2,940 results for "belgian "

A superb 19th century Belgian oil on panel still life depicting three fish hanging against a wood background. The work is indistinctly signed upper right and retains a Brussels gal...

A superb late 19th century Belgian oil on canvas depicting figures with umbrellas in a town during a snow blizzard. Excellent quality work in very good original condition. The work...

'Clearing the Pond' by Francois Duyk (Belgian, late 19th century) signed lower corner oil on canvas, framed framed: 22.5 x 32.5 inches canvas : 20 x 30 inches Provenance: private col...

Leading them Home Belgian School. mid 20th century indistinctly signed oil on board, framed framed: 20 x 25 inches board : 16 x 20 inches Provenance: private collection, England Cond...

A beautiful 1960's Belgian naif oil on canvas board depicting a bridge, probably in Bruges, with figures and buildings. The work is very pleasingly painted in the naif style and in...

This artwork "Belgian Landscape" c.1960 is an oil painting on canvas board by Belgian artist Gustav Pynaert, 1900-1968. It is signed at the lower lef...

Original oil on masonite painting of a Belgian Quay by the artist Flory Roland. Signed lower right by the artist. Circa 1955. Condition is very good. The painting is housed in a p...

Gorgeous mid-century Belgian landscape by Gustav Pynaert (Belgium, 1900-1968), c.1950. Signed lower right. Unframed. Image size: 16"H x 20"L. Gustave Pynaert was born in Menen in West Flanders...

A beautiful post-impressionist interior still life oil on canvas depicting a guitair and fruits on a chair, by modern Belgian artist and sculptor Roger Duterme. Ther work is signed ...

Dutch Landscape "Country Farmhouse" Piet Lippens (Belgian, 1890-1981) Circa 1930s Oil on canvas, signed lower left 19 1/2 x 23 1/4 (25 1/4 x 29 frame) inches Piet Lippens was a Pos...

Beautiful oil on mahogany panel painting of the bustling Port of Ostend in Belgium by Louis Clesse. Signed lower right and dated 1942. Titled verso and signed again by the artist ve...

Poreau Oswald Brussels 1877 – 1955 Waterloo Belgian Painter 'Anemones' Signature: Signed top right, dated 1946; on revers signed, named and dated Medium: Oil on canvas laid down on...

A superb mid 20th century Belgian cubist still life depicting objects on a table top, by Rob Debont. Excellent quality and condition decorative work which is in very good original ...

1970s abstract expressionist gouache on paper by Belgian artist André Pierard painted in Provence in the south of France. A highly colourful and energetic abstract painting. The st...

Alfred de Breanski Jr was born 1877 into a family of artists, most notably his father, Alfred de Breanski Sr and Uncle Gustav de Breanski. His father was already a renowned artist k...

Jean-Baptiste COENE Vilvoorde, 1805 - Brussels, circa 1880 Lively landscape by a mountain lake Oil on canvas 38 x 55 cm (53 x 70 cm with frame) Signed and dated lower left "J. Coene ...

Belgium. East Flanders - Ghent by Leonard Machin Rowe (1880-1968) signed in both front lower corners, inscribed and dated to the back watercolour painting on artist's paper, unframe...

A beautiful signed and dated 1927 oil on panel portrait of a young lady, by Belgian painter Victor Abeloos. Excellent quality Art Deco period portrait of the beautiful young lady wi...

Unique artwork Hugo Pondz is a Belgian artist born in 1975 who lives & works in Namur, Belgium. In his dreams he travels to New York where he is interested in the urban landscapes a...

A Meal Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Attributed to Charles Van Den Eycken Medium: Oil on panel Dimens...

A beautiful mid 20th century oil on canvas by Belgian artist Suzanne Boland van de Weghe depicting figures in a walled town or city. The work is very well painted in the naif Paris ...

Auguste Adolphe CHAUVIN (Liege, 1810 – Liege 1884) Portrait of Coraline Oil on canvas Signed and dated lower right 91 x 68cm 1868 Auguste Adolphe Chauvin, born in Liège on October 2...

A very beautiful signed and dated 1875 oil on panel depicting a river landscape, by Belgian artist Vital de Gronckel. Excellent quality early impressionist work, presented in an orn...

"A yellow tree Impressionism Landscape" Vitality and ephemeral energy of autumn with expressive touches and bright colors. The oil technique brings rich textures, highlight the contrasts between light and dark colors. The vibrant yellow from the main tree creates a sense of renewal, a pure of moment of beauty. 🟢 Technique: oil on canvas 🟢 Dimension: 40x40cm / 15,7x15,7 inch 🟢 READY TO HANG IN 🟢 Certificate of authenticity included 🟢 3-6 days from Belgium to USA 🟢 Safe packaging ----------------------------------------------------------------------------------------------------------- Pol Ledent...

Brussels: Belgium. De Brouckere Square and the Jules Anspach Obelisk by Leonard Machin Rowe (1880-1968) signed lower left watercolour painting on artist's paper, unframed Sheet: 9.7...

A beautiful signed 1960's Belgian oil on board portrait of a lady wearing a blueb jumper against a striking orange background, by Noëlle Verheggen. Possibly a self portrait of the ar...

Pierre LaFille, Belgian late 20th century signed oil on canvas, framed framed: 42.5 x 35 inches canvas: 39 x 32 inches provenance: private collection, France condition: very good and...

Nikol Schattenstein (1877 - 1954) Day at the Beach Oil on canvas 27 3/4 x 33 1/2 inches Signed lower left Provenance: Descended in the family of the artist Estate of Howard Aronso...

"Nude "odalisque Aux Pantins" Belgian Modern School By Georges Brasseur 1930" Georges BRASSEUR was an artist born in Belgium in 1880 and died in 1950....

Gustave WAPPERS (Attributed to) Anvers, 1803 - Paris, 1874 Oil on panel Trace of monogram lower right 42.5 x 31.5 cm (59.5 x 49.5 cm with the frame) XIXth century frame in carved woo...

Victor Simonin (Belgian, 1877-1946). An antique oil painting on board titled "Still Life of Flower and Fruit." This abstract still life work depicts a colorful botanical bouquet of f...

Mid-century Surrealist oil on board depicting War and Peace by Belgian Artist, Willy Smitz. Signed and dated bottom right with his recognisable triangular motif ( initialed WS ), in ...

"The Japanese Bridge, 1928" François Beauck (Belgian, 1876-1946) Oil on cardboard Signed and dated with inscriptions on the back 27.25 x 13.5 (33 x 19...

This exceptional mid-19th century pastoral oil painting, after Eugene Verboeckhoven's celebrated composition "Passing the Brook," depicts a serene rural scene where cows and sheep cr...

Hand signed on the back Corine Lescop is a French-Canadian artist born in 1960 who lives & works in Wolowe-Saint-Lambert, Belgium. As visual artist in oil painting & calligraphy, Co...

A fine early 20th Century Belgian Impressionist landscape showing the rural hills of the Belgian countryside with blossom trees and farm buildings. The a...

A beautiful signed and dated 1943 impressionist oil on board depicting a seated lady, by Belgian painter Jacques Hanot (Jacano). Excellent quality and condition work, siggned lower ...

"View in Gent" Piet Lippens (Belgian, 1890-1981) Circa 1920s Oil on canvas, signed lower left 23 3/8 x 19 3/8 (24 x 28 frame) inches Piet Lippens was a...

Oil On Canvas, Hunting Dog by Alexander Clarys Belgian School Terrier Hunting Dog , Exceptional paintings seen the large format, sold with the frame. Alexandre Clarys, born in Bruss...

In this oil work, I sought to capture the vibrant essence of spring renewal. I let myself be guided by expressionism and impressionism to convey the pure emotions of nature reborn. The energy of life and the softness of the colors permeate the canvas, offering those who contemplate it a feeling of rebirth and hope. It will bring your interior a touch of vitality and a breath of spring freshness. 🟢 Technique: oil on canvas 🟢 Dimension: 50x60cm / 19,7x23,6 inch 🟢 READY TO HANG IN 🟢 Certificate of authenticity included 🟢 3-6 days from Belgium to USA 🟢 Safe packaging ----------------------------------------------------------------------------------------------------------- Pol Ledent...

Hand signed on the back Corine Lescop is a French-Canadian artist born in 1960 who lives & works in Wolowe-Saint-Lambert, Belgium. As visual artist in oil painting & calligraphy, Co...

Louis Buisseret (Belgian) Exhibited at the Pittsburgh International (Carnegie Institute) show of 1928 "Composition" This surrealist painting depicts nude women having a picnic in a S...

A beautiful mid 20th century post-impressionist oil on board depicting a street scene, likely to be Antwerp, by Belgian artist Jean Guy Beernaerts. Excellent quality and condition w...

Judaica oil painting Rabbi portrait. In a Modernist style

Van Ryswyck Edward Antwerp 1871 – 1931 Belgian Painter Still Life with Oranges and Flowers Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 51 x 72 cm, fra...

Hand signed on the back Corine Lescop is a French-Canadian artist born in 1960 who lives & works in Wolowe-Saint-Lambert, Belgium. As visual artist in oil painting & calligraphy, Co...

HUBERT HENRARD (Belgium 1816-1898) Still Life with Cornflower and Harebells Signed l.r.: Hubert Henrard Oil on canvas Framed 25 by 20.5 cm., 10 by 8 in. (frame size 41.5 by 36.5 c...

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...

Monumental Hyper Realist Still Life Painting Of Peppers, Hand Signed Oil on canvas 48 x 48 in, 58 x 58 in (framed) Perfect for a ki...

Julien Celos Antwerp 1884 – 1953 Belgian Painter 'A Canal View of Bruges - Groenerei' In "A Canal View of Bruges," Julien's brush unveils the serene beauty of Bruges' canals, showc...

A beautiful signed and dated 1920 oil on canvas interior still life with a shelf and other objects by the important Belgian artist, collector and patron of the arts Philippe Schott. ...

Oil on canvas Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees wi...

Gilsoul Victor Brussels 1867 – 1943 Belgian Painter A View of Diksmuide Signature: Signed bottom left, placed Dicsmuide and dated 1900 Medium: Oil on canvas Dimensions: Image size 55,50 x 71 cm, frame size 68,50 x 84 cm Biography: Gilsoul Victor Olivier was born in Brussels on September 10, in 1867. He was a Belgian impressionist painter of landscapes, marines, harbour scenes, architectures, interiors, city and canal views, portraits and figures. He was also a watercolourist. Gilsoul studied at the Antwerp Academy of Fine Arts with the famed master teachers and artists François Courtens (1854 – 1895) and Louis Artan (1837 – 1890). In 1882 he won his first prize at the Academy and in 1884 debuted at the Brussels Salon. He studied also at the Brussels Academy of Fine Arts, where he won a prize (1885-1890). Gilsoul was member of the group ‘Voorwaerts’ in 1891. He was awarded a silver medal at the Paris World Fair in 1900. In the same year, King Leopold II commissioned several compositions for his yacht “Alberta” and knighted him to the Order of King of the Belgians. The painter stayed from 1911 in Paris, where he often painted the Versailles region, also worked and lived for some time in Brittany. He had several exhibitions in France. He was a teacher at the Antwerp Higher Institute of Fine Arts (1924-1930) and a member and honorary member of La Gravure Originale Belge (1928). Gilsoul painted at the Belgian coast...

Pigments, sand glue & acrylic on wood

Signed and dated to the lower right. Inscribed with location to the lower left. Presented in a maple frame. On board.

Dutch Landscape "HayBales in Front of a Church" Piet Lippens (Belgian, 1890-1981) Circa 1930s Oil on canvas, signed lower right 19 1/2 x 23 1/4 (24 1/4 x 28 1/4 frame) inches Piet ...

Romantic Portraits Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Medium: Oil on canvas Dimensions: Image size 67,50 x 62,50 cm, frame size 69,50 x 64,50 cm Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice Mareels (1893 – 1976), Guy Onkelinx (1879 – 1935), Georges Rogy (1897 – 1981), José Storie (1899 – 1961), Charles Swyncop (1895 – 1970), Maurice Schelck...

A beautiful signed and dated 1917 oil on panel still life depicting flowers on a table, by Belgian painter Victor Abeloos. Excellent quality Art Deco period still life of the colour...

A beautiful mid 20th century oil on canvas portrait of a terrier dog, by Belgian artist René Philippe Delin. Unusual perspective depiction of the well groomed dog by this noted animal artist who studied at the Académie Royale des Beaux-Arts de Bruxelles and painted pigeons and horses as well as dogs. The work is signed and dated 23/06/1951 lower right. Presented in a gilt frame. Artist: René Philippe Delin (Belgian, 1877-1961) Title: Terrier Portrait...

A Summery oil scene showing a Belgian thatched farm with a large farm yard filled with grazing chickens under a blue sky. The artist has signed to the lower right corner and the pain...