839 results for "punk"

Contemporary abstract expressionist pastel on paper of a Provençal landscape 'Cancan b' by Dutch artist Bernadette Van Baarsen. Signed an...

The Cramps at CBGB in New York City on December 10, 1993 by Ebet Roberts. Signed limited edition print. Ebet Roberts began her career in 1977 when she began documenting the evolvin...

Gee Vaucher “Flying High” — 2017, limited edition screen print Offered here is “Flying High”, a luminous and enigmatic limited edition print by British artist Gee Vaucher, executed...

Signed verso, 'France. Sundsten' for Francesca Sundsten (American, 1960-2019), titled, 'Monster Sheephead' and dated 2002. Accompanied by original receipt from Davidson Gallery. Fra...

A contemporary abstract geometric colour field landscape in oil on canvas by Dutch artist Bernadette Van Baarsen. Signed bottom right and signed, dated and titled to the reverse. H...

Futura 2000 NYC 1984: A rare 1980s Futura announcement card published on the occasion of: FUTURA 2000 at Pizza A Go-Go June 27, 1984; 121 W 31st, New York, NY. Offset printed annou...

Photorealistic black and white drawing of rock concert goers - Graphite on paper by Andy Mister. Offered framed. The work of Andy Mister explores the boundary between mechanical and manual reproduction. Working with images appropriated from vintage photographs and deftly mimicking the Xerox aesthetic of punk zines and album covers, removing their specific historical context. Mister’s drawings question how meaning is created or lost through the act of “copying.” Mister says of the arrangement of his images, “It's something like my bedroom as a teenager, filled with images clipped from magazines: bands or writers that I admired interspersed with random images I found aesthetically interesting. I am interested in the relationship between images and connections that the viewer creates when encountering them, connections that I cannot control.” Andy Mister received a BA in English Literature and Philosophy from Loyola University of New Orleans, and an MFA in Creative Writing from the University of Montana. His artwork has been exhibited at Hirschl & Adler Modern, Turn Gallery, Joshua Liner Gallery, Morgan Lehman Gallery...

RUN DMC at KIT KAT CLUB, New York City circa 1995 by heralded NY underground photographer Fernando Natalici. Notes Natalici: "I was taking pictures of DMC backstage prior to the show for the club and asked RUN if I could go on the stage for 2 minutes and get some shots showing the audience reaction, he said: right side, during “Walk This Way'... and the rest is history." Archival inkjet print. Dimensions: 20 x 16 inches Excellent overall condition. Hand-signed & numbered on the reverse from a limited edition of 20. Obtained directly from artist. About Fernando Natalici New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s art design featured in the Jeffrey Deitch curated show “Area” at The Hole Gallery NYC in 2013, with his film stills from "Unmade Beds" & "The Foreigner"- two of the most significant underground films of the 1970’s New York Punk scene, exhibited at The Museum of The Moving Image in 2015. Recent Publications & Exhibits Jim Jarmusch: Music, Words & Noise (2015) Another Magazine (London, 2014) Black Book (2014) Curbed NY (2014) Photography Now (2013) The Museum of The Moving Image (New York, 2015) The Hole Gallery NYC (New York, 2014) The Chelsea Hotel (New York 2013) New York University Tisch School of The Arts (2013) _ Run-DMC was an American hip hop group from Hollis, Queens, New York, founded in 1981 by Joseph Simmons, Darryl McDaniels, and Jason Mizell. Run-DMC is widely acknowledged as one of the most influential acts in the history of hip hop culture and one of the most famous hip-hop acts of the 1980s. Along with LL Cool J, The Beastie Boys, and Public Enemy, the group pioneered new school hip-hop music. Run-DMC was the first group in the genre to have a gold album (Run–D.M.C., 1984) and be nominated for a Grammy Award. They were the first to earn a platinum record...

El Pulpo Mechanico (Black Rock City), Edition 1/10, 20x30cm, 2010, digital Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Published in Tao Ruspoli's Monography 'Midway on our Life's Journey’, 2018 The Exaltation of Imagination Photographs and Musings in Defense of Burning Man by Tao Ruspoli The press around Burning Man had gotten so bad that I almost felt embarrassed to be going this year. Even Daniel Pinchbeck, famed psychonaut and burner par excellence, had written a thoughtful piece explaining why, after 15 consecutive years, he wasn’t going back this year: the festival had changed too much--the rich had taken over, it had gone from a relevant and fascinating social experiment to epitomizing the worst elements of capitalist excess. Besides, he seemed to be saying, the world is going through too many crises, both ecological and humanitarian, to justify the extravagance of an event like this. Two burners heading to Temple, one of the massive temporary structures in Black Rock City The burning of the Temple which happens every year the night after the man burns. Keith Spencer...

Mike BRODIE (*1985, USA) #0924, from the series A Period of Juvenile Prosperity, 2006-2009 C-Print Sheet 43,18 x 60,96 cm (17 x 24 in.) Edition of 7, plus 3 AP; Ed. no. 3/7 Signed by the artist About Mike Brodie: Claiming inspiration from “old-school American values mixed with a little punk-rock idealism,” Mike Brodie, aka The Polaroid Kidd, hopped trains across the U.S. for seven years, documenting his friends, lovers, and travels with a Polaroid and a 35-millimeter camera and amassing a critically acclaimed body of images. Like a 21st-century Jack Kerouac, replacing pen with pictures, Brodie rode the railways with a motley crew...

Joe Strummer 1983 - Dave Hogan Signed Limited Edition British singer Joe Strummer (1952 - 2002) of punk band The Clash in New York, 1983. (Photo by Dave Hogan) Limited Edition Dave...

Joe Strummer 1983 - Dave Hogan Signed Limited Edition British singer Joe Strummer (1952 - 2002) of punk band The Clash in New York, 1983. (Photo by Dave Hogan) Limited Edition Dave...

Short Back And Sidespin by Arthur Steel London 1983 Punk Martin Gale is so potty about Snooker he’s let it go to his head. All prints are hand signed ...

Debbie Harry & Duncan Hannah on the set of 'Unmade Beds' 1976 by celebrated New York photographer Fernando Natalici. This vintage original photograph was captured on the set of "Unm...

Pete Townshend of the Who Madison Square Garden New York 1979 Large Oversize limited Estate edition (ed size 15 only this size) silver gelatin print. numbered and signed by the Estate on reverse stamped with blond embossed Archive stamp on front paper size 40x30" inches / 101 x 76 cm Certificate of authenticity supplied. unframed Framing available on request Ships securely from London England OTHER SIZES AVAILABLE pls enquire About Michael Putland the photographer : Born in 1947, Michael grew up in Harrow where he took his first pictures at the age of nine before leaving school at sixteen to work as an assistant to various photographers including Time-Life photographer, Walter Curtain and the legendary motor racing photographer, Louis Klemantaski. In 1969 he set up his own studio and by 1971, he was the official photographer for the British music magazine Disc & Music Echo. His first assignment for them that year was to photograph Mick Jagger in London. From the editorial work for Disc and Music Echo, Sounds and later Smash Hits & Q magazine amongst others, to the 1973 tour with The Rolling Stones that led to a long-standing relationship working with the band, Michael has shot prodigiously including for major record labels including CBS, Warner, Elektra, Polydor, Columbia Records and EMI. Relocating to New York in 1977, it was here that Michael founded the photo agency, Retna. It has been said that Michael photographed everyone from Abba to Zappa … when looking at his archive this is actually true. Now living in East Sussex, recent 2016 exhibitions include “Off The Record” at The Lucy Bell Gallery in Hastings showing images both on and off stage including previously unseen contact sheets; whilst Ono Arte in Bologna, Italy is hosting a David Bowie show. Autumn 2014 saw Michael’s 50 year retrospective at the Getty Gallery in London: “A life in Music, 50 Years On The Road”. Snap Gallery in London’s Piccadilly Arcade regularly have a selection of Michael’s work on show. Michael continues to shoot the artists he most admires – likely to be jazz, classical and world musicians, who have always provided an alternative narrative to his rock music portfolio. “It has been a fantastic ride through an incredible period of music history, which combined my two great loves … music and photography. Little did I appreciate, when my Uncle Alan encouraged my photography back in the 1950s, that this would lead me to photographing nearly all of my heroes … and thrilled to be still finding new ones. A great never ending journey.” Michael Putland About The Who : Few rock & roll bands were riddled with as many contradictions as the Who. All four members had wildly different personalities, as their notorious live performances demonstrated: Keith Moon fell over his drum kit while Pete Townshend leaped into the air with his guitar, spinning his right hand in exaggerated windmills. Vocalist Roger Daltrey prowled the stage as bassist John...

NILS KARSTEN Skelter Helter, (Ronald Reagan), 2013 Pastel and Woodcut on board in artist's frame Hand signed on the lower right verso (back) of the board Provenance: Dieu Donne Paper...

Pete Townshend of the Who Madison Square Garden New York 1979 Large limited Estate edition (ed size 50 only this size) silver gelatin print. numbered and signed by the Estate on reverse stamped with blond embossed Archive stamp on front paper size 20x16" inches / 51 x 31 cm Certificate of authenticity supplied. unframed Framing available on request Ships securely from London England OTHER SIZES AVAILABLE pls enquire About Michael Putland the photographer : Born in 1947, Michael grew up in Harrow where he took his first pictures at the age of nine before leaving school at sixteen to work as an assistant to various photographers including Time-Life photographer, Walter Curtain and the legendary motor racing photographer, Louis Klemantaski. In 1969 he set up his own studio and by 1971, he was the official photographer for the British music magazine Disc & Music Echo. His first assignment for them that year was to photograph Mick Jagger in London. From the editorial work for Disc and Music Echo, Sounds and later Smash Hits & Q magazine amongst others, to the 1973 tour with The Rolling Stones that led to a long-standing relationship working with the band, Michael has shot prodigiously including for major record labels including CBS, Warner, Elektra, Polydor, Columbia Records and EMI. Relocating to New York in 1977, it was here that Michael founded the photo agency, Retna. It has been said that Michael photographed everyone from Abba to Zappa … when looking at his archive this is actually true. Now living in East Sussex, recent 2016 exhibitions include “Off The Record” at The Lucy Bell Gallery in Hastings showing images both on and off stage including previously unseen contact sheets; whilst Ono Arte in Bologna, Italy is hosting a David Bowie show. Autumn 2014 saw Michael’s 50 year retrospective at the Getty Gallery...

This 123 Drumming Girl Collectible Object exemplifies the aesthetic of its creator, Yoshitomo Nara: naive and cute but with an edgy undercurrent driven by the artist’s avid interest ...

Death Wish - Original 1974 Lobby Card #5 Vintage Leon Lobby Card: A New York City architect becomes a one-man vigilante squad after his wife is murdered by street punks. In self-de...

Blondie Blue By BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie BATIK is a London based fine artist and image maker. Certific...

Blondie Blue By BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie BATIK is a London based fine artist and image maker. Certific...

4 color screen print. Signed by Shepard Fairey, Glen E. Friedman and Keith Morris. As a founding member of Black Flag and Circle Jerks, songwriter and vocalist Keith Morris was at t...

Blondie Blue By BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie BATIK is a London based fine artist and image maker. Certific...

Blondie Pink by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – BATIK is an increasingly collectable pop artist currently...

Willy Weber, (Swiss, 1933-1998) Verchromte Platte Stainless steel sculptural construction, dated 1977, signed to the steel. Dimensions: 12" ht. x 13" wd. Sculpted chrome sheet Hand ...

© Michael Putland Ladies Tea Party Ladies Tea Party – Debbie Harry of Blondie, Viv Albertine of The Slits, Siouxsie Sioux, Chrissie Hynde of The Pretenders...

Earth Crisis, 1 color Letterpress on 100% cotton archival paper with hand-deckled edges. Signed and numbered edition of 349/450. OBEY publishing chop on bottom left corner. 10 inc...

"Shipping (rescue operation)" is a painting by Maestro Vlado Vesselinov. About the painting: Style and Technic: POP ART, Contemporary, Acrylic paint, oil on canvas The painting is ...

Joseph Nechvatal The Oedipal God of Oil Paint and Destruction, Diptych Oil and screenprint on two canvases, 1985, both signed 'Joseph Nechvatal', titled and dated on the reverse, with label from Brooke Alexander, NY. Joseph James Nechvatal (born 15 January 1951) is a post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University, where he studied with Arthur Danto while serving as the archivist to the minimalist composer La Monte Young. From 1979, he exhibited his work in New York City, primarily at Galerie Richard, Brooke Alexander Gallery and Universal Concepts Unlimited. He has also solo exhibited in Berlin, Paris, Chicago, Cologne, Atlanta, Los Angeles, Aalst, Belgium, Youngstown, Senouillac, Lund, Toulouse, Turin, Arles and Munich. His work in the early 1980s chiefly consisted of post minimalist gray graphite drawings that were often photo mechanically enlarged. During that period he was associated with the artist group Colab and helped establish the non-profit cultural space ABC No Rio. In 1983 he co-founded the avant-garde electronic art music audio project Tellus Audio Cassette...

THE MODERN POSTER. 1988. 38 3/4x24 1/2 inches, 98 1/2x62 1/4 cm. Condition A. Paper. Greiman, an early proponent of computer imagery and digital design, became a prominent role model for a new generation of American graphic designers in the digital age. She was able to incorporate her knowledge of European Modernism into Californian ;New Wave style. As Steven Heller explained in Eye Magazine...

Archival pigment print Signed and numbered, verso 18 x 12 inches, image (Edition of 8 + 1 AP) 30 x 20 inches, image (Edition of 5 + 2 APs) This photograph is offered by ClampArt, ...

© Michael Putland New Barbarians – Keith Richards & Ronnie Wood Keith Richards and Ronnie Wood (of the Rolling Stones) being interviewed to promote their band the New Barbarians, N...

Signed limited edition silver gelatin print of Ian Curtis of post-punk band Joy Division, photographed at Princess Parkway, Manchester, January 6, 1979. T...

Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (direct...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Stevie Ray Vaughan backstage at the Orpheum Theatre in Memphis,TN on August 26, 1986, taken by photographer, Ebet Roberts. Signed limited edition, ...

Nan Goldin Lydia Lunch at the Russian Baths, 268 East 10th Street, 1985 poster, 2018 Offset lithograph poster (unsigned, unnumbered and unframed) 17 × 22 inches Published by The Kitchen in 2018, on the occasion of their Gala honoring Nan Goldin and Lydia Lunch Provenance Acquired from The Kitchen on the occasion of their 2018 Gala Also accompanied by Certificate of Guarantee from Alpha 137 Gallery Excerpt from The Kitchen description of this event: “During the late ‘80s and early ‘90s, icons Goldin and Lunch were vanguards of post-punk New York. Both women have presented their work at The Kitchen throughout the years, consistently returning to premiere new works that went on to exemplify their careers. Goldin’s portraiture of her close-knit circle of friends in New York became emblematic of her generation’s grappling with the social issues of the time, from the epidemic of drug addiction to the AIDS crisis. Lunch is revered as a radical progenitor of No Wave music, fronting the influential Teenage Jesus and the Jerks and collaborating with acts like JG Thirlwell, Birthday Party, and Sonic Youth. Lunch has a broad artistic practice, also working in film, visual art, writing, and spoken-word. Goldin and Lunch have also collaborated on numerous occasions. For instance, the cover of Lunch’s 1995 album Drowning In Limbo featured a portrait of her taken by Goldin. Lunch also posed for Goldin’s project for The Village Voice’s short-lived fashion insert Vue in 1985. Shot as part of an editorial called “Masculine/Feminine,” the image of a reclining Lunch at Russian baths in the East Village was ultimately not included in the final layout, and we were pleased to be present the image for the first time as a limited-edition print in support of The Kitchen. At The Kitchen in November 1980, Goldin presented slides as part of Dubbed in Glamour, a three-day event of “spectacle and extravagance” organized by Edit deAk that featured primarily women artists. Introduced by Cookie Mueller, who served as the master of ceremonies, these slides were an early version of Goldin’s landmark work The Ballad of Sexual Dependency, which continued to take shape during the next few years. The Bush Tetras, who performed at this year’s gala, also participated in Dubbed in Glamour. In 1994, Goldin returned to The Kitchen to premiere three slideshows for the first time in the United States as part of the winter lecture series curated by Ira Silverberg. The first slideshow developed from her 1992 award-winning book The Other Side, which lauded the drag queens she lived with and among in New York. During the ‘70s, when Goldin first moved to the city, the people she lived with became not just her subjects, but also her chosen family. The second slideshow was a series of intimate self-portraits. The evening concluded with a collection of Goldin’s images that traced her relationships to her close friends Alf Bold, Gilles Dusein, and Cookie Mueller and celebrated the joy of their lives and the pain of their deaths from AIDS. In 1985, Lunch first appeared at The Kitchen as part of the two-night screening series of experimental short films, Super 8 Motel. She and Richard Kern...

Robert Smith of The Cure in 1992 by Ebet Roberts. Signed limited edition print. Ebet Roberts began her career in 1977 when she began documenting the evolving punk scene at CBGB’s i...

Pete Doherty, by Kevin Westenberg, 2008 Archival Pigment Print, Signed Limited Edition Print size 152 x 101 cm signed numbered edition size 3 only th...

"A simple twist on the white peace dove with olive branch, but hey, good guys don't always wear white! The "rise above" is a call to take the high road with a...

The Cure taken in 1981 by Ebet Roberts. Signed limited edition print. Ebet Roberts began her career in 1977 when she began documenting the evolving punk scene at CBGB’s in New York...

Willie Nelson at The Palladium in NYC on December 11, 1980 by Ebet Roberts. Signed limited edition, hand printed silver gelatin print. Ebet Roberts began her career in 1977 when sh...

Portrait Of Marilyn Manson 1998 Los Angeles Archival Fine Art pigment print edition of 10 30 x 40 inches / 76 xc 101 cm signed and numbered on the fr...

Signed limited edition print of Bassist Paul Simonon and lead singer Joe Strummer of British punk rock band The Clash backstage at the Agora Theatre in Cleveland, Ohio on February 13, 1979, by Janet Macoska Framed, signed limited edition number 2/25 Frame measures 32" x 25" x 1" Recently framed with an 8ply mat, in new, perfect condition Since 1974, Janet Macoska has been capturing rock’s greatest on film. Among the publications who have used her photos are Rolling Stone, People, Vogue, American Photo, Creem, MOJO, NY Times and London Times. VH1, Bravo, A&E and the BBC regularly use Macoska’s vast archive in their “rockumentaries.” Her work is in the permanent collection of The Rock and Roll Hall of Fame, The Smithsonian Museum of American History, The National Portrait Gallery in London and in Hard Rock Cafe restaurants, hotels and casinos all around the planet. David Bowie, Led Zeppelin, The Clash, DEVO, Heart, Hall and Oates...

The Kelly Girls is a treasure trove of historical importance. First is the medium, color xerox printing. For anyone who worked in the alternative photography media, color xerox had a...

This 123 Drumming Girl Collectible Object exemplifies the aesthetic of its creator, Yoshitomo Nara: naive and cute but with an edgy undercurrent dri...

Pete Doherty, by Kevin Westenberg, 2008 Archival Pigment Print, Signed Limited Edition Print size 152 x 101 cm signed numbered edition size 3 only th...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in New York City in 1977. Framed, signed limited edition 16x20" print, edition...

Visconti is a rare and highly sought-after mixed media print by the late Brooklyn-based street artist Bäst, presented here in mint condition. This limited edition work was released i...

Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion and punk music. In those years a new artistic sensibility was being formalized in Milan, whose roots no longer sank in the history of art and in the citation but practiced the critical manipulation of reality and its communication through the mass media. The image was taken out of context, subtracted from the use of common sense, radically distorted, almost mocked. The work of Marco Cingolani, from the beginning, has always tried to cancel the regulatory power of media images, subjecting them to the radical care of the artist, certain that art offers a decisive point of view for the interpretation of the world. In this context the interviews of the Interviews were born, where celebrities for their privacy were submerged by the microphones and the famous series dedicated to the attack on the Pope and to the tragic story of Aldo Moro. After having participated in numerous group exhibitions including An emerging scene (1991, Museo Pecci, Prato) and Two or three things that I know of them (1998, PAC, Milan), he is dedicated to major anthological exhibitions at prestigious public institutions such as Palazzo Strozzi in Florence and Promoter of Fine Arts in Turin. In November 2006 he took part in the collective exhibition "Senza famiglia", in the Palace of the Promoter of Fine Arts in Turin. In 2007 Cingolani received a further consecration: the Galleria Emilio Mazzoli hosts the exhibition entitled "What color are they?" in which the pictorial reflections on the color of Power and its disguises are presented. The art of Cingolani has always been fascinated by the passage from news to history and vice versa; also in this case the UN blue helmets, the red urn containing the electoral ballots, the multicolored segments of the Wall Street charts, the military uniforms and the party flags are contextualized in highly symbolic scenarios. In 2009 a return to the origins for Marco Cingolani, often the author of works expressly inspired by the religious theme. In particular, for this exhibition entitled " Percorsi della Fede", the artist focused his attention on the Marian apparitions that have marked the last two centuries: Lourdes and Fatima . In the same year an exhibition in Lucca at the National Museum of Villa Guinigi, joins him to some of the leading Italian artists of the last two generations; by the universally recognized and celebrated masters, present in the main international museums such as Mimmo Paladino, Sandro Chia, Salvo, passing through some of the protagonists of the 52nd Venice Biennale as Gian Marco Montesano, Daniele Galliano, Nicola Bolla, Bertozzi & Casoni who exhibited in 2009 in contemporary at the Lucca exhibition and at the Italian Pavilion of the Venetian event, to get to the young artists of the last generation already present in important national and international artistic events. Giacinto di Pietrantonio invites him the following year, 2010 to PAC, Pavilion of contemporary art in Milan, for the collective exhibition "Hybrid", alongside Jan Fabre, Gilbert & George, Charles Avery, Damien Hirst, Piotr Uklanski, Patrick Tuttofuoco and other great ones on the international scene. 2012 is the year of "Il Belpaese dell'arte", at Gamec di Bergamo, always curated by Pietrantonio and Maria Cristina Rodeschini, in the company of Elmgreen...

Cut It Up – Do It Yourself (Red, Black). 18 x 24 inches. Silkscreen on true white Speckle Tone paper. Signed by Shepard Fairey. Numbered edition of 324/500. Released exclusively at B...

The Kelly Girls is a treasure trove of historical importance. First is the medium, color xerox printing. For anyone who worked in the alternative photography media, color xerox had a...

Richard Snyder (American, born 1951) Untitled Mixed media painting including charcoal and watercolor Hand signed to lower right Dimensions: 30.0" W x 22.5" H x 0.1" D Richard Snyder is particularly known for his large-scale abstract expressionist paintings exhibiting vibrant colors, often applied in an irregular manner with large gestural brushstrokes. He also was an accomplished sculptor and was amongst the downtown New York art-furniture scene spawned in the 1980s by the Soho gallery ‘Art et Industrie’ founded by Rick Kaufmann. Downtown New York, circa 1977-1980 was a hothouse of creative impulses that flew in the face of restrictions and ran headlong toward riotous expression. Punk, hip-hop, graffiti or neo-expressionism, Kaufmann looked around for new talent that could create a new kind of art furniture. He felt the design of the day was so standardised, and he wanted to give voice to young artists and bring new ideas to market. After receiving a BFA from the School of the Museum of Fine Arts in Boston, Snyder made his career in the fields of art and design, practicing sculpture, painting, furniture design and fabrication, interior design, cabinetmaking, construction and industrial design. Along with extensive experience in a wide variety of materials and processes, Snyder also possesses a wide range of visual and experiential vocabulary acquired in his many travels through the Americas, Africa, the Middle East and Central and Southeast Asia. Snyder considers his objects to be not just about form, function, color, material and process, but rather to be fantasies with spirit, magic and story. During his seventeen years with the Art et Industrie gallery, Snyder participated in five solo shows and more than twenty group shows, which established him as a major player in the American Art Furniture movement. His pieces have appeared in numerous publications and media around the world; and they are included in numerous private collections worldwide as well as in the permanent collection of The Art Institute of Chicago. Snyder guest-lectures at the Rhode Island School of Design in Providence, the New School in New York, and SUNY Purchase. He was included in the seminal Magen H Gallery retrospective of Art et Industrie—a New York Movement. Art et Industrie was the first to exhibit Studio Alchemia, Shiro Takahama, and Ron Arad. The retrospective included artists such as Forrest Myers, Terence Main...

I have been a fan of the Ramones since I got into punk rock in 1984. The Ramones always impressed me with their style, blending a sense of humor with aggression and pop melody. I did...

Shoots And Ladders (Abstract painting) Oil and Acrylic on Canvas — Unframed. This artwork will be shipped flat within the US. If shipped outside of the US this work will be shipped ...

Sterling Ruby (American, b. 1972) 2015 CHINATI FLAG (DNM) Tag printed with SR STUDIO LA CA printed with handwritten edition number Ed # 88/100 Hand signed "Sterling Ruby" in black pe...

medium: latex, wood, light kit Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrel...

Billy Bob Thornton 2001 Signed Limited Edition By Kevin Westenberg Archival Pigment Print, Signed Limited Edition Print size 24 x 30 inches / 61 x 76 cm signed numbered edition s...

NØISE – State Violence State Control Obey Records – OBR-003 Second pressing, 2021 Vinyl 7" 45 RPM, released, remastered NØISE: Joe Cassidy, John Goff, Shepard Fairey Cover art credit...

Salish Canoe and Rock, 2023 Archival print on heavy matt stock paper 30.5 x 34.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, mus...