294 results for "surrealism"

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and 3-dimensional wooden shapes on canvas. The warm metal grey paint is highly textured, while the ...

About the Artwork: "Family Issues"" is a powerful mixed-media painting that delves into the complex emotions and dynamics within family relationships. The artist employs a vivid and evocative palette, using brilliant hues to express a spectrum of feelings, from love and warmth to tension and conflict. The artist's use of brilliant hues is deliberate, with fiery colors symbolizing anger and passion. Lighter shades of yellow and green peek through, suggesting moments of reconciliation and healing. The mixed-media approach, combining painting with found objects and textured materials, adds a tactile quality that invites viewers to engage with the piece on a sensory level." The painting is on canvas and will be professionally packaged and shipped in a secured box. About the Artist: Bandji Fall...

He. Lost Figure A figure that should have been — but is lost. What remains is only a trace, suspended in memory, evoking both curiosity and quiet pain. He exists as an imprint, not a...

Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide. Sewell was born in Anna...

Exploration is a low surface in chalk modeled on paper and cardboard to give a more particular and unique effect to the work, made by the Italian multifaceted LisArtVenture artist wh...

Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA in Barcelona...

Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA in Barcelona...

David Hare Cronus Waiting, 1990 Ink and Wash on Paper on Board 34 x 25 1/4 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

This Modern abstract oil painting on canvas by Modernist artist Stanley Bate features a geometric composition and a soft palette. The white and creme colors are complemented by earth...

This Modern abstract painting by Stanley Bate has a light beige, creme, and warm sepia palette. The textured painting has darker shapes that run the length of the bottom of the compo...

Artist: De La Nuez, Nelson Title: All About The Bag Date: 2024 Medium: Mixed Media Unframed Dimensions: 37" x 33.5" Framed Dimensions: 45.5" x 42" Signature: Signed Edition: ...

"Rites of Spring" by Modernist painter Stanley Bate is a large-scale, textured oil painting on canvas. The deep grey and maroon colors serve as a backdrop to a burst of geometric sha...

Annemarie Petri - "Interior of an Zoologist". Surrealism, imaginary cities, fantasy, mirage, etching. Technique: Etching/monoprint, highest technical level with 8-15 plates. Editi...

Ramon Antonio Carulla (Cuban, born 1936). Oil paintings on paper. Titled "When Dreams Become Reality" Artist signature lower right. Title on verso. Retains original Joy Moos Gallery label. Sheet measures measures approximately 14 in. x 22 in. (paper). Framed 20.5 X 28.5 This painting is a mixed media with oil paint, on paper It is hand signed recto and signed and titled verso. An abstract naive, folk art, work depicting depicts colorful imaginative surrealist figures with a carousel horse. This reminds me of a Latin American Niki de Saint Phalle. Dreamlike imagery. Ramon Carulla, born in Havana, Cuba in 1936 moved to the United States in 1967. He has exhibited widely throughout the United States, Latin America and Europe. He has participated in personal and group exhibitions in Canada, Venezuela, Mexico and Spain and throughout the USA. Select Gallery Exhibitions: Lowe Art Museum (Coral Gables, Florida), The Museum of Fine Arts (Montreal, Canada), The International Monetary Fund (Washington, D.C.) The Art Expo (New York City). Select Awards: First Prize at the VI Graphic Biennial of Latin America (1983; San Juan, Puerto Rico), the Silvia Daro Dawidowicz Award for Painting (1980; Metropolitan Museum) the Samuel Golan Award (1982, Fine Art Auction Exhibition; CH 2, Miami, Florida). the Cintas Fellowship (Institute of International Education; United Nations, New York) SELECTED INDIVIDUAL EXHIBITIONS 2005 Sonnet Gallery (Sarasota, Florida) 2000 Ramon Carulla: People and Places - Corbino Galleries, 1998 The Dreamers - Cuban Collection Fine Art (Coral Gables, Florida) 1997 The Immigrant Series – Metro-Dade Cultural Resource Center (Miami, Florida) 1996-96 Ramon Carulla: Works on Paper – PJorn (Hamburg, Germany) 1994 Ramon Carulla: New Paintings, Plates & Boxes – The Barbara Scott Gallery Rostros para recordar – Galería Traz (Mexico City, Mexico) 1993 Ramon Carulla, Exhibición Personal – Contemporary Art Museum (Panama) 1992 Ramon Carulla: Recent Work - The Barbara Scott Gallery (Bay Harbor, Florida) 1991 Cabinet Room – The Capitol (Tallahassee, Florida) 1988 Sofa & Hostage Series – Jay Moos Gallery 1987 20 Years After – Bacardi Art Gallery (Miami, Florida) 1985 Malcom Brown Gallery – (Cleveland, Ohio) Mask Series...

ERNST, Max. Rêve d'une Petite Fille qui voulut entrer au Carmel. 176 pp. Illustrated with reproductions of 79 collages by Max Ernst. 8vo., 265 x 200 mm, bound in original illustrated wrappers, slightly faded in a new light blue cloth folding box, gilt black leather spine label. Paris: Éditions du Carrefour, 1930. Ernst's rare second collage novel about an adolescent girl who loses her virginity on the day of her first communion and so commits herself to a religious vocation as a Carmelite nun. Ernst includes a line of ironically pretentious text with each image. This is number 232 of the edition of 1000 copies on Velin, inscribed by Paul...

Things related to dreams :: Mixed Media :: Surrealism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Sig...

Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA in Barcelona...

Chroessi Schnell - "The turning point". Surrealism, abstract forms, dream universe. Mixed techniques: acryl painting, plaster, metal and varnish. Mixed Media on canvas and signed....

Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA in Barcelona...

Chroessi Schnell - "Y 2 US". Surrealism, abstract forms, dream universe. This work is inspired by the sad story of the environment until today. Fading eco-systems, more and more co...

"A Very Confusing Game II" is an original piece by NDA made from collaged mixed media mounted to panel. This piece measures 16”h x 12”w and is signed en verso. NDA is a public and ...

"Clown-Car Sex Scandal II" is an original piece by NDA made from collaged acrylic on canvas. This piece measures 27”h x w x 33“w framed and is signed en verso. NDA is a public and g...

"Clown-Car Sex Scandal I" is an original piece by NDA made from collaged acrylic on canvas. This piece measures 27”h x w x 33“w framed and is signed en verso. NDA is a public and g...

"Have You or Someone You Love" is an original piece by NDA made from collaged mixed media mounted to cut wood. This pieces measures 34"h x 31"w. NDA is a public and gallery artist b...

"Drunk Archaeology I" is an original piece by NDA made from collaged mixed media mounted to panel. 25.25”h x 19.25”w framed. NDA is a public and gallery artist based out of Philadel...

"All Parts of the Animal" is an original piece by NDA made from collaged acrylic canvas mounted to panel. This piece measures 12"h x 16"w. NDA is a public and gallery artist based o...

Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA in Barcelona...

Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA in Barcelona...

Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/Communication from EINA in Barcelona...

Annemarie Petri - "The city on the move". Surrealism, imaginary cities, fantasy, mirage, etching. Technique: Etching/monoprint, highest technical level w...

Born in 1918 in Fordyce, Arkansas and raised in Louisiana, Fearing first studied art at Louisiana Tech University, and later earned a master’s degree at Columbia University in New Yo...

Kartick Chandra Pyne - Singing - 42 x 36 inches (unframed size) Oil & Acrylic on Canvas Inclusive of shipment in a roll form. Style : After graduating from the Government College...

Abstract surreal bird nesting One of a kind mixed media manipulated digitally on canvas. Elegant, the heavyweight canvas is treated with multiple layers of acrylic and varnish to m...

Born in Bialystok, Poland. His full name is Benzion Rabinowicz. His grandfather was a Rabbi and his father was an architect. Benn was a Jewish-Polish painter and graphic artist. Afte...

Hermits is a tridimensional original painting on paper on branches depicting a woman next to a giant butterfly along a path in a dark night. keywords; butterfly, woman, lingerie, americana...

The Wait (Denge Dey Pose) is an original painting by Barnabas Macauley. Wait (Denge Dey Pose) was created with Mixed Media (Charcoal, Acrylic, and Pe...

David Hare Cronus View from the Cave, 1971 Graphite, Ink wash, Paper Collage on Paper on Board 25 x 33 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Bon Voyage (Paper Planes) is a mixed media painting (acrylic, gold enamel, charcoal, pencil and ink on archival cotton paper, signed 'afn' lower right and framed in a contemporary black moulding. Anne...

One More is a tridimensional original painting on paper on branches depicting a golfer playing on a field on a sunny day. keywords; golfer, yellow shirt,...

Bon Voyage is a mixed media painting (acrylic, gold enamel, charcoal, pencil and ink on archival cotton paper), with an image size of 14 x 10.5 inches, signed 'afn' lower right and framed in a contemporary black moulding. Anne Faith...

Abstract Surrealist Photo collage with painting. Mixed Media with or about Amos Keinan the Israeli Playwright and journalist. Yigal Tumarkin (also Igael Tumarkin) (born 1933) is an ...

JAKE CHAPMAN - TO LIVE AND THINK PIGS (48/50) Date of creation: 2022 Medium: Hand watercolour on digital print Edition number: 48/50 Size: 18.3 x 24.2 cm Condition: In mint condition...

Thinks related to dreams :: Mixed Media :: Surrealism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Sig...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions. This 3-dimensional collage stories the trials and tribulations of Chicago's West Side Hispanic community the artist resided in for many years. Found ephemera and novelty items decorate the surface of this beautiful collage. It is floated in a simple black frame measuring 34h x 49w inches. Marcos Raya...

Genre: Surrealism Subject: Abstract Medium: Mixed Media Surface: Board Country: France Dimensions w/Frame: 26" x 21 3/4 Signed and signed with thumbprint Born ca.1949 in Slovenia, (...

Maria Poroy (American, born 1952) "Cloud Trees" 2024 Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom right of the painting. "Cloud Trees" by Maria P...

(85 x 61 inches framed + $2,400) New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social ...

Sanctuary A world that invented itself. It emerged from a deep inner need: to be somewhere you don’t have to be afraid. A space where it’s possible to be alive, trusting, and real. W...

Marcos Raya's artwork has deep connections to Rasquache or Rasquachismo– an aesthetic tied to the working-class Mexican art exemplified by the statement "Make the most of the least"....

Ramon Antonio Carulla (Cuban, born 1936). Oil paintings on paper. Titled "When Dreams Become Reality" Artist signature lower right. Title on verso. Retains original Joy Moos Gallery label. Sheet measures measures approximately 14 in. x 22 in. (paper). Framed 20.5 X 28.5 This painting is a mixed media with oil paint, on paper It is hand signed recto and signed and titled verso. An abstract naive, folk art, work depicting depicts colorful imaginative Surrealist figures. . Ramon Carulla, born in Havana, Cuba in 1936 moved to the United States in 1967. He has exhibited widely throughout the United States, Latin America and Europe. He has participated in personal and group exhibitions in Canada, Venezuela, Mexico and Spain and throughout the USA. Select Gallery Exhibitions: Lowe Art Museum (Coral Gables, Florida), The Museum of Fine Arts (Montreal, Canada), The International Monetary Fund (Washington, D.C.) The Art Expo (New York City). Select Awards: First Prize at the VI Graphic Biennial of Latin America (1983; San Juan, Puerto Rico), the Silvia Daro Dawidowicz Award for Painting (1980; Metropolitan Museum) the Samuel Golan Award (1982, Fine Art Auction Exhibition; CH 2, Miami, Florida). the Cintas Fellowship (Institute of International Education; United Nations, New York) SELECTED INDIVIDUAL EXHIBITIONS 2005 Sonnet Gallery (Sarasota, Florida) 2000 Ramon Carulla: People and Places - Corbino Galleries, 1998 The Dreamers - Cuban Collection Fine Art (Coral Gables, Florida) 1997 The Immigrant Series – Metro-Dade Cultural Resource Center (Miami, Florida) 1996-96 Ramon Carulla: Works on Paper – PJorn (Hamburg, Germany) 1994 Ramon Carulla: New Paintings, Plates & Boxes – The Barbara Scott Gallery Rostros para recordar – Galería Traz (Mexico City, Mexico) 1993 Ramon Carulla, Exhibición Personal – Contemporary Art Museum (Panama) 1992 Ramon Carulla: Recent Work - The Barbara Scott Gallery (Bay Harbor, Florida) 1991 Cabinet Room – The Capitol (Tallahassee, Florida) 1988 Sofa & Hostage Series – Jay Moos Gallery 1987 20 Years After – Bacardi Art Gallery (Miami, Florida) 1985 Malcom Brown Gallery – (Cleveland, Ohio) Mask Series...

Modern Masters Tapestries INC. in Manhattan was specializing in limited edition tapestries, handwoven in silk or wool by world famous artists. Signature on the back with trademark R...

I woke up one morning and I said to myself "I really want to paint a blue horse" . But I couldn't that. So I painted a big pink bird and I titled it blue horse. Done My Blue Horse c...

This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink and gold leaf (or gold paint) hand signed i...

This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink and gold leaf (or gold paint) hand signed in pencil lower right. It is not titled on it. Michele Oka Doner (born 1945, Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, lithograph and woodcut prints, drawing, watercolor painting, functional objects and video. Her workes is based on flora, fauna, DNA and all sorts of exotica. She has also worked in costume and set design and has created over 40 public and private permanent art installations, including her best known artwork is "A Walk on the Beach" (1995, 1999), and its extension, "A Walk on the Beach: Tropical Gardens" (1996–2010) at the Miami International Airport. It is composed of over 9000 bronzes embedded in terrazzo with mother-of-pearl. At one and quarter linear miles, it is one of the largest artworks in the world. Born and raised in Miami Beach, Oka Doner is the granddaughter of painter Samuel Heller. Oka Doner's father, Kenneth Oka, was elected judge and mayor of Miami Beach during her youth (1945–1964). The family lived a public and politically active life. In later years, Oka Doner co-authored, with Mitchell Wolfson Jr. Miami Beach: Blueprint of an Eden, an intimate portrayal of Miami Beach from the 1920s to the 1960s using their families as prisms to reflect the times. Reviewed as classic of social history, with material that was part of the public record of its time, it was used as a textbook in Human Geography at George Washington University in 2008. In 1957, age 12, Oka Doner began a year-long independent project studying the International Geophysical Year (IGY). She assembled a book of drawings, writings and collages that became a template for projects realized in later years. In 1963, Oka Doner left Florida for the University of Michigan, Ann Arbor. Her art instructor Milton Cohen...

Paper Collage My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do no find in other media. When working ...

"Winter Palace" is a captivating abstract painting on paper by 20th Century Denver artist Edward Marecak (1919–1993). Created circa the 1960s, this ethereal work combines acrylic and...

Why do we always say "Only time will tell" ? I think sometimes, he Just don't wanna say it. :: Mixed Media :: Surrealism :: This piece comes with an off...