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MEDITERRANEAN SONATA
By Arica Hilton
Located in Chicago, IL
MEDITERRANEAN SONATA Narrative:
When it comes to inspiration, I have to say that JMW Turner’s “Burning of the Houses of Parliament” is one of my all-time favorite paintings. When I first began preparation for this exhibition not only was I having artist block, but the California wildfires were overwhelming the news. I had just started this painting and was thinking about a more contemporary way of expression. But I needed a push. I have always subscribed to a Luministic style, emphasizing tranquility, depicting calm, reflective water and hazy skies.
I decided to look up my other favorite modern-day artists, Danish/Icelandic, Olafur Eliasson. He had a show at the Tate Modern and coincidentally, it was about JMW Turner’s color process. I knew I was going in the right direction. Maktub – it is written, or the other translation was, it was destiny....
Like Turner, I wanted to shape and frame the light with a sense of infinity, but on my own terms. It is wonderful to be inspired by another artist, but it is important to create your own style. Brush and palette knife, layer upon layer, And this is how Mediterranean Sonata unfolded.
ARICA HILTON BIOGRAPHY:
Perhaps it was because she was born on the Mediterranean coast of Turkey, an important waterway for cross-cultural trade and the birth of great civilizations, that Arica Hilton brings a passion for our earth and its inhabitants to her life as an artist and global advocate.
Whether hiking the Himalayas to experience the country’s culture, or cage diving with great white sharks off Guadalupe Island, or participating in scientific expeditions to document threats to the health of our oceans, Hilton is driven to pursue first-hand encounters with people and their living environments.
The seeds for Hilton’s dauntless pursuits were sown early. At six-years-old she moved to the United States, not knowing a word of English. Her sense of displacement had a lasting impact, prompting a search to uncover where she belonged in the world. Hilton determined early on that her most illuminating pathway would be the road less taken – a pursuit that continues today.
Near and far, Hilton seeks the unique and uncommon. Her adventures have included 22 visits to Asia. She has swum, run and biked her way through triathlons. She has participated in global initiatives for just governance and human security. And she inspires awareness and searches for solutions to improve living conditions for humanity and our earth as a whole. Hilton’s art and global advocacy are informed by the different schools of thought and cultures that she continually encounters.
Hilton’s own creative pursuits began with writing poetry and expanded to painting when she began to illustrate her poems. Her artistic evolution sparked an interest in the realm of creation as she discovered mathematics, physics, quantum mechanics and string theory. Her studies solidified her passion for environmentalism when she learned that stars are nothing more than another extension of humanity – that the elements in the bloodstream are the same elements that comprise a star. The interconnection was what Hilton had been searching for her whole life. As Hilton says “We are the same as a star. How beautiful is that?”
Today, Hilton is a visual artist, poet and global advocate who travels worldwide to enrich her life and the lives of others. She is based in Chicago, where she is the director and curator of Hilton Asmus...
Category
2010s Abstract Abstract Paintings
Materials
Oil
Mixed Media Unique Art Photo Louis Vuitton, Paris, Tim White Sobieski Photograph
Located in Surfside, FL
Tim White-Sobieski
Alpha LV#1, 2005
Unique photo print on canvas
28 × 20 in 71.1 × 50.8 cm
Tim White Sobieski has been commissioned by LVMH multiple times, and in 2005, was invited to create an artwork for the new Louis Vuitton Flagship Store on Champs-Elysees in Paris alongside artists James Turrell and Olafur Eliasson. The project consisted of a 24-meter programmed fiber-optics video wall. Another colossal video wall was installed at the Petit Palais for the celebration of the launch. This was a unique cooperation of the three artists. In 2006, the Louis Vuitton Company invited Tim White-Sobieski back to participate in an exhibition entitled "Icons", an interpretation of the iconic logo-bags. Other artists included Marc Jacobs, Zaha Hadid, Ugo Rondinone, Sylvie Fleury, Shigeru Ban, Robert Wilson and Andrée Putman.
From the 2006 ‘Icones’ exhibition at Espace Louis Vuitton, Paris.
celebrating Marc Jacobs’ reinvention of their iconic pieces,
works by Andree Putman, LV invited the architects Zaha Hadid and Shigeru Ban, the video artist Tim White-Sobieski, the director-scenographer Robert Wilson, and the artists James Turrell, Shigeru Ban, Sylvie Fleury, Bruno Peinado, and Ugo Rondinone to riff on their fashion logos
Louis Vuitton's classic designs are an inextricable part of chic travel history. From trunks to leather bags to wine holders, their styles have traveled across time and fashion, becoming classics that never look old. With the genius of Marc Jacobs, these icons have entered new domains where art and fashion are directly linked.
Tim White is a video and installation artist based in New York and Berlin. He was educated as an architect and dedicated himself to visual art and filmmaking, exploring the fields of painting, sculpture, photography, video, video installations and light installations throughout his career. He began showing in New York in the early 1990s with his "Blue Paintings." Emphasis on the role of the subconscious in his paintings had affinities with visual abstractionism and literary existentialism.
He has consistently been at the technological forefront of video and light art, being called a "video maverick" and "an abstract "'painter of motion.'"
Tim White-Sobieski was born in 1961 and emigrated to the United States in 1993. He attended New York University and Parsons School of Design before embarking on a career in art.
Much of his work draws from literary work that has inspired the artist, and he has often featured icons of American literature in his installations. Writers such as Walt Whitman, John Steinbeck, John Updike, Kurt Vonnegut, J.D. Salinger, William Faulkner, and Robert Penn Warren all have a permanent presence in Tim White-Sobieski’s oeuvre.
Musically, White-Sobieski composes most of his own film and video soundtracks, but also incorporates the work of his contemporaries such as Brian Eno, David Byrne, Robert Fripp...
Category
Early 2000s Contemporary Mixed Media
Materials
Canvas, Mixed Media, Photogram, Screen
Alexander Calder, Yellow Face, from Derriere le miroir, 1976
By Alexander Calder
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Visage Jaune (Yellow Face), from the folio Derriere le miroir, No. 221, originates from the 1976 edition published b...
Category
1970s Modern Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
Mixed Media Unique Art Photo Louis Vuitton, Paris, Tim White Sobieski Photograph
Located in Surfside, FL
Tim White-Sobieski
Alpha LV#1, 2005
Unique photo screenprint on canvas
28 × 20 in 71.1 × 50.8 cm
Tim White Sobieski has been commissioned by LVMH multiple times, and in 2005, was invited to create an artwork for the new Louis Vuitton Flagship Store on Champs-Elysees in Paris alongside artists James Turrell and Olafur Eliasson. The project consisted of a 24-meter programmed fiber-optics video wall. Another colossal video wall was installed at the Petit Palais for the celebration of the launch. This was a unique cooperation of the three artists. In 2006, the Louis Vuitton Company invited Tim White-Sobieski back to participate in an exhibition entitled "Icons", an interpretation of the iconic logo-bags. Other artists included Marc Jacobs, Zaha Hadid, Ugo Rondinone, Sylvie Fleury, Shigeru Ban, Robert Wilson and Andrée Putman.
From the 2006 ‘Icones’ exhibition at Espace Louis Vuitton, Paris.
celebrating Marc Jacobs’ reinvention of their iconic pieces,
works by Andree Putman, LV invited the architects Zaha Hadid and Shigeru Ban, the video artist Tim White-Sobieski, the director-scenographer Robert Wilson, and the artists James Turrell, Shigeru Ban, Sylvie Fleury, Bruno Peinado, and Ugo Rondinone to riff on their fashion logos
Louis Vuitton's classic designs are an inextricable part of chic travel history. From trunks to leather bags to wine holders, their styles have traveled across time and fashion, becoming classics that never look old. With the genius of Marc Jacobs, these icons have entered new domains where art and fashion are directly linked.
Tim White is a video and installation artist based in New York and Berlin. He was educated as an architect and dedicated himself to visual art and filmmaking, exploring the fields of painting, sculpture, photography, video, video installations and light installations throughout his career. He began showing in New York in the early 1990s with his "Blue Paintings." Emphasis on the role of the subconscious in his paintings had affinities with visual abstractionism and literary existentialism.
He has consistently been at the technological forefront of video and light art, being called a "video maverick" and "an abstract "'painter of motion.'"
Tim White-Sobieski was born in 1961 and emigrated to the United States in 1993. He attended New York University and Parsons School of Design before embarking on a career in art.
Much of his work draws from literary work that has inspired the artist, and he has often featured icons of American literature in his installations. Writers such as Walt Whitman, John Steinbeck, John Updike, Kurt Vonnegut, J.D. Salinger, William Faulkner, and Robert Penn Warren all have a permanent presence in Tim White-Sobieski’s oeuvre.
Musically, White-Sobieski composes most of his own film and video soundtracks, but also incorporates the work of his contemporaries such as Brian Eno, David Byrne, Robert Fripp...
Category
Early 2000s Contemporary Mixed Media
Materials
Canvas, Mixed Media, Photogram, Screen
Indian Summer IV (The Last Picture Show)
By Stefanie Schneider
Located in Morongo Valley, CA
Indian Summer III (The Last Picture Show) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on the Polaroid,
Certificate and Signature label
Artist Inventory No 18549.
Not mounted.
Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters.
Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018 / 2019.
“It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”)
What makes Stefanie Schneider’s work so unique is that it’s immediately recognizable. Perfect ‘wabi-sabi’ in appearance and content. Dream like, colorful with depth and vision. From start to finish, a truly self made artist with a distinctively female perspective.
Exhibitions Selected (selected)
2018
Participation Bombay Beach Biennale, Bombay Beach, USA (G) March
Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt
2017
BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
Rosegallery, Bergamot Station, Santa Monica (G)
Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G)
2016
Instantdreams, Instantdreams Gallery, Berlin
(S)
2015
Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky
The Ballery in Heat, The Ballery, Berlin (G)
Blue Nudes, De Re Gallery, Los Angeles (G)
2014
Summer Show, Galerie Catherine et André Hug, Paris, France (G)
6 Finalists, Saatchi Gallery London (G)
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
2013
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images
For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region, Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog)
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
Heather's Dream, Short, German Competition Short Film Festival Oberhausen
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Large Mixed Media Unique Art Photo Louis Vuitton Tim White Sobieski Photograph
Located in Surfside, FL
Tim White-Sobieski
Alpha LV, 2005
Unique photo print on canvas
42 X 30 in
Tim White Sobieski has been commissioned by LVMH multiple times, and in 2005, was invited to create an artwork for the new Louis Vuitton Flagship Store on Champs-Elysees in Paris alongside artists James Turrell and Olafur Eliasson. The project consisted of a 24-meter programmed fiber-optics video wall. Another colossal video wall was installed at the Petit Palais for the celebration of the launch. This was a unique cooperation of the three artists. In 2006, the Louis Vuitton Company invited Tim White-Sobieski back to participate in an exhibition entitled "Icons", an interpretation of the iconic logo-bags. Other artists included Marc Jacobs, Zaha Hadid, Ugo Rondinone, Sylvie Fleury, Shigeru Ban, Robert Wilson and Andrée Putman.
From the 2006 ‘Icones’ exhibition at Espace Louis Vuitton, Paris.
celebrating Marc Jacobs’ reinvention of their iconic pieces,
works by Andree Putman, LV invited the architects Zaha Hadid and Shigeru Ban, the video artist Tim White-Sobieski, the director-scenographer Robert Wilson, and the artists James Turrell, Shigeru Ban, Sylvie Fleury, Bruno Peinado, and Ugo Rondinone to riff on their fashion logos
Louis Vuitton's classic designs are an inextricable part of chic travel history. From trunks to leather bags to wine holders, their styles have traveled across time and fashion, becoming classics that never look old. With the genius of Marc Jacobs, these icons have entered new domains where art and fashion are directly linked.
Tim White is a video and installation artist based in New York and Berlin. He was educated as an architect and dedicated himself to visual art and filmmaking, exploring the fields of painting, sculpture, photography, video, video installations and light installations throughout his career. He began showing in New York in the early 1990s with his "Blue Paintings." Emphasis on the role of the subconscious in his paintings had affinities with visual abstractionism and literary existentialism.
He has consistently been at the technological forefront of video and light art, being called a "video maverick" and "an abstract "'painter of motion.'"
Tim White-Sobieski was born in 1961 and emigrated to the United States in 1993. He attended New York University and Parsons School of Design before embarking on a career in art.
Much of his work draws from literary work that has inspired the artist, and he has often featured icons of American literature in his installations. Writers such as Walt Whitman, John Steinbeck, John Updike, Kurt Vonnegut, J.D. Salinger, William Faulkner, and Robert Penn Warren all have a permanent presence in Tim White-Sobieski’s oeuvre.
Musically, White-Sobieski composes most of his own film and video soundtracks, but also incorporates the work of his contemporaries such as Brian Eno, David Byrne, Robert Fripp...
Category
Early 2000s Contemporary Mixed Media
Materials
Canvas, Mixed Media, Photogram, Screen





