1,066 results for "ed ruscha"

Planes V - 2008 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory #4642. Not mounted. A G...

Untitled (Oxana's 30th Birthday) - 2007, from the 29 Palms, CA project - 38x46cm, Edition of 10. digital C-Print print, based on a Polaroid, mounted under matte Acrylic glass. S...

'Mermaid's Daughter' (Till Death do us Part), 2005, 20x24cm, Edition 1/10, digital C-Print print, based on a Polaroid, Certificate and Signature label, artist Inventory No. 9121, n...

Up up and away - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artis...

Blue Pool (Suburbia) 2004 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. Not mounted. The project "Subur...

Biography: Clarence Ruth is a New York City-based artist, designer, and author who has made a name for himself in the fashion industry, both as a Creative Director and Fashion Design...

'Dancing Musician' by Ronald Mallory, 1975. New York Museum of Modern Art, Kinetic Figural, Los Angeles County Museum of Modern Art, Whitney Museum ----- Signed lower right, 'Mallor...

Untitled (9/11) - 2001 Edition of 5, 38x37cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 1542. Signature label and certifi...

The Diva (Beachshoot) - 2005 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid Certificate and Signature label, artist Inventory # 1461. Not mounted. Beachshoot ...

A piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1305. N...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 23477. ...

Aquarius (Californication) - 2019 50x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory Number...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1308. N...

Plane blue sky - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4637. Not mounte...

Represented by George Billis Gallery, NYC LA -- Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, lif...

Ben Schonzeit Yankee Flame, from the portfolio: America: the Third Century, 1975 Collotype on wove paper Pencil signed and numbered 50/200 on the front Publisher: APC Editions, Chermayeff Geismar Associates, Inc Printer: Triton Press 27 × 19 3/10 inches Unframed Note: this is the original hand signed and numbered collotype; not to be confused with the separate (unsigned) poster edition. This hand-signed, numbered and dated collotype in colors by photorealist pioneer artist Ben Schonzeit was created in 1975 for the portfolio America: the Third Century, commissioned by Mobil Oil Corporation in which 13 American artists, including Roy Lichtenstein, Ed Ruscha, Robert Rauschenberg, James Rosenquist and others created works celebrating America's bicentennial. Yankee Flame combines the iconic images of George Washington, Coca-Cola and the Statue of Liberty into a collaged interpretation of contemporary American life and the meaning of freedom. "Yankee Flame" is in excellent condition and never framed. It was acquired as part of the America: The Third Century full portfolio. Ben Schonzeit (b. 1942, Brooklyn, New York) is one of the original Photorealist painters and is considered to have pioneered the airbrush technique. His works often depict still life arrangements that are intentionally out of focus. He received his B.F.A. from The Cooper Union in 1964 and has since had over 50 solo exhibitions both in the United States and abroad. His paintings are held in numerous museum collections including the Solomon R. Guggenheim Museum in New York, Virginia Museum of Fine Arts in Richmond, Virginia, and the Metropolitan Museum of Art in New York. In 1973 Nancy Hoffman introduced me to Ben Schonzeit in the backroom of her gallery on West Broadway. She had been open less than a year, and Ben was one of the artists in her original stable. His large Crab Blue It had arrived from his studio a few days earlier and was leaning against the wall. I thought at the time it was one of the most impressive, virtuosic Photorealist works I had seen. That first encounter was more than a quarter of a century ago and I have always considered it to be one of the quintessential, tour de force paintings of American Photorealism. In the early seventies one could stand on West Broadway on any pleasant, sunny weekday and see less than a dozen people on the street between the Nancy Hoffman Gallery and OK Harris Works of Art. Almost all of the SoHo galleries, such as Leo Castelli, Paula Cooper, Ward-Nasse, and Ivan Karp’s Hundred Acres, could be visited in an afternoon. At night the streets were almost deserted. With the exception of Andy Warhol, there were no art world superstars. More importantly, none of the artists expected to achieve celebrity status. That was a phenomenon of the eighties and nineties. There were a only a handful of restaurants and watering holes, such Elephant and Castle, Fanelli’s, the Spring Street Bar and Prince Street Bar. Fanelli’s closed on weekends, which was a holdover from their sweatshop clientele during lunch and ragtag group of artists in the evenings. In those early days of SoHo, the drafty, raw sweatshop spaces with their large windows, rough floors, and service elevators provided large, inexpensive living quarters and studios for many artists. Unlike today, there were no boutiques. The area was not chic and with the exception of Lowell Nesbett’s showplace, the lofts were not glamorous. Schonzeit was in the same living and working space the he now occupies when I first visited him, but SoHo was a very different time and place. When the National Endowment of the Arts recommended me to curate America 1976, which turned into one of the major visual arts projects for the Bicentennial, Ben Schonzeit was on the first list of participants I made up for the U.S. Department of the Interior. His large diptych, Continental Divide, was one of the most memorable works produced for the exhibit. I stopped by his studio four or five times while it was in progress and have visited him many times over the years. We have maintained a very cordial working relationship and friendship over the past three decades. I saw The Music Room exhibit in 1978 and realized at the time that the vigorously rendered mural sized canvases and mirror and related works represented a major catharsis in his painting. In many ways, it and the other paintings and drawings based on the same image represented a sharp, decisive break with the tenets of Photorealism, or at least the photo-replicative aspects that had been so widely heralded in America and abroad in the mid-seventies. Over the years we have continued to work together. He has been in almost all of the major exhibitions I have curated here and abroad and in almost all of the books I have written. I am familiar with his studio habits, his quiet, internalized restlessness that manifests itself in the hundreds of small, unknown drawings and watercolors, doodles on napkins during lunch, and imaginary landscapes. I also know that he would rather do a painting than think or talk about it. Over the years I have followed the shifts in his studio procedure from the monumental airbrushed fruit and vegetable paintings to the most recent bouquets of flowers and decorative paintings. Our discussions of these matters tends to lapse into a verbal shorthand at this point. The following essay is based on both my longstanding familiarity and admiration for his work and involvement with contemporary realism and figurative painting. A booklet of color xeroxes with notes made up by Schonzeit was extremely helpful. In addition to several interviews, much of the information unfolded through a lengthy series of Emails. Due to our different working habits these were composed and sent out very late at night and answered by Ben the following morning. They dealt with the specifics of many of the paintings, generalities, his background and childhood in Brooklyn, and occasional bits of art world gossip. And there were odd discoveries. Prior to discussing his witty, tongue in cheek painting of Buffalo Bill, I did not know or had long forgotten that William Cody...

Forgotten (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Number ...

Sam, Interior Hospital - featuring Ewan McGregor (Stay) - 2006, 38x36cm, Edition 1/10. Analog C-Print, hand-printed by the artist on Fuji Archive Crystal Paper, based on the ori...

Peter Shire (American, b. 1947) "Naked Lady," Painted metal, wire, and found industrial objects sculpture Dimensions: overall: 72"h x 30"w x 24"d Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture, painting, prints and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and ceramic master Peter Voulkos. Of a similar mod vibe to Charlie Hewitt and Brad Howe. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Post modern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso. He was included in the Sullivan Goss show L.A. in S.B. of Postwar and Contemporary California artists including Emerson Woelffer, Ynez Johnston, Peter Krasnow, Edgar Ewing. Their styles ran the gamut from Post Cubist Abstraction to Abstract Surrealism to Abstract Expressionism. In the rich soil of their efforts was grown the next generation of some of L.A.’s art superstars. As well as contemporary artists such as Ed Ruscha, David Hockney, Charles Arnoldi, Betye Saar, Frank Gehry, Kenton Nelson, Peter Shire, Patssi Valdez, and Dave Lefner. Further reading A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990. Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987. Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984. Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000. Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990. Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983. Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984. Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993. Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991. Select Museum Collections: Art Institute of Chicago, Illinois Brooklyn Museum of Art, Brooklyn, New York Berkeley Museum, Berkeley, California Fresno Museum of Art, Fresno, California The Israel Museum, Jerusalem, Israel The Jewish Museum, New york city Judisches Museum, Frankfurt, Germany Laguna Art Museum, Laguna Beach, California Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art, Los Angeles, California Metropolitan Museum of Art, New York Mint Museum of Craft and Design, Charlotte, North Carolina Museum of Arts and Design, New York Museum of Fine Arts, Houston, Texas Museum of Modern Art, Lodz, Poland Newport Art Museum, Newport Beach, California Oakland Museum of Art, Oakland, California Österreichisches Museum für Angewandte Kunst, Vienna, Austria Portland Art Museum, Portland, Oregon Sak’s Fifth Avenue, New York San Francisco Museum of Modern Art, San Francisco, California San Jose Museum of Art, San Jose, California Seattle Museum of Art, Seattle, Washington Skirball Museum, Los Angeles, California Stedelijk Museum, Amsterdam, The Netherlands Total Contemporary Art Museum, Seoul, Korea Victoria and Albert Museum, London, United Kingdom Selected Solo Exhibition venues Los Angeles County Museum of Art, Los Angeles, California Chouinard Gallery, South Pasadena, California Antonia Jannone Gallery, Milan, Italy Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California LA Artcore Center, Los Angeles, California S.K. Josefsberg Gallery, Portland, Oregon 20th Century Collage...

Arrivederci (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Numbe...

Planes II - 2008 40x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4651. Not mounted. ...

The Red Lip Day (Stranger than Paradise) 40x30cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory N...

Untitled (Suburbia), 2004, Edition of 3/3, 50x60cm, analog C-Print, hand-printed by the artist, based on a Polaroid, not mounted, signature label and Certificate, artist Inventory No...

Bates Motel (The Last Picture Show) - 2005, Edition of 10 plus 2 Artist Proofs, 20x20cm each, installed 43x66cm. 6 Archival C-Prints, based on the 6 original Polaroids. Certific...

Springtime (Suburbia) - 2004 50x50cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 18251. Not mounted. Thi...

Desert Center (Stranger than Paradise) - 2000 Edition of 10, 58x56cm Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate. Artist In...

Back in Time (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inven...

The Existence is disintegrating into the Heat of the Desert Sirocco (The Girl behind the White Picket Fence) - 2015 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print...

Four Corners (The Last Picture Show) - 2005 Edition of 10 plus 2 Artist Proofs. 20x125cm including the white border, each image 20x20cm. Archival C-Print based on the 5 original P...

Palm Springs E-Type Abstract (Californication) - 2021 30x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artis...

Toast is Ready (Cyndi Lauper) from the 'Bring Ya to the Brink' record Album) 2009 - 40x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the original Polaroid....

Home, Sweet 29 (Oxana's 30th Birthday) - 2010 58x56cm, Edition 1/5. Analog C-Print, hand-printed by the artist, based on the Polaroid, mounted on Aluminum with matte UV-Protecti...

Pasolini (Immaculate Springs) - 1998, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature Label and Certificate. Not mounte...

Riviera (Malibu), 2004 39x37cm, Edition 2/5. Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, based on the original Polaroid. Artist inventor...

No Lifeguard on Duty (Oxana's 30th Birthday) - 2010 58x56cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Artist invent...

Bombay Palm Trees (California Badlands) - Bombay Beach) - 2019 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certifica...

Lonely Plant (29 Palms, CA) - 1999 20x20cm, Edition of 10, Archival C-Print, based on a Polaroid Artist inventory Number 19761 Signature and Certificate Not mounted. A German vi...

Untitled (Saigon) - 2003 Edition 2/5, 58x56cm, analog C-Print, hand-printed by the artist, on matte Fuji Crystal Archive Paper. based on an expired Polaroid. Artist inventory Num...

Traces (Frozen) Edition 2/3, 126x125cm, 2005. Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper not mounted, based on a Polaroid. Signature label and ...

Richard Milhous Nixon was the 37th President of the United States, serving from 1969 to 1974 when he became the only U.S. president to resign the office, as a result of the Watergate...

Untitled (The Last Picture Show) - 2006 49x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory number: 1020. Signature l...

Howard Kanovitz Paris Review, 1968 Lithograph on wove paper 33 × 26 inches Pencil signed and numbered 9/200 Published by The Paris Review, New Y...

Feathered (Stage of Consciousness) - 2007 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the original Polaroid. Signature label and Certificate Ar...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 7. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

It's gonna be ok (Till Death do us Part) - 2008 40x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Certificate and Signature label. Artist Inve...

Wavelength - 1999 Edition of 10, 20x20cm. Archival C-Print, based on the Polaroid. Signature label and Certificate. Not mounted. Stefanie Schneider: A German view of the Ameri...

A piece of Cake (Oxana's 30th Birthday) - 2007 20x24cm, Edition of 10. Archival C-Print print, based on the Polaroid, Certificate and Signature label. Artist Inventory # 4785. ...

I feel so alone! (Till Death do us Part) - 2008 40x48cm, Edition of 10 plus 2 Artist Proof. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inve...

At a media party with Gordon Parks, Alan King and Genevieve Young. Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of the Beat ...

Untitled (Olancha) - 2006, 38x37cm. Edition of 5, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate. Arti...

Olancha (Stranger than Paradise) - 2006, published in 'Stranger than Paradise', Edition 5/5, 38x37cm. Analog C-Print, hand-printed and enlarged by the artist, based on a Polaroid...

'Wedding Day III' (Till Death do us Part) - 2005 20x24cm, Edition 6/10, Archival C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory No. 4341.18, Not...

Wonder Valley (29 Palms, CA) - 2008 125x154cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, artist inventory nu...

'Rosegarden' - part 1, (Suburbia) - 2013 20x24cm, Edition of 10, Archival C-Print based on the Polaroid Certificate and signature label, artist inventory number: 403.11 Not mounted Stefanie Schneider...

Vanishing Point (The Princess and her Lover) part of the 29 Palms, CA project - 2010 Edition of 1/5, 125x123cm. Analog C-Print, hand printed by the artist and based on a Polaroid....

Untitled - Renegade (The Last Stand) - 2004 58x56cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Cert...

Untitled - Renegade (The Last Stand) - 2004 58x56cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Cert...

Untitled - Renegade (The Last Stand) - 2004 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...

Untitled - Renegade (The Last Stand) - 2004 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...