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A fine 20th Century portrait in an attractive mix of pastel, charcoal and watercolour, showing a pretty girl with long blonde hair, wearing a delicate fascinator with an array of flo...

An accomplished watercolour study depicting a woman on her knees in prayer. The piece is signed with Westall's monogram to the lower right. Presented in a part gilt frame. Label vers...

Artist/Designer; Manufacturer: Richard “Dick” Hay (American, 1942-2020) Marking(s); notes: signed Materials: ceramic Dimensions (H, W, D): 25.5" h, 13.5"w, 8.5"d Additional Informat...

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Oval Vessel (Dark Honey), Stoneware with Glazes by Richard Phethean Additional information: Medium: Stoneware with Glazes Height 24 cm (9 1/2 in) Signed with initials on base

A charming Vanity Fair style watercolour in the manner of Richard Dighton (1795-1880). The scene depicting a man in a top hat and cane standing in profile. Presented in a gilt frame...

Portrait is an original drawing in china ink attributed to Richard Burt-Ryley and realized in the late 20th Century. Good Conditions. The artwork is depicted through soft strokes i...

On the Northern California Coast and Golden Gate Bridge by Richard Brian Hazel Lavish paint and impasto layered oil paint of the Rocky Coast ...

A charming and captivating watercolour painting, depicting a landscape view with a shepherd rearing his sheep in Ludshott Common, near Midhurst. Signed to the lower left-hand corner....

Poetry by J.D. REED Artwork by Richard Merkin screenprint in color, 1969, edition 22/50 Published by Bizzaro, Providence, R.I. Richard Marshall Merkin (1938-2009) was an American p...

Richard Anuszkiewicz (American, 1930–2020) Six Squares, 1969 Medium: Screenprint on card Dimensions: 64 x 94 cm (25 x 37 in) Edition of 200: Hand-signed and numbered in pencil

Richard Claude Belt (English, 1851-1921) Signed: R. Belt 1918 (base verso) " Casualties of War " 1918 Bronze Height 26" Width 15" Depth 13" In very good original condition w...

Richard Allen was an Abstract artist of the 20th century who worked across painting, graphic and technological media. Allen was born in Worcester in 1933. Influenced by his fathe...

Limited edition giclée print on fine art paper of a watercolor portrait of Josephine Baker by African-American artist Richard Yarde. Hand-numbered 5/300,...

Beautiful limited edition giclée print on fine art paper of a watercolor portrait of Billie Holiday by African-American artist Richard Yarde. Hand-number...

The Battle is original lithograph "d'après" drawing of F.A. Pernot, realized by the artist Richard Parkes Bonington (1802- 1828) Signed on t...

Richard Lin 1933-2011 May 3, 1971 screenprint on wove and acetate sheet 50.8 x 50.8 cm 20 x 20 in signed and numbered in pencil edition of 70 Born in Taichung, Taiwan, and brought u...

The Escape from Argyle Castle is original lithograph on paper, realized by the artist Richard Parkes Bonington (1802- 1828) Signed on the pla...

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Richard Anuszkiewicz (American, 1930–2020) Six Squares, 1969 Medium: Screenprint on card Dimensions: 64 x 94 cm (25 x 37 in) Edition of 200: Hand-signed and numbered in pencil

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Richard Bankes...

Richard Hilder (1813-1852) Pastoral Landscape Oil on Panel 10 X 16 inches, Framed Provenance: Important Private Collection Richard H. Hilder was a landscape painter and occasional ...

Collotype and Screenprint on Ivorex paper, edited in 1979 Limited edition of 90 copies Signed in pencil by artist in lower right corner and numbered: 30/90 paper size: : 50.2 × 66 cm ( 19 3/4 × 26 in ) framed size: 55,5 x 71 cm Publisher: Waddington Graphics good conditions, with deep, bright colors , slight defects A copy of publication and a regular certificate of authenticity is provided I offer professional packaging and tracked and insured shipping with DHL courier This striking composition seamlessly merges two Gerrit Rietveld chairs...

This striking original poster from 2000 was created by Richard Roussel for CMA CGM, the French global shipping giant. Entitled “Tour du Monde” (World Tour), it celebrates the company...

Richard Dighton (1795-1880) A View from Brazen Nose College (1808) Hand coloured engraving 28 x 22 cm Richard Dighton (1795–1880) was a prominent En...

A fine watercolour study depicting a mother embracing her infant child. The artist's accomplished hand captures the fine drapery covery the woman, showing the folds of the material i...

Unsigned. On canvas.

"Savoy: Air Steps" Limited edition giclée on fine art paper of a pair of dancers by African American artist Richard Yarde. Part of Yarde's "Savoy Ballroom" series. Hand-dated 10/300,...

Large Oval Vessel (Dark Honey), Stoneware with Glazes by Richard Phethean Additional information: Medium: Stoneware with Glazes Height 33 cm (13 in) Signed with initials on base

A Duel between Frank and Rashleigh is original lithograph on china glued, realized by the artist Richard Parkes Bonington (1802- 1828) Signed...

Richard Long (British, b. 1945) Two Sahara Works, 1988 Medium: Set of 1 grano lithograph and 1 silkscreen, on rag paper Dimensions: each 63 x 93 cm (24¾ x 36½ in) Edition of 75: each...

RICHARD LINDNER (American. 1901-1978) Hand Signed limited edition lithograph with blindstamp Publisher: Shorewood-Bank Street Atelier for the Skowhegan School of Painting and Sculpt...

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Signed and dated verso. On canvas.

Oil on canvas board. Unsigned. Presented in a wooden frame.

Richard Haas 42nd Street at Night from the Multiplex Cinema Roof, 2008 Acrylic on canvas laid to board Hand signed and dated 2008 on the front Frame included: elegantly framed in art...

The North presents a mesmerizing seascape under an expansive, tumultuous sky. Broad, dynamic brushstrokes in a palette dominated by purples and blues convey a sense of movement and d...

Artist: Richard Martin Ash, American (1943 - ) Title: Uncle Sam Medium: Lithograph, signed and numbered in pencil Edition: AP Image Size: 26.75 x 17 inches Frame Size: 33 x 23 inches

Di-symo, Pen and Ink on Paper, Laid on Paper Painting by Richard Allen, 1970 Additional information: Medium: Pen and ink on paper, laid on paper 56.5 x 56.5 cm 22 1/4 x 22 1/4 in Signed, dated and titled Richard Allen was an Abstract artist of the 20th century who worked across painting, graphic and technological media. Allen was born in Worcester in 1933. Influenced by his father, he attended Shropshire Institute of Agriculture where he studied for a National Diploma. From there he became aware of what he considered his “irrational” yet unshakeable interest in art, since the College shared buildings with Worcester School of Art. Upon the advice of his window-cleaner Bob, Allen decided to apply to the School. Whilst in Worcester he attended Geoffrey Whiting’s pottery course. Allen took national service in 1952 during the Korean War, serving as an engineer. He returned to Worcester in 1954 to study for his A levels and NDD, after which he attended Bath Academy of Art, Corsham, in 1957. He embraced Bath's unconventional teaching of that time and developed a keen interest in abstract painting. In 1959, his last year at Bath, he was commissioned to make a 15 x 9 foot abstract mosaic for a Wiltshire college, in which the first signs of Allen's grid construction, and blocks of colour within a grid, are seen to appear. In 1960 he won an Italian Government Scholarship in Art to study in Ravenna. After only three months in Ravenna, working on restoration of Byzantine mosaics, he moved to the more lively city of Milan in which he worked with large-scale mosaic production. These commercialised mosaics informed his later works, and Allen considers his time in Milan to be one of fruitful cultural interaction. He married fellow Bath Academy of Art student Eve Laurens the next year, and began teaching part time. He taught at Croydon College of Art for eight years, during which time he began working on his Op Art paintings and was awarded the title of Commonwealth Scholar in Art and Architecture. The scholarship gave him the opportunity to study in the Indian Institute for Advanced Studies in Shimla for a year, during which he was able to travel India extensively. During his time in London Allen worked alongside such figures as Bridget Riley and Bruce McLean, their commitment to artistic professionalism informing his own identity as an artist. Allen started experimenting with line, colour, optical effects and the relationship between art and science. His Op Art works relied upon Interferometry, allowing him to lay grid lines over paintings to create visual manipulations. In 1967 he had his first solo exhibition at the University of Sussex. In 1971 he was invited by Malcolm Hughes to join the Matrix group of artists, whose exhibition opened at the Arnolfini Gallery that year which led to a further exhibition at the Whitechapel gallery the following year. The Matrix group was concerned with Systematic painting, which worked to create images that consciously reveal their own methods of construction. This led to his involvement with the Systems movement in music, with performances often accompanying the openings of System exhibitions. Concern with systems informed Allen’s work throughout his life. In 1972 Allen returned to graphic works, namely making large-scale charcoal pieces on canvas. His work at this time was still very much based on the grid and cross. His work was included in the Hayward gallery British painting Exhibition in the mid 1970s, and was also displayed in a solo exhibition at the London Institute of Contemporary Arts. Allen moved to Jersey in 1977, where he continued working with charcoal and exhibiting internationally. The minimalist exhibition ‘Fundamental Painting’ in Amsterdam, 1975, inspired Allen to put together a similar English exhibition. His position on the Committee of the Art Information Registry/Air and Space, enabled him to work on this. The exhibition was held in the Air Gallery in Charing Cross and led to his curation of Fundamental Painting exhibitions in Holland, Belgium, France and Italy. In 1991 he returned to England and began working on his "white paintings", having not worked with colour for twenty years, which were to be his last works. Shortly after his wife Eve died in 1997 he was diagnosed with Motor Neuron Disease. Allen began working with specially adapted computer software...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Attributed to Richard Bankes Harraden...

Art Sz: 5 1/2"H x 7 1/2"W Frame Sz: 8"H x 9 3/4"W Oil on Canvas Artist Biography: Living in the heart of the English countryside, Richard Britton works from his home studio. A de...

Exquisite and brilliantly colored oil painting on board by Richard Horace Bassett (1900-1995). This impressionist rendition of landscape was probably executed circa 1930, or earlier,...

Richard William Hamilton CH (British, 1922-2011) Just what is it that makes today's homes so different? Digital print Signed and numbered `1534/5000 R Hamilton’ (lower edge) 8 x 11.3...

With Halo, Greenfield brings the stories of Black folk-saints, martyrs, freedom-fighters, survivors, magicians, and visionaries back into view.

Walter Richard Sickert ARA (British, 1860 – 1942) Harry Anderson – in memoriam etching 1922 signed and titled in ink (lower edge) 5.1/8 x 4.1/2 in. (13 x ...

In this dynamic self portrait, the artist captures himself sporting a yellow bobble hat. The yellow is reflected in the striking background of pink strikes and yellow circles. Unsign...

Art Sz: 5 1/2"H x 7 1/2"W Frame Sz: 8"H x 9 3/4"W Artist Biography: Living in the heart of the English countryside, Richard Britton works from his home studio. A dedicated animal ...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The blue teal co...

Computer, from Richard Heeps Bletchley Park series. Richard photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to document Alan Turing’s historic past at Bletchley. He was privileged to gain access not open to the public. This World War II German Enigma Machine...

Karma, street photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project featured at the Affordable Art...

Swim-in-Pool, photograph from Richard Heeps Dream in Colour series. This fun original artwork really shows Richard's unique eye as a photographer, creating this slightly surreal kits...

From Richard Heeps Dream in Color series a cinematic scene, a doorway in a motel in Nevada on an American road trip. Warm evening sunlight glows casting shadows across the picture. ...

Richard Heeps photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to document Alan Turing’s historic past at Bletchley. He was privileg...

Chuck Close, Richard Estes Picturing America (hand signed by both Chuck Close and Richard Estes), 2009 Hardback Monograph (hand signed by Chuck Close and Richard Estes) Boldly signed by Chuck Close and Richard Estes 9 1/4 × 10 × 1/2 inches We have not seen another hand signed by both Chuck Close and Richard Estes anywhere else in the world - ever. And none with such fine provenance: This highly collectible monograph was hand signed by Chuck Close for the present owner at a special event held by Artifex Press held at the New York Public Library; then signed by Richard Estes at his retrospective at the Museum of Design in New York Published on the occasion of the exhibition Picturing America: Photorealism in the 1970s/Picturing America: Fotorealismus der 70er Jahre. The book was signed for the present owner by Chuck Close at Artifex Press held at the New York Public Library on December 19, 2012, and by Richard Estes at the Museum of Design. About the monograph, which itself is a collectors item: Title: Picturing America Publisher: Deutsche Guggenheim, 2009 Hardcover, 176 pp. replete with full-color images of the photorealistic work of some of the most celebrated names in American realism painting...

North Shore Motel Steps, mid-century architecture photography captured by Richard Heeps as part of his Salton Sea series. This artwork is a limited edition of 25 gloss photographic ...

Richard Bernstein Diamond Ring - 1977 Print - Silkscreen on Heavy Paper Paper : 30'' x 26'' inches image size : 28" x 23 ½" inches Edition: Signed in pencil, titled, dated and marked...

A pair of dynamic pieces depicting expressive figures against abstract backgrounds. Signed and dated to the lower right. Titled verso. Sulus et Dualis Exhibition label verso. On canvas.

Richard Andres (American, 1927–2013) Saturday on Wednesday, c. 1975 acrylic on canvas signed lower right, signed and titled verso 48.5 x 62.5 inches Richard Andres was born in Buff...

A set of nine black and white photographs by Richard Heeps. They can be hung in a grid, or spaced out throughout your interior. Richard Heeps, primarily known as a colour photographe...

A very fine abstract composition in oils from artist Richard J.S. Young. Painted in an expressive manner with symbolic shapes. Unsigned. On canvas on stretchers.