396 results for "frida kahlo"

This photograph is a black and white portrait of Frida Kahlo in front of the Unfinished Unity Panel at the New Yorkers School in New York, taken by Lucienne Bloch. The medium of this...

Chikako Okada’s autobiographical works of art bridge traditional realism with magical realism and surrealism. The artist uniquely addresses questions of the human condition through h...

Artist: Luis Jimenez, American (1940 - 2006) Title: Fiesta (Diptych) Year: 1986 Medium: Two Lithographs on Arches, signed and numbered in pencil Edition: 76 Size: 34 x 24 in. (86.36 ...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

Chikako Okada’s autobiographical works of art bridge traditional realism with magical realism and surrealism. The artist uniquely addresses questions of the human condition through her meticulously detailed, and patterned imagery. The work is mesmerizing, rich in symbolism, and reference feminine power, vulnerability, sadness, longing, and desire. Often featuring adolescent girls and boys that are mysteriously posed, the artist leaves the circumstances of her subjects to the viewer's interpretation. Chikako Okada is inspired by the paintings of European masters, Mexico's Frida Kahlo, and the American surrealists. The drawing is 23 1/4 X 18 1/4 inches. Professionally matted and framed in a museum quality rose gold wood...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract and avant-garde images. They turned Leo Matiz into one of the most original and innovative personalities of universal photography in the 20th century. Leo Matiz is considered one of the tenth most influential photographers of the 20th century. His work as a photojournalist led him to travel extensively around the world, meeting and making friends with some of the most relevant figures of the 20th century. Matiz was an artist who never waited for beauty to come looking for him. He looked for her with his camera, wherever she was, whether it was the face of a child lost on a city street, a landscape, architectural wonders or the now famous portraits of the legendary artist Frida Kahlo. From Black & White Series Selenium print...

Hommage to the Entombment of Christ by Caravaggio – 05-12-20 Learning Material In my classes I often use ‘The Entombment of Christ’ by C...

Chikako Okada’s autobiographical works of art bridge traditional realism with magical realism and surrealism. The artist uniquely addresses questions of the human condition through h...

Frida and Diego with Hat by Nickolas Muray is a black and white portrait of Mexican painter Frida Kahlo and Mexican muralist Diego Rivera. Frida stan...

A small octopus is inked in the Japanese style of Gyo-Taku print making over a playful background of black and white images of Frida Kahlo. Using sumi ink to "print" the octopus, th...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

Leo Matiz is considered one of the tenth most influential photographers of the 20th century. His work as a photojournalist led him to travel extensively around the world, meeting and...

'She's Got a Ticket to Ride' features a long haired young woman with hummingbirds, who is shrouded in mystery. Tattooed and decorated with ladybugs and sitting within a ring of stone...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 'Musee du Louvre' blindstamp. Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

This artwork "Still Life with Flowers" 1960 is an oil painting on canvas by American artist Ralph Anderson, b.1929. It is signed and dated at the lower right corner by the artist. Th...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Paradise Seeker,' from Chikako Okada's 'Neo Flower Children' series. features the face of a young woman with flower petals and tattoos in an intricately patterned and complex graphit...

'He Knows' features the beautiful face of a boy with down syndrome encircled with lace and shrouded in dignified mystery. The small painting is 7 x 5 1/2 inches, framed 8 3/4 x 7 1/4...

An homage to the great Frida Kahlo. About the Artists: Animated through an assemblage of analog, digital, and lenticular photographic technologies, these selections from Reisig and...

Limited edition framed figurative photograph titled "Shirin Neshat" by Laurina Paperina - Edition 3/3 Laurina Paperina, the artistic alter ego of Laura Scottini, pokes fun at art a...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

'Void' features the face of a young woman with ladybugs and intricately patterned queen's lace. The painting in red-orange, sea green and white and is 16 x 12 1/2 inches, unframed, w...

'He Knows' features the beautiful face of a boy with down syndrome encircled with lace and shrouded in dignified mystery. The small painting is 7 x 5 1/2 inches, framed 8 3/4 x 7 1/4...

Four (4) original individual drawings depicting the complete suit of playing cards. (Diamond): Infanta Vida y Muerte, (Heart): Infanta Viento Frio, (Club): Infanta Conocimiento and (...

Robin Endsley-Fenn Robin Endsley-Fenn received her BFA from The San Francisco Art Institute. She paints with Gouache and Oils on canvas and cotton rag paper. Her style and imagery ha...

A magnificent oil on canvas by Russian American WPA artist Nahum Tschacbasov (1899-1984), dating from 1943. Depicting a Maternity scene - or possibly a m...

'Infanta Suculentas,' features the face of a young woman with succulents and skulls in an intricately patterned and complex graphite drawing on Kent paper. from Japanese artist Chika...

Margaret Frances "Peggy" Bacon (May 2, 1895 – January 4, 1987) was an American printmaker, illustrator, painter and writer. Bacon was known for her humorous and ironic etchings and drawings, as well as for her satirical caricatures of prominent personalities in the late 1920s and 1930s. Bacon's parents were both artists and met while attending the Art Students League in New York. At the end of 1913, Bacon first studied art at the School of Applied Design for Women but disliked it calling it, "the prissiest, silliest place that ever was." She transferred after a few weeks to the School of Fine and Applied Arts on the West Wide where she took classes in illustration and life drawing. During the summer of 1914 Bacon attended Jonas Lie's landscape class in Port Jefferson, Long Island. From 1915-1920 Bacon studied painting with Kenneth Hayes Miller, John Sloan, George Bellows and others at the Art Students League. While at the League, Bacon became friends with several other artists. Her circle of friends and acquaintances included Dorothea Schwarz (Greenbaum), Anne Rector (Duffy), Betty Burroughs (Woodhouse), Katherine Schmidt (Kuniyoshi Shubert), Yasuo Kuniyoshi, Molly Luce...

"Airness" (FRAMED) Pencil Drawing 22" x 19" inch by Antonio Pelayo Medium: Pencil on Paper Artist Antonio Pelayo, born in Glendale, California, and yet raised for most of his child...

Jose 1986 Color lithograph 23/30 23 × 34 in 58.4 × 86.4 cm. SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Luis Jimenez 1940 - 2006 Luis Jiménez was born in El Paso, Te...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

SALE ONE WEEK ONLY UNTITLED by Fanny Rabel a Mexican artist who was born in Poland in 1922 is a soul wrenching work depicting among other things, the children killed by Nazi bombing in Spain during the Second World War. The lavender and purple surrounding the seated female figure and the kneeling child suggest both grief for the innocents' deaths and the prayers being offered for an end to the carnage. The bright gold and red can be read as either explosions or the hopeful light of redemption after death. Like Picasso's Guernica from 1937, this painting from 1965 can stand as a powerful anti-war statement. Numerous key galleries and museums such as Morton Auctions, Cerro de Mayka have featured Fanny Rabel's work in the past. Her anti-Nazi and anti-Fascism politics resulted in her participation in a mural called Retrato de la Burguesía in 1940 for the Sindicato Mexicano de Electricistas building on Alfonso Caso Street in Mexico City. Rabel met a group of exiled Spaniards in Mexico along with Antonio Pujol, who invited her to take part in a mural project headed by him, David Alfaro Siqueiros, Joseph Renau, Luis Arenal, Antonio Rodríguez Luna and Miguel Prieto. The artist died in 2008. Fanny Rabel born August 27, 1922, in Poland born Fanny Rabinovich, was a Polish-born Mexican artist who is considered to be the first modern female muralist and one of the youngest associated with the Mexican muralism of the early to the mid-20th century. She and her family arrived in Mexico in 1938 from Europe and she studied art at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where she met and became friends with Frida Kahlo. She became the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. She also worked as an assistant and apprentice to Diego Rivera and David Alfaro Siqueiros, painting several murals of her own during her career. The most significant of these is "Ronda en el tiempo" at the Museo Nacional de Antropología in Mexico City. She also created canvases and other works, with children often featured in her work, and was one of the first of her generation to work with ecological themes in a series of works begun in 1979. She is considered to be the first female muralist in Mexico. She was an assistant to Diego Rivera while he worked on the frescos for the National Palace and an apprentice to David Alfaro Siqueiros. Her most important mural is Ronda en el tiempo located in the Museo Nacional de Antropología, which was created from 1964 to 1965. She also created murals at the Unidad de Lavaderos Público de Tepalcatitlán (1945), Sobrevivencia, Alfabetización in Coyoacán in 1952 Sobrevivencia de un pueblo at the Centro Deportivo Israelita (1957) Hacia la salud for the Hospital Infantil de México (1982), La familia mexicana at the Registro Público de la Propiedad (1984) (which Rabel preferred to title Abolición de la propiedad privada) and at the Imprenta Artgraf. In collaboration with other artists, she participated in the creation of the murals at the La Rosita pulque bar (disappeared) and at the Casa de la Madre Soltera. She entered the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" shortly after it was established in 1942, taking classes with José Chávez Morado, Feliciano Peña and Frida Kahlo, with whom she became close friends. She changed her last name from Rabinovich to Rabel during her career. Rabel married urologist Jaime Woolrich and had two children Abel and Paloma Woolrich, both of whom became actors. The first exhibition of her work was in 1945 with twenty-four oils, thirteen drawings, and eight engravings at the Liga Popular Israelita with Frida Kahlo writing the presentation. In 1955, she had an individual exhibition at the Salón de la Plástica Mexicana. She had a large exhibition at the Museum of the Palacio de Bellas Artes to commemorate a half-century of her work. Her last exhibition was in 2007 at the Universidad Autónoma Metropolitana. Her work can be found in collections in over fifteen countries including those of the New York Public Library, the Library of Congress in Washington, D.C., the Royal Academy of Denmark, the National Library in Paris, the Casa de las Américas in Havana, the Benemérita Universidad Autónoma de Puebla and the Museo de Arte Moderno in Mexico City. A retrospective of her work after her death called Retrospectiva in Memoriam, Fanny Rabel (1922-2008) was held at the Museum of the Universidad Popular Autónoma del Estado de Puebla . She is considered to be the first modern female muralist in Mexico although she also did significant work in painting, engraving, drawing, and ceramic sculpture. Her work has been classified as poetic Surrealism, Neo-expressionism and is also considered part of the Escuela Mexicana de Pintura (the dominant art movement of the early to mid 20th century in Mexico) as one of the youngest muralists to be associated with it along with Arnold Belkin and José Hernández Delga. Rabel was more drawn to depicting mankind’s pain rather than happiness, sharing other Mexican muralists' concerns about social injustice. However, she stated to Leopoldo Méndez that she could not create combative works, with clenched fists and fierce faces, and she wanted to leave the Taller de Gráfica Popular. Méndez convinced her to stay, saying that more tender images are important to political struggle as well. Children with Mexican faces...

In a stylistic amalgam of Pop and folk, abstract and figurative, I take inspiration from an alternative upbringing where I closely connected with the natural landscape around me. Bor...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintin...

'Infanta Madre Tierra (Mother Earth)' features the face of a young woman with flora motif (top) and series of birds and flora motif (bottom) representing ...

Inspired by Gustav Klimt's "Portrait of Adele Bloch-Bauer I", 1907 “Ode to Klimt’s ‘Portrait of Adele Bloch Bauer I’’ bends gender expectations by casting a man as the woman in gold; artist Epaul Julien...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintin...

Naomi Jones's richly patterned realistic paintings focus on the preservation of vulnerable wildlife. Jones finds catharsis in painting soulful animals. Portraits of vulnerable species native to the North American landscape are painted with an illustrative sensitivity, reminding the viewer to appreciate the delicate balance of nature. Jones tries to make such wildlife, frequently living on the edges of homes and gardens, visible through paintings set among vividly patterned backgrounds. This original 36-inch square acrylic painting of a rabbit is wired and ready to hang. The sides of this artwork are painted and it does not require framing. It is signed by the artist on the front. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Jones is inspired by Georgia O’Keefe’s attention to the natural world and Frida Kahlo’s narrative approach to painting. She is also inspired by the patterns of William Morris and has found them to be rich resources of inspiration for her lively backgrounds. Naomi Jones lives in Greensboro, North Carolina, a city known for creative activism, ecological conservation, and an artistic approach to civic spaces. Her original artworks have been exhibited and collected throughout the US. REPRESENTATION Artspace Warehouse, Los Angeles, CA GROUP EXHIBITIONS 2019-23 Artspace Warehouse, Los Angeles, CA 2019 Platypus & Gnome, Wilmington, NC 2018 Scuppernong Books, Greensboro, NC 2018 Hirsch Wellness, Revolution Mills, Greensboro, NC 2018 Greensboro Project Space, Greensboro, NC SOLO EXHIBITIONS 2018 “I Spy: Art by Naomi Jones,” Art In Bloom...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

'Infanta Soledad,' features the face of a young woman with succulents and skulls in an intricately patterned and complex graphite drawing on Kent paper. from Japanese artist Chikako ...

'Infanta La Danza de la Muerte no. 1' features the face of a young woman with flora motif (top) and series of birds and flora motif (bottom) representing lif...

La Rosée is an excellent Contemporary artwork realized by Renée Lubarow (b.1923) in 1978. Original colored etching on paper. Hand-signed in pencil on the lower right corner: Lubar...

Chikako Okada’s autobiographical works of art bridge traditional realism with magical realism and surrealism. The artist uniquely addresses questions of the human condition through h...

Chikako Okada’s autobiographical works of art bridge traditional realism with magical realism and surrealism. The artist uniquely addresses questions of the human condition through h...

Chikako Okada’s autobiographical works of art bridge traditional realism with magical realism and surrealism. The artist uniquely addresses questions of the human condition through her meticulously detailed, and patterned imagery. The work is mesmerizing, rich in symbolism, and reference feminine power, vulnerability, sadness, longing, and desire. Often featuring adolescent girls and boys that are mysteriously posed, the artist leaves the circumstances of her subjects to the viewer's interpretation. Chikako Okada is inspired by the paintings of European masters, Mexico's Frida Kahlo, and the American surrealists. The drawing is 16 x 12 inches. Professionally matted and framed in a museum quality rose gold...

'Aquarius' features the face of a young woman with flowering succulents, thorns and a turbulent sky surrounding her body and is a complex graphite drawing on Kent paper. From Japanes...

Artist: Kristina Oganezz Work: Art Installation / Art decor Medium: Porcelaine Year: 2024 Color: Metal Gold Title: Apple of Eden Size: H 4,75" x Diameter 3,75" inch, 337 Gram, Eleg...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Love is sacred. Love is pure. Love is giving one's totality. Love is not pretense. However, a deceptive love sequel results in a person's broken heart and soul, which later becomes stiff and resistant. There is stiffness and resistance because of the fear of being betrayed again, of being used and dumped, of being called a fool, and of being trampled upon. So, a firm NO is the response to each white rose given again and again. Once bitten, twice shy. Once given a white rose, twice careful of falling prey to the trap of deceptive love. Maybe one day, sincere love will come to stay. Till then, many white roses offered will be rejected with a sigh. This is the story of the lady here. About Artist Agbalaya Abdulahi...

Lenticular print of the famed artists Frida Kahlo. The piece goes from portrait of Frida to a skull. About the Artist: Le Closier is a Belgian painter living in New York. Afte...

"Demon" (FRAMED) Painting 33" x 27" inch by Antonio Pelayo Medium: "Acrylic Ink & Paint on Animation Acetate Artist Antonio Pelayo, born in Glendale, California, and yet raised fo...

'Infanta Futura,' features the face of a young woman with succulents and cactus in an intricately patterned and complex graphite drawing on Kent paper. from Japanese artist Chikako O...

Artist: Kristina Oganezz Work: Art Installation / Art decor Medium: Porcelaine Year: 2024 Color: Metal Gold Title: Apple of Eden Size: H 4,75" x Diameter 3,75" inch, 337 Gram, Arti...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

'Infanta Nocturna,' features the face of a young woman with succulents, cacti and she is wearing a Victorian Queen's lace collar. An intricately patterned and complex graphite drawin...

Title: War and Peace Artist: Nerea Caos Technique: Acrylic on canvas Dimensions: 60 x 40 cm (23.6 x 15.7 in) Support: Stretched canvas Date: 2025 Signature: Signed on the back ...

In a stylistic amalgam of Pop and folk, abstract and figurative, Diana Rosa takes inspirations from an alternative upbringing where she closely connected with the natural landscape a...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintin...