We didn t find any results for "richard saja"

Paper Size: 33.5 x 24.5 inches ( 85.09 x 62.23 cm ) Image Size: 33.5 x 24.5 inches ( 85.09 x 62.23 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

Richard Phillips Miss Parkett for Parkett 71, 2004 5 Color Lithograph on Somerset White paper Hand signed, numbered 37/70 and dated on lower front 25 4/5 × 20 inches Unframed This 5-...

An atmospheric Welsh landscape, painted by 19th century artist Richard Bond (1808-1886). The watercolour depicts two mischievous characters swinging from ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Richard Bankes Harraden Queen's College, Cambridge Engraving 40 x 54 cm Inscribed to the bottom: 'Published June 16th 1798 by R. Harraden.' A late eighteenth-century view of Queens'...

MAX RICHARD HOFLER, W.G.A., 1890 - 1962 Painter of country landscapes, and townscapes and an architect. He exhibited at the Royal Academy, Society and Royal Institute, many works use...

Poetry by J.D. REED Artwork by Richard Merkin screenprint in color, 1969, edition 22/50 Published by Bizzaro, Providence, R.I. Richard Marshall Merkin (1938-2009) was an American p...

Poetry by J.D. REED Artwork by Richard Merkin screenprint in color, 1969, edition 22/50 Published by Bizzaro, Providence, R.I. of African American interest for collectors. Richard ...

An oil painting by Richard Whorf circa 1960. A realist landscape of a circus ad wheat-pasted to the side of a dreary-looking barn. Artist: Richard Whorf Title: The First Sign of Spring...

RICHARD GARBE, RA (1876-1957) The Falconer Signed and dated on the reverse: Richard Garbe, ARA / 1932 Patinated plaster 49.5 cm., 19 ½ in. high Proven...

Reclining Nude – Corrina By Richard Cook [2003] Richard Cook original painting. A wonderful example of Cook's incredible impasto portraits, dating back to 2003. Additional information: Original Oil paint on board Image Size: H:122 cm x W:101 cm Complete Size of Unframed Work: H:122 cm x W:92 cm x D:3cm Frame Size: H:130 cm x W:101 cm x D:5.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Richard Cook is a leading British painter living and working in Newlyn, Cornwall. Cook has been exhibiting for over 25 years and has received countless awards including from the British Council, the Arts Council and The Elephant Trust Award (twice). In 2001 he was given a solo show at Tate St Ives with a related publication, and a major painting was acquired for the collection in 2006. Further works are held in the British Museum collection. Richard Cook’s work has been in countless exhibitions across the world and today sits in permanent collections at The Tate, London, The Arts Council, London, The British Museum, Manchester City Art Gallery and with Deutsche Bank, London. Richard Cook’s paintings are a combination of the constant and the fleeting. His landscapes show places that are always there, but the moment he visits them to make his preparatory drawings are not. Each time, the people will be different and the weather conditions will have altered, often radically so. The trees, buildings and other topographical features provide the framework for the true subject of the painting; the artists’ own place in that landscape and his personal response to the ever-changing light. For Richard Cook, the act of painting is an attempt to pin down a memory of a precise moment and to render the impermanent permanent. Richard Cook is a contemporary of Richard Long, who was in the year before him at St Martins, both artists transmute – in very different ways – their experiences of nature into their art. Cook has a real appreciation and understanding of the English landscape tradition. Since his successful exhibition at Tate St Ives, Cook has worked intensely for years at achieving a mature frequency of style with a vocabulary that is recognizably his. For Cook colours are strongly associated with the emotions and in a sense the emotions take on a physical form in his paintings. The subtlety of tone and hue expressed in these works is noticeably reticent and tone is deployed with rigorous efficiency throughout. Cook is attracted to bleak, rough, elementals aspects. We are delighted to be able to offer an exclusive, historical selection of Richard’s pieces that have hitherto remained “off-grid” and are now available for the first time. Richard Cook Biography 2012 Kestle Barton Cornwall 2016 Felix and Spear London 2019 In Thy Wild Garb, Torrington SELECTED GROUP EXHIBITIONS 1976 The Human Clay, Hayward Gallery, London 1976-80 The Artist’s Market, London 1980 British Art 1940-1980, Hayward Gallery 1981 The Camden Arts Centre, London 1982 Summer Show, Serpentine Gallery, London 1985 A Singular Vision, The Royal Albert Memorial Museum, Exeter 1987 Looking West, Newlyn Art Gallery and the Royal College of Art 1989 School of London, Works on Paper, Odette Gilbert 1990 A Century of Art in Cornwall, County Hall, Truro 1992 Painting in Cornwall, Royal West of England Academy, Bristol 1993 Invited Artist, Summer Exhibition, Royal Academy, London 1993 Recent Acquisitions, British Museum 1994 Inside Outside, Anne Berthoud Gallery, London 1996 Mixed Exhibition, Connaught Brown, London 2005 Mixed Doubles, Art First, London 2006 Drawing Inspiration: Contemporary British Drawing, Abbot Hall, Kendal 2007 Art Now, Tate St. Ives 2018 Modern Art and St Ives ,Tate St Ives TELEVISION & RADIO 1989 The Box Office, Featured Artist, Channel Four 2001 Night Waves, Radio 3 AWARDS 1968 Painting...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Richard Bankes Harraden...

Richard Shepard, American (1926 - 2000) - He Knows Life, Year: 1981, Medium: Mixed Media on Paper, signed in pencil, Size: 23 x 19 in. (58.42 x 48.26 cm), Frame Size: 32 x 28 inc...

Several horses and their riders begin to approach the starting line to begin a race. Approaching the Start Richard Stone Reeves, American (1919–2005) Date: 1982 Lithograph, signed a...

Artist: Richard A. Heinrich, American Title: The Red Temple Medium: Silkscreen, signed and numbered in pencil Edition: 10/20 Image Size: 15.5 x 14 inches Siz...

Artist: Richard A. Heinrich, American Title: The Sacred Temple Medium: Silkscreen, signed and numbered in pencil Edition: X/XX Image Size: 15.5 x 14 inches S...

A fine oil by Richard J.S. Young. Signed and dated 2010 to the reverse. On canvas board.

Richard Jerzy (1943-2001) was a known artist in the Detroit, Michigan area. His most infamous works are watercolors and oils depicting of people or still-lifes. This untitled piece,...

Six sides to a cube is a unique Mansfield red sandstone sculpture by contemporary artist Richard Perry, dimensions are 26 × 22 × 22 cm (10.2 × 8.7 × 8.7 in). The sculpture is signed...

Wooden Table Richard Artschwager, American (1923–2013) Portfolio: Notes on a Room Date: 1998 Etching, signed and numbered in pencil Edition of 102/130 Image Size: 10 x 14 inches Size...

#9 Geeks and Gargoyles (for Nelson Algren) Mixed Media and Collage Provenance: Obelisk Gallery, Boston, 1967 (label verso) the word Chicago is featured prominently in this piece. So...

Artist: Richard Ham, American (1920 - ) Title: Picasso in Paris Studio - Picasso with Tam (Feb 7th, 1945) Year: 1945, Printed in 2009 Medium: Gelatin Silver Print on Fiber Paper, sig...

Oil Painting by Johann Richard Fischer "A Coastal View" 1826 -1872 A German painter of landscape and coastal views with good use of light and atmosphere. Oil on canvas. Signed by th...

"The House on Roro Island, Sweden" by Richard Rosenblatt Oil on canvas Isle of Roro, Sweden, Scandinavia, House, Building, Fishing Village, Sunset,...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. Johnson Hs. & Guest Hs. is an exact replica of an art history slide made in the 1950s picturing Philip Johnson’s Glass House. The slide has been replicated digitally on a much larger scale (23” x 23”) and like the original is made of a cardboard mount that contains a color transparency. The original slide is faded from years of use and most of the color, other than red, has been bleached out. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Paper Size: 39.25 x 27.5 inches ( 99.695 x 69.85 cm ) Image Size: 39.25 x 27.5 inches ( 99.695 x 69.85 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or ag...

"Park Avenue Downpour" by Richard Rosenblatt Oil on linen Park Avenue, Uptown Manhattan, New York City, Pedestrians, Rain, Raining, Storms, Weather...

This exquisite lithograph by Richard Florsheim (1916–1979), titled La Seine a Paris (The Seine in Paris), from the album Prints from the Mourlot Press, exhibition sponsored by the Fr...

Ex Libris - Vivian V.D. Hoog is a Modern Artwork realized in Mid 20th Century, by Richard Lancelot, from Nederland. Ex Libris. B/W woodcut on ivory paper. Hand signed on the bac...

Richard Lindner Adults-Only, 1979 Offset lithograph poster Plate signature with date, right front Limite Edition of 500 (unnumbered) Frame Included: held in vintage 1970s metal perio...

Artist: Richard R. Benda (1934 - ) Title: Satyricon - Triptych Year: circa 1970 Medium: Acrylic on Board, signed l.r. Frame Size: 40 in. x 63 in. (101.6 cm x 160.02 cm)

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

The original poster by Richard Blin for the SNCF (French National Railway Company) captures the allure of winter sports in France and promotes travel by train to these picturesque de...

"Night View of Gairloch, Scotland" by Richard Rosenblatt Oil on canvas Glair Loch, Highlands, Scotland, United Kingdom, UK, Lake, Water, Night, Eve...

This vibrant original poster from 2000 was designed by Richard Roussel for CMA CGM, the renowned French shipping line. Promoting the Europe – Antilles route, the poster captures the ...

A fine work in acrylic by the contemporary artist Richard J.S. Young. Well presented in a cream wooden frame and inner white slip. On canvas.

MAX RICHARD HOFLER, W.G.A., 1890 - 1962 Painter of country landscapes, and townscapes and an architect. He exhibited at the Royal Academy, Society and Royal Institute, many works use...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Friedrich Richard Hartmann 1866-1925 Flower still life Signed lower left Painting 80 x 60 cm Frame: 94 x 74 cm Original hand-carved Impressionist frame. Viewing and collection by...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

Richard Serra Ace LA Exhibition Poster Drawing, 1972 Ink on paper 8 1/2 x 11 inches Provenance: The artist Ace Gallery, Los Angeles Known for large-scale steel sculpture of geometric designs, Richard Serra has created site-specific pieces that make three-dimensional designs in space. He has also made wall reliefs and floor sculpture from flexible materials that suggest organic shapes. He is committed to the idea of utilizing quality materials and to the concept that process is as important as the final result. Serra was born in San Francisco and attended college at Berkeley and Santa Barbara, majoring in English Literature. He studied art at Yale University, earning a B.F.A. and an M.F.A. in 1964. There he worked with Josef Albers and came into contact with many leading artists of the New York School (Abstract Expressionists). He also had a job working in a steel plant, which had lasting influence on his career. On a Fulbright Scholarship, he studied in France and Italy. In 1977, he married Clara Wyergraf. In addition to steel as a medium for his sculptures, Serra has utilized rubber belts, neon tubes, molten lead, and large metal slabs. In 1968 he made his first Splash-piece, where molten lead was thrown against the point at which floor and wall meet. His 'Prop series" began around 1969 and involved placing large lead sheets against each other, several yards apart, or hung from ceilings. Many of his pieces are enormous three-dimensional configurations from steel beams and steel plates. His goal is to "create a 'field force . . . so that space is discerned physically rather than optically.' Based in New York City, Serra has traveled extensively to oversee his numerous site-specific sculptures including one for Videy Island near Reykjavik, Iceland. Consisting of nine pairs of basalt columns...

Richard Smith, British (1931-2016) Untitled (Abstract Composition) (1976) Gouache, crayon, charcoal and metal staples on Arches paper Hand signed lower center sheet: 22 x 22 inches ...

Richard Anuszkiewicz (American, 1930 - ) created the "Inward Eye" portfolio after a conversation with a friend who said that Anuszkiewcz's works reminded him of William Blake's work....

A fine oval portrait by the listed British artist Richard Hollingdale (1850-1899). The composition depicts an elderly Victorian lady in a flamboyant lace cap and collar. Hollingdale ...

Spring, from The Four Seasons by Richard Lin, 1966 Additional information: Medium: screenprint on TH Saunders paper 68.5 x 91 cm 27 x 35 7/8 in inscribed 'Proof' in pencil Born in ...

This pretty oil on canvas modernist composition, typical of the 1950s, features a house in a village in the countryside with imaginary blue trees, designed by Claude Richard Mazier (...

The Quarrel is original lithographon ivory-colored paper realized by Richard Parks Bonington. Signed on the plate on the lower left. Good co...

Richard Corman Jean-Michel Basquiat 1984 (Red), 2020 Offset lithograph poster on color archival pigment paper Signed and numbered 2/100 by Richard Corman in silver sharpie on the fro...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

This is a rare, pencil signed print based upon the original drawing which is illustrated in the catalogue raisonne of Richard Lindner's Paintings, Watercolors and Drawings, Edited by...

Richard Hunt Paper piece V, Terracotta Voyage, 1978 Artwork made exclusively from colored paper pulps, formed, handmade Twinrocker paper made by hand utilizing stencils to apply the ...

Richard Tuttle (American, b. 1941) Surface, 1997 Medium: Photogravure on wove paper Dimensions: 15 x 17-3/4 in Edition of 100: Hand-signed and numbered Condition: Excellent

Artist/Designer; Manufacturer: Richard "Dick" Hay (American, 1942-2020) Marking(s); notes: signed Materials: ceramic Dimensions (H, W, D): 29.5″h. 9.25 dia Additional Information: Pr...

"Savoy: The Pirouette" limited edition giclée on fine art paper of a pair of dancers by African American artist Richard Yarde. Part of Yarde's "Savoy Bal...

A fine oil by Richard J.S. Young. Signed and dated 2018 on the reverse. On canvas board.

In the garden - Jean Louis Richard Italia 2002 - Oil on canvas cm. 70x100 This painting is inspired by the works of the great Master Pierre Andre 'Brouillet. Pierre Aristide André Br...

A beautiful vintage poster, made in 1890 by Richard Ranft 🇨🇭 (1862-1931) to promote the salon des cent. The salon des cent was a French ar...