156 results for "jute"

Wind Dancing Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the mediu...

Mirror to the Sun III Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primaril...

Oil on jute realized by Giorgio Lo Fermo in 2023. Hand signed on rear.

Camael Oil, graphite, sand, dry pigment on paper, laid canvas 47" x 35" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of p...

Taysha Oil, Marble Powder, Asphalt, Burlap On Canvas 73.25 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Eclipse Oil, Collage On Canvas 20" x 24" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing the use of ind...

Mirror to the Sun V Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Neches (Homage for PM) Oil, Bitumen, Aluminum Powder, Sand, Burlap, On Cavas 48" x 41" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

False Bar II Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily i...

Untitled (Burnt Orange) Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primar...

Spanish Windows III Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in th...

The Goat Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of...

Acrylic, silver & gold paint on canvas, Indie Ru is a Russian artist born in 1988 who lives and works in Podgorica, Montenegro Her abstract paintings and conceptual objects explore ...

Remembering the Tate Modern in canvas made by Alessandro Butera (1971), in 2019. Acrylic on canvas. cm 30x70x3,5. Signed, titled and dated on the reverse. Good condition. Aless...

Summer landscape with poppies, painted by oil on jute canvas :: Painting :: Impressionist :: This piece comes with an official certificate of au...

Yellow Curtain is one of the best works by the artist Giuseppe Zumbolo realized in 2018. It is made on assembled and unraveled canvases painted in acr...

Acrylic, oil marker on canvas, Indie Ru is a Russian artist born in 1988 who lives and works in Podgorica, Montenegro Her abstract paintings and conceptual objects explore emotional...

Acrylic, mixed media, stucco & jute rope on canvas, Indie Ru is a Russian artist born in 1988 who lives and works in Podgorica, Montenegro Her abstract paintings and conceptual obj...

Acrylic on canvas, Indie Ru is a Russian artist born in 1988 who lives and works in Podgorica, Montenegro Her abstract paintings and conceptual objects explore emotional connections...

Acrylic, mixed media, barbed wire & stucco on canvas, Indie Ru is a Russian artist born in 1988 who lives and works in Podgorica, Montenegro Her abstract paintings and conceptual o...

Acrylic, gold on canvas Indie Ru is a Russian artist born in 1988 who lives and works in Podgorica, Montenegro Her abstract paintings and conceptual objects explore emotional connec...

Acrylic, gold & beach sand on canvas, Indie Ru is a Russian artist born in 1988 who lives and works in Podgorica, Montenegro Her abstract paintings and conceptual objects explore e...

Acrylic on canvas, Indie Ru is a Russian artist born in 1988 who lives and works in Podgorica, Montenegro Her abstract paintings and conceptual objects explore emotional connections...

Mirror to the Sun II Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily...

Did You See the Moon Tonight? Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in ...

Mirror to the Sun Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium o...

The view of Schiedam, cityscape with windmills, channel and reflections, painted by oil on a jute canvas. :: Painting :: Impressionist :: This piece comes with an official certificat...

Acrylic, holographic, silver on canvas, Indie Ru is a Russian artist born in 1988 who lives and works in Podgorica, Montenegro Her abstract paintings and conceptual objects explore ...

Acrylic on canvas, Indie Ru is a Russian artist born in 1988 who lives and works in Podgorica, Montenegro Her abstract paintings and conceptual objects explore emotional connections...

landscape paintings of woods in Winter in oil on jute adhered to canvas

Adam Straus is an American artist based in Riverhead, NY. Starting as a photographer and sculptor in the the late 70's and early 80's, he began making small paintings in 1986 of noc...

ADAM STRAUS STILL LOOKING FOR THE PROMISED LAND, 2018 oil on newspaper and shopping lists adhered to jute adhered to wood, framed in lead 41 x 63 in. 104.1 x 160 cm. In the exhibiti...

Women, and their empowerment, are a constantly recurring element in the works of Patrizia Casagranda, whether as a movie star, princess, mythological figure, rubbish collector from India or a member of a particular faith. "I think women are great," the Krefeld, Germany artist and mother of three daughters states. The juxtaposition of these portraits create a tension that is both evocative and aesthetic. Patrizia travelled to India, where she met the rubbish girls from the Indian snake caste, the Kabelia, who gave her their rubbish finds, which she in turn used, literally, as the basis of her works. The idea of her art was born, the recycled materials "from the street", such as truck tarpaulins, pieces of jute, fabric, paper or cardboard, are overlaid with "15 to 20, sometimes more" layers of painting, consisting of a mortar-gypsum mixture enriched with pigments. Patrizia also wants the viewer to contemplate what the word type fragments are on her paintings; these can be a poem or even Charlie Chaplin's speech from the film The Great Dictator...

Women, and their empowerment, are a constantly recurring element in the works of Patrizia Casagranda, whether as a movie star, princess, mythological figure, rubbish collector from I...

Women, and their empowerment, are a constantly recurring element in the works of Patrizia Casagranda, whether as a movie star, princess, mythological figure, rubbish collector from I...

Technique: Terre colorée sur toile de jute. Delivered with the certificate of authenticity from the archives of Roberto Matta. Artwork size: 100 x 100 cm. Frame size: 114 x 112 cm. Free shipment worldwide. Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...