399 results for ""frida kahlo""

"Ladrillo" (FRAMED) Painting 20.5" x 21" inch by Antonio Pelayo Medium: Pencil on Paper. Acrylic Ink & Paint on Animation Acetate Image size: 15" x 1...

"Untitled 28" (FRAMED) Pencil Drawing 21" x 18" inch by Antonio Pelayo Size unframed: 15.5" x 13.5 inch Medium: Pencil on Paper Artist Antonio Pelayo, born in Glendale, California...

"Super Artist" (FRAMED) Painting 14.5" x 20" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink & Paint on Animation Acetate Size: 12" x 17" inch Size framed: 14.5" x 20" ...

"Untitled 1" (FRAMED) Pencil Drawing 24" x 18" inch by Antonio Pelayo Size unframed: 28" x 22" inch Medium: Pencil on Paper Artist Antonio Pelayo, born in Glendale, California, and...

"Lavate Los Dientes" (FRAMED) Painting 21" x 20.5" inch by Antonio Pelayo Medium: Pencil on Paper. Acrylic Ink Paint on Animation Acetate Image...

"El Hombre" (FRAMED) Painting 14.5" x 20" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink & Paint on Animation Acetate Size: 12" x 17" inch Size framed: 14.5" x 20" inc...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

"NO WAY JOSE!" (FRAMED) Painting 24" x 30" inch by Antonio Pelayo Medium: Marker on paper Size: 24" x 30" inch Size framed: 27.5" x 34" inch From Pelayo VS Pelayo exhibition: The ...

"WHY IS THE SKY BLUE?" (FRAMED) Painting 24" x 30" inch by Antonio Pelayo Medium: Marker on paper Size: 24" x 30" inch Size framed: 27.5" x 34" inch From Pelayo VS Pelayo exhibiti...

"HOW DO YOU KNOW MY NAME?" (FRAMED) Painting 24" x 30" inch by Antonio Pelayo Medium: Marker on paper Size: 24" x 30" inch Size framed: 27.5" x 34" inch From Pelayo VS Pelayo exhi...

"I'M NOT TIRED" (FRAMED) Painting 30" x 24" inch by Antonio Pelayo Medium: Marker on paper Size: 30" x 24" inch Size framed: 34" x 27.5" inch From Pelayo VS Pelayo exhibition: The...

Robin Endsley-Fenn Robin Endsley-Fenn received her BFA from The San Francisco Art Institute. She paints with Gouache and Oils on canvas and cotton rag paper. Her style and imagery ha...

Myriam Bat-Yosef Surrealist abstract lithograph print in colorful abstract shapes and shades Hand signed and dated 1971. sheet measures 9.25 X 9.25 inches ...

Acrylic, ink, neon pastels, Spray Paint, pastels, on Canvas. Viva la Vida No.19 is a 80 cm W x 80 cm x 2 cm deep mixed media painting. This Series is called "Viva la Vida". "Viva l...

Acrylic, ink, neon pastels, Spray Paint, pastels, on Canvas. Good Vibes Only No.1 is a 100 cm/39.4" W x 70 cm/27.6" x 2 cm/0.8" deep mixed media painting. This Series is called "...

In a stylistic amalgam of Pop and folk, abstract and figurative, Diana Rosa takes inspirations from an alternative upbringing where she closely connected with the natural landscape ...

Jimmie is an established luxury brand and designer since 2004, based in London, United Kingdom. The duo, Jimmie Karlsson and Martin Nihlmar are known for their hand painted pieces an...

An homage to the great Frida Kahlo. About the Artists: Animated through an assemblage of analog, digital, and lenticular photographic technologies, these selections from Reisig and...

Lenticular print of the famed artists Frida Kahlo. The piece goes from portrait of Frida to a skull. About the Artist: Le Closier is a Belgian painter living in New York. Afte...

This compelling 19th-century Mexican ex-voto retablo, titled Giving Thanks for Surviving Terrible Fevers, is a poignant example of devotional folk art created circa 1878. Painted in ...

A soulful young man is captured in a deep, contemplative state, detached from current external concerns, as he gazes beyond the picture plane. He is realistically rendered, but the s...

-This artwork needs 3 weeks to be shipped to you- Jimmie Martin is an established luxury brand and designer since 2004, based in London, United Kingdom...

A large, colorful oil on canvas abstract painting by Saul Kaminer depicting La Peluquera, the hairdresser, with a client in her chair, scissors in hand. Provenance: Kaminer, Galerie Thomas...

Inspired by Edvard Munch's "The Scream", 1893 Edition 1 of 3 with 2APs “Ode to Munch’s ‘The Scream’” depicts a non-binary subject trapped in an infinite scream against a New Orleans backdrop. This piece represents the silent pain of gender dysphoria constantly experienced by non-binary people as they traverse a binary world that would rather ignore their existence entirely. The artists say of their work... "Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality. The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look. The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models." ⎯⎯⎯⎯⎯ As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien...

Inspired by Pablo Picasso's "Portrait of Dora Maar", 1937 Edition 2 of 7 with 2 APs “Ode to Picasso’s 'Dora Maar’' is a self-portrait of E2 artist Elizabeth Kleinveld as the photographer and artist Dora Maar. Kleinveld was drawn to this particular image of Maar while grieving the death of her father in 2021; she was captivated by the sadness that seems to ooze from the canvas, how the sitter’s melancholia is obscured by the playful color contrast. For E2’s remake, artist E.Paul Julien painted directly over the photographic print of Kleinveld, emphasizing the masking of grief. The artists say of their work... "Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality. The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look. The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models." ⎯⎯⎯⎯⎯ As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien seek to remake images from art history to reflect their own experience of the contemporary world. Tackling icons from the great masters like Botticelli, Manet, Rembrandt, and Van Eyck, they recast instantly familiar images in a distinctly modern manner, breaking them free from centuries of historical context and placing them firmly in the present. Kleinveld and Julien...

Inspired by Vincent Van Gogh's "Self-Portrait with Bandaged Ear and Pipe", 1889 Edition 1 of 3 with 2 APs "Ode to Van Gogh’s 'Self-Portrait with Bandaged Ear and Pipe’” is a self-portrait of e2 artist E.Paul Julien as the tortured artist. This piece was inspired by Julien’s own struggles with mental health issues during isolation during pandemic lockdown, as he found himself in a place where he could relate to the fragile mindset that Van Gogh experienced through most of his life. The artists say of their work... "Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality. The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look. The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models." ⎯⎯⎯⎯⎯ As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien...

Inspired by Pablo Picasso's "Portrait of Dora Maar", 1937 Edition 1 of 5 with 2 APs “Ode to Picasso’s 'Dora Maar’' is a self-portrait of E2 arti...

Inspired by Vincent Van Gogh's "Self-Portrait with Bandaged Ear and Pipe", 1889 Edition 1 of 5 with 2 APs "Ode to Van Gogh’s 'Self-Portrait with Bandaged Ear and Pipe’” is a self-portrait of e2 artist E.Paul Julien as the tortured artist. This piece was inspired by Julien’s own struggles with mental health issues during isolation during pandemic lockdown, as he found himself in a place where he could relate to the fragile mindset that Van Gogh experienced through most of his life. The artists say of their work... "Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality. The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look. The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models." ⎯⎯⎯⎯⎯ As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien seek to remake images from art history to reflect their own experience of the contemporary world. Tackling icons from the great masters like Botticelli, Manet, Rembrandt, and Van Eyck, they recast instantly familiar images in a distinctly modern manner, breaking them free from centuries of historical context and placing them firmly in the present. Kleinveld and Julien...

"Reflection " (FRAMED) Print 15" x 15" in by Antonio Pelayo x Isaac Pelayo Artist Antonio Pelayo, born in Glendale, California, and yet raised for most of his childhood in the Mexic...

"Dont Belong Here" (FRAMED) Painting 18" x 24" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink Paint on Animation Acetate Size: 18" x 24" inch Size framed: 20" x ...

"50" (FRAMED) 50 Cent Portrait Pencil Drawing 17" x 15" inch by Antonio Pelayo Medium: Pencil on Paper Artist Antonio Pelayo, born in Glendale, California, and yet raised for most ...

"El Bańo" (FRAMED) Painting 20.5" x 21" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink Paint on Animation Acetate Artist Antonio Pelayo, born in Glendale, Calif...

"Calica" (FRAMED) Painting 14.5" x 20" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink & Paint on Animation Acetate Size: 12" x 17" inch Size framed: 14.5" x 20" inch ...

"Sueńos Chicos" (FRAMED) Painting 21" x 20.5" inch by Antonio Pelayo Medium: Pencil on Paper. Acrylic Ink & Paint on Animation Acetate Image size: 15...

"Della" (FRAMED) Painting 19" x 22" inch by Antonio Pelayo Medium: Acrylic Ink & Paint on Animation Acetate Size: 13" x 15" inch Size framed: 19" x 22" inch Artist Antonio Pelayo,...

"El Purerco" (FRAMED) Painting 14.5" x 20" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink & Paint on Animation Acetate Size: 12" x 17" inch Size framed: 14.5" x 20" in...

"Untitled 29" (FRAMED) Pencil Drawing 21" x 18" inch by Antonio Pelayo Size unframed: 15.5" x 13.5" inch Medium: Pencil on Paper Artist Antonio Pelayo, born in Glendale, California...

"KITTY" (FRAMED) Painting 24" x 30" inch by Antonio Pelayo Medium: Marker on paper Size: 24" x 30" inch Size framed: 27.5" x 34" inch From Pelayo VS Pelayo exhibition: The exhibit...

Signed in pencil on recto Manuel Alvarez Bravo was a pioneer of artistic Latin American Photography in the 20th Century and produced a proliferate body ...