2,947 results for "belgian "

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Nemo Jantzen, born 1970 in The Haque, studied art, design and photography at the RTO Art Academy in Rotterdam. After his studies, he moved to Antwerp to work as a graphic designer an...

Bernard Pothast "The Reading Lesson" Oil on Canvas Signed Lower Right 25 x 30 inches 30.5 x 35.5 inches framed Born in Belgium, Bernard Pothast travel...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Ar...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Ar...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Art Awards, Grégoire Devin won the Best Global Artist Award, presented to him by His Highness Sheikh Saeed Bin Tahnoun Bin Mohammed Al Nahyan. In Monaco, Prince Albert II received his sculpture “United We Stand” for the Prince’s 60th birthday. Luc Belaire, the world’s fastest growing French sparkling wine brand and the best-selling French Rosé in the U.S., directly commissioned him for high-profile collaborations, creating two limited edition Art Series bottles that are distributed worldwide. Belgian actor Jean-Claude Van Damme, American rapper and record executive Rick Ross, and legendary Guns ‘n Roses bassist Duff McKagan are just a few of the iconic names with Grégoire Devin’s art on display in their homes among other renowned collectors. Grégoire Devin has also devoted time and work for several charity projects including the Iconic Haus showhouse in Paradise Valley...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Ar...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Ar...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Ar...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Ar...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Ar...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Ar...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Ar...

Inspired by everyday life, his travels, current events and people he meets, Grégoire creates poignant abstract and figurative sculptures and paintings. In 2018 at the Dubai Global Ar...

Marlon Mullen Desert with Cactus acrylic on paper 20" x 26" 1997 signed Born in 1963, Marlon Mullen is a painter who lives and works in Contra Costa County, California, where he h...

Trio of Pears is a stunning Still Life painting that would make a welcome addition to anyones collection. The soft green hues work beautifully with the soft grey background. The de...

Documentation Signed Origin Belgium Period 1920-1949 Materials oil on canvas Dimensions W. 25.5 in; H. 31 in; W. 64.77 cm; H. 78.74 cm; Condition Good. Excellent condion Creation Date C. 1930 Description An exquisite still life with masterful use of color. Carved frame measures 38.5 x 33 inches. Fernand Toussaint...

Theo Van Rysselberghe Gent 1862-1926 Saint-Clair, Var Soleil couchant à Veere, 1906 Ondergaande zon te Veere Oil on canvas 60 x 73 cm. Signed and dated: lower left with monogram ‘06’ Provenance: Private collection, Belgium; Sotheby’s, New York, auct. 12 November 1988, cat. no. 326; Hammer Gallery, auct. 1 February 1986; private collection, Israel; Campo, Antwerp, October 1978; Campo, Antwerp, 17 October 1977; Palais Galliéra...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Mixed media by Nemo Jantzen. Handmade resin domes and archival paper on board. Content: Black and White Photography, Fashion, music and Design. Nemo Jantzen, born 1970 in The Haque...

North Sea Port, Oil on Canvas by Douglas Swan, 1963 Additional information: Medium: Oil on Canvas 66 x 77 cm 26 x 30 1/4 in Signed and dated Douglas Li...

Red Net, Oil on Canvas by Douglas Swan, 1959 Additional information: Medium: Oil on Canvas 105 x 48 cm 41 3/8 x 18 7/8 in Signed, titled and dated vers...

Il Pleut Le Dimanche (It Rains on Sunday) Oil on Canvas Painting, 1960 Additional information: Medium: Oil on canvas 55.9 x 45.7 cm 22 x 18 in Signed and dated; further signed and t...

William Quinn (American b. 1929) "The Boneheaded Cat Spies the Red Mouse Hole" Oil on Canvas approx 45 x 55 inches An artist who synthesized the element...

René Magritte 1898-1967 Belgian Le carnaval du sage (The Sage’s Carnival) Signed “Magritte” (lower right); titled and dated "Le carnaval du sage 1947" (en verso) Oil on canvas The enigmatic paintings of René Magritte have become some of the most familiar and celebrated of the Surrealist movement. Among the most influential of the Surrealist painters of the 20th century, Magritte is an artist of international renown, as beloved for his popular appeal as he is for the psychological intensity of his works. The present oil on canvas, entitled Le carnaval du sage, was executed in 1947 at the height of his career, and it is a tour-de-force example of the haunting, mysterious scenes that comprise his oeuvre. Painted in the years following the Second World War, Le carnaval du sage showcases several recurring themes from Magritte’s oeuvre. Chiefly, a juxtaposition between the visible and the hidden is keenly felt. Throughout his career, Magritte explores the psychological obsession with revealing what is hidden, particularly with regard to the human face. In his Le fils de l’homme, he obscures the face of a man in a bowler hat with an apple, while his Les amants (Metropolitan Museum of Art) conceals the faces of two lovers with white sheets. In Le carnaval du sage, Magritte juxtaposes the blatant nudity of his central figure by masking her face, simultaneously revealing and concealing her from the viewer. The work also incorporates two of Magritte’s most common tropes – the glass of water and the baguette. Lending the scene a strange sense of domesticity, they appear infinitely familiar and distinctly out of place, and thus heighten the uncanny effect of Magritte’s composition. In the background hovers a ghost obscured by a sheet, a figure which was of particular fascination to Magritte beginning in 1946. He once wrote to his fellow Surrealist Paul Nougé: "I saw in a dream an answer to the problem of the ghost: the traditional ghost draped...

Martin Bradley 1931-2023 Untitled (Double Happiness), 1965 circa oil on wood diameter, 182.9 cm (72 in) signed Martin Bradley is a 20th-century painter. Born in London in 1931, fro...

EMILY KAME KNGWARREYE (1910 - 1996) Country: Central/Eastern Desert, NT Language: Anmatjerre Community : Utopia, Soakage Bore/ Alhalkere Merne Anooralya, 1995 Synthetic polymer pain...

Oil painting on canvas board of a sledge pulled by oxen. The painting is done in an impressionist style. The canvas board is signed by the artist on the front and titled, signed and dated on the back. The board is not framed. Artist Biography: John Koenakeefe Mohl was born on 29 September 1903 in Dinokana, Zeerust in the North-West Province. Mohl's father was a carpenter who sculpted objects such as chairs and mealie stampers. During his youth, Mohl drew with 'pepa' on rocks and made clay objects. He attended primary school in Dinokana where his teachers reprimanded him for constantly drawing in class. Mohl's father eventually withdrew him from school to tend to the goats. Nevertheless, Reverend Hale soon recognized Mohl’s talent and convinced his father to allow him to draw. Mohl attended the Moeding Training Institute (later known as Tigerkloof Training School) where he attained a teacher’s diploma. He subsequently accompanied a German artist to South West Africa (now Namibia) where he studied painting at the Windhoek School of Art. The Missionary Society and the Lutheran Church then sent him to Dusseldorf, West Germany where he studied art at the Kunst-Akademie during the following five years. The artist later returned to South Africa and settled in Sophiatown, where he started running art classes from his home. His art school was known to his peers as the ‘White Studio’. He was one of the first Black artists to be involved in art education and training. In the late 1950s, he was prevented from operating a business; therefore he established the Apollo Art...

Richard Allen 1933-1999 XXIX / ENW27 (White Painting), 1995 circa oil on canvas 61 x 61 cm 24 x 24 in signed and titled on the overlap Richard Allen was an Abstract artist of the 2...

Richard Allen 1933-1999 VIII (White Painting ENW17), 1995 circa oil on canvas 24 1/8 x 24 1/8 in 61 x 61 cm with Estate stamp on the overlap Richard Allen was an Abstract artist of ...

Richard Allen 1933-1999 XXV (White Painting ENW9), 1995 circa oil on canvas 24 1/8 x 24 1/8 in 61 x 61 cm with Estate stamp on overlap Richard Allen was an Abstract artist of the 20...

White Painting (Large Square) Oil on Canvas by Richard Allen Additional information: Medium: Oil on canvas 105 x 105 cm 41 3/8 x 41 3/8 in Richard Allen was an Abstract artist of t...

VIII (White Painting ENW17), Oil on Canvas by Richard Allen, 1995 circa Additional information: Medium: Oil on canvas 24 1/8 x 24 1/8 in 61 x 61 cm With Estate stamp on overlap Richard Allen was an Abstract artist of the 20th century who worked across painting, graphic and technological media. Allen was born in Worcester in 1933. Influenced by his father, he attended Shropshire Institute of Agriculture where he studied for a National Diploma. From there he became aware of what he considered his “irrational” yet unshakeable interest in art, since the College shared buildings with Worcester School of Art. Upon the advice of his window-cleaner Bob, Allen decided to apply to the School. Whilst in Worcester he attended Geoffrey Whiting’s pottery course. Allen took national service in 1952 during the Korean War, serving as an engineer. He returned to Worcester in 1954 to study for his A levels and NDD, after which he attended Bath Academy of Art, Corsham, in 1957. He embraced Bath's unconventional teaching of that time and developed a keen interest in abstract painting. In 1959, his last year at Bath, he was commissioned to make a 15 x 9 foot abstract mosaic for a Wiltshire college, in which the first signs of Allen's grid construction, and blocks of colour within a grid, are seen to appear. In 1960 he won an Italian Government Scholarship in Art to study in Ravenna. After only three months in Ravenna, working on restoration of Byzantine mosaics, he moved to the more lively city of Milan in which he worked with large-scale mosaic production. These commercialised mosaics informed his later works, and Allen considers his time in Milan to be one of fruitful cultural interaction. He married fellow Bath Academy of Art student Eve Laurens the next year, and began teaching part time. He taught at Croydon College of Art for eight years, during which time he began working on his Op Art paintings and was awarded the title of Commonwealth Scholar in Art and Architecture. The scholarship gave him the opportunity to study in the Indian Institute for Advanced Studies in Shimla for a year, during which he was able to travel India extensively. During his time in London Allen worked alongside such figures as Bridget Riley and Bruce McLean, their commitment to artistic professionalism informing his own identity as an artist. Allen started experimenting with line, colour, optical effects and the relationship between art and science. His Op Art works relied upon Interferometry, allowing him to lay grid lines over paintings to create visual manipulations. In 1967 he had his first solo exhibition at the University of Sussex. In 1971 he was invited by Malcolm Hughes to join the Matrix group of artists, whose exhibition opened at the Arnolfini Gallery that year which led to a further exhibition at the Whitechapel gallery the following year. The Matrix group was concerned with Systematic painting, which worked to create images that consciously reveal their own methods of construction. This led to his involvement with the Systems movement in music, with performances often accompanying the openings of System exhibitions. Concern with systems informed Allen’s work throughout his life. In 1972 Allen returned to graphic works, namely making large-scale charcoal pieces on canvas. His work at this time was still very much based on the grid and cross. His work was included in the Hayward gallery British painting Exhibition in the mid 1970s, and was also displayed in a solo exhibition at the London Institute of Contemporary Arts. Allen moved to Jersey in 1977, where he continued working with charcoal and exhibiting internationally. The minimalist exhibition ‘Fundamental Painting’ in Amsterdam, 1975, inspired Allen to put together a similar English exhibition. His position on the Committee of the Art Information Registry/Air and Space, enabled him to work on this. The exhibition was held in the Air Gallery in Charing Cross and led to his curation of Fundamental Painting exhibitions in Holland, Belgium, France and Italy. In 1991 he returned to England and began working on his "white paintings", having not worked with colour for twenty years, which were to be his last works. Shortly after his wife Eve died in 1997 he was diagnosed with Motor Neuron Disease. Allen began working with specially adapted computer software...

XXV (White Painting ENW9), Oil on Canvas by Richard Allen, 1995 circa Additional information: Medium: Oil on canvas 24 1/8 x 24 1/8 in 61 x 61 cm With Estate stamp on overlap Richard Allen was an Abstract artist of the 20th century who worked across painting, graphic and technological media. Allen was born in Worcester in 1933. Influenced by his father, he attended Shropshire Institute of Agriculture where he studied for a National Diploma. From there he became aware of what he considered his “irrational” yet unshakeable interest in art, since the College shared buildings with Worcester School of Art. Upon the advice of his window-cleaner Bob, Allen decided to apply to the School. Whilst in Worcester he attended Geoffrey Whiting’s pottery course. Allen took national service in 1952 during the Korean War, serving as an engineer. He returned to Worcester in 1954 to study for his A levels and NDD, after which he attended Bath Academy of Art, Corsham, in 1957. He embraced Bath's unconventional teaching of that time and developed a keen interest in abstract painting. In 1959, his last year at Bath, he was commissioned to make a 15 x 9 foot abstract mosaic for a Wiltshire college, in which the first signs of Allen's grid construction, and blocks of colour within a grid, are seen to appear. In 1960 he won an Italian Government Scholarship in Art to study in Ravenna. After only three months in Ravenna, working on restoration of Byzantine mosaics, he moved to the more lively city of Milan in which he worked with large-scale mosaic production. These commercialised mosaics informed his later works, and Allen considers his time in Milan to be one of fruitful cultural interaction. He married fellow Bath Academy of Art student Eve Laurens the next year, and began teaching part time. He taught at Croydon College of Art for eight years, during which time he began working on his Op Art paintings and was awarded the title of Commonwealth Scholar in Art and Architecture. The scholarship gave him the opportunity to study in the Indian Institute for Advanced Studies in Shimla for a year, during which he was able to travel India extensively. During his time in London Allen worked alongside such figures as Bridget Riley and Bruce McLean, their commitment to artistic professionalism informing his own identity as an artist. Allen started experimenting with line, colour, optical effects and the relationship between art and science. His Op Art works relied upon Interferometry, allowing him to lay grid lines over paintings to create visual manipulations. In 1967 he had his first solo exhibition at the University of Sussex. In 1971 he was invited by Malcolm Hughes to join the Matrix group of artists, whose exhibition opened at the Arnolfini Gallery that year which led to a further exhibition at the Whitechapel gallery the following year. The Matrix group was concerned with Systematic painting, which worked to create images that consciously reveal their own methods of construction. This led to his involvement with the Systems movement in music, with performances often accompanying the openings of System exhibitions. Concern with systems informed Allen’s work throughout his life. In 1972 Allen returned to graphic works, namely making large-scale charcoal pieces on canvas. His work at this time was still very much based on the grid and cross. His work was included in the Hayward gallery British painting Exhibition in the mid 1970s, and was also displayed in a solo exhibition at the London Institute of Contemporary Arts. Allen moved to Jersey in 1977, where he continued working with charcoal and exhibiting internationally. The minimalist exhibition ‘Fundamental Painting’ in Amsterdam, 1975, inspired Allen to put together a similar English exhibition. His position on the Committee of the Art Information Registry/Air and Space, enabled him to work on this. The exhibition was held in the Air Gallery in Charing Cross and led to his curation of Fundamental Painting exhibitions in Holland, Belgium, France and Italy. In 1991 he returned to England and began working on his "white paintings", having not worked with colour for twenty years, which were to be his last works. Shortly after his wife Eve died in 1997 he was diagnosed with Motor Neuron Disease. Allen began working with specially adapted computer software...

XXVIII (White Painting ENW5), Oil on Canvas by Richard Allen, 1995 circa Additional information: Medium: Oil on canvas 61 x 61 cm 24 1/8 x 24 1/8 in With Estate stamp on overlap Richard Allen was an Abstract artist of the 20th century who worked across painting, graphic and technological media. Allen was born in Worcester in 1933. Influenced by his father, he attended Shropshire Institute of Agriculture where he studied for a National Diploma. From there he became aware of what he considered his “irrational” yet unshakeable interest in art, since the College shared buildings with Worcester School of Art. Upon the advice of his window-cleaner Bob, Allen decided to apply to the School. Whilst in Worcester he attended Geoffrey Whiting...

XXIX / ENW27 (White Painting), Oil on Canvas by Richard Allen, 1995 circa Additional information: Medium: Oil on canvas 61 x 61 cm 24 x 24 in Signed and titled on the overlap Richard Allen was an Abstract artist of the 20th century who worked across painting, graphic and technological media. Allen was born in Worcester in 1933. Influenced by his father, he attended Shropshire Institute of Agriculture where he studied for a National Diploma. From there he became aware of what he considered his “irrational” yet unshakeable interest in art, since the College shared buildings with Worcester School of Art. Upon the advice of his window-cleaner Bob, Allen decided to apply to the School. Whilst in Worcester he attended Geoffrey Whiting’s pottery course. Allen took national service in 1952 during the Korean War, serving as an engineer. He returned to Worcester in 1954 to study for his A levels and NDD, after which he attended Bath Academy of Art, Corsham, in 1957. He embraced Bath's unconventional teaching of that time and developed a keen interest in abstract painting. In 1959, his last year at Bath, he was commissioned to make a 15 x 9 foot abstract mosaic for a Wiltshire college, in which the first signs of Allen's grid construction, and blocks of colour within a grid, are seen to appear. In 1960 he won an Italian Government Scholarship in Art to study in Ravenna. After only three months in Ravenna, working on restoration of Byzantine mosaics, he moved to the more lively city of Milan in which he worked with large-scale mosaic production. These commercialised mosaics informed his later works, and Allen considers his time in Milan to be one of fruitful cultural interaction. He married fellow Bath Academy of Art student Eve Laurens the next year, and began teaching part time. He taught at Croydon College of Art for eight years, during which time he began working on his Op Art paintings and was awarded the title of Commonwealth Scholar in Art and Architecture. The scholarship gave him the opportunity to study in the Indian Institute for Advanced Studies in Shimla for a year, during which he was able to travel India extensively. During his time in London Allen worked alongside such figures as Bridget Riley and Bruce McLean, their commitment to artistic professionalism informing his own identity as an artist. Allen started experimenting with line, colour, optical effects and the relationship between art and science. His Op Art works relied upon Interferometry, allowing him to lay grid lines over paintings to create visual manipulations. In 1967 he had his first solo exhibition at the University of Sussex. In 1971 he was invited by Malcolm Hughes to join the Matrix group of artists, whose exhibition opened at the Arnolfini Gallery that year which led to a further exhibition at the Whitechapel gallery the following year. The Matrix group was concerned with Systematic painting, which worked to create images that consciously reveal their own methods of construction. This led to his involvement with the Systems movement in music, with performances often accompanying the openings of System exhibitions. Concern with systems informed Allen’s work throughout his life. In 1972 Allen returned to graphic works, namely making large-scale charcoal pieces on canvas. His work at this time was still very much based on the grid and cross. His work was included in the Hayward gallery British painting Exhibition in the mid 1970s, and was also displayed in a solo exhibition at the London Institute of Contemporary Arts. Allen moved to Jersey in 1977, where he continued working with charcoal and exhibiting internationally. The minimalist exhibition ‘Fundamental Painting’ in Amsterdam, 1975, inspired Allen to put together a similar English exhibition. His position on the Committee of the Art Information Registry/Air and Space, enabled him to work on this. The exhibition was held in the Air Gallery in Charing Cross and led to his curation of Fundamental Painting exhibitions in Holland, Belgium, France and Italy. In 1991 he returned to England and began working on his "white paintings", having not worked with colour for twenty years, which were to be his last works. Shortly after his wife Eve died in 1997 he was diagnosed with Motor Neuron Disease. Allen began working with specially adapted computer software...