1,493 results for "cubism"

Subjective Farm Landscape 1940 Oil on canvas, 24" x 30" 37.5" x 31" x 2" framed - frame is original to this artwork Signed recto lower right: "rosenborg 40" & arrow box cypher. Signe...

Artist: Ben Benn, Russian/American (1884 - 1983) Title: Farm Lane Medium: Watercolor on Paper, signed l.r. Size: 18.5 x 12 in. (46.99 x 30.48 cm) Frame Size: ...

Acrylic & charcoal on canvas Rita di Benedetto is a French visual artist born in 1952 who lives and works in Toulouse, France. Her painting is intended to be sensual, no-conceptual,...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas. It features a muted, earth-toned palette with contrasting warm yellow, orange, and red accents throughout. The painting is framed in a floater frame with gold face and black sides. It is 22" x 36" and measures 24" x 38" x 2" framed. This painting is not signed by the artist, but has been authenticated by his estate. It is stamped with the estate seal on the back of the painting, and on the back of the frame. Ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

This Modern painting by Abstract Expressionist Stanley Bate was made with oil on canvas circa 1960. It features a cool blue and grey palette along the perimeter, with warmer muted gr...

Unique modernist depiction of an abstracted bull by California artist Dick Crispo (American, b.1945), 1981. The earthtoned animal is outlined in bold strokes of black, and is rendered in an interesting fractured geometric style evocative of cubism's handling of perspective. Signed and dated lower left "D. Crispo '81", and on label on verso. Presented in a dark copper metal frame. Image size; 22.5"H x 28.75"L. An award winning artist, Crispo has studied at the Carmel Art Institute under John Cunningham and Sam Colburn...

Tony Agostini (French, 1916 - 1990) Large oil painting on canvas depicting a still life scene with flowers on a canvas and easel titled "L'Atelier". Hand signed to lower right and ...

A magnificent new oil painting by the great Giancarlo Impiglia that harnesses the rough, reflective quality of aluminum for an entirely unique aesthetic. Born in Rome, Impiglia mov...

This Modern abstract painting by Stanley Bate has a light beige, creme, and warm sepia palette. The textured painting has darker shapes that run the length of the bottom of the compo...

This original mid-century modern abstract painting by acclaimed Taos artist Beatrice Mandelman (1912–1998) bursts with vibrant color and dynamic energy. Executed in acrylic on paper,...

Composition with jugs, oil painting by Pierre Coquet Reference number F486 Framed with a natural oak floated frame 43 x 72 x 2 cm (48 x 77 x 3,5 cm frame included) This work is painted with oil on a paper that is laid on a canvas and placed in a made to measure wood strectcher. Stamp of the signature in the bottom right and stamp of workshop on the back. With simple, soft colors, Pierre brings these objects together in a neutral atmosphere, enhanced by this orange, which adds a luminous touch to the composition. Mostly broad brushstrokes, sometimes barely a sketch in the background. The material effects stand out well, the light coming from the right reinforces the contours of each of the objects presented. Still lives are one of Pierre favourite subjects. Always in a very quiet atmosphere, with simple objects or alive nature. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Signed on bottom right front Born in 1960 in Casablanca, Morocco Lives & works in Bourg-en-Bresse, France Bold strokes, rich textures and a brave use of color are hallmarks of this young Frenchman, Abraham Dayan...

William S. Schwartz Still Life with Yellow Mums, circa 1950 Signed lower right Oil on canvas 20 x 16 inches Provenance: Private Collection, Massachusetts William Schwartz was born in Smorgon, Russia, in 1896, one of nine children in a poor family. He studied art at an early age, earning a scholarship at the Vilna Art School in Russia, 1908–12. He immigrated to the United States at age 17 in 1913, living in New York with his sister for eight months and then moving to Omaha, Nebraska, to live with his brother in 1915. Working as a house painter, he turned his attention to art, studying briefly with J. Laurie Wallace at the Kellom School in Omaha before moving to Chicago. He entered the School of the Art Institute of Chicago (SAIC) in 1916, studying with Ivan Trutnev and Karl A. Buehr, and graduating with honors in life drawing, portraiture, and painting in 1917. He supported himself as a tenor singer in vaudeville, concerts, and opera and received favorable reviews, but he chose to pursue painting instead of singing. His circle of artist friends included important Chicago modernists Aaron Bohrod, Malvin and Ivan Albright, Archibald Motley Jr., and Anthony Angarola...

Les Baigneuses by Paulémile Pissarro (1884-1972) Oil on canvas 89 x 118 cm (35 x 46 ¹/₂ inches) Signed and dated lower right, Paulémile - Pissarro. 1928. This work is accompanied by...

Carl Robert Holty (American 1900-1973) Abstract Expressionism Oil on Masonite board. Abstract with greens blues and red, Dimensions 12 x 9-1/2 inches. Framed 17 X 14 inches Hand...

Square Abstract, Cubist Style, Green Colour, Original Oil Painting By French artist Beatrice Werlie, early 21st Century Signed by the artist on the lower right hand corner Oil paint...

A new work by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulders of Futurism and Cubism,...

Painting with plaster and gilt details. Attributed to Edgar levy. A modernist still-life painter whose style leaned towards Cubism, Edgar Levy had a studio...

Signed on the reverse 203 x 162 x 5 cm unframed - 216 x 176 x 9 cm framed Born in 1960 in Casablanca, Morocco Lives & works in Bourg-en-Bresse, France Bold strokes, rich textures and a brave use of color are hallmarks of this young Frenchman, Abraham Dayan...

Untitled painting of a group of men by Antonio Rodríguez Luna (1910-1985.) This moody piece by Antonio Rodríguez Luna is an excellent example of his work from the early 1960s, which...

The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted i...

Pierre Coquet (1926-2021) Sitll life with a white and yellow cloth Reference number F283 50 x 60 cm Still lives are one of Pierre favourite subjects. Always in a very quiet atmosphere, with simple objects or alive nature. This work is painted with oil on a board. It is signed in the bottom left. Provenance : Workshop of the artist Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Enter Kali Enter Kali The Destroyer. This oil is an elaboration of an earlier graphite pencil drawing ‘Roundism – 26-04-16 (sold)’. At first I planned to do this this oil befor...

Pierre Coquet – Abstract Composition Reference number A217 Framed with a natural oak floated frame 67 x 54 cm frame included (62 x 49 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. Stamp of the signature in the bottom right Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time. Abstract paintings by Pierre Coquet represent a large part of his production. The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we know of him. His way of painting is strong and thoughtful, the lines stretch out and the harmonious touches, applied with sobriety, reveal a great sense of color. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran...

IAN HORNAK (1944–2002) Title: Domain of Asmodeus Date: 1985 Medium: Acrylic on double layered Masonite Dimensions: 31 x 37 inches (78.74 x 93.98 cm) Condition: Excellent ...

Michael Gloeckner American, 1915-1989 Cartagena, Columbia Oil on canvas 18 ½ by 24 ½ in, w/ frame 23 by 29 in Signed and dated 64 A painter of colorful abstractions, Michiel Gloeck...

Cheval 361 Acrylic on Canvas 73 x 93 cm Cheval 361 is the inaugural piece in Grégoire Mathias’s celebrated series inspired by the Lascaux Horses, the prehistoric cave paintings of P...

This is a signed, original, mid-century modern abstract landscape oil painting with white flowers (roses) in an Henri Matisse / Pablo Picasso aesthetic by listed WPA artist, G. Ralph...

Signed lower left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989), titled 'Paris' and painted circa 1965. Bearing 1965 exhibition label, verso, on stretcher bar. Precocious as...

On a recent trip to the Caribbean, Nansi and David were frequently surrounded by large shoals of Palometa fish, a privilege which inspired this painting, “Nude Ascending”. The motif, a nude swimmer interacting peacefully-almost spiritually-with ocean life, has become one of the trademarks of the husband and wife collaborative duo. Nansi Bielanski Gallup & David C. Gallup are fine artists living in Southern California and in the small island...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Oil on canvas 65 x 81,5 cm (83 x 98 cm with frame) = 25.6 × 32.1 in ( 25.6 × 32.1 in with frame) Signed and dated lower left Entitled lower right The painter hides behind his work, ...

IAN HORNAK (1944–2002) Title: Light from the Past, 1st version Date: 1985 Medium: Acrylic on double layered Masonite Dimensions: 21.5 x 18 inches (54.61 x 45.72 cm) Conditi...

Nude In Lavender NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch ...

Salvador Dalí 1904-1989 Spanish Four of Wands Signed "Dalí" (lower center) Gouache on photographic background From Salvador Dalí's celebrated tarot series, Four of Wands represen...

Gorgeous oil on panel by Harold Cohn. Beautiful reds - the photo does not do the painting justice. The texture of the flowers is stunning. The piece is fra...

Pierre Coquet – Abstract Composition Reference number A85 Framed with a natural oak floated frame 55 x 70 cm frame included (50 x 65 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. Stamp of the signature in the bottom right Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time. Abstract paintings by Pierre Coquet represent a large part of his production. The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we know of him. His way of painting is strong and thoughtful, the lines stretch out and the harmonious touches, applied with sobriety, reveal a great sense of color. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran...

The roofs of Paris, oil painting by Pierre Coquet Reference number F205 Framed with a natural oak floated frame painted in black 70 x 55 cm frame included (65 x 50 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. It is signed in the bottom right. Paris is one of Pierre most important subjects. Pierre's Paris is always depicted in a grey atmosphere. Buildings are stylized but the city is recognizable with its typical grey galvanised steel and orange terracota chimneys. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Françoise Juvin - Small bouquet of buttercups Reference number FJ106 Framed with a black wood floated frame. 24,5 x 31,5 cm frame included (19 x 26 cm ...

Hans Burkhardt The Artist's Wife (1930) Oil on canvas, 20" x 16" 24" x 20 ½" x 1 ½" framed Dated 1930 lower right recto. Annotated "To Elsa HB Louise Burkhardt 1930. HB" verso. ...

Framed size: 26.5" x 33". Signed bottom right This dynamic and vividly expressive painting by Eugène Paul, titled Harbour Life, captures the energy and atmosphere of Paris in the mid...

IAN HORNAK (1944–2002) Title: Last Song: Beim Schlafengehen (Going to Sleep) Date: 1985–2001 Medium: Acrylic on Canvas, with Artist Painted Frame Dimensions: 47 x 59 inches (...

An absolutely stunning and unique tryptic by the indelible Giancarlo Impiglia; three hinged panels, hand-cut by the artist into an iconic cityscape with life-size figures. Reminiscen...

Signed pointillist oil on panel figures in landscape by French neo-impressionist painter Yvonne Canu. This stunning piece depicts a couple resting under a parasol in a field of wildf...

Salvador Dalí 1904-1989 Spanish King of Swords Signed “Dalí” (lower center) Gouache on photographic background This unique gouache by Surrealist master Salvador Dalí combines the...

Salvador Dalí 1904-1989 Spanish Nine of Cups Signed "Dalí’" (top center) Gouache on photographic background This original gouache is a part of Salvador Dalí’s sought-after deck o...

This charming British Post Impressionist portrait oil painting is by noted Slade School artist (Alfred) Clive Gardiner. It was painted in 1918 and shows the influence of the French a...

Oz El Hai (Israeli, b. 1976) Polychrome Figural Painting Lacquer on Wood (possibly acrylic panel) Oz El Hai, born in Israel in 1976, channels his passion a...

lotus landscape, flowers and grass by the lake, feeling, happiness, quiet space, satisfying the curiosity of emotions, mood swings, summer rain acrylic paintings, artist emoticons, c...

Camille Hilaire (1916-2004) Scène équestre Huile sur toile 50 x 150 cm / 19.7 x 59 inches With frame : 74 x 174 cm / 29.13 x 68.59 inches 2024 Camille Hilaire was born in Metz in 19...

Artist: James, Clarence Title: 1 Life Date: 2024 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 40" x 30" x 1.5" Signature: Signed by Artist on Verso Editio...

Provenance Noah Goldowsky Gallery, New York; Collection of Jeptha H. Wade and Emily Vanderbilt Wade, Boston, until 2025 Exhibitions Cleveland Museum of Art, Art for Collectors, 1971...

Nude 1960s. Oil on canvas. 60x73 cm "Nude" is a captivating and elegant artwork that celebrates the female form in a tasteful and artistic manner. Through skillful brushwork, the artist aims to convey the woman's beauty and allure, inviting viewers to appreciate the timeless fascination and artistic exploration of the nude human figure. Aleksandra Belcova...

A painting by Carl Morris. “Untitled” is an abstract expressionist painting, acrylic on canvas in reds and browns by American artist Carl Morris. The artwork is signed in the lower r...

A unique and impactful small "color theory" work by great American artist Carl Holty. Holty spanned one of the longest and most eventful careers on the American abstract front. Bei...

SALE ONE WEEK ONLY “Springtown Reflections No. I” depicts the moment of change in the weather moving from harsh winter to the first warming days of spring melting the snow. The title suggests a moment to pause in farm life before the coming spring planting and also suggests a time of mental reflection on life and work. The puddles of melting snow reflect the buildings in the scene. The muted colors and slightly off kilter structures cause the buildings to appear worn but sturdy, a soft idyllic scene of rural life. Helmut Gransow...

This very striking exhibited Scottish Abstract oil painting is by influential Scottish artist Jack Knox. Painted in 1964, it is a vivid mix of autumnal colours, textures and brushwork that work perfectly. A brilliant example of his work from the early sixties and which was exhibited at the Royal Scottish Academy in 1965. Titled and dated 21.2.64 lower right. Provenance. Exhibited Royal Scottish Academy, Exhibition 1965, Edinburgh. Condition. Oil on canvas, 51 inches by 36 inches unframed and in good condition. Housed in a gilt sixties surround frame, 53 inches by 38 inches framed and in good condition. Jack Knox RSA (1936-2015) was one of the most influential artists to work in Scotland in the second half of the twentieth century. Born John Knox to a family of tailors in Kirkintilloch, Knox studied at the Glasgow School of Art (1953-57) where his drawings were noted for their mature draughtsmanship. After graduating, Knox went to Paris to attend the atelier of Cubist artist, André L’Hȏte. During his time in Europe Knox digested the various art movements of the moment, including Surrealism, Tachisme, Colour Field and Pop Art. Visiting the great museums, he was particularly interested in Analytic Cubism and Georges Braque’s intimation, rather than description, of object. He also went to Brussels to visit the first major show of American Abstract Expressionism in Europe. He returned to Scotland eager to establish his own style, drawing on everything he had seen in Europe. In 1960 the Glasgow Herald presented an exhibition during the Edinburgh Festival of young artists from the west of Scotland. Knox was selected to show alongside George Devlin, Carole Gibbons, Anda Patterson, Douglas Abercrombie and Duncan...

'Still Life, Turquoise Coral' by Jais Nielsen, 1913. Fauve, Paris, Salon d’Automne, Section d'Or ---- Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated ...

Framed 20.5 x 18 image 14.5 x 12 Heinz Hugo Erich Elsas, (German-Brazilian 1925-1994) later known as Harry Elsas. Muralist, writer, designer best known as a painter. Born in 1925 in Stuttgart, Germany, 1n 1936 At the age of 14 he moved with his family to Sao Paulo, Brazil fleeing from World War II and of the persecution of the Jews. A self taught artist he was influenced by the Flemish artists, his work reveals remarkable influence of Brueghel and Hieronymus Bosch. He worked in the workshop of Portinari, participating in the Tiradentes mural. His work went through a post-Expressionist phase, culminating in the adoption of cubism and is characterized by the habit of creating a three-dimensional structure before painting a picture. In 1945, he was working with Lasar Segall...

Vintage American abstract geometric signed oil painting by Paul Kelpe (1902 - 1985) . Oil on board. Vibrant color and confident composition. Framed. Artist Bio: A German arti...