catherine Wilke joins the topless sunbathers on the island of Capri. 20 x 16" inches / 51 x 41 cm paper size Estate Stamped Collection Edition to 150 ...

Mixed Media on wood. Resin finish optional. Homage to Marilyn Monroe. About the Artist: Seek One has been featured in Forbes, Maxim, Haute Luxury among others. He shows at g...

Bert stern Marilyn looking at you in the Vogue dress The last sitting (1962) superb and large photo of Marilyn Monroe in Christian Dior's mythical black dress for Vogue magazine phot...

Slim Aarons Limited Estate Edition Countess on Deck Countess Gioia Gaetani-Lovatelli relaxes on deck during a yachting holiday in Porto Rotondo, 1982. Paper Size very large 72 x 4...

BETTIE PAGE – THE TELEPHONE CALL, SIGNED PHOTOGRAPH FROM THE COLLECTION OF HUGH HEFNER ⚜ Black and White Photograph by Bunny Yeager ⚜ Hand Sig...

Andy Warhol illustrated advertising poster New York, 1979: 1970s Andy Warhol illustrated "Lighthouse Footwear Reptile Shoes," poster (New York, 1979). An elegant & well-sized vintage...

Monocled Miss Renata Boeck enjoying breakfast in bed at the Regency Hotel in New York, 1964 20 x 20" - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aaron...

Shot of Marilyn Monroe. Red acrylic paint. Hand pulled enamel screen print and diamond dust on linen. Stretched on black frame. Signed by artist on the back. About the Famed ...

Plantation Cocoyer People relaxing in the bar at Plantation Cocoyer, Cocoyer Beach, Haiti, February 1981. 60 x 40" inches / 152 x 101 cm paper size Estate Stamped Collection Edi...

"Leta and the Hill Myna" is a painting by American Pop artist Mel Ramos. The work is signed verso "Mel Ramos". Mel Ramos is a California based Pop artist best known for his paintings of superheroes and female nudes, including Marilyn Monroe and Scarlet Johansson, with pop culture imagery. Many of his subjects emerge from Chiquita bananas...

"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...

Original Some Like it Hot vintage movie poster. A Qualcuno Piace Caldo". Linen-backed Italian size 39" x 55", in Good condition. Ready to frame. The images are of the exact poster you will receive. These Italian vintage movie...

C. Z. Guest With Her Great Dane 1955 - Slim Aarons Estate Stamped American socialite C.Z. Guest (Mrs Winston F.C. Guest) (1920 – 2003) with a large Great Dane dog, at her Grecian te...

Bikinis In Haiti 1975 - Slim Aarons Estate Stamped Marni Morrell and Denise Schluscer with a third woman, all wearing bikinis, pose beside a statue on a bridge in Haiti, in January ...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

Be@rbrick x Andy Warhol Foundation "Elvis" Vinyl Figures: Set of two (400% & 100%): Andy Warhol (after) Elvis collectible trademarked & licensed by the Estate of Andy Warhol. The partnered collectible reveals Warhol's iconic Triple Elvis wrapping the figure in its entirety. Housed in a standout Warhol Elvis collectors' box. Medium: Vinyl Sculpture. Set of two figurines. Dimensions of larger piece: 11 x 5 inches. Condition: New in its original packaging. Warhol foundation trademark featured on lower left of reverse. Published by Medicom from a sold out edition of unknown. Further Background: BE@RBRICKs are a form of collectible toy that resemble a cross between LEGO and well, a bear. These block-style figurines boast teddy bear-style heads that have become an integral pillar of the collectible toy scene. In fact, it wouldn’t be so far-fetched to say that it almost single-handedly carved out the fad of toy collecting in modern times, treading the very fine line between toy and art. Since its inception, BE@RBRICKs have become one of the most recognizable characters in the world, and some of the most sought after. Please note exact patterns may vary. Andy Warhol Triple Elvis: Standing with his trademark proud stance, Andy Warhol’s rare triple portrait of Elvis Presley dominates just as the singer dominated the cultural landscape of the 1950s and 1960s. First shown at the artist’s seminal 1963 exhibition at Irving Blum’s Ferus Gallery in Los Angeles, Warhol’s Elvis paintings...

Slim Aarons Limited Estate Edition Dining Al Fresco On Capri Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umbe...

Apres Ski The apres ski in Vail, Colorado, March 1964 Gorgeous print measuring 60 x 40" inches / ca 152.4 x 101.6 cm’s paper size. Estate Stamped Collection Edition to 150 Ph...

Capture by Frank Worth in 1953, printed in 2004 this absolutely stunning and glamorous image of Marilyn Monroe on the set of How to Marry a Millionaire...

'George Hamilton' American actor George Hamilton holidays in Saint-Tropez, on the French Riviera, August 1977. 40 x 30" / 101 x 76 cm paper size Estate Stamped Collection Edi...

Man’s Work Working at his typewriter surrounded by ‘bunny girls’, publisher Hugh M Hefner at the Playboy Key Club in Chicago. He founded adult magazines, ...

Dapper Cricketers A group of cricketers in team uniform, Bermuda, 1957 16×16 inches - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025...

Quiet Afternoon Brigitte Lapp Fonda reclines amidst the foliage in Marbella, circa 1980. Paper size 20 x 20" inches / 51 x 51 cm Estate Stamped Collection Edition to 150 Photo...

Screen print on Rives BFK paper. From the Love Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 12/100 (there were also 10 AP's, 2 PP's, 5 EP's and 7 HC's). ...

The Marlboroughs 1957: John Albert Edward Spencer Churchill, the 10th Duke of Marlborough (1897 – 1972) and his wife Mary relax on a bench in the grounds of Blenheim Palace, the fam...

Slim Aarons Estate Print - Leisure In Antibes 1969 A woman sunbathing in a motorboat as it tows a waterskier, in the sea off the Hotel du Cap-Eden-Roc in Antibes on the French Rivi...

Artist: Pál Fried (Hungarian, 1893-1976) Title: "Hortense (Ballerina)" *Signed by Fried lower left Circa: 1940 Medium: Original Oil Painting on Canvas Framing: Framed in a light gold...

Stamped and signed by the Bert Stern Trust

From 1968 through 1971, 14 issues of a graphic design-focused magazine called Avant-Garde were published. The magazine had a small circulation but was very popular in New York art an...

Rotogravure print. From 1968 through 1971, 14 issues of a graphic design-focused magazine called Avant-Garde were published. The magazine had a small circulation but was very popul...

This piece depicts famous artist, Jean-Michel Basquiat. Done with beautiful expressive colors and a distinctive street art design, this piece pops with energy and romantic beauty. It...

"Marilyn In Grand Central Station" by Ed Feingersh Actress Marilyn Monroe takes the subway in Grand Central Station on March 24, 1955 in New York City, New York. Unframed Paper Si...

Hotel du Cap Eden-Roc 1976 Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 40 x 30" inches / 101 x 76 cm paper size. Photo by Slim Aarons Archival ...

"Marilyn Getting Ready To Go Out" by Ed Feingersh Actress Marilyn Monroe gets ready to go see the play "Cat On A Hot Tin Roof" playfully applying her make up and Chanel No. 5 Perfum...

Alice Topping 1959 - Slim Aarons Estate Stamped Socialite Alice Topping by a swimming pool in Palm Beach, Florida, 1959. 30 x 30" inches / 76 x 76 cm paper size Estate Stamped Co...

'Marilyn Getting Ready To Go Out' by Ed Feingersh Actress Marilyn Monroe prepares to go out to the play ‘Cat On A Hot Tin Roof’ by applying make-up and pe...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Greta Garbo, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition pu...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Buster Keaton, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition ...

'C. Z. Guest' American socialite Mrs. Winston F. C. Guest (aka C. Z. Guest, 1920 - 2003) with a Great Dane at her ocean-front estate, Villa Artemis, in Palm Beach, Florida, 1955. ...

'Pantz Pool' Laura Hawk, assistant to the photographer, relaxes by the pool at El Rincon, the von Pantz' Marbella home, September 1985. Paper Size very large 72 x 48" inches / 18...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photographs and American pop icons opposite brand names and advertising references, adding bold colors and compelling patterns. She transfers them onto archival paper which is mounted on canvas. The pop art imagery is often distressed in an attempt to emphasize a bygone era. She further enhances the artworks with acrylic paint and texture, adding depth to her paintings. This vibrant one-of-a-kind 15.75-inch tall by 11.75-inch wide post-pop artwork is created with mixed media on canvas. The sides of the artwork are finished with a textured white paint, and it does not require framing. Convenient local Los Angeles area shipping. Affordable U.S. and global shipping also available. A certificate of authenticity issued by the art gallery is included with this unique artwork. Marion Duschletta was born in 1972 in Graubünden, Switzerland. She has been a full time professional artist since 2004. For over ten years, she was the owner of Galerie Mauerblümchen in Zürich, Switzerland. Due to her increasing international success as a fine artist she now focuses exclusively on creating unique artworks. Her popular series of artworks include cities such as New York, Miami, Las Vegas, Los Angeles, London as well as American Pop Icons such as Marilyn Monroe, Audrey Hepburn, and Chanel. Notable collectors include Ariel Winter, Los Angeles, CA. Artspace Warehouse has been representing and exhibiting Marion Duschletta's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, California EXHIBITIONS 2022-23 Artspace Warehouse, Los Angeles, CA 2021 Artspace Warehouse, Los Angeles, CA Galerie Kunsthaus Rapp Will Galerie VivaArte.online Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder Revier-Hotel, Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior, Arosa Galerie Willen Luzern Anno Interior Wädenswil Wehrli Raum Flims Dorf Jasmin & Co. Interior Vogelsang bei Turgi Kunst-Reproduktionsverkauf bei Swisskyline 2020 Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder für das Revier-Hotel in Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior Arosa Palatso pop up...

Marilyn On The Roof (1955) - Silver Gelatin Fibre Print (Photo by Ed Feingersh/Michael Ochs Archives/Getty Images) American actress Marilyn Monroe (1926 - 1962) leans over the bal...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Martin Lawrence provenance label on verso. Canvas size 20 x 20 inches. The artwor...

Oz El Hai (Israeli, b. 1976) Polychrome Figural Painting Lacquer on Wood (possibly acrylic panel) Oz El Hai, born in Israel in 1976, channels his passion a...

Bert stern Marilyn in Vogue The last sitting (1962) superb and large photo of Marilyn Monroe in Christian Dior's mythical black dress for Vogue magazine photographic paper format 9...

This piece is an original vintage photograph from the original negative taken by Milton Greene in 1954. This image depicts Hollywood Icon, Marilyn Monroe, and bears the Milton H. Gre...

'C. Z. Guest' American socialite Mrs. Winston F. C. Guest (aka C. Z. Guest, 1920 - 2003) with a Great Dane at her ocean-front estate, Villa Artemis, in Palm Beach, Florida, 1955. ...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photographs and American pop icons opposite brand names and advertising references, adding bold colors and compelling patterns. She transfers them onto archival paper which is mounted on canvas. The pop art imagery is often distressed in an attempt to emphasize a bygone era. She further enhances the artworks with acrylic paint and texture, adding depth to her paintings. This vibrant one-of-a-kind 15.75-inch tall by 11.75-inch wide post-pop artwork is created with mixed media on canvas. The sides of the artwork are finished with a textured white paint, and it does not require framing. Convenient local Los Angeles area shipping. Affordable U.S. and global shipping also available. A certificate of authenticity issued by the art gallery is included with this unique artwork. Marion Duschletta was born in 1972 in Graubünden, Switzerland. She has been a full time professional artist since 2004. For over ten years, she was the owner of Galerie Mauerblümchen in Zürich, Switzerland. Due to her increasing international success as a fine artist she now focuses exclusively on creating unique artworks. Her popular series of artworks include cities such as New York, Miami, Las Vegas, Los Angeles, London as well as American Pop Icons such as Marilyn Monroe, Audrey Hepburn, and Chanel. Notable collectors include Ariel Winter, Los Angeles, CA. Artspace Warehouse has been representing and exhibiting Marion Duschletta's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, California EXHIBITIONS 2022-23 Artspace Warehouse, Los Angeles, CA 2021 Artspace Warehouse, Los Angeles, CA Galerie Kunsthaus Rapp Will Galerie VivaArte.online Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder Revier-Hotel, Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior, Arosa Galerie Willen Luzern Anno Interior Wädenswil Wehrli Raum Flims Dorf Jasmin & Co. Interior Vogelsang bei Turgi Kunst-Reproduktionsverkauf bei Swisskyline 2020 Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder für das Revier-Hotel in Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior Arosa Palatso pop up...

'Having A Topping Time' 1959 Slim Aarons Limited Estate Edition Socialite Alice Topping relaxing at a poolside in Palm Beach. 20x20" inches / 51 x 51 cm paper size Estate Stamp...

Snowmass Village Women in colourful hats at an apres ski party in Snowmass Village, in Pitkin County, Colorado, in March 1968. 30x40” / 76x101 cm - paper size Estate Stamped Col...

'Lounging In Verbier' Holidaymakers in sun loungers on the slopes at Verbier, Switzerland, February 1964. Gorgeous print measuring an extra large 60 x 40" inches / ca 152 x 101 cm...

'Positano Beach' Elevated view looking down on sunbathers and parasols on the beach at La Scogliera beach in Positano, Italy, 1979. 40 x 30" inches / 101 x 76 cm paper size Es...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work and feature this new creation "St. Louis Sunset Donuts". This one of a kind photo arrangement titled "St. Louis Sunset Donuts" is printed on 100% rag paper by Candice CMC and features a donut created image of the iconic St. Louis Arch set against a sunset skyline of the city of St Louis...

This early 1950s portrait photograph, captured by society photographer Slim Aarons, features Marilyn Monroe (1926 - 1962), wearing a red negligee trimmed with black lace, sorts out h...

'Mustique' March 1973: Linda Ashland relaxes in a beach hammock on the island of Mustique in the Grenadines. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Ed...

*Framed and free shipping within the US* Malibu, California, 1963. Chromogenic Digital Print 40 x 30 inches Edition size: 15 *Please inquire for additional sizes* Lawrence Schiller is an American producer, screenwriter, and photographer best known for his candid photos of Marilyn Monroe. For almost 35 years, Schiller collaborated with Norman Mailer to create several films together, including Executioner's Song (1982), for which Mailer received the Pulitzer Prize. “I never considered myself a good photographer. I still don't,” he has said. “I thought of myself as a hard worker. My camera was a sponge and I had an instinct that athletes have—anticipation.” Born on December 28, 1936 in Brooklyn, NY, was raised in San Diego and attended Pepperdine College in Los Angeles. After graduating, he held photojournalist positions at Time, The Sunday Times, The Saturday Evening Post, and Newsweek. The artist later broke into the world of film by directing part of Butch Cassidy and the Sundance Kid in 1969 and Lady Sings the Blues in 1972. Over the course of his career, Schiller has captured images of several important and notorious figures in American history including Lee Harvey Oswald...

'Skiing In Gstaad' L-R; Christine Camerana, Caroline Stoop, and Christine Semenenko Warrender prepare for a day on the slopes in Gstaad, Switzerland, February 1977 40 x 30" inches...

16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Ice Bar Lech, 1960" is a beautiful Limited Edition Estate Stamped Digital C-Type print from 20t...

Vintage Americana inspired Drive-In movie theatre, from the glamorous Goodwood Revival, featuring a classic Cadillac and Marilyn Monroe on the big screen. Richard was incredibly insp...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...