1,673 results for "renaissance"

Henri Martin 1860-1943 French Le port de Marseille, le quai et les cargos Signed Henri Martin (lower left) Oil on canvas Exemplifying the masterful synthesis of Post-Impressionis...

Signed lower right, 'Find' for Ludvig Find (Danish, 1869-1945) and painted circa 1900. Ludvig Find first attended Copenhagen's School of Fine Arts and Kroyer's school (1888) before ...

Provenance Acquired by the gallery directly from the artist Signed "Peter Adams" on lower right FRAMED: 38" x 32" x 2.5" UNFRAMED: 30" x 24" Artist Statement “All the objects in t...

'Parisian Model' by Georg Pauli, 1911. Paris, Royal Academy, André Lhote, Fin de Siècle, Carmen --- Initialed lower right, 'GP', for Georg Pauli (Swedish, 1855-1935) titled, 'Paris'...

Gerald Leslie Brockhurst 1890 – 1978 Portrait of Marguerite Folin Oil on panel, signed lower right Image size: 18 x 14 inches (45.7 x 34.3 cm) Original frame The sitter for this po...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. A luscious plum, its dusky mauve skin infused with hints of de...

Pierre Coquet (1926-2021) Still life with a red book Reference number F285 46 x 55 cm (not framed) This work is painted with oil on a canvas. There is a stamp of the signature in the...

Unique figurative harlequin painting with Picasso style and abstract elements with dream-like layering by Robert Moesle (American, b.1932). Signed "Moesle" lower left. Titled "The Harlequin Prince" on verso. Displayed in a rustic painted giltwood frame with linen liner. Image size: 40"H x 32"W. Framed Size; 45"H x 37"W. Robert Moesle was born in San Jose, California in 1932. He graduated from San Jose State College and attended The Ruskin School of Art, Oxford University, England. Moesle lives in the Chateau region of France, which he finds to be an ideal location for a watercolorist. Moesle paints outside and enjoys watching the landscape change through the seasons. Unlike most watercolorists, Moesle takes his time painting and tries to capture the feeling of durability in his subjects. Moesle has exhibited his work in shows in London, Paris and throughout the United States. “Figurative painting by Robert Moesle are…lyrical, visionary, softly dream-like… Moesle’s Harlequin Prince offers a memory of early Picasso...

Pocket Greenish Blackbird's Egg 6c is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to ...

Jon Wassom’s Soul Searching (2024) is a striking mixed-media painting on canvas, measuring 24 x 20 inches with a 1.5-inch depth. This original artwork captivates with its expressive ...

Pierre Coquet - Still life with peppers Reference number F48 Framed with a natural oak floated frame 43 x 61 cm frame included (38 x 56 cm without frame) This wor...

A fine antique oil painting, on canvas, of horses pulling a tandem at speed. signed and titled lower left, Vine Colchester 1834 This fine painting shows two horses pulling an open carriage /gig with gentleman in extensive landscape/park The size of the painting is approx 50 x 80 cms, whilst overall the size framed is 100cm x 71 cm This is a fine painting in very good condition housed in a gilt frame ready to hang Provenance: The E. W. Towler Collection, formerly of Glympton Park, Woodstock, Oxfordshire see details below The artist John Vine was born with a disability that did not appear to interfere with his ability to draw and paint, largely self-taught as an animal painter, as his reputation grew he exhibited at the Society of British Artists in Grosvenor Square. Based at Colchester he painted many different subjects including farms, houses, children and animals. Eric W. Towler was a remarkable man. He was born in 1900 and left school at the age of 12 to work in a Yorkshire pit and through a lifetime of hard work, self-improvement, luck and a refusal to limit his horizons achieved many of his aspirations. As a Yorkshireman through and through, he believed in ‘spending the brass in his pocket’ and over time he was successful enough to acquire enough ‘brass’ to enable his purchase of Glympton Park and furnish it as a traditional country house with all the trappings – in his case collections of...

Pocket Solar Eclipse (Diamond Ring Effect) (canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic o...

IAN HORNAK (1944–2002) Title: Echo Loses Narcissus Date: 1978 Medium: Acrylic on Canvas Dimensions: 36 x 48 inches (91.44 x 121.92 cm) Condition: Excellent Inscription: S...

An oil painting by Long Island painter, Doug Reina. A composition portraying the iconic bowling alley in Port Jefferson adorned with a giant white bowling pin, retro aesthetic, and d...

Pierre Coquet - Abstract Composition Reference number A1 Framed with a natural oak floated frame 70 x 55 cm frame included (65 x 50 cm without frame) Thi...

In continuing with representing fine artists that are connected to the music industry we are please to represent the paintings of British artist George Underwood...

House By The Sea signed and dated "88 Charles Haigh-Wood was born in 1856 in a home above a workshop in Bury, England where his father Charles Wood,...

Portrait of an Elizabethan Gentleman in a Black Doublet c.1595 Manner of Hieronimo Custodis (died c.1593) Oil on copper Unsigned This exquisite oil on copper portrait, painted around 430 years ago, is a splendid survival from the Elizabethan era - the golden age in England’s history, when Queen Elizabeth I was on the throne. It is a time that is sandwiched between two golden ages of English renaissance culture, the reigns of Henry VIII and Charles I. This period produced a style of painting quite unlike that anywhere else in Europe and one that deserves serious assessment. Just a couple of years after our portrait was painted, English painting developed on another course, driven mainly by the artists Marcus Gheeraerts the Younger and Isaac Oliver; they depicted a new mood that was pervading Elizabethan and Jacobean society, which was that of romantic melancholy. Elizabethan painting...

Who am I to be your secret lover? Figurative large format Landscape with figures in fairy-tale setting. Acrylic on canvas. Author: Igor Fomin. Measurements in centimeters: 195 x 195 cm. / In inches: 76.77 x 76.77" In this painting, Igor Fomin not only tells us the story of a couple who keep their love secret, he also tells us about that beautiful old place, a witness to their love affairs, and those neighbors, who should not find out and who make their lives. An entire city, with a splendid aqueduct in the background, through whose arches the view is lost. The set is endowed with a magnificent color and a complex structure, full of planes to stop at all those characters that fill the author's pictorial and literary imaginary. From the tow...

Landscape Finder. Goyo painted this intriguing painting in 1994, when his inspiration from the old masters was most noticeable. The artist declares: “I feel a powerful attraction to ...

Pocket Jam Doughnut is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still l...

Elena Burykina's "Totem Animal" (2023) is an original, handmade oil painting on panel. Artist Statement: Burgonet allAntica Italian, probably Milan ca. 1535-45 Classically inspired ...

Pocket Pale Blue Sloes 2 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil pai...

This captivating small-scale oil on canvas was created by renowned French Modernist painter François Gentilini (b. 1930). Structured with geometric precision, the composition evokes ...

1972-73 Eastbourne College for Art and Design: Fine Art Foundation Course: studies drawing. Works through the South Coast Period of paintings. Studio: South Coast of England. 1974-81 University of Wales: studied painting under Welsh artist Selwyn Jones. Public and private commissions: twenty-five multistory murals in Wales and England: documented by the BBC and British National Newspapers. Studios: Bethesda and Bangor City, Wales. Studies composition and portraiture. Shows at the Royal Exchange, London; Bangor City Museum, Wales. 1981-82 Commission: The Trial of Saint Deiniol: 19-panel, 18 x 21 ft. painting. Studio: Shropshire, England 1982-86 The New York Times send photographer Dith Pran (on whom the movie The Killing Fields was based) to photograph Povey in New York with The Trial of Saint Deiniol painting at Art Expo New York 1986. Povey is advised by George Bush Senior’s former campaign manager Zena Temkin on shaping his public persona. The BBC film Edward Povey with former President of the Royal Academy of Art in London - Sir Hugh Casson KCVO, RA, RDI in which Sir Hugh interviews Povey about his art career. Public and private commissions for collections in the United States, London, Wales, Belgium, West Indies. Studies symbolism and trains in color with Jan de Maere in Brussels and works through the Tapestry Period of paintings Studio: Grenada, West Indies. 1987-91 Studies psychology and narrative in art whilst he builds the extensive Childhood, Illusion and Desire Period of paintings. Studio: Guisborough, England courtesy of the town mayor. Shows in Belgium, London, New York. 1992-93 Public commission: Hall of Illusion mural: 20 X 40 ft. interior oil painting in the Chamber Concert Hall of the University of Wales. The commission is followed by BBC Television, S4C Television; BBC Radio Four and regional and national newspapers. Studios: Guisborough, England; Bangor City, Wales. Designs the Hall of Illusion mural on the island of Grenada, West Indies. 1994-96 Deepens his studies in the relationship between art and the psyche. Researches new ways to evolve concepts with models using theaters...

Aeling frequently returns to lakes and wetlands as subjects, often at moments of transition: dusk, dawn, or the last glow before night. This isolated island—shrouded in silhouette ag...

This artwork "Market Scene" 1968 is an oil painting on canvas by noted Haitian artist Petion Savain, 1906-1973. It is signed and dated at the lower right...

Jean Paul SINIBALDI (Paris, 1857 - Bourg-en-Bresse, 1909) Elegant Parisian strolling in a public garden Oil on panel Signed lower left 37 x 23 cm A pupil of Alexandre Cabanel at t...

Pocket Autumn Leaf 6A c (canvas size 7x7cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with ...

Realism as a style has basically remained unchanged since the Renaissance. Realism as a technique, however, has definitely been altered and heavily influenced by technology. Most art...

A Venetian scene of the Palazzo Dario by F. R. Unterberger Austrian, c.1898-1900 Frame: height 97cm, width 85cm, depth 7cm Canvas: 83cm, width 70cm, depth...

Pocket Snowdrop 2 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still lif...

Françoise Juvin - Venice, Piazza San Marco Reference number FJ142 Framed with a black wood floated frame. 24 x 30 cm frame included (19 x 23 cm without...

Françoise Juvin - View of Paris with buildings Reference number FJ74 Framed with a natural oak floated frame. 32,5 x 41 cm frame included (28x 37 cm without frame) This work is paint...

Pauwels Franck, known as Paolo Fiammingo (Antwerp, 1540 - Venice, 1596) Venus lying in a landscape Oil on canvas 116 x 150 cm. In antique frame 136 x 170 cm. The work is accompanied by a critical card by Dr. Federica Spadotto The splendid painting proposed sees portrayed, bare and stretched out on a red brocade cloth in gold sprinkled with roses, a refined and sensual Venus, in a composition with a profound symbolic value, and arriving at the perfect representation of the Renaissance woman who, like Venus, becomes an allegory love, eros, beauty and fertility. The canvas is part of the prestigious Venetian artistic and cultural environment of the second half of the sixteenth century, whose distinctive distinctive trait can be traced back to its cosmopolitan vocation. This characteristic, as Dr. Spadotto noted in her in-depth study, belongs to the same physiology of the Venetian capital, that is, being a distinctly commercial city located in a strategic point with respect to trade. Representing one of the liveliest ports in the Mediterranean also meant witnessing the continuous passage not only of goods, but of men, ideas, suggestions from distant countries, which influenced not only the taste of their people, but above all art. This happened thanks to the circulation of prints, as well as pictorial specimens, to which are added the stays of great foreign artists and, above all, the permanence in the capital of a non-negligible number of Dutch, Flemish and German masters. An emblematic case in this regard comes from Pauwels Franck (Antwerp, 1540 - Venice, 1596), better known as Paolo Fiammingo, who established himself in his native city at a young age - in 1561 a figure enrolled in the Guild of San Luca - and arrived in Venice in 1573. . He resided in Venice from 1584 until his death, although the stylistic and formal references of some of his works have led critics to believe that in previous years he had undertaken a journey to central Italy, or to Florence and Rome, where he would have metabolized the lively cultural debate that permeated these cities and which, on the other hand, seemed completely absent in Venice. Here Paolo will be fascinated by the sense of color and by the atmospheric component fixed on the canvas by Jacopo Tintoretto (Venice 1518 - 1594), of which he becomes a collaborator, to undergo, around 1590, the suggestion of Paolo Caliari...

Pocket Lovebirds 2 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still li...

Pocket Polzeath Beach at Sunset, Landscape Collection is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil painti...

Stylised Portrait, Peasant Girl, Impressionist Oil Painting By European Schooled artist, Mid 20th Century Oil painting on metal, framed Framed size: 10.5 ...

Guillaume Seignac 1870-1924 French Mutine Signed “G. Seignac” (lower right) Oil on canvas A mischievous maiden dominates this garden scene by French Academic artist Guillaume S...

The scale of this dynamic party painting by Leroy Foster (1925-1993) makes you feel like you are in the room with a cocktail in hand. He was an accomplished muralist, so it is no s...

Salvador Dalí 1904-1989 Spanish Nine of Cups Signed "Dalí’" (top center) Gouache on photographic background This original gouache is a part of Salvador Dalí’s sought-after deck o...

Kelly Fearing (1918-2011) Austin Artist Image Size: 42.25 x 30 Frame Size: 48.5 x 36.5 Medium: Oil/Gaouche "San Sebastion" Biography Kelly Fearing (1918-2011) The following information is from the artist's obituary, University of Texas Education News Prominent Artist and Art Educator Kelly Fearing Dies at 92 AUSTIN, Texas — Artist, art educator and University of Texas at Austin Professor Emeritus Kelly Fearing died on March 13 at his home in Austin, at the age of 92 due to congestive heart failure. Fearing was a professor emeritus in university's Department of Art and Art History. He taught at the university from 1947-87, and was presented the College of Fine Arts' E. William Doty Award in 2007, the college's highest honor recognizing him as an individual of distinction in his field who has demonstrated extraordinary interest in the college. "Kelly Fearing was the quintessential Renaissance man," said College of Fine Arts Associate Dean Ken Hale. "He was an artist, an author and an educator. His talent was extraordinary. He worked in almost all traditional mediums and excelled in oil painting and collage. Fearing was very well educated in all of the arts and enthusiastically passed that knowledge on to literally thousands of students. The University of Texas and the state of Texas have benefited greatly from the creativity and generosity of Kelly Fearing. His passing is a loss for us all." Born in Fordyce, Ark., Fearing was raised in Louisiana, studied art at Louisiana Tech University, earned a master's degree from Columbia University and went to Fort Worth during World War II to serve his country in a defense job. While being trained in graphic drafting for a company that was making bombers for the U.S. military, Fearing was introduced to other aspiring artists in the Fort Worth area. This group of avant-guard printmakers and artists became known as the Fort Worth Circle, and Fearing was one of its core members. Collectively, they were instrumental in introducing modernist ideas to Texas art. After teaching at Texas Wesleyan College from 1945-47, he came to The University of Texas at Austin as the Ashbel Smith Professor in Art in 1947. He retired from the university in 1987 and continued to work as a professional artist. His art has been referred to as magical realist, mystical naturalist and Romantic surrealist. As a pioneer in art education in America, Fearing founded The University of Texas Junior Art Project, the first visual arts outreach program of its kind in Texas. The program offered children of all ages and from all economic backgrounds free, university-based instruction and exposure to the arts. Kelly Fearing has been an important artist working in Texas since the 1940s. After doing his graduate work at Columbia University in New York City, Fearing established himself as a surrealist painter and print maker in Fort Worth, and then became one of the founding members of the art faculty at the University of Texas at Austin. He has had recent exhibitions at the Valley House Gallery in Dallas, Texas, and at the Archer M. Huntington Art Gallery in Austin, Texas. Fearing lives and works in Austin, Texas. Courtesy of Flatbread Press and Gallery Added note: Kelly Fearing died of congestive heart failure in 2011 in Austin, Texas. William KELLY FEARING (1918-2011) Born in Fordyce, Arkansas, Kelly Fearing entered college as an accounting major but quickly discovered his intense interest in art. He studied art at Louisiana Tech University and later at Columbia University. He taught public school briefly before relocating to Texas to teach art at the university level in El Paso and Fort Worth before joining the faculty at the University of Texas at Austin. Selected Biographical and Career Highlights · 1918 Born in Fordyce, Arkansas · 1941 BA, Louisiana Polytechnic Institute, Ruston, Louisiana · 1941-42 Teacher, Winfield Public Schools, Louisiana · 1943-45 Guest Professor, Texas Western College, El Paso, Texas · 1945-47 Instructor, Texas Wesleyan College, Fort Worth, Texas · 1950 MA, Columbia University, New York, New York · 1947-87 Professor of Art, University of Texas at Austin, Texas · 2007 Recipient, William E. Doty Award · 2009 Recipient, Texas Biennial Tribute Artist · 2011 Died in Austin, Texas Selected Prizes, Awards · Texas General/Annual: Purchase Prize 1956; Cash Prize 1945, 1947, 1949, 1953, 1954, 1955, 1963; Recommended for Purchase Prize 1949, 1950 1945 Cash Prize, The Aquarist, oil 1947 Cash Prize for Dream of Jacob, oil 1949 Cash Prize and Recommended for Purchase Prize, The Red Sea, oil 1950 Recommended for Purchase Prize, Man in a Tide Pool, oil 1953 Cash Prize, Tobias and the Angel, oil 1954 Cash Prize, Landscape with Peacock, oil 1955 Cash Prize, St. John in the Wilderness, oil 1956 Purchase Prize, Yellow After the Rain, oil 1963 Cash Prize, Sleeping Philosopher in a Landscape Developing, oil · Fort Worth Local: First Prize 1945; Popular Prize 1944 1944 Popular Prize, USO Street Dance 1945 First Prize, The Kite Flyers, oil · Texas Fine Arts: Purchase Prize 1954; Cash Prize 1952, 1955 (2 works), 1956 1952 Cash Prize 1954 Purchase Prize 1955 Cash Prize for Watercolor, watercolor 1955 Cash Prize, Spring Festival 1956 Cash Prize · Other Exhibitions: Purchase Prize 1945 Texas Print Exhibition; Merit Award 1956 DD Feldman; Honorable Mention 1962 Longview National Invitational 1945 Purchase Prize, The Collector, etching, 5th Annual Texas Print Exhibition 1962 Honorable Mention, Longview National Invitational Selected Exhibitions · 1941 Solo, Louisiana Tech University, Ruston, Louisiana · 1944 24th Exhibition of the Southern States Art League, Dallas Museum of Art, Dallas, Texas · 1944 Fort Worth Local Artists Annual, Fort Worth Art Association Gallery, Public Library, Fort Worth, Texas (popular prize) · 1944 6th Texas General Exhibition 1944-1945, circulated: Dallas Museum of Art, Dallas; Museum of Fine Arts, Houston; Witte Museum, San Antonio; University of Texas at Austin, Texas · 1945 Fort Worth Local Artists Annual, Fort Worth Art Association Gallery, Public Library, Fort Worth, Texas (purchase prize) · 1945 7th Texas General Exhibition 1945-1946, circulated: Witte Museum, San Antonio; Dallas Museum of Art, Dallas; Museum of Fine Arts, Houston; University of Texas at Austin, Texas (cash prize) · 1945 Prints of Fort Worth Artists, Fort Worth Art Association Gallery, Public Library, Fort Worth, Texas · 1945 5th Annual Texas Print Exhibition, Dallas Museum of Art, Dallas, Texas (1st prize) · 1946 8th Texas General Exhibition 1946-1947, circulated: Dallas Museum of Art, Dallas; Museum of Fine Arts, Houston; Witte Museum, San Antonio, Texas · 1947 55 Works of Modern Art Owned in Houston, Museum of Fine Arts, Houston, Texas · 1947 6th Annual Texas Print Exhibition, Dallas Museum of Art, Dallas, Texas · 1947 9th Texas General Exhibition 1947-1948, circulated: Museum of Fine Arts, Houston; Dallas Museum of Art, Dallas; Witte Museum, San Antonio, Texas (cash prize) · 1948 10th Texas General Exhibition 1948-1949, circulated: Witte Museum, San Antonio; Museum of Fine Arts, Houston; Dallas Museum of Art, Dallas, Texas 1945 Prize, 5th Annual Texas Print Exhibition, Dallas Museum of Art, Dallas, Texas · 1948 Watercolors by 16 Texas Artists, Museum of Fine Arts, Houston, Texas · 1948 University of Texas Art Faculty Exhibition, Dallas Museum of Art, Dallas, Texas · 1949 Solo, Fresno State College, Fresno, California · 1949 11th Annual Texas Exhibition of Painting and Sculpture 1949-1950, circulated: Witte Museum, San Antonio; Museum of Fine Arts, Houston; Dallas Museum of Art, Dallas, Texas (cash prize and recommended for purchase prize) · 1950 Texas Wildcat, San Francisco Museum of Art, San Francisco, California · 1950, 1960, 1963 Artists West of the Mississippi, Colorado Springs Art Center, Colorado Springs, Colorado · 1950 12th Annual Exhibition of Texas Painting and Sculpture 1950-1951, circulated: Dallas Museum of Art, Dallas; Witte Museum, San Antonio; Museum of Fine Arts, Houston, Texas (recommended for purchase prize) · 1951 Newcomers: First Showing of a New Generation, Downtown Gallery, New York, New York · 1952 Annual Juried Exhibition, Texas Fine Arts Association, Austin, Texas (cash prize) · 1952 Imaginative Paintings by Kelly Fearing, Santa Barbara Museum of Art, Santa Barbara, California · 1952 Young Collections 1952, Dallas Museum of Art, Dallas, Texas · 1952 Kelly Fearing, Betty McLean Gallery, Dallas, Texas · 1952 Texas Contemporary Artists, M. Knoedler & Company, New York, New York; Contemporary Art Museum, Houston, Texas (catalogue) · 1952 Solo, Cotton Memorial Galleries, Texas Western College, El Paso, Texas · 1952 14th Annual Exhibition of Texas Painting and Sculpture 1952, circulated: Dallas Museum of Art, Dallas; Witte Museum, San Antonio; Museum of Fine Arts, Houston, Texas · 1953 University of Texas Faculty Exhibition, Dallas Museum of Art, Dallas, Texas · 1953 Solo, Santa Barbara Museum of Art, Santa Barbara, California · 1953 15th Annual Exhibition of Texas Painting and Sculpture 1953, circulated: Dallas Museum of Art, Dallas; Museum of Fine Arts, Houston; Witte Museum, San Antonio, Texas (cash prize) · 1954 149th Annual Exhibition, Pennsylvania Academy of Art, Philadelphia, Pennsylvania · 1954 Sacred Art, Catholic University, Washington, DC · 1954 Seventeen Years: An Exhibition of the First Prize Winners in the 17 Annual Exhibitions of Work by Fort Worth Artists Held by the Fort Worth Art Association, Fort Worth Art Center, Fort Worth, Texas (catalogue) · 1954 16th Annual Exhibition of Texas Painting and Sculpture 1954, circulated: Dallas Museum of Art, Dallas; Witte Museum, San Antonio; Museum of Fine Arts, Houston; Fort Worth Art Center, Fort Worth, Texas (cash prize) · 1954 Annual Juried Exhibition, Texas Fine Arts Association, Austin, Texas (purchase prize) · 1954 Religious Art Today, Brown Gallery, Boston, Massachusetts · 1954-56 Artist’s Panorama Traveling Exhibition, Pennsylvania Academy of Art, Philadelphia, Pennsylvania · 1955 Two Texas Artists (Kelly Fearing and Mildred Wood Dixon), Museum of Fine Arts, Houston, Texas · 1955 Pittsburgh International, Carnegie Institute, Pittsburgh, Pennsylvania · 1955 Solo, Fort Worth Art Center, Fort Worth, Texas · 1955 The World Around Us: 100 Years of American Landscape, Dallas Museum of Art, Dallas, Texas · 1955 Annual Juried Exhibition, Texas Fine Arts Association, Austin, Texas (cash prize for watercolor) · 1955 Spring Arts Festival, Texas Fine Arts Association, Austin, Texas (cash prize) · 1955 Young Collections 1955, Dallas Museum of Art, Dallas, Texas · 1955 17th Annual Exhibition of Texas Painting and Sculpture 1955-1956, circulated: Dallas Museum of Art, Dallas; Fort Worth Art Center, Fort Worth; Witte Museum, San Antonio; Texas Fine Arts Association, Austin, Texas (cash prize) · 1955, 1959, 1963 Invitational Exhibition of Contemporary Painting and Sculpture, University of Illinois, Urbana, Illinois · 1956 6th Southwestern Exhibition of Prints and Drawings, Dallas Museum of Art, Dallas, Texas, traveled to: Centenary College, Shreveport, Louisiana; Elisabet Ney Museum, Austin, Texas; University of New Mexico, Albuquerque; Texas Tech College Museum, Lubbock; Museum of Fine Arts, Houston, Texas; University of Tulsa, Oklahoma; Oklahoma A&M College, Stillwater · 1956 Gulf-Caribbean Art Exhibition, Museum of Fine Arts, Houston, traveled to: Dallas Museum of Fine Arts, Dallas; Institute of Contemporary Art, Boston; Munson-Williams-Proctor Institute, Utica; Carnegie Institute, Pittsburg; Colorado Springs Fine Art Center, Colorado Springs, Colorado (catalogue) · 1956 Young Collections 1956, Dallas Museum of Art, Dallas, Texas · 1956 Annual Juried Exhibition, Texas Fine Arts Association, Austin, Texas (cash prize) · 1956 Merit Award, D. D. Feldman Collection of Contemporary Texas Art, Museum of Fine Arts, Houston, Texas (1958, Dallas???) · 1956 D. D. Feldman Collection of Contemporary Texas Art, Museum of Fine Arts, Houston, Texas · 1956 18th Annual Texas Painting and Sculpture Exhibition 1956-1957, circulated: Dallas Museum of Art, Dallas; Witte Museum, San Antonio; Museum of Fine Arts, Houston; Texas Fine Arts Association, Austin; Museum, Texas Tech, Lubbock, Texas (purchase prize) · 1957 Survey of Painting in Texas, Dallas Museum of Art, Dallas, Texas, circulated by American Federation of Arts (catalogue) · 1957 22nd Annual Midyear Juried Exhibition, Butler Institute of American Art, Youngstown, Ohio · 1957 Summer Group Exhibition, Edwin Hewitt Gallery, New York, New York · 1957 Young Collections 1957, Dallas Museum of Art, Dallas, Texas · 1958 Religious Art of the Western World, Dallas Museum of Art, Dallas, Texas · 1958 20th Annual Texas Painting and Sculpture Exhibition 1958-1959, circulated: Dallas Museum of Art, Dallas; Witte Museum, San Antonio; TFAA, Laguna Gloria Gallery, Austin; Beaumont Art Museum, Beaumont; San Angelo Art Club, San Angelo; Museum of Fine Arts, Houston, Texas · 1959 Made in Texas by Texans, Dallas Museum of Contemporary Art, Sheraton-Dallas Hotel, Dallas, Texas (catalogue) · 1959 21st Annual Texas Painting and Sculpture Exhibition 1959-1960, circulated: Dallas Museum of Art, Dallas; Witte Museum, San Antonio; Beaumont Art Museum, Beaumont; Museum, Texas Tech, Lubbock; Museum of Fine Arts, Houston, Texas · 1960 Southwestern Art: A Sampling of Contemporary Painting and Sculpture, Dallas Museum of Art, Dallas, Texas · 1961 Invitational Exhibition of Painters Born in Arkansas, Museum of Fine Arts, Little Rock, Arkansas · 1962, 1963, 1975 Invitational, Longview Museum of Fine Arts, Longview, Texas (honorable mention 1962) · 1963 University of Texas Art Faculty—Past and Present, Museum of Fine Arts, Houston, Texas · 1963 25th Annual Texas Painting and Sculpture Exhibition 1963-1964, circulated: Dallas Museum of Art, Dallas; Centennial Art Museum, Corpus Christi; Beaumont Art Museum, Beaumont; El Paso Museum of Art, El Paso; Witte Museum, San Antonio; University of Texas at Austin, Texas (cash prize) · 1963 The Versatile Shell, Museum of Fine Arts, Houston, Texas · 1963 59th Annual Exhibition of Western Art, Denver Art Museum, Denver, Colorado · 1963, 1966 Christocentric Exhibition, University of Illinois, Urbana, Illinois · 1964 Solo, El Paso Museum of Art, El Paso, Texas · 1964 New York World’s Fair, Texas Pavilion, New York, New York · 1964-65 The Bird in Art, University of Arizona, Tucson, Arizona and the Arkansas Art Center, Little Rock, Arkansas · 1966 Solo, Gallery of Visual Arts, Louisiana Tech University, Ruston, Louisiana · 1967 Solo, University of Texas Art Museum, Austin, Texas · 1968 Texas Painting and Sculpture 1968, Dallas Museum of Art, Dallas, Texas · 1969 Solo, Witte Museum, San Antonio, Texas · 1971 Texas Painting and Sculpture 71, Dallas Museum of Art, Dallas, Texas · 1971–72 Texas Painting and Sculpture: The 20th Century, Pollack Galleries, Owen Arts Center, Southern Methodist University, Dallas, Texas, traveled to: Witte Confluence Museum, HemisFair Plaza, San Antonio; University Art Museum, University of Texas at Austin; Amon Carter Museum, Fort Worth; The Museum, Texas Tech University, Lubbock, Texas (catalogue) · 1974 Solo, The University of Texas at Austin, Austin, Texas · 1977 Solo, DuBose Gallery, Houston, Texas · 1978 U.S. Drawings, Museum, Texas Tech University, Lubbock, Texas · 1978 Solo, L and L Gallery, Longview, Texas · 1979 Made in Texas, Huntington Gallery, University Art Museum, University of Texas at Austin, Texas (catalogue) · 1981 Solo, Spencer Gallery, Fine Arts Center, University of Arkansas, Monticello, Arkansas · 1981 Solo, Moffett Gallery, School of Art and Architecture, Louisiana Tech University, Ruston, Louisiana · 1983 Images of Texas, Huntington Art Gallery, University of Texas at Austin, Texas, traveled to: Art Museum of South Texas, Corpus Christi; Amarillo Art Center, Amarillo, Texas (catalogue) · 1984 Works from the Friends Collections, Art Gallery, School of Art and Architecture, Louisiana Tech University, Ruston, Louisiana · 1985 Solo, Old Jail Art Center, Albany, Texas · 1986 Solo, McNay Art Museum, San Antonio, Texas · 1986 Beyond Regionalism: The Fort Worth School (1945-1955), Old Jail Art Center, Albany, Texas · 1992 Prints of the Fort Worth Circle, 1940-1960, Huntington Art Gallery, University of Texas at Austin, Texas · 1992 Kelly Fearing: The Influence of “The Fort Worth School,” 1939-1955, Valley House Gallery, Dallas, Texas · 1995 Solo, Flatbed Press & Gallery, Austin, Texas · 1996 Solo, Valley House Gallery, Dallas, Texas · 1997 Jupiter’s Loves and His Children, Georgia Art Museum, University of Georgia, Athens, Georgia · 1998 Early Texas Art: A Collectors’ Exhibition, Museum of the Big Bend, Alpine, Texas · 1999 Kelly Fearing: A Search for Mystical Concepts, Pascal/Robinson Galleries, Houston, Texas · 2000 Solo, Flatbed Press & Gallery, Austin, Texas · 2001 First Light: Local Art and the Fort Worth Public Library 1901–1961 . . . A Centennial Exhibit, Fort Worth Central Library, Fort Worth, Texas (catalogue) · 2002 The Mystical World of Kelly Fearing: A Sixty Year Retrospective, traveling exhibition, University of Texas at Austin, Austin, Texas; Old Jail Art Center, Albany, Texas; Arlington Museum of Art, Arlington, Texas (catalogue) · 2002-03 The Eyes of Texas—The Lone Star State as Seen by Her Artists, San Angelo Museum of Fine Art, San Angelo, Texas; Panhandle-Plains Historical Museum, Canyon, Texas (catalogue) · 2005 Celebrating Early Texas Art: Treasures from Dallas-Fort Worth Private Collections, 1900-1960, Fort Worth Community Center, Fort Worth, Texas (catalogue) · 2007 A Life of Art: 1943-Present, Lotus Asian Art...

Style of Arthur B. Davies Untitled (Muses), c. 1920 Reverse glass painting 19 x 24 in. Reverse glass painting is a form of art that consists of applying paint to a piece of glass t...

Pocket Greenish Blackbird's Egg 4c is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to ...

Pauline Ziegen oil, gold leaf, mixed media on panel coral, pink, white gold, teal, aqua, rust, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kans...

Indigo Vibration (Abstract Painting) Cold wax and oil stick on canvas paper - Unframed The work is matted, image size is 40 x 32 cm / 15.7 x 12.2 in Within the minimalist construc...

Pierre Coquet - Still life with bottles and an old iron Reference number F287 This is a oil on canvas and wear the stamp of the signature in the bottom right. The painting is not fra...

"Scena Allegorica" Copy after a Venetian 16th century masterpiece by Veronese Medium: Oil on canvas Dimensions (Framed): 97 x 107 cm Dimensions (Canvas): 91 x 100 cm Signature: Upper right corner This copy after a Venetian 16th century masterpiece by Veronese, exquisite 19th-century oil painting by Antonio Franchini...

Madonna and Child with Saint John the Baptist and angels Circle of Joos Van Cleve (1485 – 1541) 16th century Antwerp school Oil on oak panel Dimensions: h. 32 cm (13 in.), w. 28.5 cm...

Philippe Auge (French 1935-) Still-life with pears Medium: Oil on canvas Dimensions: canvas 8 1/4 by 10 1/4in., 21 by 26cm. Hand signed upper left corner "Auge'" Provenance: Miami...

Pocket Autumn Leaf 5c is an original oil painting by Dani Humberstone as part of her small scale realistic oil paintings, with a nod to baroque still life painting. The paintings are...

Original painting of Snow White, Cinderella, and Sleeping Beauty from the Golden age of Disney Animation along with Ariel, Belle, and Jasmine, from the Disney Renaissance of Animation. This magnificent work was created by legendary Disney artist Eric Robison, a Disney Imagineer who was a show concept designer for all the Disney theme parks worldwide. He was the artist who was chosen to create 100 original Mickey Mouse paintings...

Scott French "Strength, sensitivity and beauty are the landmarks that inspire my landscapes-- wide open spaces, no matter how small the image. By conveying the mysteries of these rev...

Anthropomorphic figure created by accumulating representations of flowers, plants, insects, and other elements of kitsch iconography, with intense, bright, and fluorescent colors. Th...

Anthropomorphic figure created by accumulating representations of flowers, plants, insects, and other elements of kitsch iconography, with intense, bright, and fluorescent colors. Th...

"Melc-Melc-Codobelc" is an acrylic painting from the "Fetishes" series that Natasha Lelenco developed in 2022. With rich green tones, the piece present...

Pocket White Anemone (canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a n...

Long fascinated with nature’s way of reclaiming what humans build, artist Melissa Furness visually depicts how organic and self-imposed deterioration confuses our sense of reality an...

'Abstract, Parchment and Rose' by Kurt Weber, 1963. Musée d'Art Moderne, Paris, Zurich ----- Signed lower right, 'Kurt Weber' for Kurt Oscar Weber (Swiss-American, 1938-2011); addit...